Top 1200 Rap Song Quotes & Sayings - Page 17

When I listen to little fourth-dimension artifacts, they're like they were made as time capsules in the first place. You know that when you're writing the song and recording the song, you're already sending a message to the future listener, whoever and wherever and whenever that will be.

I think it's his perception of knowing how to make a record build, keeping the integrity of the song in the music and really adding a lot of musical elements to compliment my voice and to compliment the song.

Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine', which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written.

You may not hear much bluegrass on the surface of my music, but I feel the emotion I put in a song comes from bluegrass. Bluegrass taught me to interpret a song, not just sing it.

A lot of artists come into the game with a radio record, but they don't establish the fans as fans of their style of music. It's just that they're a fan of that song, and after that song plays out, it's real hard for 'em.

Fruitcakes have a bad rap.

I'm constantly working on something new, whether it's a Garbage song, or for someone I'm producing or a song for film or TV whatever it is. I guess I'm sort of living in the moment and moving towards what I'm doing next. I think most artists are like that.

When someone tells me what he or she was doing the first time they heard a song of mine, then I've done a good job. If my song becomes about your life, then I'm successful.

I think people should be able to have at their behest, like, four hours of music, entertainment, visual knowledge, different pathways. That's what I'm trying to do with modern technology, not just another song and another song.

You will taste a way of life profoundly nourishing and from your tongue may spring a song or poem or sentence or word or maybe nothing but silence. Silence only the heart can turn to song.

It's not the coolest thing in the world to be walking around humming the Taylor Swift song. It's not as cool to be singing along with the number one song in the country as it is to be the jaded, indifferent hipster who wants to turn you on to something that nobody else is talking about.

Every heart sings a song, incomplete, until another heart whispers back. Those who wish to sing always find a song. At the touch of a lover, everyone becomes a poet.

You have to learn how to act a pop song. You have to find the balance of the pop from the pop song and the lyrical significance of the scene you are in.

When I was preparing for '1994,' the song for Deena and Sam was 'Fast Car' by Tracy Chapman. I just really love that song so much, and I think the lyrics really hit home and reminded me of their dynamic.

My favorite song of ours has to be 'Feel Special.' It was a little different than our bright songs that talk about love and general happy things, but we thought the song had a special message.

Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine,' which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written.

There's only one proper way a song should go, but you've got to be patient enough to let them come together time wise. Sometimes it's lightning in a bottle and you got the song. But oftentimes it shows up.

Eventually I had so many little melodies and ideas that, you know, that they were all songs to me and I threw in a few cover songs like Enya's "Watermark," Bach, and my dad's song, "Song for the Whales."

The basis of everything I do is down to the song. If I don't have the song I don't sing, and if I don't sing I don't perform.

'Bruce Lee' is the fastest film in my career. But the quality is also very high. The last song was shot continuously for 24 hours. We worked like robots for that song, but the quality is outstanding.

I love the story of the guy coming to Nashville and then kind of getting set down and told, 'This is how the town works,' which, I've totally been there. But the coolest thing about 'Out of Style' is it's a song within a song.

The song of the voice is sweet, but the song of the heart is the pure voice of heaven.

Most people think a song is a song - three minutes, and you're done. I don't think this way. Songs are my wings. They're what I use to fly. It's very important for me to put everything in the right place.

It was a song I wrote for my wife as a present, never intending for it to be a Styx song. 'Babe' was a demo. The demo became the hit record, including all the background vocals, which were done by me.

A song is a lot of things. But, first of all, a song is the voice of its time. Setting words to music gives them weight, makes then somehow easier to say, and it helps them to be remembered.

When you rap, you're using all of yourself.

I have struggled for decades now with the fear of and resistance to change - mostly in the realms of technology, transportation, and the ways people choose to communicate. If I had a theme song, it would be that lovely song 'I'm Old-Fashioned,' as sung by Ella Fitzgerald.

When I was maybe three years old, I was obsessed with this song 'Leader of the Band' by Dan Fogelberg. My mom took me to the mall and bought me a 45 of it. We would listen to that song all the time.

Cyndi Lauper's 'Time After Time' was a perfect song. It was so beautiful and so heartfelt. Her vocals were so amazing. And, for me, that was a song I went to when I was feeling sad and wanted to feel even sadder.

I feel like if it's a good song on a guitar, it's a good song no matter what.

I'm a fun song maker. I love to make people smile. I also love to see them big, burly dudes crying because their wives' song is 'Die a Happy Man.'

I'm not going to make a song just to make a song. The day that I make an album, it's so that people really know what Bad Bunny's about.

It doesn't take much for anyone to pick up anything I play - it's quite simple. I go for a good song. And if you hear a good song, you don't dissect it - you just listen, and every bit seems right.

I keep reminding people that an editorial in rhyme is not a song. A good song makes you laugh, it makes you cry, it makes you think.

I never want to record something that I'm not proud of just because I think it might be a big hit. There's no positive about that because if you record a song you hate and it's a big hit, then you're singing a song every night that you hate. And if you record a song that you hate and it isn't a hit, then you sold out for no reason.

Sometimes when you're writing a song, it's work, and you really have to make sure you're kind of pounding out every little piece of it. And then sometimes you write a song, and you turn around and you go, 'How did we do that?'

While I wanted to be supportive of Kanye [west] on the phone call, you cannot 'approve' a song you haven't heard. Being falsely painted as a liar when I was never given the full story or played any part of the song is character assassination.

Say an A&R person wants me to do this type of song because they feel it is going to work on the radio, I guarantee you that unless the song is real, there is nothing wrong with having success and I want to be successful. That is why I am, but I do it my own way.

I think all the covers I do have nice sentiments, particularly 'Your Song.' People write me very sweet messages about that song, though I'm sure there are people out there saying that I've ruined it too!

Irish fathers still have certain responsibilities, and by the time my two daughters turned seven, they could swim, ride a bike, sing at least one part of a Woody Guthrie song, and recite all of W. B. Yeats's 'The Song of Wandering Aengus.'

When you're in a songwriting class, and you write a song, and you hand it in to a teacher to grade, I'm still going to say that it's a really awesome song whether I got an A or a D. I learned to stick to my guns and take the tools as tools and not as rules.

A song called Never. Which we never play. But it's a great song.

The thing about albums is just coming up with new material. I just got tired of that syndrome of putting out an album and then some reviewer claims that this song or that song has something to do with x y or z.

I think there's a weird self-affirmation thing that happens in popular music in general. It seems like every song I hear on the radio is like, "Listen to me roar!" or "This is my fight song!"

A big mistake a lot of filmmakers do is they like, "We cut our whole ending to a Rolling Stones song." You better find a new ending then, because unless you have $2 million for that song.

My best capacity is to edit. If anything, I am a specialist at editing: my usual approach is to record a song very long. In the beginning just jam, jam on and on. Then break the song and play with it.

Unfortunately, most of the songs that I write I don't write them with guitar in mind. I just write it as a song and that was probably one of the ones that left an opening for it. The song's all right, I wouldn't choose to sing it now.

The people at the record company had asked me if I could write a song about my life, my relationship with God, and where I'm from. Well, I can't write a song on purpose, my songs come in a moment of inspiration or desperation.

I think people should be able to have at their behest, like, four hours of music, entertainment, visual knowledge, different pathways[.] That's what I'm trying to do with modern technology, not just another song and another song.

Revising a screenplay is much more frustrating than revising a song because you have to read through the entire work again while you are changing stuff. It is a lot easier to edit a song.

For me, writing a song, I sit down and the process doesn't really involve me thinking about the demographic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.

I've never done a video where I feel like the images have anything to do with my song, except in the most vague way possible, because I feel like the song is its own complete thing. But ideally, a song is a complete sphere like the Earth, where if you were an alien with a huge, huge finger, you could stick your finger into the middle of the ocean and make an impression on it. It’s not an impregnable sphere, but it is a sphere.

Every single song has its own individual character and you can't treat each song the same way, because it wants to be treated differently and there are songs that are like scared birds that you have to sneak up on over the course of months in the woods.

I have always thought it was important to maintain some connection for myself to what it takes to make a song work by myself, to put a song across to an audience by myself.

It's already years ago now, but there's that South Korean music artist Psy, who had that hit song and it was a hit song here. I'm like, "Wait a minute. There's a chance. There's a way we can have language not be such an important part of comedy."

Not anyone can rap to my beats.

I do value the respect I get from my contemporaries, but to have Oasis cover my song, to have Puff Daddy cover a song, to have Goldie come along to my gigs - that's where my ego is at. To have my fellow musicians like what I do, that's very cool.

Future's Pluto is my favorite album of the year. It's so emo. Future is the number one dude I'd love to produce for - every time I listen to the song he did with Rihanna, "Loveeeeeee Song", I'm like, "I should have produced that."

Dawes is a rock 'n' roll band playing guitars, writing songs, working in a certain tradition. Through our attitude and personality, I hope, you can hear a song and go, 'That's a Dawes song.'

There are certain songs that if people come up to me and tell me how much that song meant to them, I think, You should have better taste, then, because I don't really like that song.