Top 336 Rapping Quotes & Sayings - Page 5

I like the whole laid-back rapping. I wish I could rap! I wish I could wrap like Azealia Banks or Lil Wayne or someone like that.

The way I think it all went down was MTV was doing a special on people and my publicist heard about it.It was a good thing though. People ask me about that all the time, all over the world. Sometimes I feel I'm more known for that then for rapping.

I've never been the straight rapper that is going to stand in a cipher and battle all day. I started off battle rapping, but to me, making songs became more important than freestyles... I've met many rappers who can freestyle but can't make a record.

My mom made me read a ton of books, so I got good at words and understood the English language. So when I started rapping, words were something I knew. I learned how to manipulate them so that I could say whatever I wanted to say.

When you listen to records like 'Foreclosure,' that's like me sitting in a room by myself just rapping about things that's running across my mind and things that have been bothering me.

I never gave up rapping - it gave up on me. There was no industry and no appetite for UK rap back then and I had a daughter to feed. I couldn't keep doing something full time that didn't pay the bills.

My come-out record, '10 Day,' was the thing people were supposed to hear and figure out 'he's good' or 'he's not good.' 'Acid Rap' is the comeback tape, and it asks way bigger and better questions than, 'Is he good at rapping?

There's been people who've rapped and produced - like Kanye - but I don't feel like on the rapping side there's ever been a producer who can rap as good as I think I can rap.

Before I was rapping, I was always around the rap game, even though I was in the streets. I would be at all the parties and all the events, and I was pretty hard to miss. I was one of the few Spanish cats sitting there with jewelry on, Dapper Dan suits. It was pretty hard to miss me.

I saw Nicki for the first time and, like, literally fell in love. She had this snap-back hat on that said 'Minaj.' She used to wear that every single day. She was like a theater student and she was so cold at rapping.

Will Young. He's a great white soul singer. But he was slightly disappointing when I met him - not that friendly. Perhaps he was having a bad day. I love Take That, they're terrific. Gary Barlow is so talented. I've always hated punk rock and I'm not mad about rapping, but then it's not really for my age group.

I was rapping because there were so many things that I wanted to say. There weren't enough words for me to articulate all of the things that I wanted to say in a three minute song.

I was like 13, 14 years old. I had a Rock Band mic, and I used to record music and put it on YouTube and DatPiff. Then I started getting to producing my own music because I didn't want to keep rapping on beats I was getting on SoundClick.

I've never seen Kendrick Lamar crack a joke, and I've met him, but I'm sure he's hilarious, too, just because he's so good at rapping. J. Cole is a funny guy as well. Drake is funny. But who's the funniest guy I've met who is a rapper? I would say 50 Cent.

I have done whole projects with Scoop Deville, I like to basically work with a single producer. I always just worked on a bunch of songs, and then put them together, whether it was an EP or another project. None of them were mixtapes where I was rapping over other peoples beats.

I don't even think I'm that good at rapping, but I think what makes a great rapper - what CAN make a great rapper - is someone who wants to be better.

I really want to do the unexpected, and I think that's what I did when I executed 'Long.Live.A$AP.' I wanted people to really see the message and that I'm an artist who not only has the capability of rapping, but of composing great music both for people of my generation and for people with different backgrounds.

I always laugh when I listen to my old stuff. I was just trying way too much back then. Doing too many harmonies and too many runs and all the crazy stuff. Rapping all funny and animated.

This is going to sound ridiculous, but I read in an interview with Lil Wayne that he recorded a mixtape of something like 50 straight minutes of him rapping all of his material because he felt like he could never move on to the next phase of his musical exploration if he didn't get it down on tape.

I was making all my own beats, and I really liked sampling stuff, like old '50s and '60s pop and soul and doo-wop records. I was chopping those up and putting loops and drums on them and just rapping over them.

When you're a college student interested in music, you hear all these rappers talking about dropping out. For me, when I heard someone like J. Cole rapping about school and staying in school...it inspired me to keep going.

Rather than trying to put an end to Eminem or some other rapper, politicians should think about why they're rapping. It's easier to try to censor some kid who's swearing about poverty than it is to stop the poverty.

I had to work a lot. I was doing YouTube videos, but I wasn't getting a lot of love. How do I make a living off rapping when no one knows me? I got kind of discouraged. But hard work shuts people up.

When it came to hip-hop... I don't know. Maybe I was insecure. You know, this is the early '90s. If you were a white guy, and you were rapping, that wasn't as accepted yet. I was scared of the quiet Northeast suburbs, so I couldn't embrace my full rapper self.

People who know my music are like 'Yo, that's Steve G-Lover rapping this 'Paper Boi' song. It's hot. I need this song.' It's funny because the song came about so fast, but the idea had been simmering for a while.

I started rapping at the age of 12. That's when I wrote my first song, but I was more intrigued on learning how the recording process works: how do you create music and what materials I needed. So I educated myself musically so that I could focus on creating my own.

Two things happened. The creative side of my career was harmed. When I'd sit down and write under the influence of coke, the ratio of pages kept to pages thrown out declined drastically. But onstage, when rapping about a feeling I already owned, I would sometimes get a burst of eloquence.

When you get older, you try to get what you wanted as a kid. Maybe you wanted an arcade in your house or Q-Tip rapping on your beats.

Me being biracial, me being from Canada but having success in the States, I have all these moments in my life where I'm jumping roof to roof. Black to white. Singing and rapping.

'So Icy' is always going to be one of my favorites because this is a song that blew my mind. I was just making beats for the fun of it. I went to the club and heard the song being played, so I asked the DJ to stop playing the song, and the whole club started rapping word for word.

When we were growing up, I got kicked out of Timbaland's house every day. He was the DJ for my brother's rap group in junior high school. So I was 7, and while Tim's DJ'ing and my brother's rapping, I'd be upstairs dancing.

I can see myself retiring from rapping, but I don't think from music. After that, I think I'd just go into some other kind of music, 'cuz I'm a worldwide fan of music, all types of music, all cultures, so I'll always be involved.

Rapping's a release of the good and the bad - that's the definition of hyphy. You can't be like that, you can't get hyphy in, like, a business environment. I can be me. I'm energy. Hyphy is energy.

Well before I was rapping. I was just a regular kid in school. I just liked to chill my friends and play games and stuff like that. One day at school my friends were freestyling at the lunch table and thats where it all started.

I really didn't want to rap; I was just a regular kid. My friend - his name is William Aston - we went to the same high school together, and he was rapping. He put out a freestyle over Chris Brown's 'Look at Me Now,' and it was fire, and the whole school went crazy.

Even where the game is today, cats don't really focus on necessarily what it is that you're saying so when people say, "Oh, you can't rap," I play into the joke. That's why I'll challenge anybody; anybody rapping, let's go just because I know what the art form is and even when you see these battle rappers in here, they're so skillful. It's actually a skill.

I had one of those tape players with a strap on it and the orange button - the old-school recorder - and I'd record songs by Roxanne Shante, Run-D.M.C. and Biz, Markie. I'd try and learn the words. I've been rhyming since I was a young fella. I used to win talent shows by break dancing and rapping.

Styles move too fast to be partial to anything. If it's funk, that's enough for me. I don't care how fast or slow it is. I got my grandkids up front rapping and doing the new thing. They're teaching each other, bringing us up to date.

When I first started rapping, I was just doing it for the hood to notice me - the hood fame - just to get people's attention around the city, to make me a little show money. But then music became my passion, it got real serious.

I grew up with park jams. That's how I knew about rap... The local MCs would grab the mic and start rapping. I just used to be so in awe and fascinated and like, 'Wow, this is amazing!' But I would never, ever touch the mic. Heck no.

I've never got the vibe that they would do a gospel song. 'Cause when they talking about doing another Geto Boys album I said I would do it if I could rap like I'm rapping on my gospel album, I didn't get a whole lot of cosigning on that from all the political parties concerned.

I love when rappers have a off-beat, very abstract timing, and he certainly did.And any rapper who really approaches rapping with the art form of songwriting melodically - I know a bunch of rappers who actually go in before they write the lyrics and come up with the melody. And you can hear and feel that difference so much when that's the case.

My ultimate goal is my son, and a lot of other kids, to not have to grow up the way I grew up. I just give them a different outlook on something. I want to let them know they can have this much fun by doing something legal like me rapping for instance.

I always knew that I would be some type of public figure, but I never knew that it would be rapping, 'cause my dad sang: I saw him deal with the ills of the music industry, just on the outside looking in.

People were talking while I was playing, so I got up and left the stage. I've gotten to the point where I'm not really very patient with patrons rapping during the show. And the people were all nice and quiet when I cam back.

There are a lot of people who really abused sampling and gave it a bad name, by just taking people's entire hit songs and rapping over them. It gave publishers license to get a little greedy.

I had been introduced to rapping in a way where women and people did it, it was structured. It had this very very political structure to it and if you didn't follow the structure, you weren't considered validated or real and that just gave me anxiety.

You can count on one hand the white rappers that have made it. So I just wanted to show the point of view of an actor in Hollywood, because what could be more soft than that. Rapping about auditions and acting and stuff. I thought it was just uncharted territory to clown on, so that pushed through with Dirt Nasty.

The first thing I ever put on the Internet was actually a beat tape, but the first thing I ever put on where I was rapping was called 'Generation Y,' and it was hella political.

If I was with some other rappers who aren't as polished, or I was the only rapper, I don't think I would be where I'm, nor would I be rapping. They pushed me, we pushed each other on every record.

You can put together an album with a bunch of producers, but your vision has to be clear. If you just grab a track from this person and this person and put them on a CD it doesn't mean that they go, just because you are rapping over them.

I was, like, 12 or 13; the first hip hop song I tried to rapping to was Macklemore's 'Thrift Shop,' and my English was so bad, but learning to rap to different songs really helped me with my pronunciation, and looking at the lyrics on Rap Genius and stuff like that.

My come-out record, '10 Day,' was the thing people were supposed to hear and figure out 'he's good' or 'he's not good.' 'Acid Rap' is the comeback tape, and it asks way bigger and better questions than, 'Is he good at rapping?'

Before I started rapping and touring I weighed about 160. But by going on the road every night eating fast food, performing every night, partying and drinking I started gaining weight immediately.

I remember going backstage on a random night and Kanye goes, 'Ayo Premier, I'm about to drop an album called 'College Dropout' and I'm rapping on the whole thing. And as I soon it drop it's gonna go double platinum.' I looked at him like, 'That's a bold statement to make if you never rapped before.'

I started rapping before anybody had ever bought a car from it. It was truly about the art form and the culture, more so than now, where it's a successful way to make money. Back then you had to be doing it because you liked it.

Let me keep it 100% real with you, when there was park jams nobody rapped at a park jam when I was rapping and that's a fact. You can ask anybody don't just take my word for it do your research cuz it seems everyone wants to make themselves bigger than what they are.

That's what my music... I'm working on a solo record right now, it's gonna be more hip-hop than anything, like electronic hip-hop, futuristic hip-hop. I'm probably gonna be rapping on it.

It makes me wonder what this rapping shits a hobby for, oh that's right, because I'm gifted in another field, and another field, and another field.

I've been rapping and writing since junior high school, just having fun with it as a hobby. Then I got signed to a label Poe Boy Entertainment four years ago, I started taking it serious about a year and a half, two years ago.