Top 1200 Read Between The Lines Quotes & Sayings - Page 2

I'll read a script maybe twice, but I'll think about the role more than I'll rehearse lines.

I'm a technician. I don't go for the get-into-the-role stuff. I read the lines and play the scenes.

Say you have a headline like "Mountain Bike Stolen," and then you read the story, read another story about it the next day, and then the next week, and then the next year. News is a process of expansion, the filling in of detail, and making narrative connections - not based on chronology, but based on features of the story. There are narrative connections made between props, between characters, between situations, and so forth.

Readers need to see themselves between the lines of the story.

Anything in between the white lines is deemed football.

I moved to leave, and Dylan actually grabbed my shoulders. I was so surprised that i forgot to karate-chop his elbows and break his arms.' “I don’t want anything to happen to you,” he said urgently. “What you want does not matter here,” I said slowly and carefully. I hoped Dylan was sensitive enough to read between the lines, to the subtext of: Let go of me or I’ll kill you.

So you think the best way to prepare kids for the real world is to bus them to a government institution where they're forced to spend all day isolated with children of their own age and adults who are paid to be with them, placed in classes that are too big to allow more than a few minutes of personal interaction with the teacher-then spend probably an hour or more everyday waiting in lunch lines, car lines, bathroom lines, recess lines, classroom lines, and are forced to progress at the speed of the slowest child in class?

It just so happened that my agent called and said, 'There's this movie 'Pitch Perfect.' Here are the sides.' I think I originally read for Bumper, because Donald didn't have much in the script, so I read all Bumper's lines. I beatboxed for them, because that's what my character was supposed to do. And then I was like, 'By the way, I rap.'

Working with Katherine Hepburn, she said to me, "Don't act." She said, "Read the lines. Just be. Just speak the lines." I said, "Okay." She said, "You look good. You got a good pair of shoulders, you got a good head, good face."

The whole notion of politics is they always present you with this or this or this. I’ll get a newspaper to read between the lines. Why do you have to adhere to prescribed formulas that they have and people argue over them and they’re all in a box. And you watch Fox claw CNN, and CNN claw Fox. Sometimes I catch a piece of the news and it seems insanity to me. I quietly support candidates. I’m not out there banging a drum for candidates. But I have supported a candidate and it’s a whole other world.

Inside the book between the lines, was a place to rest and absorb the magic

It is my hypothesis that the fundamental source of conflict in this new [post-Cold-War] world will not be primarily ideological or primarily economic. The great divisions among humankind and the dominating source of conflict will be cultural. Nation states will remain the most powerful actors in world affairs, but the principal conflicts of global politics will occur between nations and groups of different civilizations. The clash of civilizations will dominate global politics. The fault lines between civilizations will be the battle lines of the future.

Reading is the creative center of a writer’s life. I take a book with me everywhere I go, and find there are all sorts of opportunities to dip in. The trick is to teach yourself to read in small sips as well as in long swallows. Waiting rooms were made for books— of course! But so are theater lobbies before the show, long and boring checkout lines, and everyone’s favorite, the john. You can even read while you’re driving, thanks to the audiobook revolution. Of the books I read each year, anywhere from six to a dozen are on tape.

My advice to writers is: READ! A lot. Then read some more. read, read, read, read!

I first read Harper Lee's 'To Kill a Mockingbird' as a teen in school, like you did. I read the book alone, eating lunch at my locker, neatly scored oranges my mother divided into five lines with a circle at the top, so my fingers could dig more easily into the orange skin. To this day, the smell of oranges reminds me of 'Mockingbird.'

Funny bones, to me, are more important than funny lines. If a comedian is just not likable and doing the lines, you could read them yourself. Whereas if someone [you like] shambles out, and they tell you what a bad day they've had, they don't have to say anything. I love them. I want to hug them because they've been through something. And it comes back to empathy, always empathy.

My mom just told me the lines, because I didn't know how to read yet. I copied them and that's what I did.

Add love, and all the lines between right and wrong were bound to disappear.

I am glad that I belong to this era of cinema where we are witnessing blurring lines between real and reel.

Effectively, it makes the greasepaint permanent, blurring the lines not only between public and private but also between the authentic and contrived self. If all the world was once a stage, it has now become a reality TV show: we mere players are not just aware of the camera; we mug for it.

It does, Tennyson, because there’s a fine line between confidence and arrogance. There’s a fine line between being assertive and being a bully. And you’re on the wrong side of both lines.

I read the other day an account of a meeting between John Knox and John Calvin. Imagine a dialogue between a pestilence and a famine!

Every time I step in between those lines, I'm in the zone. If you get between me and the ball, you might get smashed a couple times. Things happen, plays happen.

You really have to take your time; you have to know your character and your scene. The line you are about to say comes from the moment right before. It's not what's said, it's what is in between the spaces, it's what's in between the lines; that is the most important to play.

You only have to read the lines of scribbly black and everything shines.

There is very little difference between one who cannot read and one who will not read.

To understand The signs that stars compose, we need depend Only on stars that are entirely there And the apparent space between them. There Never need be lines between them, puzzling Our sense of what is what.

There was but one question he left unasked, and it vibrated between his lines: if gross miscalculations of a person's value could occur on a baseball field, before a live audience of thirty thousand, and a television audience of millions more, what did that say about the measurement of performance in other lines of work? If professional baseball players could be over- or under valued, who couldn't?

I do read a lot, and I think in recent years the ratio between the amount of non-fiction and fiction has tipped quite considerably. I did read fiction as a teenager as well, mostly because I was forced to read fiction, of course, to go through high school.

I was a very shy kid. The only place I had confidence was in between the lines of a basketball court.

I memorize my lines and I show up. I think it's just instinctual, and sometimes it's wrong and the director says, "No, do it this way." And then I can change, because I didn't spend all night practicing it this one way. All I do to get ready for the day is the night before, I read my lines once or twice, memorize them, and then I show up.

The art of reading between the lines is as old as manipulated information.

I am a canvas of my experiences, my story is etched in lines and shading, and you can read it on my arms, my legs, my shoulders, and my stomach.

The lines have definitely blurred between country and pop music.

You tried to hide between the lines of a story never told.

It's hard to draw clear lines between writing and life and I don't think it is necessary to or necessarily good to.

When a film is good, the lines between single-screen and multiplex blur.

As a holding midfield player, you want movement and to play between the lines.

You can say a lot of things to someone while being pretty clear between the lines.

In this age, I don't care how tactically or operationally brilliant you are, if you cannot create harmony - even vicious harmony - on the battlefield based on trust across service lines, across coalition and national lines, and across civilian/military lines, you need to go home, because your leadership is obsolete. We have got to have officers who can create harmony across all those lines.

Today we live in a chaos of straight lines, in a jungle of straight lines. If you do not believe this, take the trouble to count the straight lines which surround you. Then you will understand, for you will never finish counting.

I'm giving into my tendency to want to blur and blend the lines between art and life, and privacy and sharing.

I see wrinkles and lines, and wear glasses to read, which I hate. But I am in a better place in my body than I used to be.

Between Twitter and Facebook I have nearly 70,000 followers, so my colleagues receive the responses. They show some of them to me, and I am always interested to read what people have to say. I filter all the information that reaches me, from letters in the newspaper, to conversations. There are many influences that shape my decisions, and often people on Twitter are thinking along the same lines as I do on an issue.

One of the most famous lines in contemporary Russian poetry is "Erica makes four copies and that's enough." That's the ethos we're aiming for. This is not to say I don't want lots of people to read my book, I do. I especially want people to read it who will feel better, and safer, or at least understood.

What's the Future? It's a blank sheet of paper, and we draw lines on it, but sometimes our hand is held, and the lines we draw aren't the lines we wanted.

That space between the white lines - that's my office. That's where I conduct my business.

You know, I'm the one that's out there jeopardizing my life, my body and everything in between the white lines.

Globalization is exposing new fault lines - between urban and rural communities, for example.

Read. Read every chance you get. Read to keep growing. Read history. Read poetry. Read for pure enjoyment. Read a book called Life on a Little Known Planet. It's about insects. It will make you feel better.

Cristiano Ronaldo is a player who often plays on the left side and moves between the lines.

Read, read, read, read, read, read, read, read, read, read, read, read, read...if you don't read, you will never be a filmmaker.

That space between the white lines, that's my office. That's where I conduct my business.

Reading functions as hallucinating a meaning between letters and lines.

Ultimately, as players, we are inside the tent, and we have got to deal with what happens between the white lines.

Read at every wait; read at all hours; read within leisure; read in times of labor; read as one goes in; read as one goest out. The task of the educated mind is simply put: read to lead.

Those of us raised in modern cities tend to notice horizontal and vertical lines more quickly than lines at other orientations. In contrast, people raised in nomadic tribes do a better job noticing lines skewed at intermediate angles, since Mother Nature tends to work with a wider array of lines than most architects.

There are a lot of things that go on between the lines of a tennis court, mentally, physically and whatnot.

You have to draw lines between being a journalist and an activist.

I read the 'New York Times', I read 'The Nation', I read 'Newsweek', I read 'Time Magazine', I read 'Politico', I read 'Mediaite'. This is what I do! I read every day, I have interests, I'm like everybody out there who's watching, who's out there watching, you know?