Top 1200 Reading And Writing Quotes & Sayings - Page 16

I started reading contemporary fiction in college or right after college. It wasn't as if I was steeped in experimental minimalism when I was twelve or something. I was reading The Witch of Blackbird Pond.

Reading is a way to take in the difficult situations and understand them. The whole point of reading a book in class is to have discussion about what these situations are like.

I don't have a writer's room. I write all the shows myself. Ninety-one episodes a season, I'm sitting there at the computer writing and writing and writing because I want the voice to be authentic so that the audience is hearing from me and not other writers.

I was always a slow reader, from the very beginning. I remember in first grade our teacher divided us into groups, and I was definitely in the slow group. She didn't call it that, but everybody in the class knew. But I still loved reading. Being a slow reader affected my grades in school, but it didn't affect my love for reading. I still loved going to the library, and I still loved reading books.

I was always taught that book keeping was more relevant than book reading. The only thing worth reading was meant to be a balance sheet.

Reading aloud and talking about what we're reading sharpens children's brains. It helps develop their ability to concentrate at length, to solve problems logically, and to express themselves more easily and clearly.

I wrote a great deal about the Civil Rights Movement when I was writing for 'The Nation' in the '60s, and also for Esquire magazine. Reading the biography of Coffin, it just reminded me that in those days, when you saw the term 'Christian,' it usually meant people for civil rights and for justice.

Reading is power. Reading is life.

Children do not learn in school; they are babysat. It takes maybe 50 hours to teach reading, writing, and arithmetic. After that, students can teach themselves. Mainly what school does is to keep the children off the streets and out of the job market.

That underscored this idea that when we're reading a book or writing a book, you're in an act of co-creation. The reader and the writer are both trying to dress up and present their best selves and then there's that moment, when suddenly, as a reader, you're not exactly you anymore, and likewise, as a writer, you're not really you.

I wanted my students to leave my classroom loving reading and wanting to read more, and if they left my classroom thinking that reading is boring, then I haven't done my job.

The chief knowledge that's man on from reading books is the knowledge that very few of them are worth reading.

Reading is a pleasure, but to finish reading, to come to the blank space at the end, is also a pleasure.

The harm that comes to souls from the lack of reading holy books makes me shudder... What power spiritual reading has to lead to a change of course, and to make even worldly people enter into the way of perfection.

Graham Wallas has reminded us that writing as compared with speaking involves an impression at the second remove and reading an impression at the third remove. The voice of a second-rate person is more impressive than the published opinion of superior ability.

So I grew up in a very book-friendly environment and my education as a writer was reading. I think that's the best education. Reading, and taking from the people I admired.

And there are a lot more people reading poetry, but there are not so many people reading an individual poet.

My partner doesn't read. He's not illiterate - he just chooses not to read - and I love reading. I'm obsessed with reading.

People who write for reward by way of recognition or monetary gain don't know what they're doing. They're in the category of those who write; they are not writers. Writing is simply something you must do. It's rather like virtue in that it is its own reward. Writing is selfish and contradictory in its terms. First of all, you're writing for an audience of one, you must please the one person you're writing for. Yourself.

One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing. I did that with 'World's Fair,' as with all of them. The inventions of the book come as discoveries.

I am interested in writing how women really feel, how they really think, and how they respond to men. I don't want men reading my books because they might find out too much.

I find writing the darker side, writing tragedy, a lot easier than writing happiness. Happiness is just less psychologically compelling, isn't it?

It certainly is my opinion that a book worth reading only in childhood is not worth reading even then.

If we're going to build hardware, the thing we want to do is build reading goggles, so you can do hands-free reading.

Reading is a free practice. I think the readers are free to begin by the books where they want to. They don't have to be led in their reading.

When we read about reading, we get to share an experience that is usually kept private. Incisive descriptions of reading help us to understand what is going on when our eyes move across words on the page.

Reading maketh a full man; and writing an axact man. And, therefore, if a man write little, he need have a present wit; and if he read little, he need have much cunning to seem to know which he doth not.

My mother married again after my father's death - another Royal Air Force officer, and a very different kind of man. We went to Australia when I was eight or nine. We lived there for a couple of years, and then came back and lived in North Wales for the whole of my teenage years... I learned how to write poems quite a lot. I just had a good time reading and reading and reading. So that's where I did most of my growing up.

As an actor, it's a relatively passive job unless you're generating your own content or writing your own content. So to a certain degree you're at the mercy of what is available, what you're reading, what you become passionate about, and ultimately, what people want to hire you for.

I think film writing, you're thinking in pictures, and stage writing, you're thinking in dialogue. In film writing, it's also, you only get so many words, so everything has to earn its place in a really economical way. I think for stage writing, you have more leeway.

But I also think that once you've found stuff that works, stop reading forums, stop reading reviews and just get out there and play.

The things worth writing about, and the things worth reading about, are the things that feel almost beyond description at the start and are, because of that, frightening.

You see, one of the best things about reading is that you'll always have something to think about when you're not reading.

After all, reading is arguably a far more creative and imaginative process than writing; when the reader creates emotion in their head, or the colors of the sky during the setting sun, or the smell of a warm summer's breeze on their face, they should reserve as much praise for themselves as they do for the writer - perhaps more.

If your book doesn't keep you up nights when you are writing it, it won't keep anyone up nights reading it.

I had some bad jobs when I was young. Writing is not one of them. If you're fortunate enough to reach my age, to still be writing, you have to be grateful, and I am. I've been lucky. For many years, all I've done is writing, and it's all I've ever wanted to do.

I don't see how you can write well if you're not reading well at the same time. I think the only risk is reading too many books of one 'type' in a row.

Poker is a game where you don't have to have the best hand to win. Poker is really reading other people and reading human emotion, which certainly comes into play in business.

The real importance of reading is that it creates an ease & intimacy with the process of writing... It also offers you a constantly growing knowledge of what has been done and what hasn't, what is trite and what is fresh, what works and what lies there dying (or dead) on the page. The more you read, the less apt you are to make a fool of yourself with your pen or word processor.

If someone is alone reading my poems, I hope it would be like reading someone's notebook. A record. Of a place, beauty, difficulty. A familiar daily struggle.

To justify being listened to, I try to be as well informed as I can. Hence, the travel. Reading is good too. Reading gets you part way there, and I do read pretty voraciously for a guy who's trying to write so much.

I may be writing well, I may be writing poorly, but I enjoy the act of writing and sometimes when it turns out okay, I feel an elation that is incomparable.

I've also been writing with my guitarist, Ted Barnes, and he's amazing. Writing with him has taught me a lot about my own writing process, in the sense that it's incredably personal to write with someone else from scratch.

For many years I was trying to find answers only through books but then I realized that basically, life is about experience and the thing that you have to do is experience life instead of only reading about it. Reading is very important, but it's not enough. After reading, you have to take some decisions in your hands and move forward and be the human being that you are, and then going and meeting people and work.

I wasn't reading it [the Bible] as literature. I was reading it as literature, and as history, and as a moral guide, and as anthropology and law and culture.

Be constantly committed to prayer or to reading [Scripture]; by praying, you speak to God, in reading, God speaks to you.

I ended up switching over to journalism in college. A few weeks into freshman year, I realized that business school wasn't for me. And writing stories and reading and talking to people is something that I just enjoy doing, so I figured why not try to build up a post-basketball career with that.

My mother is an actress, and she used to drag me from theater to theater and reading to reading.

To be honest, what I struggled with in my degree is what's so helpful when it comes to social media in that I lack focus. I'll start reading about evolutionary biology and end up on quantum physics. While that makes writing your dissertation very difficult, for a page like IFLS, that's amazing because I get a wide range of everything.

My favorite books are a constantly changing list, but one favorite has remained constant: the dictionary. Is the word I want to use spelled practice or practise? The dictionary knows. The dictionary also slows down my writing because it is such interesting reading that I am distracted.

The city of Morrow needs good leadership today and in the future years. I enjoy reading and learning from established leaders. Reading quotes is a great way to learn as they contain rich nuggets of knowledge.

I think we ought to read only the kind of books that wound and stab us. If the book we are reading doesn't wake us up with a blow on the head, what are we reading it for?

When I used to teach writing, what I would tell my playwriting students is that while you're writing your plays, you're also writing the playwright. You're developing yourself as a persona, as a public persona. It's going to be partly exposed through the writing itself and partly created by all the paraphernalia that attaches itself to writing. But you aren't simply an invisible being or your own private being at work. You're kind of a public figure, as well.

I have been, earlier in my life, a lazy writer. I'd spend three hours at the gym to avoid writing, or I'd just find other distractions - reading, doing laundry, talking on the phone, etc. But suddenly I was like a laser beam: I was relentlessly focused, sometimes to the detriment of other things.

Something like reading depends a lot on just having people around you who talk to you and read you books, more than sitting down and, say, doing a reading drill when you're 3 or 4 years old.

In the early '90s, when I really started to find my voice, I was reading a lot of books, and I was moved by the writers, like Chinua Achebe, and I wanted to be able to write rhymes that were as potent as what I was reading.

One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing. I did that with 'World's Fair' as with all of them. The inventions of the book come as discoveries.

Pleasure reading has long been an American ideal - generations of schoolchildren have headed home for the summer toting recreational reading lists. But try to pitch it to a group of non-readers, and they quickly become suspicious.

My parents gave me that gift of "reading is a good thing." I mean my mother was afraid of everything. But she was never afraid that Judy is reading.

When I finished reading '100 Years of Solitude,' by Gabriel Garcia Marquez, I got really sad. I thought, 'This will never happen for me, for the first time, ever again.' Then I opened 'Beauty Is a Wound.' It's a completely different story and writing style, but it has a similar place in my heart now.