Top 1200 Reading And Writing Quotes & Sayings - Page 19

I've always liked elliptical writing, whether it's Kafka or Paula Fox, and I'm often bored by writers who explain too much. I think that becomes journalism. Mostly I don't try to explain to readers who somebody is - I just write about the somebody. I'm thinking through ideas. And I have the sense that, if you're reading this, you have some interest.

I never attended a creative writing class in my life. I have a horror of them; most writers groups moonlight as support groups for the kind of people who think that writing is therapeutic. Writing is the exact opposite of therapy.

Ultimately the first, best step in getting your work noticed is to write good work. If people don't engage in your writing, no amount of serialization or free downloads is going to matter. You have to write something worth reading, and often it takes time to get at that level.

I'm terrible at reading scripts. I love to read, and I hate reading scripts.

I struggle with reading a bit. I'm slightly dyslexic, so reading takes me quite a while, and in general, I'm not a big book reader at all. And something like 'Game of Thrones' seems very daunting to me!

You should write, first of all, to please yourself. You shouldn't care a damn about anybody else at all. But writing can't be a way of life; the important part of writing is living. You have to live in such a way that your writing emerges from it.

I alternate between reading cook books and reading diet books.

Really important books to me are the classics. I try very hard to read them well - you know, especially once I got serious about writing. So, reading Tolstoy several times - 'War and Peace,' 'The Kreutzer Sonata' - all those were really important to me.

So much of the effort that goes into writing prose for me is about making sentences that capture the music that I'm hearing in my head. It takes a lot of work, writing, writing, and rewriting to get the music exactly the way you want it to be.

It's my experience that people don't think of fiction writing as being as intellectually serious as other kinds of writing in academia and so without a career as a critic or essayist you can be treated as something of a spiritual medium - a fraud - for "just" writing fiction.

Years ago I read an interview with Paula Fox in which she said that in writing, truth is just as important as story. Reading that interview was the first time I really understood that there's no point in trying to impress people with my cleverness when I can just try to write honestly about what matters most to me.

Writing is linear and sequential; Sentence B must follow Sentence A, and Sentence C must follow Sentence B, and eventually you get to Sentence Z. The hard part of writing isn't the writing; it's the thinking. You can solve most of your writing problems if you stop after every sentence and ask: What does the reader need to know next?

Something must always remain that eludes us ... For power to have an object on which it can be exercised, a space in which to stretch out its arms ... As long as I know there exists in the world someone who does tricks only for the love of the trick, as long as I know there is a woman who loves reading for reading's sake, I can convince myself that the world continues ... And every evening I, too, abandon myself to reading, like that distant unknown woman.

I tend to think of the reading of any book as preparation for the next reading of it. There are always intervening books or facts or realizations that put a book in another light and make it different and richer the second or the third time.

Reading about ethics is about as likely to improve one's behavior as reading about sports is to make one into an athlete.

we should write because writing brings clarity and passion to the act of living. writing is sensual, experiential, grounding. we should write because writing is good for the soul. we should write because writing yields us a body of work, a felt path through the world we live in.

I did a couple of writing seminars in Canada with high school kids. These were the bright kids; they all have computers, but they can't spell. Because spell-check won't [help] you if you don't know through from threw. I told them, "If you can read in the 21st century, you own the world." Because you learn to write from reading.

I've been writing, but I haven't been writing. In my mind I've been saying I want to write, but I haven't actually physically picked up a pencil and started writing.

Journalism taught me how to write a sentence that would make someone want to read the next one. You are trained to get rid of anything nonessential. You go in, you start writing your article, assuming a person's going to stop reading the minute you give them a reason. So the trick is: don't give them one.

Preaching and writing - it's the same. Whether I'm writing to speak or writing to be read in a book, it's the same thing.

If I have a strong dislike for something, obviously that garners an equal amount of derision, towards me from the audience. And that's fine, as long as it's within the bounds of decency and isn't too personal in the vitriol. That's what makes the blog interesting, and that's what makes reading it interesting and that's what makes writing interesting. You don't want everyone to agree.

Reading 'Search Sweet Country' is like reading a dream, and indeed, at times, it feels like the magical landscapes of writers like the Nigerian Ben Okri or the Mozambican Mia Couto.

If I'm writing a novel, I'll probably get up in the morning, do email, perhaps blog, deal with emergencies, and then be off novel-writing around 1.00pm and stop around 6.00pm. And I'll be writing in longhand, a safe distance from my computer. If I'm not writing a novel, there is no schedule, and scripts and introductions and whatnot can find themselves being written at any time and on anything.

All my writing-life people kept telling me that I should stop writing short stories and start writing novels: my agent, my Israeli publisher, my foreign ones, my bank manager - they all felt and keep feeling that I'm doing something wrong here.

Fans always say they laughed and they cried while reading my books. And I tell them that I laughed and cried while writing them.

My preference is for good writing. It doesn't matter if it's for film or TV. Whatever. It starts with the writing. Even though I've had problems with writers, it doesn't matter how great of an actor you are. If the writing is bad, you're going to struggle.

Writing is an expression of the writer's own peculiar personality, could not help being so. Yet in reading great works one feels that the finished piece transcends the personal. All writers great and small must sometimes have felt that they have become part of what they wrote even more than it still remains a part of them.

I was not a great student at the University of Chicago. I think that is - the record will bare me out. But I spent a lot of time reading history, sociology, psychology - reading everything except what I was supposed to read for class the next day.

I have seen too many screenwriters of promise become formula addicts and slaves to stop watch structure. Spend that time watching movies, reading screenplays, reading plays, and most importantly - write from your gut.

Fantasy is my favorite genre for reading and writing. We have more options than anyone else, and the best props and special effects. That means if you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead.

I'm trying to start reading books that you gain knowledge from in order to challenge myself more. As a rule, I tend to read easy reading/populist-type books, but I don't feel like I'm learning enough.

During all of my writing career - this includes when I was writing plays and my other screenplays - I don't recall ever writing a negative character, which does not mean that my characters aren't flawed or do not make mistakes. In actual fact, they all are quite flawed.

I was reading my son some fables; it made for good nighttime reading. These stories were very vivid and very strange and occasionally bizarrely violent. It was a very free landscape.

We get used to things, and we like reading the way we're used to reading.

I would be writing and trying to write like Joan Didion. Or if I was reading Raymond Carver. You know, strong stylists. But that's how you find your voice, is imitating other people. So things like that didn't embarrass me, because I thought, well, that's how it goes. That's how everyone learns.

In the reading and writing life, delight, for me, is where the mystery lies. Easy enough to figure out how scenes of violence or tragedy or titillation or grossness or even sentimentality can move us, but how the written word elicits delight - what Nabokov calls that shiver in the spine - is much harder to calculate and define.

Generations of devoted American history buffs have spent countless hours reading and writing long books about the American Revolution without ever having come across the name of Dr. Thomas Young. Yet it was Young who came up with the idea for the original tea party - the one in Boston Harbor.

Because of social media, we have a lot of personal essays floating around; you see them on Facebook: everyone's either reading them or writing them. Some of them are great; some of them are diary entries put forth as essays.

Expand the definition of 'reading' to include non-fiction, humor, graphic novels, magazines, action adventure, and, yes, even websites. It's the pleasure of reading that counts; the focus will naturally broaden. A boy won't read shark books forever.

Without writing, the literate mind would not and could not think as it does, not only when engaged in writing but normally even when it is composing its thoughts in oral form. More than any other single invention writing has transformed human consciousness.

I think all writers are mainly writing for themselves because I believe that most writers are writing based on a need to write. But at the same time, I feel that writers are, of course, writing for their readers, too.

Writing is great because in the writing you never have to... First of all you never have to leave your home. And you never have to meet the test of reality when you're writing.

The secret to writing is writing. Lots of people I know talk about writing. They will tell me about the book they are going to write, or are thinking about writing, or may write some day in the future. And I know they will never do it. If someone is serious about writing, then they will sit down every day and put some words down on paper.

Writing for videogames is really unique. You learn all the rules of writing, but there's a whole other set of rules for game writing, and we're changing them as we move along as well, which makes it more challenging.

You should write, first of all, to please yourself. You shouldn't care a damn about anybody else at all. But writing can't be a way of life - the important part of writing is living. You have to live in such a way that your writing emerges from it.

When you are reading a book and you finish a chapter, you don’t keep re-reading the chapter you just finished. You move on to the next chapter to see what happens.

I'm an English teacher, so I'm used to reading and I'm used to reading out loud.

Those who scorn you taunt only themselves -- I knew this without reading one word; because in reading one is reminded of the truth man is given at birth -- by man I mean man and woman.

Reading not only enlarges and challenges the mind; it also engages and exercises the brain. Today's youth who sits mesmerized by a television screen is not going to be tomorrow's leader. Television watching is passive. Reading is active.

There are little things that get on my nerves, like people who have reading material in their powder room. When you go in someone’s house, and next to the toilet they have a huge basket of magazines, I find that repellent. I recommend against straining while reading.

I get letters from readers who say that they have always hated reading, but somebody suggested one of my books, they actually finished the book and enjoyed it, and they're going on to read another book. I'm thrilled that they have figured out that reading is fun

Always care for the writing part first. Every good film project starts with good writing. If you have a good script, everything else follows. Writing is crucial.

You start reading C.S. Lewis, then you’re reading G.K. Chesterton, then you’re a Catholic.

Education is what you get from reading the small print; experience is what you get from not reading it.

I used to have 20/20 vision, believe it or not; that's gone because of all the reading I did when I wasn't supposed to, reading in the back of a car, waiting for each street light to go past so I could grab another sentence.

Art was always my main focus; I fell into writing by accident in the 1980s, writing magazine articles to pay for my studio. I have to put myself into the position of writing; sometimes it doesn't work, and sometimes it works great.

Ultimately, the first, best step in getting your work noticed is to write good work. If people don't engage in your writing, no amount of serialization or free downloads is going to matter. You have to write something worth reading, and often it takes time to get at that level.

I get letters from readers who say that they have always hated reading, but somebody suggested one of my books, they actually finished the book and enjoyed it, and they're going on to read another book. I'm thrilled that they have figured out that reading is fun.

I'm a big reader. My kids love reading, and I think it's important, not just for development but for bonding. You start reading to kids before they can even understand what you're saying to them, so I look at it as a fundamental tool for connection.

One must be rich in thought and character to owe nothing to books, though preparation is necessary to profitable reading; and the less reading is better than more;--book-struck men are of all readers least wise, however knowing or learned.