Top 1200 Reading Magazines Quotes & Sayings - Page 2

Well, I'm very much a literary person. And my fashion always tells a story somehow. I never look at fashion magazines. I find them incredibly boring. To me, reading a fashion magazine is the last thing I need to do. I've got books I need to read.

The thing that I like about magazines, paper magazines, and papers in any kind of tangible format is the surprise factor of turning the page and not necessarily knowing what you're going to see. You're not looking for something. You're just experiencing something.

I read research like other people read sports magazines or fashion magazines.

My personal view is that reading has to be balanced. Obviously, there's a certain amount of reading that we have to do academically to continue to learn and to grow, but it's got to be balanced with fun and with elective reading. Whether that's comic books or Jane Austen, if it makes you excited about reading, that's what matters.

To retire by the age of 35 was my goal. I wasn't sure how I was going to get there though. I knew I would end up owning my own business someday, so I figured my challenge was to learn as much as anyone about all businesses. I believed that every job I took was really me getting paid to learn about a new industry. I spent as much time as I could, learning and reading everything about business I could get my hands on. I used to go into the library for hours and hours reading business books and magazines.

My mom would keep all kinds of materials in her classroom for children for reading. She kept comic books, newspapers, sports magazines, and books of all kinds.

I see explicit covers on magazines, and they're getting even more explicit, and it's like, Are women being empowered, or is this just what sells magazines? Are they feeling pressured, or have they really come into themselves and are saying, 'I am woman, hear me roar?

I never looked at magazines before I started modeling. I was 13 or 14, and none of my friends were into magazines. We were into the fashion of the day, though.

For the last episode [of Downton Abbey], you'll need some handkerchiefs. I needed handkerchiefs reading it. It wasn't because it necessarily moved me while reading it, but it was the experience of reading it when I realized it was the last time I was ever going to be reading one of those scripts. That was quite terminal.

I have to admit that 'Psychology Today' was one of the first magazines I started reading, back when I was 13 or 14, because I was the kind of kid that was curious about the mysterious human mind - I hoped to learn about telekenisis, multiple personalities, psychosis, and various other cool and terrible things that happened inside people's heads.

I don't want to read a book on a device. I like a book with a hard cover and text on a piece of paper. I like magazines. I don't care if I carry around 100 lbs. of magazines; I'd rather do that than look at them on the Internet.

Me and my friends had BMX magazines and skate magazines, and I was a photographer who made skate videos.

I think reading a room - reading the personalities, reading body language - is kind of a lost art.

Reading is dreaming. Reading is entering a world of imagination shared between reader and author. Reading is getting beyond the words to the story or meaning underneath.

When you read something, and especially when you're reading compellingly great, that becomes part of your identity, at least while you're reading it. You become changed by reading it.

[B]riefing is not reading. In fact it is the antithesis of reading. Briefing is terse, factual and to the point. Reading is untidy, discursive and perpetually inviting. Briefing closes down a subject, reading opens it up.

Reading poetry and reading the great works of the canon that we were reading in the '60s and the '70s and '80s was mind altering.

Europeans still read rather than watching TV or listening to their clergyman tell them how to vote. The European magazines are far superior to American magazines in content and readership, but TV is taking a bite out of circulation now even in Europe.

I love poetry; it's my primary literary interest, and I suppose the kind of reading you do when you are reading poems - close reading - can carry over into how you read other things.

I used to read a lot of fashion magazines: my favourite was 'Nylon.' I used to cut out all the pictures from magazines, and I had this book where I would keep all of the stuff that inspired me.

When I was young, there was no such thing as YA. You simply went from reading children's novels to reading adult novels. So one year, I was reading Tove Jansson, and the next year, I was reading Stephen King.

I try to make time for reading each night. In addition to the usual newspapers and magazines, I make it a priority to read at least one newsweekly from cover to cover. If I were to read what intrigues me- say, the science and business sections - then I would finish the magazine the same person I was when I started. So I read it all.

I've never worked in advertising - my experience was as an editorial designer for magazines - but you could say, in the bigger picture, that magazines are vehicles for colour advertising.

...by regularly reading business newspaper and magazines I am exposed to an enormous amount of material at the micro level.. I find that what I see going on there pretty much informs me about what's happening at the macro level.

The whole thing about magazines is that, magazines are going to become deeper and more tutorial, and the nature of the magazine is going to change.

My creative process involves reading books and magazines, writing outside, and moving around a lot. I like to pace around when I'm writing songs.

I've always thought that a Saturday morning at home should be education time. I mean fun education, for example learning to cook a dish or reading about something new. So I put on documentaries, get a bunch of magazines and newspapers and use the morning to make myself better.

Now I am a writer who can command fairly good payments from magazines with large circulations, I very often refuse to write for them and still write sometimes for small magazines for nothing.

When I was born, my father owned a business called a 'reading circle'; folders containing an assortment of magazines were lent to customers for one week, then recollected and lent out again. The older the folder, the lower was the fee. This was a flourishing branch of industry.

When I was pregnant, I had the romantic idea that after the baby was born I would not only take up reading in earnest again, but also write a novel while my daughter slept in her Moses basket. Of course, I barely had time to keep up with my magazines until she started sleeping properly.

In 1927, if you were stuck with idle time, reading is what you did. It's no accident that the 'Book-of-the-Month Club' and 'The Literary Guild' were founded in that period as well as a lot of magazines, like 'Reader's Digest,' 'Time,' and 'The New Yorker.'

When I started publishing, I got offers to write for big magazines. But I would always say, "Well, it's not that I don't want to write for these big magazines, but you can't edit it."

It's oppressive. ... It's food, it's clothing, it's all the magazines that come under the heading of things looking simple. Men's magazines don't seem to do this. They seem to be about things that are fun, not things you have to spend lots of hours on and then fail at.

I grew up in this household where reading was the most noble thing you could do. When I was a teenager, we would have family dinners where we all sat there reading. It wasn't because we didn't like each other. We just liked reading. The person who made my reading list until my late teen years was my mom.

I already read everything. I read poems and plays and novels and newspapers and comic books and magazines. I read tins in supermarkets and leaflets that come through the door, unsolicited mail. None of it lasts long and it doesn't give me answers. Reading too fast is not soothing.

Nobody knows that in reading we are re-living our temptations to be a poet. All readers who have a certain passion for reading, nurture and repress, through reading, the desire to become a writer.

When I was in high school, I was writing a lot. I dealt with my high school angst by writing short plays and short films. I was obsessed with reading 'Entertainment Weekly' and 'Premiere' and 'Movieline' and all those magazines.

Teenagers are always sneaking around in drawers where they shouldn't go and reading things they shouldn't be reading. And that's an attempt to try, I think, to penetrate, that's how I found out as a teenager what was going on, was by sneaking into drawers and reading letters that I had no business reading.

Well meaning adults can easily destroy a child's love of reading - do not discourage children from reading because you feel they're reading the wrong thing. There is no such thing as the wrong thing to be reading and no bad fiction for kids.

The great thing about reading for Quentin [Tarantino] is you're not reading for him, he's reading with you. So he sits right next to you.

I love reading any interesting book. If it is boring I keep it forever after reading 4-5 pages of it. But if it is good, I can go on reading it no matter what genre it belongs to.

I wanted to escape Small Town U.S.A. To dismiss the boundaries, to explore. My life experience came from watching movies, TV, and reading books and magazines. When your culture comes from watching TV everyday, you're bombarded with images of things that seem cool, places that seem interesting, people who have jobs and careers and opportunities.

Reading aloud is the best advertisement because it works. It allows a child to sample the delights of reading and conditions him to believe that reading is a pleasureful experience, not a painful or boring one.

All reading is good reading. And all reading of Jane Austen and Charles Dickens is sublime reading.

As actors you have this trait to imitate very easily. I don't want to imitate anything or limit myself of finding this creature, this woman because I'm looking at magazines and I'm reading comics, and I'm asking people that are avid readers of The Guardians.

My dissertation was on the idea of feminine-themed women's magazines, so like how the ideal woman is put across by women's magazines.

Publishing magazines costs a lot of money and people don't read magazines anymore, they're all captivated by Instagram. I have to reinvent myself every season to keep the interest of the reader. Twenty-five years later, my mission is the same: Captivating the readers, not flattering the industry.

Reading is everything. Reading makes me feel like I've accomplished something, learned something, become a better person. Reading makes me smarter. Reading gives me something to talk about later on. Reading is the unbelievably healthy way my attention deficit disorder medicates itself. Reading is escape, and the opposite of escape; it's a way to make contact with reality after a day of making things up, and it's a way of making contact with someone else's imagination after a day that's all too real. Reading is grist. Reading is bliss.

If I have a spare second, I usually catch up on the many magazines I'm behind on or watch the latest movies on demand that I usually missed at the theater. I love magazines. My top three: Graydon Carter's 'Vanity Fair', Adam Moss' 'New York magazine' and David Remnick's 'New Yorker.'

I like reading. I prefer not reading on my computer, because that makes whatever I am reading feel like work. I do not mind reading on my iPad.

When I'm sitting in my hotel room, I'm reading. If I've got some time after class, I'm reading. If I can get away with it while I'm doing treatment, I'm reading.

There's a remarkable power about reading together, reading collectively, that's brought out by reading groups.

I see explicit covers on magazines, and they're getting even more explicit, and it's like, Are women being empowered, or is this just what sells magazines? Are they feeling pressured, or have they really come into themselves and are saying, 'I am woman, hear me roar?'

What magazines do is curate: we give accurate and trustworthy information. If you have a problem, it's very difficult to go to the web and get accurate information... magazines, at their best, should be an incredible voyage of discovery.

What do teachers and curriculum directors mean by 'value' reading? A look at the practice of most schools suggests that when a school 'values' reading what it really means is that the school intensely focuses on raising state-mandated reading test scores- the kind of reading our students will rarely, if ever, do in adulthood.

Looks aren't a big thing to me. I keep reading these articles in fan magazines about me, and I don't even know who they're talking about. It's boring.

I've been an inveterate reader of literary magazines since I was a teenager. There are always discoveries. You're sitting in your easy chair, reading; you realize you've read a story or a group of poems four times, and you know, Yes, I want to go farther with this writer.

I read individual stories a lot in magazines and other places, too, but I really think there's something to be said for reading story collections as collections. That's not true of all story collections, to be honest, but for good ones I think it often is true.

All the information you could want is constantly streaming at you like a runaway truck - books, newspaper stories, Web sites, apps, how-to videos, this article you're reading, even entire magazines devoted to single subjects like charcuterie or wedding cakes or pickles.

You know how it is when you're reading a book and falling asleep, you're reading, reading... and all of a sudden you notice your eyes are closed? I'm like that all the time.