Top 1200 Reading Music Quotes & Sayings - Page 5

Explore popular Reading Music quotes.
Last updated on November 15, 2024.
Honestly, I think I have this narcolepsy thing with reading. I fall asleep when I'm reading. So, if I stay awake to read an entire script, I'm like, 'Wow, I need to do this.'
My grandparents - both of my mother's parents - were actors, and they ran the Reading Repertory Theatre Company, through the town of Reading, where I come from.
Any book that helps a child to form a habit of reading, to make reading one of his deep and continuing needs, is good for him. — © Maya Angelou
Any book that helps a child to form a habit of reading, to make reading one of his deep and continuing needs, is good for him.
I don't know why people have to categorize things in music under music. It's music and it's music and it's music. When you start putting genres on things, I think it's completely ridiculous, and I hate that.
People feel compelled to continue reading and hearing the news. Sometimes, you just want somebody to be yelling at it with you as you're reading it. I think of that as my function.
I always say that, to me, it starts with reading. This is something I tell high school kids, college kids, people trying to get into the business, that it's just so much about reading. Read, read, read. So much of everything else falls into place when you just do a ton of reading.
There's a richness that reading gives you, an opportunity to probe more than any other medium I know of. Reading is about not being content with the surface.
Reading groups, readings, breakdowns of book sales all tell the same story: when women stop reading, the novel will be dead.
Nothing can be accomplished just by reading words. A sick man will never be cured of his illness through merely reading medical instructions!
To me music is music. A person of faith, a person that calls themselves a Christian, they are the Christian and they make music. Some music has more to do about God than other music, but in reality what makes the difference between "secular" and "Christian" music is simply a marketing channel.
'Harry Potter' is the first book that ever got me into reading. I had to read it in year 7, for school, and then I kept reading all of them.
Reading a script is usually as exciting as reading a boilerplate legal document, so when you read one that makes you feel as if you're seeing the movie, you know it's something different.
I love reading for a character I have no business reading for. — © Henry Zebrowski
I love reading for a character I have no business reading for.
You can recognize in your own reading habits what writers are doing that works and what doesn't. I'm becoming much more aware of that after reading a decade of student stories.
At a certain point, you try to avoid reading feedback or blogs because there's always the risk of reading some sort of negative stuff that can be hard to hear.
I read my books at night, like that, under the quilt with the overheated reading lamp. Reading all those good lines while suffocating. It was magic.
Reading, reading actively, strengthens the soul.
When I was growing up, music was music and there were no genres. We didn't look at it as country music. Popular music in Tuskegee was country music. So I didn't know it in categories. It was the radio.
For me, books are music for my mind and my imagination. When I am stuck in something I'm writing, I simply read my way out of being stuck. You can never waste time reading.
Reading takes me to a different place than my everyday life. I usually get fully involved in what I'm reading about, so it's a great escape.
There are definitely some tricks and techniques to a good reading. Rewarding the audience that shows up to your reading is very important and you can't be boring or ungrateful.
Music means communication to me. I say 'listen you people out there, listen to my music, let's be one.' Music is a friend to me when I am lonely, when I am blue. You can't define music 'cause music is cosmos and it knows no barrier or definition. You have to feel music to dig it.
Sometimes you're reading something, and you don't know it will be important in your life. You're reading this script, and you start to get involved. It's not an intellectual experience.
The art of not reading is a very important one. It consists in not taking an interest in whatever may be engaging the attention of the general public at any particular time. When some political or ecclesiastical pamphlet, or novel, or poem is making a great commotion, you should remember that he who writes for fools always finds a large public. A precondition for reading good books is not reading bad ones: for life is short.
If anyone's reading this waiting for some type of full-on, flat apology for anything, they should just stop reading right now.
I have always had someone in my life that I consider my reading mentor because I come from a family where reading was not emphasized or even approved of.
I'm kind of a nerd when it comes to literature and theory. I wish I could have more of that in life, but I don't because I'm always reading scripts or things to prepare for movies when I'm reading.
I loved reading when I grew up but did feel totally invisible because I couldn't see myself and my life reflected in the books I was reading.
People looking at advertisements or reading their local newspapers would have had no idea that what they were reading was bought and paid for with their tax dollars.
I read continually and don't understand writers who say they don't read while working on a book. For a start, a book takes me about two years to write, so there's no way I am depriving myself of reading during that time. Another thing is that reading other writers is continually inspiring - reading great writers reminds you how hard you have to work.
My earliest memory of books is not of reading but of being read to. I spent hours listening, watching the face of the person reading aloud to me.
If I'm reading a book and it seems truly interesting, I tend to start reading back to front in order not to be too deeply under the sway of progress.
Well my dad forced me into playing the violin when I was about three and it all started from there. I went to Suzuki for violin lessons, and you learn to play by ear instead of reading music.
I feel most myself when I'm reading, but by that I don't mean that I'm most comfortable when I'm reading. I feel most fully a person who's torn between attention and inattention, between loving and hating, between hyper-responsiveness and total dullness. Reading is not a comfortable experience for me.
The honor of being able to play Maura is transformative. I'm 70 years old. I should be in a reading room, reading Dickens or something.
I did gardening and cooking and drawing and reading to try take the pressure off the music - just being eclectic and putting the fun back in and bringing more innocence in again is really important.
What the war did was give me the opportunity of three years of continuous reading, and it was in the course of reading that I became convinced that I should become an economist.
Book clubs, both online and in person, have become a large percentage of the reading public, and many of them won't consider reading books in hardcover. — © Christina Baker Kline
Book clubs, both online and in person, have become a large percentage of the reading public, and many of them won't consider reading books in hardcover.
And the process of reading is such a private one. I once came into a room where a friend of mine was reading one of my books, and he clicked his tongue impatiently and shooed me off.
My reading is extremely eclectic. Lately I've been teaching myself computer graphics, so I'm reading a lot about that. I read books of trivia, of facts.
I take a lot of trains, so I love reading on the train. I get really annoyed when there are no delays, because I just want to keep reading and finish my book.
My influences are jazz, blues, European classical music; they are rock music and pop music. So many kinds of music. World music from different countries like India and China. I think that would be a shame not to take advantage and do something... not unique, because I don't have this pretension.
I think I work much the same way I always have. I'm trying to interpret something emotionally visually. I'm reading the brief or article, or listening to the music, and deciding where that sends me, and what would it look like.
I don't believe in writing at night because it comes too easily. When I read it in the morning it's not good. I need daylight to begin. Between nine and ten o'clock I have a long breakfast with reading and music.
The same plasticity that allows us to form a reading circuit to begin with, and short-circuit the development of deep reading if we allow it, also allows us to learn how to duplicate deep reading in a new environment. We cannot go backwards. As children move more toward an immersion in digital media, we have to figure out ways to read deeply there.
I'm definitely influenced by lots of different things - from music, from reading, from I don't know... I have a lot of different sources of inspiration that I tap into when I need to get something done.
Music has been so healing in my life, so the fact that my music could be that for someone else is the best gift of my whole career. People have told me that they got married to my music, divorced to my music, and played my music while they were having their baby.
I didn't ever consider poetry the province exclusively of English and American literature and I discovered a great amount in reading Polish poetry and other Eastern European poetry and reading Russian poetry and reading Latin American and Spanish poetry and I've always found models in those other poetries of poets who could help me on my path.
Reading an audio book is a very odd experience because there are three people sitting out there while you're reading in this glass booth, and you can see their reactions. — © Ruth Reichl
Reading an audio book is a very odd experience because there are three people sitting out there while you're reading in this glass booth, and you can see their reactions.
Reading is very creative - it's not just a passive thing. I write a story; it goes out into the world; somebody reads it and, by reading it, completes it.
I have two favorites: Reading Kierkegaard while listening to Mozart's Piano Concerto 9 in E Flat Major, and reading early Bazooka Joe comics in Hebrew.
The greatest pleasure of reading consists in re-reading.
Reading code is like reading all things written: You have to scribble, make a mess, remind yourself that the work comes to you through trial and error and revision.
Listening to music and lyrics and watching movies, I think, uses a lot of the same muscles we use in reading and experiencing poetry - and yet we somehow forget that we have those when it comes to sitting down with a book of poems.
I think it's so important for young readers to find a book or series that ignites their passion for reading, especially boys, whose interest in reading wanes as they grow older.
I didn't want to be an author; I wanted to be a scientist. Not that I didn't love literature, but I couldn't distinguish it from reading, and reading was already my default activity, almost like breathing.
I quickly learned that reading is cumulative and proceeds by geometrical progression: each new reading builds upon whatever the reader has read before.
I realized very young that I loved reading and wanted to do something related to books/reading for a living. I didn't think of publishing, really, until I was out of college.
Reading can be just feeding, but smart reading takes us further. The classroom is one way to go deeper, but we can't stay in school forever.
The importance of reading, for me, is that it allows you to dream. Reading not only educates, but is relaxing and allows you to feed your imagination - creating beautiful pictures from carefully chosen words.
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