Top 1200 Reading Or Writing Quotes & Sayings

My office-hour reading is fairly ad hoc: I generally read whatever seems relevant to what I'm editing, writing, or thinking about writing.

Writing reminds you that you're never alone. Writing and reading is to be optimistic.

One constant writing ritual, no matter what I'm writing, is that I cannot write if people are around me. It wigs me out - the idea that someone is reading as I'm writing stuff.

As poets, we're writing into the void, and we're not writing to be bestsellers. Whatever individual responses we get, whether at a reading, by a conversation or a letter, mean the world.

I grew up in a house full of books and parents who read, which led to me to reading from a very young age. And reading seemed to naturally progress to writing.

I prefer reading to writing. Reading changes your world view. Writing changes absolutely nothing. Except, of course, when it makes you rich.

I started out in life as a poet; I was only writing poetry all through my 20s. It wasn't until I was about 30 that I got serious about writing prose. While I was writing poems, I would often divert myself by reading detective novels; I liked them.

Free voluntary reading results in better reading comprehension, writing style, vocabulary, spelling, and grammatical development

So many (too many) books are published every year, and it seems everyone is writing a book. Perhaps we should all be reading more and writing less!

I grew up in a household that really encouraged reading and writing. My mother loves philosophy and is constantly reading philosophy and talking to me about different philosophers and different ways of life.

Reading for experience is the only reading that justifies excitement. Reading for facts is necessary bu the less said about it in public the better. Reading for distraction is like taking medicine. We do it, but it is nothing to be proud of. But reading for experience is transforming.

Writing comes from reading, and reading is the finest teacher of how to write.

I have been writing stories and working on ideas for a long time. I like writing and reading a lot, so I jot down ideas.

Like many authors, I caught the writing bug during my teenage years. I don't remember the exact day or year, but I remember that reading S.E. Hinton's 'The Outsiders' sparked my interest in writing.

When I read a book, I put in all the imagination I can, so that it is almost like writing the book as well as reading it - or rather, it is like living it. It makes reading so much more exciting, but I don't suppose many people try to do it.

The three things that help writing the most are living, writing, and reading. In that order.

Writing a poem is a more personal experience, I think, than writing prose. And perhaps reading a poem is a more personal experience than reading prose, though that's harder to say.

There are some people who have been reading me for years, and they keep saying kind things about the writing. That's what you're writing for, to get people to respond to it.

Reading, like writing, was a survival strategy when I was young because these were ways of feeling that my world could be much larger than it actually was. It was inevitable that I would end up writing sci-fi or fantasy.

Close reading of tough-minded writing is still the best, cheapest, and quickest method known for learning to think for yourself... Reading, and rigorous discussion of that reading in a way that obliges you to formulate a position and support it against objections, is an operational definition of education... reading, analysis, and discussion is the way we develop reliable judgment, the principle way we come to penetrate covert movements behind the facade of public appearances.

I think that good writing is based on good reading. Maybe it's not about writing today, maybe it's about reading today. Maybe it's about finding the sort of book you would never read.

I don't enjoy writing newspaper articles any more than people like reading them. I'm a standup comic, not a journalist, although sometimes onstage I will say: 'What else is in the news?' Writing is work, which I'm not comfortable with.

The only time I felt I was different was when one of my friends said, 'I hate reading' and I stared at her like, 'What kind of an alien creature are you?!' Because it was so incomprehensible to me that someone could dislike reading! That really started my desire to help other children love reading and writing.

I wish I had time to do more reading, but I just haven't had much time. But I still find time for writing. I've always preferred writing over reading, even though those things do go hand in hand. But when I do have time, even if it's not writing music, just writing in general - ideas and stories and things like that.

Writing, or at least good writing, is an outgrowth of that urge to use language to communicate complex ideas and experiences between people. And that's true whether you're reading Shakespeare or bad vampire fiction-reading is always an act of empathy. It's always an imagining of what it's like to be someone else.

Reading usually precedes writing. And the impulse to write is almost always fired by reading. Reading, the love of reading, is what makes you dream of becoming a writer.

You should write because you love the shape of stories and sentences and the creation of different words on a page. Writing comes from reading, and reading is the finest teacher of how to write.

We ought not to confine ourselves either to writing or to reading; the one, continuous writing, will cast a gloom over our strength, and exhaust it; the other will make our strength flabby and watery. It is better to have recourse to them alternately, and to blend one with the other, so that the fruits of one's reading may be reduced to concrete form by the pen.

Plate glass... has no beauty of its own. Ideally, you ought not to be able to see it at all, but through it you can see all that is happening outside. That is the equivalent of writing that is plain and unadorned. Ideally, in reading such writing, you are not even aware that you are reading. Ideas and events seem merely to flow from the mind of the writer into that of the reader without any barrier between. I hope that is what is happening when you read this book

It's insane to be a writer and not be a reader. When I'm writing I'm more likely to be reading four or five books at once, just in bits and pieces rather than subjecting myself to a really brilliant book and thinking, "Well what's the point of me writing anything?" I'm more likely to read a book through when I take a break from writing.

It is an admonition to myself when I am reading other people's books. Writing a book is very difficult to do, even a bad one. I try to remember that when reading someone else's work.

I do believe that one's writing life needs to be kept separate from Po-Biz. Personally, I deal with this by not attending too many poetry readings, primarily reading dead poets or poems in translation, reading Poets & Writers only once for grant/contest information before I quickly dispose of it, and not reading Poetry Daily. Ever.

Poor reading, like poor writing, is imposing what you already know on texts. You should go into reading to discover, not to reaffirm what you know.

When you are in the midst of writing a book, I think it is important to touch base every day. If I wasn't writing something, I would be reading back what I'd already written. I did take a month off writing at one point and found it really difficult to get back into the world I'd created.

It usually helps me write by reading - somehow the reading gear in your head turns the writing gear.

I think I am the most impressed with writing styles that defy category, like Kharms or Selby, Breton or Jarry, where you become as interested in the writer as much as the writing itself. It's all these things that make reading so appealing to me.

I'm always writing - its what I like to do. But when I'm not writing, I'm reading.

One of the big breakthroughs, I think for me, was reading Robert A. Heinlein's four rules of writing, one of which was, 'You must finish what you write.' I never had any problem with the first one, 'You must write' - I was writing since I was a kid. But I never finished what writing.

But really, it was reading that led me to writing. And in particular, reading the American classics like Twain who taught me at an early age that ordinary lives of ordinary people can be made into high art.

I can always tell when I'm about to start writing. I go through cycles in reading. When I'm beginning to start to write something, I start reading what I think of as good literature. I read things with wonderful language.

All reading is good reading. And all reading of Jane Austen and Charles Dickens is sublime reading.

In a sense, journalism can be both helpful and detrimental to a writer of fiction because the kind of writing you need to do as a journalist is so different. It has to be clear, unambiguous, concise, and as a writer often you are trying to do things that are more ambiguous. I find that writing fiction is often an antidote to reading and writing too much journalism.

When I'm not writing, I read loads of fiction, but I've been writing quite constantly lately so I've been reading a lot of nonfiction - philosophy, religion, science, history, social or cultural studies.

I feel like one can have all of that as a writer; you're writing, you're reading, you're talking to interesting and intelligent people. Your life is structured around whatever book you're writing, and so is your reading and so are many of your conversations.

I do think reading is the best practice for writing, along with writing all the time. I actually never liked writing on my own or in school until I'd had my blog for a while and realized I'd been writing every day for years.

Writing can come naturally to some. Still, when it comes to good writing, this is true: Easy reading is damn hard writing.

For anyone who is: just keep writing. Keep reading. If you are meant to be a writer, a storyteller, it'll work itself out. You just keep feeding it your energy, and giving it that crucial chance to work itself out. By reading and writing.

My creative process involves reading books and magazines, writing outside, and moving around a lot. I like to pace around when I'm writing songs.

Writing is a bit like swimming. You learn writing by doing it and you learn swimming by doing it. Nobody learns how to swim by reading a book about swimming and nobody learns how to write by reading a book about writing. If you want to learn how to write, write a lot and you will get better at it.

I never know what I am writing. The moment you know what you're writing, you're writing nothing worth reading.

Reading and writing don't inevitably go together. You can read without learning a thing about writing, grammar, or spelling, although, you certainly can't learn anything about writing, grammar, or spelling unless you read.

It is my contention that the process of reading is part of the process of writing, the necessary completion without which writing can hardly be said to exist.

I started out in life as a poet, I was only writing poetry all through my 20s, it wasn't until I was about 30 that I got serious about writing prose. While I was writing poems, I would often divert myself by reading detective novels, I liked them.

I would say that writing, both the act of writing, and of course reading of other people's work is, for me, supreme joy.

I believe that reading and writing are the most nourishing forms of meditation anyone has so far found. By reading the writings of the most interesting minds in history, we meditate with our own minds and theirs as well. This to me is a miracle.

THE WRITER can get free of his writing only by using it, that is, by reading oneself. As if the aim of writing were to use what is already written as a launching pad for reading the writing to come. Moreover, what he has written is read in the process, hence constantly modified by his reading. The book is an unbearable totality. I write against a background of facets.

I don’t even know what I’m writing, I have no idea, I don’t know anything, and I’m not reading over it, and I’m not correcting my style, and I’m writing just for the sake of writing, just for the sake of writing more to you… My precious, my darling, my dearest!

The listeners who buy books after a reading multiply that reading; the author who realizes that he or she may be writing on a blank page but is at least not speaking to a blank wall may be encouraged by the experience, and write more.

If you want to take writing on, you should pay writing the respect it deserves, which is to say, reading it.

One of the maddening ironies of writing books is that it leaves so little time for reading others'. My bedside is piled with books, but it's duty reading: books for book research, books for review. The ones I pine for are off on a shelf downstairs.