Top 1200 Reading Or Writing Quotes & Sayings - Page 17

Some say writing is its own reward. I write for money, but writing for money is not so bad, especially when that writing brings you joy.

Writing is writing to me. I'm incapable of saying no to any writing job, so I've done everything - historical fiction, myths, fairy tales, anything that anybody expresses any interest in me writing, I'll write. It's the same reason I used to read as a child: I like going somewhere else and being someone else.

I was the quiet kid in the corner, reading a book. In elementary school, I read so much and so often during class that I was actually forbidden from reading books during school hours by my teachers.

It can be dismaying, all the same, for a novelist to compare the slowness of the writing with the speed of the reading. Novels are read in a matter of days, even hours. A writer may labor for weeks over a particular passage that will have its effect on a reader for an instant - and that effect may be subliminal or barely noticed.

I think that a classic style in writing tends to remove the reader one level from the immediacy of the experience. For any normal reader, I think a colloquial style makes him feel more as though he is within the action, instead of just reading about it.

Writing on my own versus co-writing kind of is the exact same thing because we don't sit in the same room when we write. We're always writing alone anyway.

I was fortunate that Yale has a very open and creative law school. I took many courses outside the law school, and every semester, the students had a literature reading group. I was asked to lead one on 'Dante and the Concept of Justice,' and it was around that time that I began writing the novel.

When you're writing - when I'm writing anyway - I'm writing out of different kinds of preoccupations and obsessions, different forms of drivenness, and so you're really hostage those while writing. I am, anyway. And it's only when you finally take the finished thing out of the furnace that you see what it was that went into the making of the thing.

I tried reading Hilbert. Only his papers published in mathematical periodicals were available at the time. Anybody who has tried those knows they are very hard reading.

No fiction is worth reading except for entertainment. If it entertains and is clean, it is good literature, or its kind. If it forms the habit of reading, in people who might not read otherwise, it is the best literature.

You have to have an eye and a feeling for where things go. Writing visually, writing textually, writing sonically. Text is visual for me and images are textual. There is power in the way ideas are arranged, not just developed rhetorically. Form is everything.

One piece of advice can be universally handed out, and it applies equally to speaking, understanding, reading, and writing. If in the course of any of these language activities, you run across words whose meaning or use baffles you, don't by-pass them. Look them up in the dictionary and familiarize yourself with them.

For me, writing is fun. The day I quit my job and take up writing full time, writing will become just another job. A commercial necessity.

If one cannot enjoy reading a book over and over again, there is no use in reading it at all.

From a really young age, I was reading like a writer. I was reading for the deep understanding of the literature; not simply to hear the story but to understand how the author got the story on the page.

If you want to study writing, read Dickens. That's how to study writing, or Faulkner, or D.H. Lawrence, or John Keats. They can teach you everything you need to know about writing.

Retiring from writing is not to retire from life, but retiring from writing is to avoid the inevitable bitterness which a writing career is bound to deliver as its end product, in almost every case.

I even feel guilty if I'm reading a novel, because I think I should be reading Homer again. I don't really know what free time is, because I don't have something to measure it against.

Easy reading is damn hard writing. But if it's right, it's easy. It's the other way round, too. If it's slovenly written, then it's hard to read. It doesn't give the reader what the careful writer can give the reader.

Reading a hard copy book, and reading a book on an iPad are slightly different experiences. What they both have in common though is that you must engage your imagination in the process.

I'm writing with the assumption that most of you who are reading this book have concluded what I have: Preaching doesn't workpreaching, as we know it, is a tragically broken endeavor. The value of our practices-including preaching-ought to be judged by their effects on our communities and the ways in which they help us move toward life with God.

I was playing a singer-songwriter, so I started writing, and I started going up to different places around Los Angeles and reading poetry of my own, which terrified me, but I had to do it. I picked up a guitar and started learning guitar.

In writing, one searches, and that is what keeps one writing, that one sees and experiences things from another angle entirely; one experiences oneself during the process of writing.

When I am writing fiction, I believe I am much better organized, more methodical - one has to be when writing a novel. Writing poetry is a state of free float.

Writing detective stories is about writing light literature, for entertainment. It isn't primarily a question of writing propaganda or classical literature.

The writing workshops and programs that are everywhere have encouraged writing. And if that produces more writing, it's also producing more readers of an elevated level. So all in all, a good thing.

My mother used to do all the things that were important to her after midnight. ... Sometimes I'd sneak downstairs and see her knitting, or reading, or writing letters. I'd think of her as a thief, stealing the tail end of the day, the hours nobody else wanted or used.

A love of reading encompasses the whole of life: information, knowledge, insight and understanding, pleasure; the power to think, to select, to act, to create - all of these are inherent in a love of reading.

With twins, reading aloud to them was the only chance I could get to sit down. I read them picture books until they were reading on their own.

I am keenly aware that in writing about my mother, I am writing about my aunts' sister, and that in writing about my grandmother, I'm writing about their mother. I know that my honesty about how my view of these people has changed over the years may be painful.

I have always been fascinated by the human mind, conscious and unconscious - that is what writing and reading is about, too. The why of your life and the why of your choices and the what has happened that you know and the what that you don't know is really riveting, and psychoanalysts share my wonder at how it all unfolds.

When I started writing, I was reading people such as Tom Clancy or Michael Crichton, who did 'Jurassic Park,' which is possibly the most action-filled book you'll read, apart from mine, and I said to myself, 'Why aren't these guys doing big-scale action like you would see in a movie?'

I don't believe in writer's block, writing well is very easy; it's writing horribly, the horrible work necessary to do to get to writing well, that is so difficult one may just not be willing to do it.

You learn by writing short stories. Keep writing short stories. The money's in novels, but writing short stories keeps your writing lean and pointed.

Film writing and concert writing are two very different things. In film writing I am serving the film and it tells you what to write. I have to stay within the parameters of the film. In writing concert music for the stage I can write anything I want and in this day and modern age rules can be broken.

I would like to one day write a nice big novel and enjoy writing it and people enjoy reading it but I cannae be bothered or I don't have any ideas that would fill up a big book like that.

Reviewing music or reviewing anything is a writing job. It's nice if you are experienced in the field you are writing about, but writing is what you are doing.

I had hundreds of books under my skin already. Not selected reading, all of it. Some of it could be called trashy. I had been through Nick Carter, Horatio Alger, Bertha M. Clay and the whole slew of dime novelists in addition to some really constructive reading. I do not regret the trash. It has harmed me in no way. It was a help, because acquiring the reading habit early is the important thing. Taste and natural development will take care of the rest later on.

Reading a novel, War and Peace for example, is no Catnap. Because a novel is so long, reading one is like being married forever to somebody nobody knows or cares about.

I just finished my homework fast, I was bored to death. There wasn't 500 channels so there was a thing for a librarian to teach a kid like me about reading. I started reading early and I read all the time, because I love it.

Reading was a joy, a desperately needed escape -- I didn't read to learn, I was reading to read.

It was not a choice of writing or not writing. It was a choice of loving my life or not loving my life. To keep writing was always a first priority.... I worked probably 25 years by myself.... Just writing and working, not trying to publish much. Not giving readings. A longer time than people really are willing to commit before they want to go public.

I can't tell you exactly how I found it. It was just a process of writing a lot of stories and reading a lot of stories that I admired and just working and working until the sentences sounded right and I was satisfied with them.

Writing your name can lead to writing sentences. And the next thing you'll be doing is writing paragraphs, and then books. And then you'll be in as much trouble as I am!

I suppose writing nonfiction did prepare me for writing fiction. Whenever you write anything, you're honing your skills for writing anything else.

Writing teaches writing. Your writing will teach you how to write if you work hard enough and have enough faith.

If a reviewer is beating me up, I just say, 'Oh well, my writing is not to his or her taste.' And that's as far as it goes. Because I will simultaneously read a review where somebody says, 'Oh my God, I had so much fun reading this book and I learned so much.'

She’d majored in English, hoping that meant she could spend the next four years reading and writing. And maybe the next four years after that.

Reading a newspaper is like reading someone's letters, as opposed to a biography or a history. The writer really does not know what will happen. A novelist needs to feel what that is like.

For though there never was so much reading matter put before the public, there was never less actual 'reading' in the truest and highest sense of the term than there is at present.

You will find most books worth reading are worth reading twice.

It would probably surprise people how prevalent reading is in institutions - and the degree to which some states discourage reading by instituting draconian rules and laws that try to limit and outright roadblock books in prisons.

Acting is an incredibly gratifying, creative experience when you're doing it. But in the off-season, you want to scratch that itch, and writing has become that to me. It's a really pure form of creativity. It's good for my mental health in the same way reading books is good for me. It makes the day brighter.

I approach writing female characters the same why I approach writing male characters. I never think I'm writing about women, I think I'm writing about one woman, one person. And I try to imagine what she is like, and endow her with a lot of my own thoughts and history.

The strength of fiction is not in reading about yourself, but in reading about other people.

Writers and musicians know well the importance of extensive reading for successful writing or extensive listening for musical composition. Likewise, visual artists... understand that successful artistic creativity depends upon extensive visual exposure.

I wasn't inspired so much by a person as by reading many good books. I loved to write and I wondered if I might be able to write material that others would enjoy reading.

Once you create this thing between duty and reading, it's over. Reading's over.

I hate writing. I so intensely hate writing - I cannot tell you how much. The moment I am at the end of one project I have the idea that I didn't really succeed in telling what I wanted to tell, that I need a new project - it's an absolute nightmare. But my whole economy of writing is in fact based on an obsessional ritual to avoid the actual act of writing.

One of the things I love most about second person is that it reminds the reader that they are reading a text. It doesn't allow them to drift into the story and not notice that they are reading a book - a book that has an author.