Top 1200 Reading Or Writing Quotes & Sayings - Page 18

I don't talk about feelings, but I write a lot about feelings. Reading, that's feminine; writing, that's feminine. It is insane - it's really insane - but it still is in me.

I think if you can show a kid that reading can actually be fun, it can make you laugh, inspire imagination - that can make a huge difference, that can help a child who's struggling with reading to really look at it differently.

I like making things. I enjoy putting words and images on a blank space. There should be joy in the writing itself because parts of it are so challenging and lonesome. I take great pleasure in reading, researching, and interviewing. I enjoy forming my sentences and revising them to make them clean.

When really writing I'm not a good friend. Because writing disorganizes the social self, you become atomized. It scrambles you, sometimes to the point that I'm incapable of speech. I feel that if I start speaking, I'll lose the writing, like getting off the treadmill.

I learned to dream through reading, learned to create dreams through writing, and learned to develop dreamers through teaching. I shall always be a dreamer. Come dream with me.

It's been noted that writing about the production of art is a masquerade or metaphor for writing about writing. This may be true, there are similarities - both the verbal and the visual represent the thing or the concept.

Reading is like breathing in and writing is like breathing out, and storytelling is what links both: it is the soul of literacy. The most powerful tool that we have to strengthen literacy is often the most underused and overlooked, and that is a child's own stories.

Sometimes when reading aloud to my husband, I'll start crying. It completely stuns me. As if the words in my body and on the page - in relation to each other - are cocooned against my own feelings about what I'm writing until they're loosed in the air and become their own. Then I realize what I may or may not have done.

I remember reading the book 'Rich Dad, Poor Dad,' and I remember writing my goals down, and my number one goal in life was just to be a good husband and a good father someday. That was number one, as a 17-year-old kid.

I'm not an especially male novelist, but I think men are better at writing about men, and the same is true for women. Reading Saul Bellow is a revelation, but he can't write women. There are exceptions, like Marilynne Robinson's 'Gilead,' but generally, I think it's true.

When you read the Bible, you are reading the Holy Spirit and not history books. When you read history books, you are reading about events, but the Bible is not an event. So, when you are reading the Holy Spirit, you are supposed to be carried along by it.

I haven't had a chance to pick up a good book in a long time, because I've been either reading scripts or learning them or writing them. And so, by the time the day is done, I usually just want to click on The Bachelor and fall asleep. But I gravitate toward biographies and things like that.

A dry period for me means perhaps going two or three nights without writing. I probably have dry periods but I'm not aware of them and I go on writing, only the writing probably isn't much good.

From Finding the Center to Reading and Writing: A Personal Account, the story remains the same: in a journey unique to myself, I left my worthless home, with its small people, and I sailed against the tides of chance and history looking for a better place -- for the center -- where I suffered greatly and made myself into a great writer.

If the traditional Rs (reading, writing, and arithmetic) are the basics that we want our children to master academically, then reverence, respect, and responsibility are the three Rs that our children need to master for the sake of their souls and the health of the world.

I've learned mainly by reading myself. So I don't think I have any original ideas. Certainly, I talk about reading Graham. I've read Phil Fisher. So I've gotten a lot of my ideas from reading. You can learn a lot from other people. In fact, I think if you learn basically from other people, you don't have to get too many new ideas on your own. You can just apply the best of what you see.

I've been acting for so long it's more like - I won't say easy, exactly, but there's not the same angst with writing that comes about with acting. Writing - particularly when you're writing yourself, when it's you, when it's your life, you really can't hide.

I was inspired to spend an entire year - my 65th year - reading, researching, and meditating on Lao-tzu's messages, practicing them and ultimately writing down these insights as I felt Lao-tzu wanted us to know them.

I've always liked stories. I'm always reading, ever since I was a kid. I've always been reading and wanting to be in some other world.

I always loved strange stories like the Dr. Seuss stuff. 'Go, Dog. Go!' was one of my favorite stories - it still is. It's just such a bizarre yet true book. And I did well reading and writing as a kid throughout school. I think early on that's what made me realize what an advantage that is.

I watch a lot of bad TV. I spend my entire day reading and writing, and after dinner my idea of fun is just to watch a lot of bad TV. That's how I relax and stay in touch with modern culture.

At last, the newspapers discovered the Bears. I kept writing articles about upcoming games, and by reading the papers, I learned editors like superlatives. I blush when I think how many times I wrote that the next game was going to be the most difficult of the season or how a new player was the fastest man in the West.

The process of writing fiction is totally unconscious. It comes from what you are learning, as you live, from within. For me, all writing is a process of discovery. We are looking for the meaning of life. No matter where you are, there are conflicts and dramas everywhere. It is the process of what it means to be a human being; how you react and are reacted upon, these inward and outer pressures. If you are writing with a direct cause in mind, you are writing propaganda. It's fatal for a fiction writer.

I don't like to use writing assignments, exercises. I think too often people get comfortable writing in that vein, but you can't go on to write a novel comprised of short writing exercises.

If your work is done on the phone, then surely you can set up some kind of wireless system. If your work involves reading or writing reports, then this too could be done outside.

I feel very much a part of what I'm writing about, and I'm writing about things that concern me on a daily basis. I'm not really interested in writing musical diaries, if you know what I mean.

I can spend the day without writing or reading, but I can't spend a day without listening to music. I listen to music on a Walkman; it's from the 19th century, I know.

Well, the secret to writing is writing. It's only a secret to people who don't want to hear it. Writing is how you be a writer.

What drove me to do 'Dead Wake' was that after doing the most preliminary of reading and scoping out what kinds of materials might be available in archives and so forth, I realized that this book - the research, the writing - would present me with a rare opportunity to explore to a full extent the potential for suspense in a nonfiction work.

Reading was my first solitary vice (and led to all others). I read while I ate, I read in the loo, I read in the bath. When I was supposed to be sleeping, I was reading.

An acquaintanceship with the literature of the world may be won by any person who will devote half an hour a day to the careful reading of the best books. The habit of reading good books is one that gives great comfort in all the stages and among all the vicissitudes of life. The man who has learned to love good reading is never alone. His friends are the great ones of human history, and to them he may always go for stimulating and helpful communion. -GQ 71

The conversation with the dead is one of the great pleasures of life. Somebody who is sitting reading Chekhov, Beckett, reading Toni Morrison - you are not in any way dead, in many ways you are intensely alive.

Awareness of having better things to do with their lives is the secret to immunizing our children against false values--whether presented on television or in "real life." The child who finds fulfillment in music or reading or cooking or swimming or writing or drawing is not as easily convinced that he needs recognition or power or some "high" to feel worthwhile.

What I wanted to do and what I needed to do was something entirely different, and through reading Roussel I learned that I could do what I wanted all on my own and that I didn't have to rely on what had actually happened in my somewhat limited life and reading.

When you're reading, like, a character's thoughts, or when it's in first person, you're reading kind of their own story, so you have the opportunity to see what makes that character complex or complicated. And to me, that's what the whole point of fiction is.

It cannot be that the people should grow in grace unless they give themselves to reading. A reading people will always be a knowing people.

Reading and writing, like everything else, improve with practice. And, of course, if there are no young readers and writers, there will shortly be no older ones. Literacy will be dead, and democracy - which many believe goes hand in hand with it - will be dead as well.

I can spend the day without writing or reading, but I can't spend a day without listening to music.

I love being in the archives, traveling, sitting in dusty places and looking at books with brittle pages. I love reading biographies and researching, to make myself informed about whatever political or historical time I'm writing about. From there, a lot of the emotional truths about my characters emerge.

When I am reading for research and making notes, I use a cleverly designed curved lap-desk, and I sit up dutifully, mindful of ergonomics and suchlike concepts. When reading for pleasure, I take advantage of the 'recline' in recliner.

While I was writing poems, I would often divert myself by reading detective novels, I liked them. And there was a period when I read many of them. I absorbed the form, and I liked it, it was a good one, mostly the hard-boiled school, you know, Chandler, Hammett, and their heirs. That was the direction that interested me most.

I think it's no coincidence that people who are good at writing far-out fiction are also good at meta-fiction. Think of all the best Phillip K. Dick stories, where you experience a sort of dislocation, and suddenly what you think you've been reading is, in fact, something else entirely.

I was always looking for the most dramatic emphasis. One example would be the letter writing, or the reading of the letters. If you remember from the book, they find the letters and then in the most undramatic way they take them downstairs, they get approval, they sit at a table during the day with their own author, across from each other.

In writing, the point is not to manifest or exalt the act of writing, nor is it to pin a subject within language; it is, rather, a question of creating a space into which the writing subject constantly disappears.

It's much easier to teach writing, because people are less shy about writing. If they're in a group, nobody can see what they're writing. When you're drawing, people get a little more nervous.

...she felt about reading what some writers felt about writing: that it was impossible not to do it and that at this late stage of her life she had been chosen to read as others were chosen to write.

I like every part [of the film process ] except the business and admin stuff. The initial idea. Writing. Re-writing. Casting. Directing, Editing. If I had to chose I'd say writing, followed by putting music on the picture. That is magical.

When I'm writing about reality, I'm writing about death. When I'm writing fiction, I'm writing about life.

Most people's major life changes don't come from reading an article in the newspaper; they come from reading longer-form essays or thoughtful books, which are much more convincing and detailed.

My dad and mom divorced when I was around ten, and I didn't live with him after that, though he was close by and we saw each other weekly. I wasn't really aware that he was a writer; I didn't start reading his writing until I was about fifteen. It occurred to me then that my dad was kind of special; he's still one of my favorite writers.

Reading is professionally important for me to keep tuned in to what's being written in my genre, let's not lie. But that's not the reason I read. I read for my own emotional and mental health. If I stopped reading, I'd probably just die.

I'm snobby about books that aren't crime fiction: if I start reading a literary novel and there's no mystery emerging in the first few pages, I'm like, 'Gah, this obviously isn't a proper book. Why would I want to carry on reading it?'

I reached a point where I'd watched enough directors do the job that I felt I understood it. And it's not that I'm a slow learner and it took me this long; I also was enjoying writing, and I still enjoy writing - I get tremendous satisfaction out of the writing end of it.

I came from a house full of books, so I took reading for granted. I was an outdoorsy little kid, too, so I got the best of both worlds by taking books up trees and reading there.

Reading has always been the largest and most irreplaceable pleasure for Vincent; reading about other people's successes and failures, joys and sufferings seemed to bury his own failures.

I think people make certain assumptions about what they're interested in reading or what others would be interested in reading, and when they think of poor black people in the South, they don't think people are interested in reading about those people.

My days are filled with writing, reading, and being a mom. Some days, I get to visit schools around the country and talk about what it's like to be a writer. I often feel like I'm pretending, because it's still hard for me to believe it when I see someone holding a book that I've written.

Reading and writing music is a wonderful way of getting ideas in your head down to someone else who reads and writes, but if you don't read and write, and the other musician you're playing with are trying to express something who doesn't read and write, than it's a question of "I wrote" so that you must learn from listening and from understanding where that's coming from.

I'm reading 'Ten Storey Love Song' by Richard Milward. I read his first novel, 'Apples,' after hearing a reading of his in the Hague. I really enjoyed it, so I've started this one.

I started then to try and shape something rather than just express it and when I started to shape something and to imitate other poems that were written by other people, when I had tried to integrate my reading and my writing I was on my path.