Top 1200 Reading Or Writing Quotes & Sayings - Page 20

Explore popular Reading Or Writing quotes.
Last updated on December 23, 2024.
I don't like writing as an expert. I like writing as an amateur. I like writing as an idiot. It's much more fun to start in ignorance.
Reading isn't good for a ballplayer. Not good for his eyes. If my eyes went bad even a little bit I couldn't hit home runs. So I gave up reading.
With the advancement in e-reading technology, I was curious if it were possible for readers to be able to hear the actual songs while reading the book. I contacted Amazon and discussed the idea with their Kindle team, and they were very enthusiastic about it.
Ultimately, it doesn't matter if the author intended a symbol to be there, because the job of reading is not to understand the authors intend. The job of reading is to see into other people as we see ourselves.
I do leisure reading but I don't get to do it like, at one in the morning. When I getting up at six in the morning, so I do most of my leisure reading on vacation and on airplanes and that sort of stuff.
Part of what makes for good writing is an ear for what we would call the poetical. Poetry itself is another thing and it seems to me to be the most difficult writing - that those people are the best writers and they lead the way for everyone else and their writing is frighteningly great.
Learning is acquired by reading books; much more necessary learning, the knowledge of the world, is only to be acquired by reading men, and studying all the various editions of them.
As in the sexual experience, there are never more than two persons present in the act of reading-the writer, who is the impregnator, and the reader, who is the resspondent. This gives the experience of reading a sublimity and power unequalled by any other form of communication.
We get so many people saying short fiction is not economical, that it doesn't sell; but there are so many of us enjoying writing it and reading it. So it's wonderful to be around people who love short fiction too - it's like hanging around with my tribe.
Writing is writing. It's an abiding, wonderful talent, craft, gift that stays with you your whole life. And you can go in different forms, and you can try them. Look at me: I'm writing novels because I found something I love because I tried it.
I never read a horse book in my life. But I thought that's what my friends were reading and that's what I should be reading. And this was "Dobbin Does This" and "Dobbin Does That."
Reading is not just about learning to recognize and pronounce words, but also about how to hear and understand them... It is wise to remember that when we are reading letters never intended for us, any problems of understanding are ours and not theirs.
You know, my problem with most screenwriting is it is a blueprint. It's like they're afraid to write the damn thing. And I'm a writer. That's what I do. I want it to be written. I want it to work on the page first and foremost. So when I'm writing the script, I'm not thinking about the viewer watching the movie. I'm thinking about the reader reading the script.
I don't think my writing has much to do with my age. For me, my biography is more about what I was reading at what age. It's more of an intellectual thing of wanting to be free to write and think without being too bound by categorisation. I don't think I'm made for these times; I feel more like an old-fashioned writer.
If a big person invests time in reading, kids learn reading is important, the child is important, words are important, stories are important. — © Gail Carson Levine
If a big person invests time in reading, kids learn reading is important, the child is important, words are important, stories are important.
Tris: "I was reading." Sandry: "You're always reading. The only way people can ever talk to you is to interrupt." Tris: "Then maybe they shouldn't talk to me.
Forever, reading has been central, the necessary fix, the support system. Her life has been informed by reading. She has read not just for distraction, sustenance, to pass the time, but she has read in a state of primal innocence, reading for enlightenment, for instruction, even. ... She is as much a product of what she has read as of the way in which she has lived; she is like millions of others built by books, for whom books are an essential foodstuff, who could starve without.
Children need far more than basic skills in reading, writing, and math, as important as those might be. Children also need to learn how to think for themselves, how to find meaning in what they learn, and how to work and live together.
I was writing blogs before work, then I was writing at work, and then I started writing books on the weekend because you just have that sort of energy in your 20s; it's wonderful.
Children need to have both time to think and the motivation to think for themselves, to develop an expert reading brain, before the digital mode dominates their reading. The immediacy and volume of information should not be confused with true knowledge.
I used to go with my parents and loved it, I was in school plays, and I started reading plays before I started reading novels. I'll defend it to the hilt. When theatre is good it is fabulous.
If the writing is good, then the writing is already funny. All you have to do is make this funny writing true to the very deepest of your heart, and the fact that you are capable of making this true will be hysterical.
I am reading six books at once, the only way of reading; since, as you will agree, one book is only a single unaccompanied note, and to get the full sound, one needs ten others at the same time.
When I'm writing, I really want to satisfy myself. I've got a story that I am working on and struggling with, and I want to tell it the most effective way I can. That's really what I struggle with. And the thought of who may be reading it may be there somewhere in the back of my mind - I'll never say it's not there because I don't know - but it's not really what I'm thinking about.
A distinction must be made between that writing which enables us to hold on to life even as we are clinging to old hurts and wounds and that writing which offers to us a space where we are able to confront reality in such a way that we live more fully. Such writing is not an anchor that we mistakenly cling to so as not to drown. It is writing that truly rescues, that enables us to reach the shore, to recover.
I don't think you could teach someone to be a genius, but you can certainly teach them to not make rookie mistakes and to look at writing the way a writer looks at writing, and not just the way a reader looks at writing. There are a lot of techniques and skills that can be taught that will be helpful to anybody, no matter how gifted they are, and I think writing programs can be very good for people.
Reading time is precious. Don't waste it. Reading bad books, or books that are wrong for a certain time in your life, can dangerously turn you off the activity altogether.
No book is really worth reading at the age of ten which is not equally – and often far more – worth reading at the age of fifty and beyond.
Everybody used to be busy writing songs - great songs - that became hits. Now everybody's writing hits. Everybody's desperately writing a hit because they know they can't survive if they don't have a hit. Where in the past, we were writing a song like 'More Than Words' on a porch, not really believing it was gonna be a hit.
Writing about conflict has provided these dramatic opportunities to talk about really substantial moments in a person's life. I'm not writing about superheroes; I'm writing about ordinary people.
I have two pairs of reading glasses. One pair is for reading fiction, the other for non-fiction. I've read the Bible twice wearing each pair, and it's the same.
I don't believe in reading. I don't care about reading. It means nothing to me. I believe that by using your eyes and ears, you'll find everything that there is, and you don't have to read about it.
I don't believe in 'thinking' old. Although I've transitioned through many bodies - a baby, toddler, child, teen, young adult, mid-life and older adult - my spirit is unchanged. I support my body with exercise, my mind with reading and writing, and my spirit with the knowing that I am part of the Divine source of all life.
Before I was reading science fiction, I read Hemingway. Farewell to Arms was my first adult novel that said not everything ends well. It was one of those times where reading has meant a great deal to me, in terms of my development - an insight came from that book.
Think about the books that you were reading at a certain crisis in your life, what you were reading, and that's because you needed them to nourish your alma.
My records have a lot of collaborators on them, and when you're writing a book, it's a very insular process that's very confusing and dark. It's a lot of writing and rewriting in a way that I don't do so much when I'm writing songs.
Though not all reading children grow up to be writers, I take it that most creative writers must in their day have been reading children.
The major accomplishment of analyzing illiteracy so far has been the listing of symptoms: the decrease in functional literacy; a general degradation of writing skills and reading comprehension; an alarming increase of packaged language (cliches used in speeches, canned messages); and a general tendency to substitute visual media (especially television and video) for written language.
The daily writing practice is something I used to hear batted around a lot in writing workshops - which is probably why I dropped out of all the writing workshops. I wish I could take credit for innovating a new approach to writing, but the truth is that I've managed to write books despite myself. I'm lazy and ungovernable and undisciplined, but I do have a lot of anxiety about never amounting to anything and ending up as a bag lady.
I have learned as much about writing about my people by listening to blues and jazz and spirituals as I have from reading novels. The understatements in the tenor saxophone of Lester Young, the crystal, haunting, forever searching sounds of John Coltrane, and the softness and violence of Count Basie's big band - all have fired my imagination as much as anything in literature.
I started reading fantasy and science fiction and writing fantasy and science fiction when I was - when I started junior high school.
Somebody told me I should try writing. Actually, a lot of people tried to get me to try writing, long before I thought I was 'the writing type'.
I'm a fairly ascetic person. And I do most of my writing at night. You don't get distracted, your brain goes into what you are writing about, into the world you're writing about, rather than into the world you're in.
There are companies like Facebook that wield tremendous power over how Americans understand the world. Do they have a social responsibility now? That's the question we're only beginning to ask. Literature still has this power to do things that other forms of media don't have. The process of reading and writing and having arguments about ideas is valuable. I'm afraid it's something we're losing.
If you think that what you're doing is not all that important in the larger scheme of things and that you're just an insignificant creature in the whole wide world, which is full of six billion people, and that people are born and die every day and it makes no difference to future generations what you write, and that writing and reading are increasingly irrelevant activities, you'd probably never get out of bed.
I began writing and became attached to writing at an early age. I began by writing poetry and experimenting with dialogues: modest plays, in other words. I also used to describe at great length the way people in the area lived.
The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.
The boy spends most of his time reading. And writing, of course. He copies out sections of books, writes out words and symbols he does not understand at first but that become intimately familiar beneath his ink-stained fingers, formed again and again in increasingly steady lines.
When I was younger it was a lot of quantity over quality. Just writing, writing, writing. Hundreds of songs. Now it's fewer songs. If I write 10 songs I believe 80 percent of them are good and gonna be used.
You know, this is a very strange phenomenon. I keep reading that in American newspapers, and I keep reading extensive speculations. I meet with the Chinese leaders periodically, and while I don't say they've endorsed the missile shield, it has not been in the forefront of their discussions.
I mark the reading of 'Look Homeward, Angel' as one of the pivotal events of my life. It starts off with the single greatest, knock-your-socks-off first page I have ever come across in my careful reading of world literature.
I really don't want somebody writing something positive about me if they don't believe in it. I'd rather somebody write something real mean. I like reading bad stuff, it gets me excited. In fact, the only reviews I keep are the bad ones 'cause I think they're the cool ones.
Learning is acquired by reading books, but the much more necessary learning, the knowledge of the world, is only to be acquired by reading men, and studying all the various facets of them.
The highest branch of solitary amusement is reading; but even in the choice of books the fancy is first employed; for in reading, the heart is touched, till its feelings are examined by the understanding, and the ripening of reason regulate the imagination. This is the work of years, and the most important of all employments.
I do not regret the years I spent reading the traditional canon of white male writers in school. I do regret reading so little else there: Austen, George Eliot and occasionally Woolf, likewise Wright, Ellison, Hughes and Gwendolyn Brooks.
Write. Start writing today. Start writing right now. Don’t write it right, just write it -and then make it right later. Give yourself the mental freedom to enjoy the process, because the process of writing is a long one. Be wary of “writing rules” and advice. Do it your way.
My modus operandi hasn't really changed that much from when I was an English teacher. I wanted my students to leave my classroom loving reading and wanting to read more, and if they left my classroom thinking that reading is boring, then I haven't done my job.
I write constantly, but only in my journals. I have three of them: one for travel, one for home, and one I write in before bed. But the last thing I want is other people reading it... What's really fun is reading your journal, like a year later.
I'm always reading. I've loved reading since I was young, and I've always loved sinking my teeth into a different world, especially one that you begin to create in your head.
Promiscuity is like never reading past the first page. Monogamy is like reading the same book over and over. — © Mason Cooley
Promiscuity is like never reading past the first page. Monogamy is like reading the same book over and over.
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