Top 1200 Real Character Quotes & Sayings - Page 8

Chavez made a compete fool of himself in front of the entire world while giving the U.N. a black eye. But the real losers are the Venezuelan people who have to put up with this unstable character every day.

I've always been very strong minded on character-based fights and character-based action. If you take the character out of the action and you just shoot it as an action sequence, the audience starts to lose connection.

I have immense respect for Christopher Nolan for taking a character called 'Batman' - taking a comic book - and making people believe in him in a real world context.

I hadn't mentioned, but Ching Shih is a pretty villainous character. She is a real person, but she was a pirate commander, so she probably murdered a lot of people.

Our immigration system is a broken system that needs to be fixed. We need reform that provides hardworking people of good character with a real path towards citizenship.

False modesty is the masterpiece of vanity: showing the vain man in such an illusory light that he appears in the reputation of the virtue quite opposite to the vice which constitutes his real character; it is a deceit.

Without reflecting that this is the only moment in which you can study character," said the count; "on the steps of the scaffold death tears off the mask that has been worn through life, and the real visage is disclosed.

If you're really being honest with yourself when you're acting, part of it is touching the real you. You can only separate yourself so much from the character. Those vulnerable moments do touch me.

Character is developed one positive action at a time. Therefore nothing is actually trivial in our lives. To grow in character development, pay attention to seemingly trivial matters. Someone who grows from each minor life event will eventually reach high levels of character perfection.

Conceit is a fog that envelops a man's real character beyond his own recognition. It weakens his native ability and strengthens all his inconsistencies .

It's my privilege to work with an actor like Vikram who gets into the skin of the character he is playing, so much so that after the shoot it takes him quite some time to get back to his real self.

I want a script to affect me in some way. I am usually drawn to character studies, scripts about real people and the world we live in not some fantasy.

I populated 'The Bourne Identity' with real characters from American history, specifically characters from the Iran-Contra affair, which my father ran the investigation of. But at the heart of it was a fictional character.

I love putting on an outfit or a costume and just looking at myself in the mirror. Baggy pants or some real funky shoes and a hat and just feeling the character of it. That's fun to me.

I think everything you do, characters I always find, have their own voices and once you establish who that character is you find a different voice. I think it's just a question of establishing that character and the voice speaks through that character.

I said, 'Wouldn't it be great if Matt Damon's character fell in love with a girl with a real butt?' They were like, 'Yeah sure, sure - here's your personal trainer.'

The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue.

He's [Jesus] the most fascinating character in history, really - the character who's made more difference to the world than anyone since him. I daresay that Muslims would say Muhammad was that character, but I think Jesus had a sort of 600-year start on him.

The roles I was lucky enough to get were real stretches for me: usually a character who was older, or a little weird, or whatever. And it was hard, not just for the lack of work but because you have to face up to how people are looking at you.

Character is everything. The reason people watch sports entertainment is to see people who are larger than life, but at the same time, there's something real about them.

The TV commercials, which are endless and fairly crass, gave birth to Brock, the bad-lawyer character in Razor Girl. In real life you can find even sleazier examples than him.

I think hip-hop brought it on itself. When rappers got a chance to talk to the media, they would get in the interview and say, 'It's all real life.' They play these characters, and then they can't stop playing the character when they're not working.

You put on a face for the public. The face isn't false; it's just another side of you. If it were false, you couldn't last. People want something real and natural, and if they catch you acting, you're dead. It has to look real. In order to look real, it has to be real, and I've always thought of the characters I've played as real people.

Derek, my character, in 'Chhichhore' is actually based on the director's real life senior in engineering college and I had no clue about it till he took me to Indian Institute of Technology Bombay.

I love Archie. I love Jughead. I like Reggie. I think my favorite character in the show is Betty. Obviously, I can't imagine myself playing that character, but if I had to choose a character, I really love Betty.

A nation of character is filled with citizens who gradually build lives based on the living awareness that their deeds are judged by eyes of unchanging truth, by a will that is the real measure of what is right, and therefore of what is good.

I'm a very happy-go-lucky lover of all mankind as a person in real life. So when I play a darker character, I have to tap into something that isn't my natural way, and what I found was that I think human beings have the potential for all of these emotions.

Your character is always right. No real person thinks they're being stupid or misguided or bigoted or evil or just plain wrong - so your characters can't, either.

I can honestly say that I've never seen such a transference, from person to character, as I have with James 'becoming' Tony Soprano. Because he was, of course, nothing at all like Tony in real life.

In 'The Smurfs,' I was actually a live action character. So, I was a real person in that movie. But I was working with animated characters, which is very strange because they're off recording their work, and we're kind of reacting to nothing when we're doing the film.

I strive for what you do find in Shakespeare's work - that there is a definite humanity and a definite character behind the writing in the sonnets, and it's very real because it's so deeply personal. I try to aspire to that in what I do.

Never say any man is hopeless, because he only represents a character, a bundle of habits, which can be checked by new and better ones. Character is repeated habits, and repeated habits alone can reform character.

Anything, everything, can be learned if you can just get yourself in a little patch of real ground, real nature, real wood, real anything ? and just sit still and watch.

I'm all about real drama, real performance, and real people, so my twist on this is: I'm creating a family, a brotherhood here. I'm creating a very real chemistry and I have this incredible ensemble of actors led by Will Smith, who are basically playing dimensional characters with lives and souls.

The script that I fell in love with and adored was 'Jane the Virgin'... but every line in the pilot was essentially, 'Why did you keep my daughter a secret all of these years?' I didn't know any direction my character was going - was it going to be a dramatic character, a comedic character? - I didn't know.

Basically you come up with the fictional idea and you start writing that story, but then in order to write it and to make it seem real, you sometimes put your own memories in. Even if it's a character that's very different from you.

Like all very handsome men who die tragically, he left not so much a character behind him as a legend. Youth and death shed a halo through which it is difficult to see a real face.

When you're playing a real character, you want to honor that person and receive inspiration from that person. They need to anoint you in some way that allows you to borrow just a small piece of their soul. That is the flame.

The character of human life, like the character of the human condition, like the character of all life, is "ambiguity": the inseparable mixture of good and evil, the true and false, the creative and destructive forces-both individual and social.

My approach is literally what is being told in the scene. I try to be as real as possible, and I try to find my own truth in it and figure out how to best serve each character.

Marty [Scorsese] knows that when an improvised moment comes out of a real situation, it's gonna have more life and more going on than anything you can imagine and that's how the character can become the story

I'm not a glamour boy, and I never get the girl. I like to play old people, because there's something to them. Did you ever see anybody under 30 with any real character or expression in his face?

If you watching remember The Miz at the time when he was on 'Real World,' he was a character known as The Miz. He always wanted to get into sports entertainment, as did I. In a very similar likeness, I was EA All Day.

That was one of the things that interested me about the character. He doesn't want to be a hero, and has no real desire to save the earth or discover aliens. He's sniffing around looking to see what will fall in his lap.

Among the numerous stratagems by which pride endeavors to recommend folly to regard, there is scarcely one that meets with less success than affectation, or a perpetual disguise of the real character by fictitious appearances.

The real evil with which we have to contend is not the physical evil of the Famine, but the moral evil of the selfish, perverse and turbulent character of the people.

If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.

Never mind. Point being that you don't have to get too worked up about us, dear educated minds. You don't have to think of us aas real girls, real flesh and blood, real pain, real injustice. That might be too upsetting. Just discard the sordid part. Consider us pure symbol. We're no more real than money.

Some mystery should be left in the revelation of character in a play, just as a great deal of mystery is always left in the revelation of character in life, even in one's own character to himself.

I think in this movie, every time I see his work, I'm blown away by it because he, to me, he really embodied the character so powerfully and so real, so truthfully to me.

I think there's a real tension between capitalism and morality. That's not to say these systems aren't powerful and useful, but to assume that capitalism can somehow assure moral behavior or character, that's just a pipe dream.

I like to build a character, trying to stretch my imagination as far to the walls of my brain as I can to come up with something that feels truthful and feels real - as close to the skin as I can get it.

We always have visions, before a thing is made real. When we realize that although the vision is real, it is not real in us, then is the time that Satan comes in with his temptations, and we are apt to say that it is no use to go on. Instead of the vision becoming real, there has come the valley of humiliation.

Perhaps because my background is theatrical, I have a great affinity with the classics. Hamlet has always been a character of great interest to me and a character I would really love to play. Or a character in a Tennessee Williams play, maybe Tom in 'The Glass Menagerie.'

A solid base for any comedy is just honesty and truth, and it coming from a real place. As surreal as this show gets and is, ultimately, we're dealing with a character that most can't see the way that I can see it.

I think China knows that in the early stages of Covid, it didn't do what it needed to do, which was to, in real time, give access to international experts, in real time to share information, in real time to provide real transparency.

My role as Chitra is synonymous to my character in real life. If Chitra is crying or shouting or reacting in a certain way then Sudha would have reacted in the same manner.

Originally, I thought, 'Gollum's such a fantastic character, why are you doing him CG? Surely you need to be able to humanise him as much as possible - he's so full of pathos and real emotion.'

If you understand your character and feel like it's a collaborative process, you're more inclined to dive into the deep end and fight for your character and feel passionate about your character, and that passion comes across on screen.

Your character - you own it. That's something you have to grab hold of on 'This Is England'. Your character is your character.