Top 1200 Real Conversation Quotes & Sayings - Page 5

It concerns me when people frame the conversation about equal pay about the entertainment business. I don't want the wage gap issue to be viewed as this myopic problem, because it's not. It's in 98 percent of all businesses, and it's easy for people to dismiss this conversation when they think it's around white women entertainers. But this is about all women in America.

Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.

Music is like a conversation. One person says one thing that speaks with a harmonica, with a bass, with a drum. They're all conversating, and we're just trying to find a way to make conversation rather than blah, blah, blah. But it's not really so hard a thing to do if you know the way to approach it.

I'm a very consistent leader, and people won't find me different day to day. You won't have to have the sort of conversation that says, 'How is she today? Is this a good day to have this conversation?' You won't find that situation with me. I treat people with respect.

I've met Theresa May, and I think she's a good person. I'm not someone who goes, 'Ooooh, boooo, the Tories,' or 'Ooooh, boo' anyone, actually. You sit down and have a sensible conversation, and she is really, really capable of having a sensible conversation.

I know I'm appreciated by how fans treat me, and the best way to treat them is play every day, hard. I sign autographs, but if I'm with someone I don't know who doesn't start the conversation, there won't be a conversation. That's just me, living my life. But I'll loosen up after baseball.

I've never been in the position where that conversation is a serious conversation before the movie even comes out. On one side of it, that's so great because you've got such great potential. The other side of that is that there's a level of pressure. Now, that clearly means that there's an expectation level, from the studio side, potentially from the audience's side, and from our side.

The whole of ancient astrology owed its origin to conversation with the cosmic intelligences. But by the time of the first centuries after the rise of Christianity, ancient astrology - that is to say, conversation with cosmic intelligences - was a thing of the past.

Anything, everything, can be learned if you can just get yourself in a little patch of real ground, real nature, real wood, real anything ? and just sit still and watch.

We always have visions, before a thing is made real. When we realize that although the vision is real, it is not real in us, then is the time that Satan comes in with his temptations, and we are apt to say that it is no use to go on. Instead of the vision becoming real, there has come the valley of humiliation.

I think China knows that in the early stages of Covid, it didn't do what it needed to do, which was to, in real time, give access to international experts, in real time to share information, in real time to provide real transparency.

The screen is a window through which one sees a virtual world. The challenge is to make that world look real, act real, sound real, feel real.

Every night I try to look at the audience and treat every audience differently. It's almost like it's a single entity or a person. I always try to treat it like a conversation and allow it to happen naturally in the same way that you would engage in conversation.

What I think we need to do to engage the American people in a conversation about entitlement reform is to have a bipartisan group of people who come together and put every solution on the table, every alternative on the table. And then we ought to engage in a long conversation with the American people so they understand the choices.

You can see the diversity that pieces in the anthology represent, and then the interconnections-obvious and less obvious-between various stories or between various modes of storytelling. Diversity generates need for conversation, conversation generates common interests, as well as differences. Literature, as a human project, is all about that.

It's very difficult to have a conversation about yourself when you're the granddaughter of Audrey Hepburn, as it was difficult for me to have a conversation about something without, 'What was she like? What was she really like?'

Only social patterns can control biological patterns, and the instrument of conversation between society and biology is not words. The instrument of conversation between society and biology has always been a policeman or a soldier and his gun.

We talk about sexual harassment in the workplace, but there's sexual harassment in schools, right? There's sexual harassment on the street. So there's a larger conversation to be had. And I think it will be a disservice to people if we couch this conversation in about what happens in Hollywood or what happens in even political offices.

Shakespeare lets us see real people undergoing real processes, with real feelings

There is not a day that goes by that does not include a conversation with God. There is not a day that goes by that does not contain signs. There are many days that go by on which we do not hear the conversation, do not see the signs. So stay awake.

There are some girls who are turned on by my body, and some others who are turned off. but for the majority i just use it as a conversation piece. like someone walking a cheetah down 42nd street would have a natural conversation piece. then when they get to talking to me they see i am not mean but gentle to them and thats all they want to know

Shakespeare lets us see real people undergoing real processes, with real feelings.

I've had this conversation with Chrissie Hynde and Courtney Love. If they'd dated the men they dated before they picked up their guitars, things would have been different. I'm not trying to name drop, but I've had this conversation with Cher, too, who has more last names than Zsa Zsa.

People sometimes think that defining a term is pedantic and useless, but terms need to be defined if they're going to be discussed, even if the terms are only defined for a single conversation. Those involved in the conversation need to know how the terms are being used.

The Internet is a very intimate entertainment experience. I'm in my own apartment talking to people, and I want them to feel like they're with me in my apartment. So if I'm listening to them and taking ideas from them and being honest with how I'm feeling, it resonates even more that we're having a real, actual conversation.

I love seeing the videos of people who go and talk to these neo-Nazis because they're like, 'I'm just here to have a conversation and understand.' Having a conversation about it and talking about your emotions without judgement. You have to be able to be completely open, because they're not going to be, but you could turn a new leaf in their life.

Being bi-racial and being from the country, I can talk to guys like Travis Frederick from Wisconsin and Doug Free from Wisconsin. And then I can go over and talk to Dez Bryant. I mean, think about the two different standpoints you need to have a real conversation with both, to really understand what they've been through.

As financial market players know, advantage comes from reacting to news first. The same thing is true for all companies. When you start the conversation, you are recognised as someone who is plugged into the marketplace of ideas. If you talk about an idea early, you naturally get more exposure because the threads of conversation stem from what you have said. If you're in late you get lost in the cacophony.

Real people had real agendas, real demands, real expectations about how other people should behave.

Real fashion change comes from real changes in real life. Everything else is just decoration.

We should be able to have a conversation about immigration; we should be able to have a conversation about what skills we want to have in the U.K. and whether we need to go out of the U.K. in order to get them to boost our economy, and I don't think we should have a situation where we can't talk about it.

I think, if you can only talk about your stuff in a jargonistic way, you're not as smart as you think. You're alienating people who deserve to have a conversation, or a place in the conversation. If you take the complete inverse and are staunchly anti-intellectual, then I think there's a certain amount of resentfulness in that. There's something about that standpoint that feels a little bit insecure.

Conversation is much like a tennis game except that in tennis you try to put the ball in the most difficult position for the one who must hit it - while in conversation you must try to put it where it will be easy to hit.

To me a real patriot is like a real friend. Who's your real friend? It's the person who tells you the truth. That's who my real friends are. So, you know, I think as far as our country goes, we need more people who will do that.

The best ones - Hulk Hogan believes in Hulkamania. It's not a thing he's selling here. It's real. He knows it's real because he goes to the Mall Of America and everybody goes insane, right? Wrestling is real. Those characters are real.

Real transformation requires real honesty. If you want to move forward - get real with yourself.

...we do not simply get showered with Hollywood money because we happened to write a little story about wizards one day. It's not winning the lottery. It's a real job, which real people do, and they have the same real problems as other real people.

Marilyn Monroe wasn't even her real name, Charles Manson isn't his real name, and now, I'm taking that to be my real name. But what's real? You can't find the truth, you just pick the lie you like the best.

There are no general-interest media that all of us can tap into. I'm not a good person to talk to about social media. I just avoid it. I'm suspicious also of the culture of venting. But the bigger question is, How can we in this media world have a genuine civic conversation? I mean, look at Franklin Roosevelt. He had these radio talks that all Americans listened to, and there was a common civic conversation that came out of it.

Were you to converse with a king, you ought to be as easy and unembarrassed as with your own valet-de chambre; but yet every look,word, and action should imply the utmost respect.... You must wait till you are spoken to; you must receive, not give, the subject of conversation, and you must even take care that the given subject of such conversation do not lead you into any impropriety.

I don’t abstract from anything.…I am involved with real space, the room itself, real light, and real surface.

I'm uninterested in superheroes. I am only interested in real stories, real people, real connection.

When real is gone, then there is no longer a litmus test for that which deviates from it. It's all real because it's all 'real.'

You can give words, but you can't take them. And when words are given, that is when they are shared. We remember what that was like. Words so real they were almost tangible. There are conversations you remember, for certain. But more than that, there is the sensation of conversation. You will remember that, even when the precise words begin to blur.

If we consider what happens in conversation, in reveries, in remorse, in times of passion, in surprises, in the instructions of dreams, wherein often we see ourselves in masquerade,--the droll disguises only magnifying and enhancing a real element, and forcing it on our distinct notice,--we shall catch many hints that will broaden and lighten into knowledge of the secret of nature.

Art history is fine. I mean, that's a discipline. Art history is art history, and you start from the beginning and you end up in artist in time. But art is a little bit different. Art is a conversation. And if there's no conversation, what the hell is it about?

Very few interviews are a conversation. It's usually a question and I have to answer for two minutes. By the end of the day, I kind of feel gross. It's like you go to dinner with a friend and then you get home and you're like: "Ugh, I dominated that conversation too much. I wish I let them talk more." That's how it feels for me every day I do press.

I'm all about real drama, real performance, and real people, so my twist on this is: I'm creating a family, a brotherhood here. I'm creating a very real chemistry and I have this incredible ensemble of actors led by Will Smith, who are basically playing dimensional characters with lives and souls.

I think my books give people a language to have a conversation about God that's not religious. There isn't enough new literature that brings the conversation of God into a modern context. I love the Bible, but in the West we've analyzed it until it fits into a structure of control. We need more new stories. We need different ways of looking at things, and I think it's coming.

I am a partisan for conversation. To make room for it, I see some first, deliberate steps. At home, we can create sacred spaces: the kitchen, the dining room. We can make our cars 'device-free zones.' We can demonstrate the value of conversation to our children. And we can do the same thing at work.

We are not post-racial. And in many ways we don't even know how to have a conversation about being post-racial. Until we get out of that old-school way of thinking about race and opportunity and the ability to transcend some of the past of this country, then we're going to be stuck in the 20th-century conversation about race.

You put on a face for the public. The face isn't false; it's just another side of you. If it were false, you couldn't last. People want something real and natural, and if they catch you acting, you're dead. It has to look real. In order to look real, it has to be real, and I've always thought of the characters I've played as real people.

Stay out of the gutter in your conversation. Foul talk defiles the man who speaks it... Don't swear. Don't profane. Avoid so-called dirty jokes. Stay away from conversation that is sprinkled with foul and filthy words. You will be happier if you do so, and your example will give strength to others.

I remember a conversation with James Anderson a few years ago about my skills and that conversation is something I can still recall. He said no two bowlers are the same, the way I bowl my outswinger will be different to the way you bowl yours so bowl to your strengths, keep it simple and don't try to copy another bowler for the sake of it.

In 2013, I dedicated myself full-time to combating the very real impacts of climate change. Working across the country, NextGen Climate Action formed new coalitions and worked hard to make climate change a part of our national conversation - and across the country, we had a big impact.

I find myself having rehearsal chats, in my head, for conversations I need to have. Sometimes they are arguments, things I need to get off my chest, award acceptance speeches. Ultimately, it clears my mind, helps me focus my thoughts, and sometimes alleviates the need for the real conversation.

I think a lot of people in their average day actually imagine two sides of a conversation at one point or another. I think that the mental trick of holding two sides of a conversation in your head is actually something that we all do.

Harry Potter isn’t real? Oh no! Wait, wait, what do you mean by real? Is this video blog real? Am I real if you can see me and hear me, but only through the internet? Are you real if I can read your comment but I don’t know who you are or what your name is or where you’re from or what you look like or how old you are? I know all of those things about Harry Potter. Maybe Harry Potter’s real and you’re not.

You know how it always is, every new idea, it takes a generation or two until it becomes obvious that there's no real problem. It has not yet become obvious to me that there's no real problem. I cannot define the real problem, therefore I suspect there's no real problem, but I'm not sure there's no real problem.

Never mind. Point being that you don't have to get too worked up about us, dear educated minds. You don't have to think of us aas real girls, real flesh and blood, real pain, real injustice. That might be too upsetting. Just discard the sordid part. Consider us pure symbol. We're no more real than money.