Top 1200 Real Me Quotes & Sayings - Page 5

... if [a photograph is] unbelievably real it becomes superreal or another kind of super real, better than real... [it] also can be, I think, so heartfelt that you almost can get a pang of compassion for the thing.

When I hear real faithful people - whether it's a real Christian, or a real Buddhist, or a real Muslim - I hear them use the language I use for a friend. So my metaphor for God is friend.

I'm basically a pretty shy person and I don't dance or get into fights. But there are all these things inside me that get out when I perform. It's like a real world when I play, here I can do all the things that I can't do in real life.

If you look only as Genesis as an allegory, you have a major problem, because if it's an allegory, then tell me who our ancestor was? If Abraham was real, then from Abraham if Adam isn't real, if it's just an allegory, it's just a story, then what's the real Adam who really fell in a garden and really sinned? Where did we come from?

There will always be a slight difference between the reel and the real. Even my family might know 99 per cent about me, but there will be this one per cent about me that nobody will ever know. Being in this profession, I am fine with biopics or movies inspired by real-life-characters.

Real peace comes only when you stop chasing it. When you relax your driving desire for comfort, real fulfillment arises. When you drop your hectic pursuit of gratification, the real beauty of life comes out. When you seek to know the reality without illusion, complete with all its pain and danger, that is when real freedfom and security are yours.

That's not a real answer.' Says who?' Says me. I mean real fear, like of failure, of death, of regret. Like that. Something that keeps you awake nights, questioning your very existence.' Clowns.

For me as an audience member, it makes the characters more relatable and interesting if they're evolving and changing - it makes them feel more real in a way. But not every cartoon is trying to be real.

The character in 'Arya' was so close to my real life persona. The director saw me once and felt I was the right guy for the role because my body language was so flamboyant. In real life, too, I am very peppy and full of life.

I bought a dodgy gold ring off a guy in Southampton. He told me to check it was real gold by heating it up with a lighter and pressing it against my skin, because real gold doesn't burn. I still have the scar on my left hand.

I would love to finish my career at Real Madrid. But I would not cause a scene if, one day, a coach were to come along and decide he doesn't need me. Only then would I look elsewhere. And I repeat: Real is my priority.

Real men know how to move as real men. Real men won't allow themselves to be disrespected. Real men aren't punks.

The person is a mystery. What I'm playing is the person so I really get to tell you and show you and communicate to you who I think the real person is and that real person is me. The most important thing is to play the human being you are creating, which is my job.

Damon Lindelof said, "There are three kinds of prophets - crazy people, like the Guilty Remnant, false prophets, who just want money, sexy and power and use that to get it, and real prophets - and you're a real prophet in 'The Leftovers'. The voices that speak to you never tell you a lie." And I said, "Name me some real prophets." He said, "Buddha, Jesus and Muhammad." I said, "Which one am I?" And he said, "None of them. You're probably closer to Moses than anyone."

Real men are real friends, showing their real commitment.

Teens wanted things that were real, that they connected with, it doesn't have to reflect reality directly. They love 'The Hunger Games' not because it's real in that it happens, but the emotions there are real, and it's very relatable.

When he realized who he'd pulled over, the policeman shook his head in disbelief. He told me of all people I should know better. He gave me a real dressing down, but let me go.

I'm never going to be the lead actor guy. I'm real quiet and real happy and real fortunate to keep working. It's what I do. It's like the circus. I ran away and joined it a long time ago.

Climbing, as my grandmother said, it's a pretty frivolous thing. She always wondered when I was going to get a real job. But climbing is a real job for me now, and I enjoy it. It's a gift that I'm able to do it, share adventure and motivation with people.

The unique personality which is the real life in me, I can not gain unless I search for the real life, the spiritual quality, in others. I am myself spiritually dead unless I reach out to the fine quality dormant in others. For it is only with the god enthroned in the innermost shrine of the other, that the god hidden in me, will consent to appear.

Real entrepreneurs have what I call the three Ps (and, trust me, none of them stands for 'permission'). Real entrepreneurs have a 'passion' for what they're doing, a 'problem' that needs to be solved, and a 'purpose' that drives them forward.

What is John Arriaga's circle of competence? Is it real estate? No! Is it U.S. real estate? No! Is it California real estate? No! Northern California real estate? No! Only real estate around Stanford. His circle of competence is this small.

I'd just come through cancer in 1995. Which really changed my soul. It really did. It changed me... It made my faith alive - and real. God's real.

Painting, like water, takes any form. Paint is a film of pigment on a plane. It is not real in the way that gravity-bound sculpture is real. It is, however, real.

I'm of the opinion that the real is imagined and the imagined is quite real. The real is imagined, in the sense that we shape our stories, so anything that even happens on the news gets shaped in a certain way and gets a texture, and that the imagined can be real.

There's a need for a ritual and for real joy and real bliss. Real fun.

Every once in a while, I hear somebody call me Tracy to try to let me know that they know me, you know, personally. But most of my real friends will call me Trey, or 'Ice' was basically short for Iceberg. So they would call me - some of my boys call me Berg.

Horror stories have always worked on film. It's where they work. That's where vampires and ghosts and UFOs are real. They're not particularly real in life, but they're real on the screen. It's the communal aspect of movie-watching.

When you go to jail, there's so much simple stuff missing. You just want some good toilet paper or a real toothbrush, a real blanket and a real bed to lay in.

It's funny, because people always say when they meet me, having read me - or they read me, having met me - that they are struck by how the tone is pretty similar, in real life and in the books.

It's a common part of the narrative of the history of Christianity that it was 'real' religion that involved real spirituality and real faith, and that's why it's completely superseded the more pagan polytheistic practices.

The characters are whole, real people to me that I'm getting to know, and since real people are all flawed, so are my characters, I hope.

It seems as though I've always been,somebody outside looking in,well, here I am for all of them to bleed,but they can't take my heart from me,and they can't bring me to my knees,they'll never know the real me.

For me, the best journalism is usually the best storytelling, and the best stories are those of real people. Sometimes those real people are people in positions of great prominence or power or adverse situations, and sometimes it's just normal folks who help illuminate a situation, a place, a culture. And for me, that's always been the best way of telling a story.

I think the idea, first and foremost, is to understand that people may label these characters as villains, but at the end of the day I have to fall in love with the characters that I play. For me, they have to be real characters with real objectives, and driving forces. So they're all different.

I want to die, stripped, by myself, of all fantasies. That's the goal. I want to feel what is real, at the end, and only what is real. Grip fiercely with my eyes all that is around me--the people of my intimate life, the objects in the room, without the evasions of fantasies.

How often do you get a movie where the coolest character has your own real last name? I played Bob Morales as a cross between my own father - the passion, the fury - and the real Bob Morales. I loved that movie. People, kids always come up to me and tell me how much they still love 'La Bamba.'

Sitting on the floor, I'd replay the past in my head. Funny, that's all I did, day after day after day for half a year, and I never tired of it. What I'd been through seemed so vast, with so many facets. Vast, but real, very real, which was why the experience persisted in towering before me, like a monument lit up at night. And the thing was, it was a monument to me.

One of the things that got me thinking during therapy is that they say that fear is only thoughts, and nothing will happen because thoughts will never be real. And my thesis, or joke, in film Antichrist, is that they really do become real.

When real music comes to me - the music of the spheres, the music that surpasses understanding - that has nothing to do with me, cause I'm just the channel. The only joy for me is for it to be given to me, and to transcribe it like a medium... those moments are what I live for.

It wasn't until '79 I won my first amateur championship, and then, by '81, I was 14, and I won my first world championship, which was amazing to me, and in a very real sense, that was the first real victory I had.

Strong style is a philosophy for Japanese wrestling fans that was created by New Japan Pro Wrestling founder Antonio Inoki. He wanted you to show every motion and show real technique in the ring. It's important to use real techniques from real life and real martial arts. The detail is important.

When I wrote my fictional novels, they always had a starting point of something real. Those images that are not real are exactly the same strength and power of the real ones, and the line between them is completely blurred.

Be real, because a mask only fools people on the outside. Pretending to be someone you're not takes a toll on the real you, and the real you is more important than anyone else.

When donors visited the Black Panther Party, they came and saw our real programs, a real clinic, with real doctors and medics, giving service to people.

I am such a fiery woman and I am a real passionate woman and I get so much stuff built up inside of me that I can release all that on stage, and I kind of counterbalance it with the normal Maria that I am because with the real calming, natural kind of earthy spirit stuff and it kind of balances me out so I don't go too crazy.

But your book is wrong, Mrs. Strunk, says George, when it tells you that Jim is the substitute I found for a real son, a real kid brother, a real husband, a real wife. Jim wasn't a substitute for anything. And there is no substitute for Jim, if you'll forgive my saying so, anywhere.

I see you're trying to distract me from the real point here," Magnus said instead. "You had a birthday - a perfect excuse for me to throw one of my famous parties - and you didn't even tell me about it?

The things that scare me are real life situations. Real life is much more scary than anything you can put on the movie screen. Which is why I get very upset when people try to blame the movies for the violence in this world. I'm like 'Are you kidding me?'. There is more violence in a four hour period on CNN than any movie I have in my massive collection.

We never really felt a real level of respect. The fame was fantastic, but that wasn't that important to me, because for every million people that loved me I focused on the one that hated me.

It's a great stretch for me to do my game show. It's very hard. It's not me at all. The only part that's me is sort of when I'm sitting in the booth looking tormented. That's the only part that's the real me.

For me, Halloween is year-round. But my Halloween is the real Halloween - dealing with the real dead.

When I got out of college, I gave myself till I was 30 to invent a product. If I couldn't do it by then, I would just get a real job. And that fear - the fear of a real job - motivated me to be an entrepreneur.

What makes you a real girl or boy is that no one laughs at you. If you are imitation or unreal, the rules give you a right to exist provided you do what the real ones or brutes say. What makes you into me or Charles Morgan is that the rules allow all the girls to be better than me and all the boys better than Charles Morgan.

I became a Christian man in a very real way. I could have just said the prayers that were on the page, but it was a real thing that really saved me. And you can't identify unless you're really going through it. It's a full-blown exchange of heart, a surrender of control.

When I won I always was part of a real team with real men and a real coach.

Over the years, Cajun music has always calmed me down, or if I'm feeling real sick or feeling real unsettled, I can put that music on and try to get focused again.

the real "work" of prayer is to become silent and listen to the voice that says good things about me. To gently push aside and silence the many voices that question my goodness and to trust that I will hear the voice of blessing-- that demands real effort.

This is no honky-tonk parade. 1Q84 is the real world, where a cut draws real blood, where pain is real pain and fear is real fear. The moon in the sky is no paper moon.

I was lucky. My grandmother stepped up for me and said she would take responsibility for me and a compassionate juvenile judge took a chance and gave me one. They were getting ready to send me away to do real time, but they sent me instead to a juvenile alternative day school. And I guess that was the beginning of my turnaround.