Top 1200 Real Me Quotes & Sayings - Page 6

A lot of people question how talented I am. But I'm a real dude and I know real things and I've seen real people get their head blown off.

Yeah, you know, there's a difference between the textbook world that economists like to imagine, and the real world where real people have real feelings.

You can tell a book is real when your heart beats faster. Real books make you sweat. Cry, if no one is looking. Real books help you make sense of your crazy life. Real books tell it true, don't hold back and make you stronger. But most of all, real books give you hope. Because it's not always going to be like this and books-the good ones, the ones-show you how to make it better. Now.

There are millions of people who think that romance isn't real writing. But the only person who can make you real, make your books real, is you.

You know what matters? Touching people. Being a real person. Because when you're in front of real people, they gon' give you a real reaction.

I am now in a place where I have to be truer to myself first before anyone else. If you're not real, how can you expect others to be real with you? The older you get; you aim to have an understanding of who you are as a person. But, I can honestly say, I am a better me than I've ever been in younger years.

I had a lot of successes, but what really made me fearless was my complete failure at Zidd-Davis. Once you've lived through that, you know you can survive, and you're not as scared... There's nothing to build confidence like real achievement, but also like real failure.

If you want proof that 'Catfish' was real, just put me in an audition room and watch me fall apart. I can't pretend. I'm really bad at it. That's partly what makes me good at hosting a reality show.

The real thing is not the goal, the real thing is the beauty of the movement. The real thing is not reaching, the real thing is the journey. Remember, the real thing is the journey, the very traveling. It is so beautiful, why bother about the goal? And if you are too bothered about the goal, you will miss the journey, and the journey is life - the goal can only be death.

But the point is, now, at this moment, or any moment, we're only cross-sections of our real selves. What we really are is the whole stretch of ourselves, all our time, and when we come to the end of this life, all those selves, all our time, will be us - the real you, the real me. And then perhaps we'll find ourselves in another time, which is only another kind of dream.

It's great to listen to men talk about sports or fights or war or even hunting sometimes, but the presence of the other, the presence of art and beauty, which crude masculinity seems to discount, is essential. Real civilization and real manhood seem to me to include those.

If you want proof that Catfish was real, just put me in an audition room and watch me fall apart. I can't pretend. I'm really bad at it. That's partly what makes me good at hosting a reality show.

Every kid will tell you that they want you to be real, but that's until you keep it real with them. Then they don't want it real.

When I create characters, I create a world to inhabit and they begin to feel very real for me. I don't belong in a psych ward, I don't think, but they become very real, like my own family, and then I have to say goodbye, close the door, and work on other things.

One of the beautiful parts about Hamilton is it takes these figures that we've always revered as figures of antiquity and there's real blood flowing through their veins. There's real conflict. There's real life.

Antonio Inoki majored in strong style. He showed real emotion with real technique in the ring. Hard shots that look like hard shots. But the important steps is the real technique from the real martial arts. It means detail is important.

People say 'I love Artists', but what they really know about Artists? They've ever thought about sharing the real madness with us? I believe those extreme passions/emotions in me separated from the real world is the sauce to pull out the inspirations out of me that touch the core of people's hearts, which is usually wandering about deep inside of you unconsciously covered with the social taboo called 'common sense'.

The narrative oftentimes is that everything that comes out of the hood is 'real,' and so I thought, 'I'll base it on the absurd, the not real. I'll twist the idea of real on its head and see if I can get away with it. I'll make paintings that come not from a place but through an abstract gaze.'

I think about everyone in my life that was harsh with me or who gave me tough love and told me things that I didn't want to hear in that moment; fortunately it ended up being really good for me and I have nothing but respect for them today and those are the people I return to when I need that real honest advice.

The moment when a limit is reached, when there is nothing ahead but darkness: something comes in to help that is not real. Another way all this is like madness: a mad person not helped out of his trouble by anything real begins to trust what is not real because it helps him and he needs it because real things continue not to help him.

I don't feel like a dream girl, but I think it's really nice. I guess a part of me wishes I got that sort of attention in my real life. Because in my real life, I'm this weird, dorky girl who just hangs out with her dog.

For me, a good thriller must teach me something about the real world.

I am sober, grounded, focused, I'm writing again, I like where I am. I'm real positive and I got this great family that came along with my wife - I'm happily married and she's a great part of me that was missing - and I feel real good.

Donald Trump hasn't blown us up yet. But he terrifies me. For one thing, the incompetence. He doesn't have any real understanding of how the presidency works or even how Washington works. The only comfort I have is that he is so imcompetent that he can't do anything to cause a real problem.

It has always seemed to me the real art in this business is not so much moving information or guidance or policy five or 10,000 miles. That is an electronic problem. The real art is to move it the last three feet in face to face conversation.

My medications make me easier to deal with. They don't interfere with my creativity or turn me into a zombie or dull my real personality. They help me connect with people, allow me to stay calm when situations seem overwhelming, and help keep my thoughts from racing out of control. They help me leave the house when I'm scared to. They help.

Words are what sticks to the real. We use them to push the real, to drag the real into the poem. They are what we hold on with, nothing else. They are as valuable in themselves as rope with nothing to be tied to.

One day I found out that personal history was no longer necessary for me and, like drinking, I dropped it... Little by little you must create a fog around yourself; you must erase everything around you until nothing can be taken for granted, until nothing is any longer for sure, or real. Your problem now is that you're too real. Your endeavors are too real, your moods are too real. Don't take things so for granted. You must begin to erase yourself.

I ain't acting when I'm on stage. That's why all the little love bugs who'll come and see me at Lovebox love me. They know it's the real me.

I'm passionate about the American Dream because it's not a fictitious thing for me. It's real for me.

My goal is to help women learn to walk out their lives with real faith in a real Jesus who changes real lives forever.

With some CGI, I think the brain slightly perceives that things aren't real. There's no gravity, the light's not quite real, the shadows aren't quite real.

As with real reading, the ability to comprehend subtlety and complexity comes only with time and a lot of experience. If you don't adequately acquire those skills, moving out into the real world of real people can actually become quite scary.

Sometimes you have to think about what you're going to say, in real life, so when you see that thought process going on in a movie, it feels real and looks real.

I'm writing about real things. Real people. Real characters. You have to believe what I write about is true or you wouldn't pay any attention at all.

I have a split - of my real home-life side that's real-life, and then the creative side that is not necessarily real-life, but it intersects my real-life so much.

Most people look at a feature film and say, "It's just a movie." For me there is no border or wall between fiction and documentary filmmaking. In documentaries, you have to deal with real people and their real feelings - you are working with real laughter, happiness, sadness. To try to reflect the reality is not the same as reality itself. That's why I think that making a good documentary is much harder than making a good feature film.

Once this old lady saw me in airport and just kept smiling at me, and after much hesitation, she came and asked me, 'Are you Ram? Can I touch your hair? Is it real?' and I happily obliged.

For me, I don't talk about numbers. I've had big contracts my whole career; I just don't like talking about numbers if they're real or not real... whatever offers I've had, I always keep it private.

There are times when I love the world and love everyone, and I want to talk to everyone, and other times when I feel really disillusioned, and like none of this is real, nothing is real around me.

God is real. You have a lot of prophets, angels; everything is real, you know. You know me - I'm a deep person, so my mind goes really, really deep.

All the smart money got they bets on me / And all the real niggas wish the best for me

If people liked me as Sadhna from Bidaai' they will like me as Sara Khan also. They will love me the way I am as a human being in real life.

I was always interested in drawing and creating, but it never really occurred to me that I could pursue art as my profession until my mid twenties. From all I had heard from other people, art was just something you do as a hobby in between your real work and real jobs.

The real beauty of it - key to my life was playing key chords on a banjo. For somebody else it may be a golf club that mom and dad put in their hands or a baseball or ballet lessons. Real gift to give to me and put it in writing.

I often get asked by people 'Is your Twitter real?' and things of that nature. I'm never sure how to respond to that. My Twitter account is completely 'real' in that everything I tweet is something I have earnestly thought or something that has actually happened to me.

Whatever was about, whoever I had seen, and heard rocking, and who had passed me by just now, whoever had opened the locked door was not 'real'. No. But what was 'real'? At that moment I began to doubt my own reality.

Well, I think first of all there was a failure to have real, clear information at our disposal. There was a real lack of situational awareness. We didn't have the capabilities on the ground to give us real-time, accurate assessments of the physical condition of the city.

But people who do not know me are surprised to see me as a real person I guess.

There's so many people who come to me here in L.A., promising me this and promising me that. What I'm learning is figuring out what's real versus what's just talk.

If you knew the real me, you'd want to keep your distance from me. Seriously.

It's a huge responsibility writing about people who are alive. It's the thing about writing that keeps me awake at night: dramatising real-life events with real people.

I can't even look at daily comic strips. And I hate sitcoms because they don't seem like real people to me: they're props that often say horrible things to each other, which I don't find funny. I have to feel like they're real people.

Even in comedy, you have to be real. It's all about being real. It's how real can you be? That's the challenge. How much are you willing to take on for your character?

My characters live inside my head for a long time before I actually start a book about them. Then, they become so real to me I talk about them at the dinner table as if they are real. Some people consider this weird. But my family understands.

Pussy power's pulling me down, down, down, down. When it's there and I can't have it, I get real real rabid.

The sad fact is that it would be fair to say that United is a generic, bureaucratic, tired company. A sort of DMV in the sky. No real culture. No real strategy. No real expectations for employees or customers. All of which is a shame.

If I saw something once that I can't explain, that doesn't make them real. And if a trick of the dark gave me a chill, that doesn't make them real. And if a madman says what's at the core of us all is a senseless, flapping quiver of black shade, that's just one more reason not to believe.

These problems are real, and you can't turn off real life. So I won't try. Instead, I'll give you a set of tools to help you deal with real life.

The truth is that we have to, as American citizens, stop thinking that this life that we're living, the things that we're dealing with, is some reality TV show. This is real life, real children, real situations.