Top 1200 Real Music Quotes & Sayings

Music took me from a real dark place to a real bright one.

In India we are creating mainstream hip hop music, than what real rap music is. The lyrics aren't that personal, since most of the music is catering to Bollywood. It's just trivial. It's a fashion here.

What makes 'Maybach Music V' so special was, of course, I put the album out celebrating my daughter's birthday as well, and DeJ Loaf is her favorite artist. So 'Maybach Music V,' I wanted a real airy type of feel. Just a real slow vibe to it that's also going to surprise my daughter. So that's real special.

I came up during that time when music, to me, was really music. It wasn't about talking about a woman and calling them a derogatory name or something like that. It was real music.

You listen to a politician making a speech, and it is like hearing nothing. Whereas, music is unmistakably music. The thing about music is that nobody listens to it unless it's real. I don't think that you can fool anybody for too long in music. And you certainly can't fool everybody.

Sometimes I get, "Have you ever thought about doing real music?" I like to think the music I do is real, it just happens to be funny.

There are a lot of options when it comes between music and acting. For me, because I'm so passionate about my music career, you have to be extremely passionate when you have opportunities like films and real money actually coming to you compared to with music.

Some music comes from a real place; some music comes from your imagination. It's difficult to find out what's real and what's not, especially with the gangster stuff.

I used to memorize music when I was real young. Schoolwork, not so much. But music I could remember.

Music has always gotten me through life, particularly honest, real music.

I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.

If you listen to Bryson Tiller's record, there's some real music. There's some trap stuff, but if you listen to what's on top of that stuff, that's real music. I look at that and I know it's real. I respect it immensely.

It's a mystical quality of music, that music isn't really concrete, and it's communicating abstractions about imaginary worlds. At least, my music's like that. It's not real. It's unreal, it's all fabrication. To write a song about Obama would suddenly break the spell.

We'll be reporting music news every week and have real bands coming and performing on 'MyMusic,' interacting with the fictional cast as though they were real.

My goal is really to continue to make music. I really don't make music to have platinum records and all that kind of stuff. I've been there. I do it because I love music, and I love uplifting people through my music. That's my real goal.

All those haters, they don't understand my music. It's very unique. And I don't blame them. Hate my music. But my real cult fanbase, they like the music.

My music is for real women and it's about real women and I am a real woman.

That is the music that I have always wanted to play: real, genuine guitar music.

Music is something I do full-time in real life. I was doing music long before I was even thinking about acting.

Before the money or anything, number one, it was just to put out real music, real stuff with a passion, real art.

Music making features real-time creation, real-time decisions and actions. It's basically improvisation, which is the stuff of everyday life. In the realm of discourse about music, improvisation is marginal, but in the realm of doing it, it's omnipresent. Strange distinction here: we're improvising all the time, but when we tend to talk about music, we tend to talk about objects that are fixed, like recordings, scores, pieces.

Music is probably the only real magic I have encountered in my life. There's not some trick involved with it. It's pure and it's real. It moves, it heals, it communicates and does all these incredible things.

I came to music and knowing a little bit about life, and I came to music knowing a lot about business - and that's a real advantage. By the time I came to music, I had purchased real estate, opened restaurants, and been in the business world, so the music business didn't blindside me.

When you listen to my music, you're going to know that you're getting the real me, my real thoughts and feelings... I want people to be like, 'Oh, he's fresh out with his music for it to be this good.'

Surveys of thousands of gamers have shown that they're more likely to play real music if they play a music videogame. So it's an interesting relationship where the games aren't replacing something we do in real life, they're serving as a springboard to a goal we might have in real life, like learning to play an instrument.

I want to bring real music back but make it marketable and mainstream. To me, real music isn't everything being synthesized, computerized.

What I think shines through for us is that we have a real respect for the music and a real reverence.

Real music is what I consider to be uncorporatized music, the music that just happens. I feel like that's not a very well-known thing.

Musically, I have little ambition. The only real ambition I have is to make music and do music whenever I feel like it, without any real ambition or planning.

Electronic music, for me, has been the only real pioneering music that actually does push boundaries and is constantly futuristic.

I try to make music that's really real. I've always liked music that makes me feel something. I'm not a brain first, music second person.

I've never personally criticized anyone else's music, but I know that the public's real problem is not the music I make but the perception that I play simple music for money only and for the notoriety and to increase my popularity.

Music that is saturated with soul force is the real universal music, understandable by all hearts.

Even the most jingoistic person would have to admit that even American cultural music comes from Europe. That's what classical music is, real European music.

I want everything, no matter what concept or genre, to feel real, because it is real. I want to keep making real music, I hope people remember me for that, that's a good thing to be remembered for.

Music is real. It affects people; it's real.

I've been talking a lot about how music chooses you because you can pinpoint when you had the epiphany that, 'Wow, I really want to do this.' But there's no real rhyme or reason about choosing to be in this industry. It's one of those things where there is no real guarantee; there is no real rulebook to follow.

You should play with real musicians; the best music comes from real people interacting with each other.

The only reward the musician receives is music: the privilege of standing in the presence of music when it leans over and takes us into its confidence. As it is for the audience. In this moment everything else is irrelevant and without power. For those in music, this is the moment when life becomes real.

I was real good at music and real bad at everything else.

We're all friends, inside the music and outside the music. I mean, we don't sound anything alike, we don't approach our music anything alike, but we come from the same genuine place. We want our music to be real and we don't want to compromise our art.

For me, my voice and music was always an outlet. Growing up in an unstable environment and whatnot, music was my only real escape.

Real music to me is real; it's what you feel.

I am interested in the study of music and the discipline of music and the experience of music and music as a esoteric mechanism to continue my real intentions.

I keep my music heartfelt and stick to making real music. I wouldn't even say it's hip-hop music. My music is 'reality rap.'

I came out of an electronic music scene that based all its music on software. It was a real boys thing, a real testosterone thing - software and the relationship between music and the software - to the point where it was like a closely guarded secret.

I really don't make music to have platinum records and all that kind of stuff. I've been there. I do it because I love music and I love uplifting people through my music. That's my real goal.

I don't mind playing my music live. It's fun. But what my real passion is is writing music.

I'm making music for people to have fun and party to. I'm also making real music as well. I'm making a lot of pop stuff. I'm definitely just making music for the consumer and the listeners. So shout out to all my fans.

Anyone who knows music knows that Neil is about as real as it can get, and this along with seeing him perform 'Harvest Moon' on 'SNL' was my first experience knowing what real music really felt like.

Real music will make you more and more refined. It will become more and more silent. In fact, real music will help you to listen to silence, where all notes disappear, where only gaps remain. One note comes, disappears, and another has not come, and there is a gap. In that gap meditation flows in you.

I think emotion is just anything that is emotional, you know, people can feel with music. Music is already so emotional, like the strings, the chords, and the notes and the melodies and stuff. And then you throw on a topic that everyone can relate to. That's gonna be real music.

I'm a real guy. I'm not money-laundering. I make money off music, and music is my source of income. It feels good. I'm not selling T-shirts, I'm not doing none of that other crap. Straight music.

Indie music is 'it' now. It's kind of a revolution to the music: 1980s, 1990s music was getting very sanitized; they were complying with the music industry. Music was getting more and more dead in a way. Now, because of the social climate that's very severe, the artists are compelled to start being real. It's really great that indie music is now.

I love the fact that people can relate to what I'm saying, even if it's not for the same subject I was writing about. That is the power of real music and real expression.

Immersing yourself in the environment of a real record store where music is celebrated and cherished adds real value to the experience of buying music. In some ways, that retail experience is as important as the music.

Over the years, Cajun music has always calmed me down, or if I'm feeling real sick or feeling real unsettled, I can put that music on and try to get focused again.

When real music comes to me - the music of the spheres, the music that surpasses understanding - that has nothing to do with me, cause I'm just the channel. The only joy for me is for it to be given to me, and to transcribe it like a medium... those moments are what I live for.

My memories of mealtimes are a real bleed of music and food. Music never really stopped in the music room, because everyone would move out to the table with their sitars.

My own personal aesthetic is all to do with real actors and real locations and a kind of almost hyper reality and actuality to things. But the digital world, I explore that through other mediums, with music videos and commercials. Even 'The Road' was a real learning curve for me with digital effects.