Top 1200 Real Music Quotes & Sayings - Page 16

Big band music, to me, it really has three key elements. First is the lyrics are really sweet, and they're just really family-friendly. The second thing is the music is jazz music, so the music is complicated enough to hold your attention for 5 or 6 million plays. That makes the songs interesting. The last part is the fact that it's danceable.

It's great to have all this stuff at home. But when you want to make it for real, there's still nothing like making music with a bunch of other great musicians in the same room. That's one thing that'll never change.

This was her, Mick Kelly, walking in the daytime and by herself at night. In the hot sun and in the dark with all the plans and feelings. This music was her—the real plain her...This music did not take a long time or a short time. It did not have anything to do with time going by at all. She sat with her arms around her legs, biting her salty knee very hard. The whole world was this symphony, and there was not enough of her to listen... Now that it was over there was only her heart beating like a rabbit and this terrible hurt.

We were definitely new to the whole music thing. The first album was a real collaborative effort between us, the writers, and the A&R people at Columbia Records. We really worked to find out what our sound was.

As long as your intention is pure, and you know what you're in it for, then you're alright. And I'm in it because I enjoy it. I take it seriously... real seriously. I mean I could sit and talk all day about the music.

I don't just do music for the clubs, I do music for the struggle. I do music for everyday niggas, the kids who ain't got no sense of direction. I'm trying to restore some of the morals back into the game, as far as the street.

The only real thing I took away from the military is that it just reinforced all the things I already thought about the underbelly of America, like how racist it is. So, it didn't really affect my music literally, but it affected the way I work on it.

I learned how music works dealing with Jermaine Dupri, and I learned how image works dealing with Puff Daddy. ... Singing is an acting role within itself...I've gone through a lot of trial and error to find what works and what doesn't. With that comes an understanding of how to offer the same opportunities to other artists. ... In my opinion the world is in need of real soul music. ... I'm a flamboyant type of guy, a cooler version of Liberace. ... I'm a younger Morgan Freeman. ... I've been working so hard, I'm about to have a Mariah Carey.

You can have the right kind of experience and the wrong kind of experience. Mine is rooted in the real lives of real people, and it will bring real results if we have the courage to change.

I'd rather call it "instrumental creative music," especially the music that I've been doing. If a person would hear that music, they would undoubtedly call it "jazz." There is this whole generation of musicians that are playing and thinking critically for themselves and making music that's relevant to today. I hope that's the objective of a lot of musicians.

Composers don't just sit in a room and write things that are in their heads, they actually listen to a lot of music, pop music, jazz, rock and roll, any combination of music that catches their ear.

There's no way that music could ever go down the tubes. I can't imagine a civilization without music. When you realize today that music is such a part of people's lives. And will always be, really.

'Wii Music' elevates the scope of music video games by moving beyond commentary on what music is - as 'Rock Band' and 'Guitar Hero' do - to suggesting what it could be. Yet I'm still left wondering: Couldn't it be more?

I wish what I do was all real. Some of it's real, some of it's an illusion and I try to blur the line between both, but unfortunately I've got to be honest with you. Taking a $1 bill and turning it into a $100 - unfortunately it's not real.

When someone is themselves through their music, it's soul music. James Taylor is soul music to me 'cause it's just him talking about him. It doesn't have anything to do with black or growing up in the church; it's where it comes from. It's just soul music.

I think in the old music, everything was so competitive. It was all about - very selfish in a lot of ways. The label sort of capitalized on that desperation and that competition. In the new music landscape, with is the democratization of the internet and music in general, I think it can be a lot more collaborative. People, instead of competing, they can actually support each other, in music.

You don't make this kind of music expecting to have to do TV press and stuff like that. I don't mind doing it, but it's a fairly underground type of music. You do it for the love of the music more than being a star or anything.

I think that's why I'm an actor: so I can tell those stories without having to really live through those stories with real consequences and real stakes, real responsibility.

Music, when combined with a pleasurable idea, is poetry; music, without the idea, is simply music; the idea, without the music, is prose, from its very definitiveness.

My advice to young people wanting to make music and to be in this industry is to really spend your time making music. Make so much music you have no friends. Make music. Figure out what it is you love, and... because if you're making cool art, then everything else will fall into line.

[When] he's here, he's always reading. He says books stop time. I myself think he's crazy...Don't tell anyone, but when he reads something that he likes he gets real happy, turns on the music, and dances by himself, or with a broom sometimes.

'Heel Turn 2' is about a person who's in a match, and he's playing as though the match were real. But it is real! If you're standing in the middle of a ring, and you're playing the villain, and everyone is booing and throwing things at you, that's real.

Music can make a difference. There is a global nature to music, which has the potential to bring all people together. Music is truly an international language, and I hope to contribute by widening communication as much as I can.

The Peruvian flute music is . . . cool. In this music, they have not yet invented the industrial revolution that leads to excessive punctuality or the failed experiment they call the nuclear family. This is the music of elements, untarnished, unrehearsed.

I remember always looking forward to listening to country music in the car with my mother, and it wasn't even something I enjoyed in the sense of music, but just being around music itself was enough.

The very best thing for music would be to live next door to a person who listens to loud music so you could mishear music everyday and mutate it to your own means.

there are two kinds of music - good music and bad music. Good music is music that I want to hear. Bad music is music that I don't want to hear.

We were big Clash fans, you know, big Who fans and I think we would listen to this music and talk about music and do nothing but music night and day, and when it came time to actually making our own music, you feel compelled to sort of tuck all those influences away, not show them.

If you're treated a certain way you become a certain kind of person. If certain things are described to you as being real they're real for you whether they're real or not.

I think rap music has made more money on dance music than dance music has made on dance music. Just a thought.

I think that the best part of music is when it comes from a real place and has an ability to kind of connect on a much larger scale. It no longer is a personal thing, it becomes everyone else's thing as well.

The music industry's actions at the time of 9/11 and since have been actions driven by patriotism in most instances, and greed and stupidity to a lesser degree. Sounds like real life doesn't it?

I have to listen to music while I'm working. Music is essential. It's at the top of the pyramid for me. I've always felt disappointed in what I've made when I held it up to the music I love. I try not to compare them now.

I'm continuously playing this game of what's real and what's not real, and having to balance and judge and realize that there are things that carry real weight in the world and actually have power in them. And there are things that are just pointless, and you don't have to pay attention to those things.

Seeing your music, how it actually affects people, it just encourages me to stay true to myself and write stories that I relate to and that are real to me, an experience that I've had.

I think music is just a wonderful ingredient that helps us understand a scene better. And certainly you can overuse music, and you can use the wrong music. I probably have been guilty of these things over time. But if you use music correctly as a friend of the theme, a friend of the narrative, ou can lend some terrific connective tissue to a film.

It's funny how the music industry is enraged about the Internet and the way things are copied without being paid for. But you know why people steal the music? Because they can't afford the music.

The Band is probably the ultimate example of people taking all kinds of music, from gospel to blues to mountain music to folk music to on and on and on and on and putting them all in this big pot and mixing up a new gumbo.

Music was our food... When we can play, it can't be so terrible. The music, the music!

When I travel too much, it affects the music, and that is the most important thing. As long as I make good music, I can play shows, but if the music starts getting bad, the show offers won't come.

I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.

I find that there's so much funny stuff in real life, and I am much more interested in super grounded, real stuff, so now I just want things to feel real and authentic.

The very definition of the real becomes: that of which it is possible to give an equivalent reproduction. The real is not only what can be reproduced, but that which is always already reproduced. The hyper real.

It makes no sense to me at all to give away music for free. The very fact that we have to do that cheapens the music. And there's a huge effect to that of music not playing such a big part in peoples' lives anymore.

I had seen a lot of music movies that celebrated music or that showed the kind of joys from playing music, which is a big part of it of course, and not something that I would want to deny.

I'm a very optimistic person. I have the chance to listen to so much phenomenal music. Connecting with social networking to create music is a progression of what electronic music does anyway - it connects people.

Music expresses feeling, that is to say, gives shape and habitation to feeling, not in space but in time. To the extent that music has a history that is more than a history of its formal evolution, our feelings must have a history too. Perhaps certain qualities of feeling that found expression in music can be recorded by being notated on paper, have become so remote that we can no longer inhabit them as feelings, can get a grasp of them only after long training in the history and philosophy of music, the philosophical history of music, the history of music as a history of the feeling soul.

I love being in a room in front of an audience who cares about the music, who knows the music, and who has lived with the music. It's kind of like an experience you share. I'm on stage performing it, but they're singing the words, too.

Everyone in my family, they do music, and they love music; it's all about the music.

Some people who make music are instantly very savvy about how they can get their music to communicate in a larger way. For me, the music was always first, and I put a lot of time and effort and thought into making the recordings. But everything else around it, all the things that were necessary to have a career in pop music, I was completely ill equipped to handle.

Without music you are all dead; with music you are alive. There is nothing music can't do.

I'm glad people think I'm a badass. I'm a rock and roller, and I'm an R&B and a blueswoman. I don't do fairy music, although I love Celtic music and sensitive music. There's a balance between ballads and kick-ass songs.

I don't really have an ambition to become the Rolling Stones, or anything like that. For me, it's just playing music is kind of a transcendent, amazing gift, so when people come together and they play, I think it's a real special thing.

There's so much chaos in life, I think I make music to make things feel calm and sane, to define something, to bring some meaning into it - it's a real peaceful thing to me.

There are two kinds of music; German music and bad music.

There is something about performing my own music, and other people's music, that gives me pleasure. I think I learn more by doing that than I ever did studying music.

I've been working to define my individual style and vision and I believe it is reflected in the music. I feel better mentally, physically and spiritually so I've brought that to the music. I still make love songs so there are some messages in the music about men appreciating their women. I'm also still bringing party and club hits but with more substance in the music.

There are two genres of music: there's good music and there's bad music.

I think the music I make is true to my life. A lot of people can relate to it. It is real. I'm just saying it how it is - I don't sugar-coat it. If you are an ambitious person, you want to strive for more. I want to do it all.

My influences are with Irish music, church music and classical music.