Top 1200 Real Music Quotes & Sayings - Page 17

The only useful information about the market will be what I create through expeditions into the market, through testing and probing, trial and error, by selling real products to real people who pay real money.

Live music is incredible because you get to be with people, and you get to have this tactile, real-world experience, but at the end of the day, if your eyes are closed and you're getting swept away, it's like... I don't know.

So what's happening with the audio/visuality, for the first time we are doing the music - the people who would come to the concert love the music - they loved him and loved his music - for the first time in concert it's not only the music. Now it's time to know the man. We know the music, but what was the man like?

I was very engaged by the folk music movement.Bob Dylan; Joan Baez; Peter, Paul and Mary. And then I sort of discovered world music, and fell in love with ethnic music of all sorts.

I just see in pop culture, music, visual art, books, etc., a real hunger for the new and different, and I think that's amazing. Satisfying this hunger is part of the responsibility of a creative person.

I think that cheap music often does make you dream more than more serious music, whether that's serious music by Beethoven or Miles Davis or Pink Floyd... if the Floyd ever did serious music, which I seriously doubt.

It's this funny thing now: You sign up to be a musician because you want to write music, but you don't spend your time writing music. Instead, you go around the world selling the music you've already made.

I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.

Friendship is only friendship when it is real. Passionate and relentless. Forgiving and joyful. Don't forget today to have real moments with your friends. Not a text, or a tweet, an Instagram-- that's all deceit. Hold real hands, kiss genuine lips, be a truly strong human force.

No eleven-year-old has any real grasp of death. He doesn't have any real concept of other people--that they feel pain, even that they exist. And his own adult future isn't real to him, either. Makes it that much easier to throw away.

Music was like my first real toy. I was an only child for a while, and I was alone a lot of the time - and I liked it. I still like being alone.

On Facebook, Twitter, texting, e-mails, remember, it's a mode of communication, it is not communication. It's not real life. So step aside, make sure people see something other than the top of your head and live in real time, in the real world.

The brain knows the real secret of seduction, more effective than even music and martinis. Just keep whispering, 'Gee, you are really special' to that sack of water and protein that is a body, and you can get it to do practically anything.

But the beauty of Einstein's equations, for example, is just as real to anyone who's experienced it as the beauty of music. We've learned in the 20th century that the equations that work have inner harmony.

The real world is where I get to educate and entertain myself. I go and touch the real world and touch real people. That's my way into movies.

Jazz vision is the fusion of music and art a real paradox of same-yet different. Here we play in exchanges, like the hardness of the key of c# major and from the softness of Db major - capturing, reflecting and improvising.

By the combination of lines and colors, under the pretext of some motif taken from nature, I create symphonies and harmonies that represent nothing absolutely real in the ordinary sense of the word but are intended to give rise to thoughts as music does.

The artist draws a picture of a rose very nicely with all attention and artistic sense, and yet it does not become as perfect as the real rose. If that is the real fact, how can we say that the real rose has taken its shape without Intelligence behind the beauty?

We try to magnify the difference between Americans and the English. In real life they like the same music and dress the same. It's really much more similar than anyone thinks or how we show it.

I love black thighs, you sisters better realize That real hair and real eyes get real guys. So before you makeup your face, you better make up your mind.

So let me tell you what I think about gods. I think a real god is not going to be so scared or angry that he tries to keep other people down…A real god doesn’t care about control. A real god already has control of everything that needs controlling. Real gods would want to teach you how to be just like them.

The inner music of the Soul is the real song. It's tunes are self-existing and self-supporting and need no outer aids of hands, feet or tongue and lead to the source from whence they come, the Minstrel divine.

In Australia, average temperatures have risen almost one degree since 1910, and each decade since the 1940s has been warmer than the one before. That warming is real. Its consequences are real. And it will change our lives in real and practical ways.

I decided I wanted to use my real name 'Tierra Whack' when I decided I wanted to make music my career.

They teach real young kids and when I was about five my Mom took me to enroll in this thing and they said I could do it. It was definitely my choice, but I would have never thought of it. There's pictures of me playing piano when I'm real, real little, that kind of stuff.

You've got certain guys that just want to be famous and then you've got the real musicians that just love playing music.

Music to me was never something that I could listen to while reading a book. Especially when I was studying music, if I was going to listen to music, I was going to put on the headphones or crank the stereo, and by God, I was going to sit there and just listen to music. I wasn't going to talk on the phone and multitask, which I can't do anyway.

The show is coming from the music. I get on the stage with the band, and I communicate with my musicians, and the music that we create and all that is coming out of us. The music is making the show and the music is creating the atmosphere, so if you close your eyes and listen and feel what it is that's coming out of the speakers, that's the whole point.

Music is really everything I know. To be honest every experience I've ever had has been brought up from music and everything I do is because of music. I don't know anything else, I think about music before I go to sleep and it just really is everything that I am.

I am now satisfied that the future music of this country must be founded upon what are called negro melodies. This must be the real foundation of any serious and original school of composition to be developed in the United States.

I got caught up on drugs for a few years, I'm off it, I'm very happy, got two kids and a family and everything. And like I said I'm making the underground music, and keeping it real.

One of the most important things to me as a songwriter is to make music that's young and fresh but also soulful and real. I want people to feel like they know me once they listen to my songs.

As an artist development platform, we've proven that all the work done behind the scenes at American Idol, along with surviving the rigors of the intense live shows, can properly prepare a winner for a real-world music career opportunity.

I guess hip-hop has been closer to the pulse of the streets than any music we've had in a long time. It's sociology as well as music, which is in keeping with the tradition of black music in America.

In the U.K., classical music is composed by individuals and written down. Indian music is based on certain sequences called ragas. When I perform live, 95% of the music is improvised: it never sounds the same twice.

Many musicians are fabulously skilled at playing the black dots on the printed page, but mystified by how the dots got there in the first place and apprehensive of playing without dots. Music theory does not help here; it teaches rules of the grammar, but not what to say. When people ask me how to improvise, only a little of what I can say is about music. The real story is about spontaneous expression, and it is therefore a spiritual and a psychological story rather than a story about the technique of one art form or another.

All I can guess is that when I write, I forget that it's not real. I'm living the story, and I think people can read that sincerity about the characters. They are real to me while I'm writing them, and I think that makes them real to the readers as well.

Country and western is the music of the devil. That's the real truth of the matter. My late Mother, bless her, loved country and western. God, I couldn't handle it.

For me, let's keep jazz as folk music. Let's not make jazz classical music. Let's keep it as street music, as people's everyday-life music. Let's see jazz musicians continue to use the materials, the tools, the spirit of the actual time that they're living in, as what they build their lives as musicians around.

I feel like my breakout moment had to have been when I dropped 'Drip Season 3.' I feel like it was just a real good body of music.

My first attempt at real music was when I was 13. My first signed band was when I was 21; that failed. I got another deal at 26; that failed, and then I was broke.

In general, what fans talk about and think about become a very important source of inspiration to us, because we want to write something that's real to people, especially those who listen to BTS music.

Country and western is the music of the devil. Thats the real truth of the matter. My late Mother, bless her, loved country and western. God, I couldnt handle it.

I hope that people can relate to my music, it's very relatable, it's very fun, it's very honest. It's very, very, honest. I know that my fans will probably learn a lot about me by listening to my music, if they really listen to the lyrics. I'm sure they'll learn about a new side to me, it's all very honest, I don't put on any... there's no fake-ness to it, it's very real and I hope my fans can relate to it and that it's enjoyable for all ages.

I don't think a lot of people know what a real artist I am. I don't think they know I write my own music.

I play music - I write my own music, but I play music, just background music really, and just let it happen.

Performance and music are inexorably tied together. And hell, I'll watch Brittany's Toxic music video all day. But there's a difference between that and listening to Leo Kottke play guitar. One is entertainment. The other is Music.

Because I came into acting late, my references come from real life. That's my biggest inspiration. It's probably the reason I moved back to New York. I'm just a lot more inspired by real life than I am by depictions of real life.

Every work is completely different. Sometimes the music is first, sometimes it's parallel, and sometimes the music is after. There's no rule. Music goes differently to your emotions. With music you can create different spaces and feelings easier than you can with the visual - maybe not easier, but in a way, it's more seductive.

I love music with real instruments. I'm not one of those guys that's a purist about analog vs. digital, but I love the analog approach. Sonically, I connect to that.

I wrote about real people and real circumstances and real neighborhoods. There was no crypt or castles or H.P. Lovecraft-type environments. They were just about normal people who had something bizarre happening to them in the neighborhood.

In L.A., I played with Joe Pass and Gabor Szabo. Mick Goodrick plays guitar in the Liberation Music Orchestra, and he's a real special player. Then I did a duet concert with Jim Hall at the 1990 Montreal Festival.

For me, personally, the most interesting music comes from the popular sector - from film and pop music - since contemporary classical music got stuck and went into directions where it lost a lot of the public by over-intellectualizing.

I'm from Kenner, Louisiana, where music is played for every occasion in life. There's music for being born, there's music for dying... It's just natural. Families get really good because they play a lot together.

I feel really held in being vulnerable. That's always been the kind of music that I've gravitated to as well, but to feel really supported by my audience in that is a real privilege.

I write to music, and Nina Simone is always on my playlist to write to. I mean, she's inspiring. She's truthful and real and raw.

I think there's a difference between the type of folk music that people put into the box of "folk music" and then there's the kind of folk music that I aspire to and am in awe of, and that is the kind of folk music where it's very limited tools - in most cases a guitar, in a self-taught style that is idiosyncratic and particular to that musician.

It would be a horrible business, a horrible sort of culture if you didn't have the candy pop as well as the real hard-hitting stuff. And I love some pop music.

The world I live in is benefiting from things like satellite radio. Jazz and blues fests are everywhere now, and Americana is going strong on college radio. What I'm hearing is an appreciation of real music.

The music that I make isn't really like any of the music that I listen to. I think I listen to cool music, but I know that I don't make cool music - so it's kind of funny!