Top 1200 Real Music Quotes & Sayings - Page 20

The virtual choir would never replace live music or a real choir, but the same sort of focus and intent and esprit de corps is evident in both, and at the end of the day it seems to me a genuine artistic expression.

This is how you can tell a real photographer: mostly, a real photographer does not say 'I wish I had my camera on me right now'. Instead a real photographer pulls out her camera and takes the photograph.

Elemental Music is never just music. It's bound up with movement, dance and speech, and so it is a form of music in which one must participate, in which one is involved not as a listener bust as a co-performer.

My entire life has really revolved around music that was written about the time that I was born, 1908, to just before the First World War and shortly after it. This music I've always known, and it is that music that's most important to me.

The only music I was listening to for ages was old soul. So I wasn't listening to a lot of new music - especially indie music.

We live in an age of music for people who don't like music. The record industry discovered some time ago that there aren't that many people who actually like music. For a lot of people, music's annoying, or at the very least they don't need it. They discovered if they could sell music to a lot of those people, they could sell a lot more records.

As far as my New York influence, one thing I'm proud of in my career is, I rep Brooklyn, New York all day. But people don't look at my music as New York music. People consider my music underground music.

I love pop music, but I also love noise music, IDM - anything really, I get something out of most kinds of music. I just need to enjoy the process.

Rock stars are idiots. You know that! Remember this moron never went to music school, never learned music theory and can't read or write music. So why not be suspicious of everything this idiot says?

The way I make music is just a reflection of how I think music should be made. Where you sit in a studio, and you make music, and you use technology to your advantage, not to hide all the blaring mistakes.

The places I visit in any given week are my home, so when I'm somewhere that feels good to me, it's a real game changer. If a place causes me to have a strong reaction, be it positive or negative, it'll often find its way into my music.

A lot of people may not know how competitive it is to play classical music, because when you think about it, the music that you're playing is music that's been here for years. And all you're trying to do is improve upon it when you play.

There is a beauty to touring - to be honest, there's a way that music connects and you really feel the actual reaction of people to the music that you're making, and I feel like if I didn't do that I just wouldn't know, and I don't think my music would be the same.

For me music is pretty personal. I generally listen to it alone, and I've never been a lover of concerts. So I don't think I really bond with other people over music. That's not unique to music for me, either. I feel that way about film, television, art, everything. I read a book alone, so why wouldn't I listen to music alone?

I don't think anyone listening to my music needs any special knowledge. They don't need to have a background in contemporary music. They don't need to go to new-music concerts all the time in order to be able to understand it.

I think that the best music and the music that people relate to the most is the honest music that people feel themselves in it.

I started when I was really young. I was playing classical music when I was 4 and when I turned 11 I started to write pop music. I guess you could say it was my intellectual evolution and my love of music began to change.

I can think and play stuff in classical music that possibly violinists who didn't have access to other types of music could never do. It means I'm more flexible within classical music, to be a servant to the composer.

I felt like, what better way for people to understand me by taking the initiative in giving my real name, my name that moms taught me so y'all actually know what's going on in my life and my music.

Bollywood music is definitely a big part of Indian music and can be a great way to introduce people to the sound. But I hope to continue to incorporate other types of Indian music into my work.

To me, that's when music was music. Every studio had a full symphonic orchestra and a whole bunch of singers they used on every picture. Every radio show had singers on it, and NBC and CBS had their own staff orchestras. Music was everything. And it was good music; it wasn't based on three chords.

I definitely write about a lot of dreamy, surreal stuff. I do end up going to a surreal world with my music, but I also like the idea of there being really real stuff as well.

To me, dance music is a lot of space - to listen to other things than melodies. I think club music and dance music really require a different way of listening.

My musical style was developed basically by listening to music. The music I like helped to mold my style. I used to listen to the majority of down south music when I was a shorty coming up.

I had no idea that I was ever getting into music. I did not prepare for a music career, and here I've found, out of pure luck, that I did have, not only a talent and an ear, but a passion for music. And I have it to this day.

Music needs to have a real sacred setting for people to understand it. You've got to start things off with friends who are like-minded or even strangers that are like-minded. Sending your music to established artists or labels or magazine, I mean there is something to be said for tenacity, for trying to pursue recognition that way, but it just doesn't make sense for the best work. And if you do make an amazing work, it's sometimes not the best way to be heard. You have to get on a sacred space, like a stage, and do your testifying that way.

I loved old black and white movies, especially the Fred Astaire and Ginger Rogers musicals. I loved everything about them - the songs, the music, the romance and the spectacle. They were real class and I knew that I wanted to be in that world.

I am a musician who stopped working with music. Now I work with visual music, or audio-visual music.

Music can also be a sensual pleasure, like eating food or sex. But its highest vibration for me is that point of taking us to a real understanding of something in our nature which we can very rarely get at. It is a spiritual state of oneness.

I don't really listen to a lot of stuff that sounds real similar to me because I work on that kind of music all day. I end up listening to more jazz, stuff that I can't really play.

The native music of North America, the original-roots music of this country, is also the underworld music of this country.

My music is genuine, and I'm talking about stuff that no one else - no one my age, anyway, in the game - is talking about. Nobody. I'm the only one really stating facts and speaking with real street knowledge.

I think the [music] industry really suffered from music being available online because it made young people feel, "why should you pay for music, if it's so readily available for free?"

In school I was interested in music, but I never saw myself being a musician at that point. Music technology was the only subject I cared about: it taught me the basics of music production and I started making beats and freestyling with my friends.

Music, great music, distends the spirit, arouses profound emotions and almost naturally invites us to raise our minds and hearts to God in all situations of human existence, the joyful and the sad. Music can become prayer.

A lot of artists come into the game with a radio record, but they don't establish the fans as fans of their style of music. It's just that they're a fan of that song, and after that song plays out, it's real hard for 'em.

Nas is one of my favorite rappers because you don't get any of that flashy stuntin'; you get the real, just raw bars. The way he tells stories and his vibe, I think we would make great music together.

If I'm not putting out music, I'mma be producing for everybody. I got an artist named Mike Slice. He's nice, and he's real good. I'm doing a bunch of production for all the artists in the industry because I'm as much as a producer as I am an artist.

We grown-up people think that we appreciate music, but if we realized the sense that an infant has brought with it of appreciating sound and rhythm, we would never boast of knowing music. The infant is music itself.

I believe there are two ways of writing novels. One is mine, making a sort of musical comedy without music and ignoring real life altogether; the other is going right deep down into life and not caring a damn.

Making music clips, I have a responsibility to depict the artist in a way that suits them, and feels comfortable with how they want to present their music. From there I usually try to tell a story visually that complements the music, that lets the music be the hero element of the project. I just try to do something that feels sincere and creative and a little bit home-brewed so it doesn't feel too plastic or phony.

When I got to Nashville, people started asking me about how I got into country music. I'd tell them I came from a place where people wore cowboy hats for a real reason.

Chicago, I feel, is a microcosm for the segregated, violent environment that is America. I try to not only speak about these things in music, but also try to address these things in real life tangibly with action.

some soap opera, you know, real people pretending to be fake people with made-up problems being watched by real people to forget their real problems.

People always ask me how I start a collection, and I tell them that I just look around. What am I tired of? What am I in the mood for? Real fashion change comes from real changes in real life. Everything else is just decoration.

I definitely see myself as an international musician. When I play, I respect the source of the music, whether it's Cuban, Brazilian or Israeli. I try to bring that to all of the music I play. Music has no borders and no flags.

Teenagers are passionate and they want music that speaks within their hearts. It's a big deal for students to listen to Christian music and talk about it at school. Music is a very exciting element of your life when you're love. I think it's huge.

Music is more of a hobby to me than my hobbies, if that makes sense. I love music; my dad and brother were very musical, and music just happens to be one of my hobbies that became my vocation.

Obviously there are pieces of classical music that are some of the most beautiful music ever written, for me anyway is a lot of classical or contemporary music, so it's a different kind of space that you enter when you're listening to it.

I've always thought that "punk" wasn't really a genre. My band started in Olympia where K Records was and K Records put out music that didn't sound super loud and aggressive. And yet they were punk because they were creating culture in their own community instead of taking their cue from MTV about what was real music and what was cool. It wasn't about a certain fashion. It was about your ideology, it was about creating a community and doing it on your own and not having to rely on, kinda, "The Man" to brand you and say that you were okay.

My mother got me into music when I was a little kid. She used to play music, blast it, when she was cleaning the house, while I was crawling around. I just love loud music.

I have moved around a lot, and I've lived in all of these different environments - that has affected the kinds of music and the range of music and influences I've had in my life. All of those influences - more subconsciously - play into the music I make.

That’s why I make music. When I listen to my favorite music made by other people, that’s what it does to me. So as a musician, I’m just trying to do the same thing with music I make. Sometimes it works, sometimes it doesn’t. But when someone comes to me and says the music I’ve made has affected them emotionally, that’s the most gratifying part of my job.

Music is one whole force. And I think the Proms have always represented very clearly that music is a universal language, one that everyone can speak. I've just followed my goosebumps in every direction and have found a recipe for what my music feels and sounds like.

When I'm feeling stressed out and overwhelmed, sometimes I'll read a book. But most of the time, I will either listen to music or play music. I'm basically always playing music, even if I'm not stressed!

When you say, 'Man, what kind of music does Outkast make?' You be like, 'They make Outkast music.' What kind of music does N.E.R.D. make? They make N.E.R.D. music. I want to be one of those people, because there's so many layers to the music I create that I don't want people to expect me to do one thing.

Doors music is not a simple kind of music. It's like the Bauhaus. It's clean and pure. Morrison's lyrics are psychologically deep. So for people to understand Doors music is certainly a testament to their intellects.

I have people say that they love how I keep them off balance as to what is real or not real about pretty much everything I write. I think it's an accurate description of how I feel every day. I can't tell what's real and what's not anymore. I think that's what makes art.

As in music, when we hear the crescendo building, suddenly if the music stops, we begin to hear the silence as part of the music.

What is the best music is impossible to define. Just because it's played by a virtuoso player, doesn't mean it's great music. It might not reflect the soul of a people, which is really my criteria for great music.