Top 1200 Real Person Quotes & Sayings - Page 3

Someone has said, “A friend is a person who is willing to take me the way I am.” Accepting this as one definition of the word, may I quickly suggest that we are something less than a real friend if we leave a person the same way we find him.

In the 'Nude Descending a Staircase,' I wanted to create a static image of movement: movement is an abstraction, a deduction articulated within the painting, without our knowing if a real person is or isn't descending an equally real staircase.

I want to be real. I want to be a real person. That's what an artist is. An artist has to be honest. Without honesty, there's nothing.

The young person isn't certain that love can be real; the middle-aged man is only discovering that it is; and the older person seems so sure of it. I was interested in the way that many of us go through the whole of our lives staying with someone just out of complacency, because leaving isn't easy.

God is real. You have a lot of prophets, angels; everything is real, you know. You know me - I'm a deep person, so my mind goes really, really deep.

It is difficult for me to imagine what “personal liberty” is enjoyed by an unemployed hungry person. True freedom can only be where there is no exploitation and oppression of one person by another; where there is not unemployment, and where a person is not living in fear of losing his job, his home and his bread. Only in such a society personal and any other freedom can exist for real and not on paper.

Most likely, when you are upset for any reason, it is rare that you will want to quickly see the real cause of your upset or the solution, but with practice you can begin to ask yourself honestly, is it the person/situation or is it my unforgiving thoughts about this person and the past that are upsetting me?

Language and written language are the only real way we have to see inside another person's thoughts and to know what makes another person human. Without writing, we just wouldn't have that kind of access.

I'm a real laid-back person.

The thing about a real economy is that it actually is like the game of Monopoly in the sense that when one person has all the money, the game is over. And in a game of Monopoly, of course, that's quite charming, but in a real economy, it's much more problematic.

I'm not a real person. I'm a legend.

So few hip-hop artists have ever advanced. Their songs on their seventh, eighth albums sound exactly like the songs on their first album. More than an artist, I'm a real person-and real people grow. And I wanna just sing my growth.

I look around and see the things I have, and I remember not having them. That is one thing that keeps me grounded. I'm definitely the same person I was. . . . I never lose me, I never lose the real person.

You have comedians who just do jokes, and they're called comics, not comedians. You have comedians that do bits - a person that has a lot of jokes that have a beginning, a middle and an end, but it's not a real story. And you have someone that does great stories, the one that blends those things together - that person is doing comedy.

I'm just a real person, not a caricature.

A real life, a life that leaves a deposit in the shape of something alive.... It's difficult to say what makes a life a real life.... You could also say it depends on a person being identical with himself.

The dozens of people working on this at Digital Domain, they knew that you couldn't get away with almost photo real, because we had real real in the room. You have real real in the cut every four or five shots, so you have this constant yardstick built into the footage by virtue of there being no real robot there. So it became the standard of photo reality that the VFX team had to match.

If I'm a secure person, my online persona is going to be pretty similar to the person that I am. If I'm insecure, my online persona is probably very different from who I am in real life.

When you're training as an actor, a lot of the big work you're learning is to treat fictional characters like real people. You don't have the problem of discovering a backstory with real people, but there's always a mystery which is common to both fictional and factual characters. They are never quite the person you think they are.

The Romney candidacy is better than it was four years ago, but it's not clear that it's good. Mitt needs to get good real fast: A real speech, real plan, real responses, and real fire in the belly.

It's a real wrenching thing to go from being a private person to being a public person, especially when you're being autobiographical. But it's what everyone wants - to get everyone's attention, to have your music make a living for you, to be validated in that way.

The only real person you need to know is you.

I'm sick of very white teeth and lots of gymnasium practice. I'm bored, you know, send in the next one. I wanted a real man that I could believe was my brother, my father, you know, my next-door neighbor - a real person.

Play is always a fantasy, but once you get into the frame, it is quite real, and everything you do is real. You put acres and acres of real movement and real action and real belief in it.

I hear people talk in my head and I write it down. I choose where they live and how they dress to be real. That person wouldn't wear that. That person wouldn't say that. She can't afford to live like that. All that bullshit that so many movies have in them. I don't want to see that.

I believe no matter how much you research a person's life. No matter how long you spend, the person always remains a mystery. I go by this quote that Mark Twain said about the definition of a biography: a biography is the clothes and buttons of a man or a woman but the real story is in the person's head and that you can never know. I don't think it's possible to get the whole picture, ever.

This had been real: real in its flaws and uncertainties, real in its small triumphs, real in its compromises and understanding.

I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.

I am a hopeless romantic. A silly, ridiculous, foolish romantic. I live in a fantasy land. I need to get real. And now, for the first time, I want to get real. I want a real relationship with a real man in the real world–-with all the real problems, faults, and whatever comes with it.

It's a daunting thing to be playing a real person and to have contact with her and meet her and be in her circle a little bit. It's an odd thing. There's so much responsibility to tell the story honestly and truthfully, and at the same time, you start to develop a friendship with this person - or I did.

Playing a real person, it does add an extra level of thoughtfulness. You're portraying someone who actually existed, so instead of saying, like, 'OK, I think this would make the scene better,' it's more a question of, 'What do I think the real Jeffrey Dahmer would do?'

If beef is your idea of 'real food for real people', you'd better live real close to a real good hospital.

I like to mix the real and the imaginary. Sometimes it is characters inspired by real people I know or know of. Sometimes it is a named person from the common cultural dreamscape. And it is tricky, because they have a lot of associated ideas that come with them, and a lot of actual facts.

With WesTrac, you have real people doing real jobs with real problems and real opportunities, and you touch the metal, and it's like being grounded.

If beef is your idea of 'real food for real people,' you'd better live real close to a real good hospital.

Real love doesn't die. It's the physical body that dies. Genuine, authentic love has no expectations whatsoever; it doesn't even need the physical presence of a person. ... Even when he is dead and buried that part of you that loves the person will always live.

There's something about seeing someone who has actually no real supernatural powers and only being able to throw things with precision that kind of makes people be like, 'Oh, I can see that. I can put that person in real life, and I can see it play out as a human being.'

Just stay real and stay a real person.

I'm am really a real person.

When I look at a person, or a character, it is in every case the beginning of an endless journey. And I don't suppose I know where that starts. I know that I have to, like every other person, make decisions and have opinions. But I'm real careful to not judge crassly or cheaply someone else's life.

We talk about characters in literature as though they were built on the model of the real person, but then I often think that the way we present ourselves as real people is based heavily on the way literary psychologies are stylized, and I wonder how the two forms of realistic personhood feed on or fulfill each other.

It is said that “there is a self,” but “non-self” too is taught. The buddhas also teach there is nothing which is “neither self nor non-self.” Everything is real, not real; both real and not real; neither not real nor real: this is the teaching of the Buddha.

I do think that you can dress yourself out of a problem. The way that a haircut and a new pair of pants can make you feel is better than any therapist, because when you look in the mirror, you see a different person - you are a different person. It's superficial change that can lead to real change.

When it's a real person, you want to be as honest as you can and approach it in a similar way as you would any other character, but with that restriction and wanting to respect the boundaries of that person and not be intrusive in any way.

As a prominent trans person, you hope that someone feels they know you and then thinks of you at the polls; you hope to impact the way they act when they encounter a trans person in real life.

I was brought up not to be selfish or self-centered. So if you play somebody who isn't so lovable, you can play that person and no one will turn on you. I don't want to play that person in real life. Because then people won't like me so much.

My life is good because I am not passive about it. I invest in what is real. Like real people, to do real things, for the real me.

'Seanan McGuire' is my real name; if I'm being silly and third-person about it, she's a frequently cranky, foul-mouthed Disney Princess on vacation in the real world, where she studies diseases, cuddles reptiles, watches lots of horror movies, and goes to as many corn fields as possible.

The real question is not what one person's going to do, what are we all going to do? How are we all going to pitch in to fix this party to make working America know that the Democratic party is absolutely on their side? That's the real question.

I am now in a place where I have to be truer to myself first before anyone else. If you're not real, how can you expect others to be real with you? The older you get; you aim to have an understanding of who you are as a person. But, I can honestly say, I am a better me than I've ever been in younger years.

No good book has ever been written that has in it symbols arrived at beforehand and stuck in. ... I tried to make a real old man, a real boy, a real sea and a real fish and real sharks. But if I made them good and true enough they would mean many things

The person who can most easily take up natural agriculture is the one who doesn't have any of the common adult obstructing blocks of desire, philosophy, or religion . . . the person who has the mind and heart of a child. One must simply know nature . . . real nature, not the one we think we know!

The real world is the fantasy writer's scrapbook. Real history, real geography, real customs and religions are all invaluable sources of guidance and inspiration.

I want the real title. I can't express it enough that I want to fight for the real title. The interim title, from what I've seen... people get it, and then they take it away in a month. I just don't want to be that person.

Everyone is entitled to their opinions, and I feel like everyone judges people: regardless of whether they know someone or not, they have an opinion based on the persona of the person. I guess you can only have a real opinion of who they are as a person once you meet someone.

Denzel Washington is a person I will always emulate. I emulate him because he focuses on real life. Because of that he has made me a better person.

I did this movie right after it about the life of Chet Baker. It's called Born to Be Blue. In that situation, there's a real clear character you're drawing on. It's a real person. It's really exciting and interesting to do the research to figure out how to make that a nuanced, three-dimensional human being.

It's not what one person does. One person is going to get to be the star of the game. But it might have been the guy who got the guy over that's the real star of the game.

I'm a much better listener when I'm acting than I am as a person in real life because you learn as an actor that listening is so important. You have to really key into what the other person you're acting with is saying and how they're saying it and react in the moment to what is going on.

I'm a quiet person in real life.