I perform in art time and in real time, and you can't tell the difference - no one knows how to separate a real act from an art act in my work. When I lived on the street for a year, people only knew that I was homeless. They didn't know that I was an artist doing a piece. I have to use real time in my work. I do, however, have to find a subtle way of documenting real time, in order for people to have a response. That means punching into a work clock every hour in the case of one piece.
I'm from the street, but I'm not a street head. I'm not one of those guys who believe that life is about the street. I'm nerdy at heart, man.
If you want to write what the world is about, you have to write details...real life is in the dishes. Real life is pushing strollers up the street, folding T-shirts, the alarm clock going off early and you dropping into bed exhausted every night. That's real life.
You know, I think many people have the mistaken impression that Congress regulates Wall Street. In truth that's not the case. The real truth is that Wall Street regulates the Congress.
Wall Street shouldn't be deregulated. I think Wall Street and Main Street need to play by the same set of rules. The middle-class can't carry the burden any longer, that is what happened in the last decade. They had to bail out Wall Street.
Your street, rich street or poor
Used to always be sure, on your street
There's a place in your heart you know from the start
Can't be complete outside of the street
Keep moving on through the joy and the pain
Sometimes you got to look back
To the street again
Would you prefer all those castles in Spain?
Or the view of your street from your window pane?
Look at what's happening between Main Street and Wall Street. The stock market index is up 136 percent from the bottom. Middle class jobs lost during the correction: six million. Middle class jobs recovered: one million. So therefore we're up 16 percent on the jobs that were lost. These are only born-again jobs. We don't really have any new jobs, and there's a massive speculative frenzy going on in Wall Street that is disconnected from the real economy.
There are street artists. Street musicians. Street actors. But there are no street physicists. A little known secret is that a physicist is one of the most employable people in the marketplace - a physicist is a trained problem solver.
There's always the hyena of morality at the garden gate, and the real wolf at the end of the street.
My real priorities were my family - my kids and Bruce - and my work with the E Street Band.
I'm interested in confronting police brutality and police abuse of cracking down on street performers and street artists, but also in valorizing street art as legitimate performance within the artistic sphere, where it's so often conflated with pan-handling and begging and not "successful" art. I want to change laws around street performance.
I don't think I could walk down the street wearing bubbles or a dress made of ham. What Lady GaGa has done has been kind of amazing. I am the opposite. I wear clothes I would wear on the street. I'm all about a real look.
But I'm not a tough guy or a street fighter for real. I'm just an actor.
This is something everyone knows: A well-used city street is apt to be a safe street. A deserted city street is apt to be unsafe.
We're in the Chicago suburbs, ruling our 'hood and the streets that lead here. It's a street war, where other suburban gangs fight us for territory. Three blocks away are mansions and million-dollar houses. Right here, in the real world, the street war rages on. The people in the million-dollar houses don't even realize a battle is about to begin less than a half mile from their backyards.
I made a tremendous amount of money on real estate. I'll take real estate rather than go to Wall Street and get 2.8 percent. Forget about it.
I don't like it when people on the street say "smile" or "cheer up." It's a real cheap line. I'm feeling good. I'm feeling real grateful for everything. It's a solid time in my life. When people say I look sad, they're wrong.
I'm a real street-ball player. I like to do silly tricks and show off.
I think it's time to travel, start gathering some real right-in-there experiences with street musicians around the world.
Ive been on Wall Street once in my life in 1980 as a tourist. I went to see the stock exchange when I was 18 years old. Im not a Wall Street lawyer, Im a Stanwix Street lawyer. Stanwix Street is a street in downtown Pittsburgh.
I'm a real dumb-dumb in real life. I'm just book smart. But definitely not street smart. The other day I lost my jacket in a cab. And I'll forget things every time I leave the house.
We ought to say, "Occupy Wall Street, not Iraq," "Occupy Wall Street, not Afghanistan," "Occupy Wall Street, not Palestine." The two need to be put together. Otherwise people might not read the signs.
They [the Reagan Administration] want to put street criminals in jail to make life safer for the business criminals. They're against street crime, providing that street isn't Wall Street.
The Street is as large as consciousness itself. So, when creating art for the street, be mindful of where the public's head is at these days. Give the public a real alternative to the strict diet of celebrity gossip, religion, and un-reality television.
I have worked on Wall Street and on Bay Street. I started a charity and I've been doing it while raising four children. And I think that's the kind of experience people want to see from their political leaders. It's real life experience.
I'm trying to do something real different; I'm trying to bring the street to real pop. I'm trying to bring the street to pop. Not watering it down, no nothing.
Occupy Wall Street is a real movement.
Street art belongs on the street. But I'm a working street artist and I earn my money selling art in the style of street art via galleries.
Teller and I worked Renaissance Festivals and street performing - actually more real, no kidding around, Philadelphia street performing than we did Renaissance Festivals.
No man can control Wall Street. Wall Street is like the ocean. No man can govern it. It is too vast. Wall Street is full of eddies and currents. The thing to do is to watch them, to exercise a little common sense, and … to come out on top.
As this world becomes increasingly ugly, callous and materialistic it needs to be reminded that the old fairy stories are rooted in truth, that imagination is of value, that happy endings do, in fact, occur, and that the blue spring mist that make an ugly street look beautiful is just as real a thing as the street itself.
People who are tired of K Street corruption and Wall Street greed are ready for Main Street Values.
My dad was like a street basketball player. He had a real mysterious life.
I don't find inspiration on Wall Street. I don't find that in Beverly Hills. I don't find that in places where opportunity resides unbridled, and I think the real creative energy and the real juice is in where people are caught, in the economic abyss.
I think the large part of the function of the Internet is it is archival. It's unreliable to the extent that word on the street is unreliable. It's no more unreliable than that. You can find the truth on the street if you work at it. I don't think of the Internet or the virtual as being inherently inferior to the so-called real.
You can't manage Wall Street. Wall Street has its own viewpoints on everything. I have always believed, if you manage your business correctly, Wall Street will take care of itself.
The street is where we all learn. I played organized football growing up as well, but when that was over, I went right to the street. I remember twisting my ankles, breaking my thumb, I hurt everything when I was little playing street ball.
All roads lead to Wall Street, but we feel the effects of Wall Street on every street corner. Certainly in Syracuse, N.Y., where I live.
I heard governor Romney here called me an economic lightweight because I wasn't a Wall Street financier like he was. Do you really believe this country wants to elect a Wall Street financier as the president of the United States? Do you think that's the experience that we need? Someone who's going to take and look after as he did his friends on Wall Street and bail them out at the expense of Main Street America.
There are metaphors more real than the people who walk in the street.
Wall Street owns the country. It is no longer a government of the people, for the people and by the people, but a government for Wall Street, by Wall Street, and for Wall Street. The great common people of this country are slaves, and monopoly is the master…Let the bloodhounds of money who have dogged us thus far beware.
If they don't go to law school, bright college graduates head to Wall Street precisely because they have no real plan for their careers.
It sounds a bit cheesy saying 'Coronation Street' is like one big happy family, but there is a real aspect of that.
Streetfighting is just get out there and bang. It's whatever in a street fight. This is different. You have to be real smart in your decisions at this professional level of the game. In a street fight, it doesn't even matter.
The sociopaths - that's the real problem. The whole street demeanor is about pretending to be a sociopath as well so that the real ones can't find you.
I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.
I've never been on Wall Street. And I care about Wall Street for one reason and one reason only because what happens on Wall Street matters to Main Street.
Outside the street's on fire in a real death waltz between what's flesh and what's fantasy.
I came from a real tough neighborhood. On my street, the kids take hubcaps - from moving cars.
I made a tremendous amount of money on real estate. I'll take real
estate rather than go to Wall Street and get 2.8 percent.
Look at the sky: that is for you. Look at each person's face as you pass them on the street: those faces are for you. And the street itself, and the ground under the street, and the ball of fire underneath the ground: all these things are for you.
I talk about things that real street cats can relate to.
I was born in Owerri and grew up in the east of Nigeria, in Imo state. You could say I was a 'street boy': we grew up on the street, played on the street, did everything out on the street. It was a difficult life altogether, but that's how we grew up.
The people on Wall Street broke this country, and they did it one lousy mortgage at a time. It happened more than three years ago, and there has been no real accountability, and there has been no real effort to fix it.
Getting a degree, being on Sesame Street... those were like real accomplishments to me.
I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.
The Internet doesn't always play a great role for art, especially art in the street, as people take what they see for the final image of it. But the most interesting thing about street art is to see it for real, to understand what it means and where it's displayed.
A collapse in U.S. stock prices certainly would cause a lot of white knuckles on Wall Street. But what effect would it have on the broader U.S. economy? If Wall Street crashes, does Main Street follow? Not necessarily.
A Dickens character to me is a theatrical projection of a character. Not that it isn't real. It's real, but in that removed sense. But Sherlock Holmes is simply there. I would be astonished if I went to 221½ B Baker Street and didn't find him.
Certainly my inner world will never be a peaceful place of bloom; it will have some peace, and occasional riots of bloom, but always a little fight going on too. There is no way I can be peacefully happy in this society and in this skin. I am committed to Uneasy Street. I like it; it is my idea that this street leads to the future, and that I am being true to a way of life which is not here yet, but is more real than what is here.
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