Top 1200 Real Street Quotes & Sayings - Page 13

The history of Real Madrid is impressive, and Cristiano Ronaldo added a piece more to the history of this club, but Real Madrid can't stop. The player changes club, stops playing, retires and Real Madrid will still be here.

Real person. real name. I won't divulge too much, but it's not a fake name. And it's not a fake person. I guess that's the best answer I can say: It's not a fake name and it's not a fake person. But it's not her real name and it's not a real person either.

I watch the people I hang around, 'cause if you hangin' with people who still got their foot in the street, that really involves you as well. It's definitely all about the company I keep. If you don't want anything to do with the streets or whatever, but you got everybody around you in the street, you just as much a part of it as they are. A lot of times it's very hard; you gotta straight cut off people, you know what I mean? If it ain't good for you, you just gotta turn your back to it.

Think of admitting the details of a single case of the criminal court into our thoughts, to stalk profanely through their very sanctum sanctorum for an hour, ay, for many hours! to make a very barroom of the mind's inmost apartment, as if for so long the dust of the street had occupied us,--the very street itself, with all its travel, its bustle, and filth, had passed through our thoughts' shrine! Would it not be an intellectual and moral suicide?

I think it is quite wrong to photograph, for example, Garbo, if she doesn't want to be photographed. Now I would have loved to photograph her, but she obviously didn't want to be photographed so I didn't follow it up. Then somebody will photograph her walking down the street because she has to walk down the street, and I mind that sort of intrusion. I think this is horrible.

I make a distinction between true and real. I think that the story is true, it’s just not real. That’s what a parable is. It takes things that we all know are real, and it takes life events that actually happens, and it weaves them into a fiction that allows truth to actually be embedded.

When [the magician] clicks his fingers and cards change to the four aces, we know we have experienced sleight of hand. Real magic would not be quite that quick and easy. Real magic would take investment. Real magic would draw you in, and make you nervous.

When you read Marx (or Jesus) this way, you come to see that real wealth is not material wealth and real poverty is not just the lack of food, shelter, and clothing. Real poverty is the belief that the purpose of life is acquiring wealth and owning things. Real wealth is not the possession of property but the recognition that our deepest need, as human beings, is to keep developing our natural and acquired powers to relate to other human beings.

I was seeking a real love, a real deal, and I have been seeking it for a lot of years. And in that seeking, I found that God's love is real

We were both sort of bowled over by the fact that we were married. It wasn't a question of 'Have we done the right thing?' It was all perfectly natural that we should be together. But John didn't get a real chance to be first a real husband or later, a real father. Once he got on the Beatles bangwagon he couldn't get off, even if he wanted to.

If you want to be a real human being - a real woman, a real man - you cannot tolerate things which put you to indignation, to outrage. You must stand up. I always say to people, 'Look around; look at what makes you unhappy, what makes you furious, and then engage yourself in some action.'

It is easy to make stuff up - and easy to dig up information and repeat it or report it to others. But to find a real life story with real people in real life situations is quite difficult and time-consuming. Yet, the rewards are worth the effort.

It's rural America. It's where I came from. We always refer to ourselves as real America. Rural America, real America, real, real, America.

Fans want real songs, they want real experiences, and they want real instruments.

I was seeking a real love, a real deal, and I have been seeking it for a lot of years. And in that seeking, I found that God's love is real.

The tools are real. The viewer is real, you, the artist, is real and a part of everything you paint. You connect yourself to the viewer by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you. All you have to do it with is a brush, some chemical and canvas, and technique.

I’m not doing anything wrong, I’m not obstructing anyone’s access. When I have a crowd I make sure that the crowd makes room for people. I’m an artist who cares about the cultural fabric of New York City. I care about New York as a harbor for street culture - and I care about street culture as a base-level populist diffusion of ideas. And I believe in making those ideas accessible to everyone.

Everything that's happening in our world is a function of what is going on inside of people. We are violent in our minds. We are violent with one another. We walk past one another in the street and don't even look nor make eye contact - don't speak. We can be outraged about the missiles and the planes. I'm more outraged that somebody will walk past me in the street and not look me in the face and say good morning.

Any Black person in amerika [sic], if they are being honest with themselves, have got to come to the conclusion that they don't know what it feels like to be free. We aren't free politically, economically, or socially. We have very little power over what happens in our lives. In fact, a Black person isn't free to walk down the street. Walk down the wrong street, in the wrong neighborhood at night, and you know what happens.

A boy told me if he roller-skated fast enough his loneliness couldn't catch up to him, the best reason I ever heard for trying to be a champion. What I wonder tonight pedaling hard down King William Street is if it translates to bicycles. A victory! To leave your loneliness panting behind you on some street corner while you float free into a cloud of sudden azaleas, pink petals that have never felt loneliness, no matter how slowly they fell.

I think it's very important to get this stuff on film, not just the behind-the-scenes of the process, but also the interviews with the women. We're going to try to do some on-the-street filming, getting people's reactions to the work, and seeing if we can get some street harassment happening on film so people can see what we're talking about. It's important to have some type of documentation so people can see what happens when we create this artwork and why I'm creating it.

Remember that other people are as real as you.Other people's feelings are as real as yours.In fact, our feelings are what make us real.

Nothing's real unless you want it to be, and anything can be real if you want it to enough; so real doesn't really mean anything.

They gave me the chaps and hat and everything. I looked like a real cowboy. I walked around the rodeo and thought, I am a real cowboy and thought everyone thought I was a real cowboy.

The Jivanmukta ('the living free' or one who knows) alone is able to give real love, real charity, real truth, and it is truth alone that makes us free.

Am I disappointed in Barack Obama? Yes, I'm very disappointed in Barack Obama and I'm disappointed in the Democratic administration and in the two Democratic houses of Congress for two years that bailed out Wall Street when they should have bailed out Main Street.

The impact of QE on generating more lending by Wall Street to Main Street and in generating more employment and increasing overall investment in the economy is quite modest. QE probably limited the initial collapse of the economy in 2008, and likely had a very small positive impact on economic growth, but its broader impact on jobs and growth in the economy seems not very big.

Would that God would make hell so real to us that we cannot rest; heaven so real that we must have men there, Christ so real that our supreme motive and aim shall be to make the Man of Sorrows the Man of Joy by the conversion to him of many.

The last thing I want to do is to write about real things. I am not interested in reality and in real human beings and their real day-to-day problems - I just want to say to them, 'Hold still, and I'm just going to unpack, see what's inside.'

When I was four I thought everything in TV was just TV, then I was five and Ma unlied about lots of it being pictures of real and Outside being totally real. Now I’m in Outside but it turns out lots of it isn’t real at all.

When you sit in a café, with a lot of music in the background and a lot of projects in your head, you're not really drinking your coffee or your tea. You're drinking your projects, you're drinking your worries. You are not real, and the coffee is not real either. Your coffee can only reveal itself to you as a reality when you go back to your self and produce your true presence, freeing yourself from the past, the future, and from your worries. When you are real, the tea also becomes real and the encounter between you and the tea is real. This is genuine tea drinking.

Haunted Gulp down your wine, old friends of mine, Roar through the darkness, stamp and sing And lay ghost hands on everything, But leave the noonday's warm sunshine To living lads for mirth and wine. I met you suddenly down the street, Strangers assume your phantom faces, You grin at me from daylight places, Dead, long dead, I'm ashamed to greet Dead men down the morning street.

The standard that measures two things is something different from either. You are, in fact, comparing them both with some Real Morality, admitting that there is such a thing as a real Right, independent of what people think, and that some people's ideas get nearer to that real Right than others.

The things that drive me are poverty, and pain, and knowing that I don't want to end up being alone and I want to do something with my life and I want the name Dobson to remain in everyone's heads. Basically, just to rock and be the best performer I can be, and be true, and be real, and give people the real Fefe, nothing fake, all real.

The business side of real estate investing is fraught with risk. Unlike purchasing mutual funds or savings bonds, with real estate, you can lose money; this is one of the reasons that seasoned real estate investors caution neophytes never to get too emotional about a property and always be willing to walk away.

If you believe a black cat is bad luck, people think you're crazy, but plenty of times, if I see a black cat down my street, I turn around and go the other way. Even if I'm late. I'll be late for the airport and be in a limo, and if I see a black cat, I'll be like, 'Sir, you have to turn around and go down the next street.'

Ultimately, all I wanted was for players to feel like they were in the real world. I wanted them to be able to apply real world common sense to the problems confronting them, and I thought recreating real world locations would encourage that kind of thinking. There's also just a real power, a real thrill, when you fire up a game and see a place you've been or want to go, and then get to do all the stuff you WANT to do there but know you'll get arrested if you try! If that isn't the stuff of fantasy - far more than exploring some goofy dwarven mine or alien spaceship - I don't know what is!

People speaking into handheld devices while they walk down the street and saying to the device, "I'm walking down the street now." People are enslaved. I was just up in the country for a few days last week and it was great: no television, no telephone, no nothing. I walked through the woods, sat around, smoked. And it was lovely. I think the desire to be free has mutated, and we now live in an era when the slaves celebrate their slavery - this whole corporate concept of being part of a "team" at work.

You can't have real pain without real love. You can't feel grief and loss and hurt without real love. Love is the only way you can ever be really hurt deep down.

I remember sitting on my couch on a Saturday watching reruns of 'The Real World.' And it said, 'Do you want to be on 'The Real World?' Go to MTV.com, and you can try out there.' And I said, 'I want to be on 'The Real World.'' And I sent in my tape.

Surveys of thousands of gamers have shown that they're more likely to play real music if they play a music videogame. So it's an interesting relationship where the games aren't replacing something we do in real life, they're serving as a springboard to a goal we might have in real life, like learning to play an instrument.

I saw in Chicago, on the street where I was visiting my sister-in-law, this "Urban Renewal" and it means one thing: "Negro removal." But they want to tear the homes down and put a parking lot there. Where are those people going? Where will they go? And as soon as Negroes take to the street demonstrating, one hears people say, "they shouldn't have done it." The world is looking at America and it is really beginning to show up for what it is really like. "Go Tell It on the Mountain." We can no longer ignore this, that America is not "the land of the free and the home of the brave."

The dirty little secret of what used to be known as Wall Street securities firms-Goldman Sachs, Morgan Stanley, Merrill Lynch, Lehman Brothers, and Bear Stearns-was that every one of them funded their business in this way to varying degress, and every one of them was always just twenty-four hours away from a funding crisis. The key to day-to-day survival was the skill with which Wall Street executives managed their firms' ongoing reputation in the marketplace.

Ninety percent of all millionaires become so through owning real estate. More money has been made in real estate than in all industrial investments combined. The wise young man or wage earner of today invests his money in real estate.

When we pulled out into the winter night and the real snow, our snow, began to stretch out beside us and twinkle against the windows, and the dim lights of small Wisconsin stations moved by, a sharp wild brace came suddenly into the air. That's my middle-west - not the wheat or the prairies or the lost Swede towns, but the thrilling returning trains of my youth and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow.

To be a real man, I think you have to be supportive of each other and to be a real woman you have to be supportive of your man, and the man has to do the same thing, only then he would be a real man.

A drone strike is a terror weapon, we don't talk about it that way. It is; just imagine you are walking down the street and you don't know whether in 5 minutes there is going to be an explosion across the street from some place up in the sky that you can't see. Somebody will be killed, and whoever is around will be killed, maybe you'll be injured if you're there. That is a terror weapon. It terrorizes villages, regions, huge areas. It's the most massive terror campaign going on by a long shot.

I like street performance because it's garbage time. The subway is garbage time: no one can say I'm wasting their time because they've already thrown that time into the subway. If they don't want to see me they can go to the other end of the platform. But on the street I do feel this disgust towards the audience: why would you waste your time looking at me? Why are you being so respectful of me? You should attack me.

I grew up in LA, and I don't think I've seen LA onscreen in a way that felt real to me. There are definitely movies, but they are few and far between. I wanted to see a movie that was set in LA that wasn't about the film industry. LA is such a lonely place to be alone. In New York you can just walk out and be among people. You're on the subway among people, you go to cafés, you can talk to people. In LA, no one talks to each other, you're in your house, you're in your car, even when you take walks there's no one on the street.

Growing up as a comedian the most influential person on me was Jon Stewart. He showed that comedy could have a real tangible effect on the world. He showed that comedy could move the needle of society and that a comic can do real things and make a real contribution.

We must avoid the spiritual disease of the Church that can become self-referential: when this happens, the Church itself becomes sick. It’s true that accidents can happen when you go out into the street, as can happen to any man or woman. But if the Church remains closed onto itself, self-referential, it grows old. Between a Church that goes into the street and gets into an accident and a Church that is sick with self-referentiality, I have no doubts in preferring the first.

We're missing a lot of the real-life stories of what people's work looks like. Those are the people that I want sitting on the zoning board meetings, on the zoning commissions. Those are the people I want participating in business improvement in their own industry. The gentrification processes that often happen in cities so often manifest in street sweeps of sex workers. How do you get sex workers on neighborhood associations, regarded as members of the neighborhood?

When you're working opposite Halle Berry, you're going to get a lot. So you have to give a lot. That said, what I've found striking in the past few days is that people are aware of a good chemistry that exists between us on screen. If that's so, it's due to the fact that she and I have a real liking for each other in real life and a real mutual respect.

Real confidence has no bluster or bombast. It's not rooted in a desire to seem better than everyone else and it's not driven by a fear of appearing weak. Real confidence settles in when you have a clear vision of exactly what you need to do. Real confidence blooms as you wield the skills and power you have built through your hard work and discipline.

The capacity for imaginative reflex, for moral risk in any human being is not limitless; on the contrary, it can be rapidly absorbed by fictions, and thus the cry in the poem may come to sound louder, more urgent, more real than the cry in the street outside. The death in the novel may move us more potently than the death in the next room. Thus there may be a covert, betraying link between the cultivation of aesthetic response and the potential of personal inhumanity.

Wall Street never changes, the pockets change, the suckers change, the stocks change, but Wall Street never changes, because human nature never changes.

Remember we had two Democratic houses of Congress along with the [Barack] Obama administration that laid out those policies before they lost Congress because people were very disappointed in what the Obama administration did - bailing out Wall Street instead of bailing out Main Street. So as someone who follows the climate very closely, there's no question that "all of the above" has been an absolute disaster.

Living on the street as a kid changed the way I looked at everything. It was a different time and while it had its dangers, it was nothing like it would be today. It was the Summer of Love and there was a real sense of community among us. We were hippies who looked out for each other instead of trying to rip each other off. We only had to watch out for the police who liked to roust us just on general principles, and the kids who came in from the suburbs to do a little hippie-bashing.

We think that we live in a heterosexual society because most men are fixated on women as sexual objects; but, in fact, we live ina homosexual society because all credible transactions of power, authority, and authenticity take place among men; all transactions based on equity and individuality take place among men. Men are real; therefore, all real relationship is between men; all real communication is between men; all real reciprocity is between men; all real mutuality is between men.

I think a lot of people try to time the market when it comes to buying or selling a property or investing in real estate, but the real secret to real estate is not timing the market, but time in the market.