Top 1200 Real Stuff Quotes & Sayings - Page 3

Explore popular Real Stuff quotes.
Last updated on April 15, 2025.
You've got the whole stuff with transgender toilets and stuff like that - that's no way for a government to behave. We're supposed to be against ISIS, so why are we trying to slowly introduce a country-club version of Sharia law in America, you know? It doesn't make any real sense at all. I think there's going to be a lot of energy, there is already a lot of reaction against that - people are prepared to really stand up and be counted for democracy, and in the process to find out what is and what isn't.
The Romney candidacy is better than it was four years ago, but it's not clear that it's good. Mitt needs to get good real fast: A real speech, real plan, real responses, and real fire in the belly.
It's always fun when you're doing the CGI stuff, to actually get to work with someone who is real, who's there. — © Breckin Meyer
It's always fun when you're doing the CGI stuff, to actually get to work with someone who is real, who's there.
If you just say that, look at all the good stuff and you don't acknowledge the toxic stuff, you're wrong. If you're only looking at toxic stuff and don't recognize there's going to be some good stuff if you're for infrastructure or whatever, you're wrong.
But I'd play on everything from pop records to a lot of the glam stuff to rock stuff to classical stuff. I used to get called to do all those things, it was great.
Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?
Funny, reely," he said. "You spend your whole life goin' to school and learnin' stuff, and they never tell you about stuff like the Bermuda Triangle and UFOs and all these Old Masters running around the inside of the Earth. Why do we have to learn boring stuff when there's all this brilliant stuff we could be learnin', that's what I want to know.
When I do stuff where death could be a real consequence, it makes me want to live right.
If beef is your idea of 'real food for real people', you'd better live real close to a real good hospital.
If beef is your idea of 'real food for real people,' you'd better live real close to a real good hospital.
We rob ourselves of so much by focusing on the wrong stuff. And the ability to get into the moment and deal with what is, that's the real opportunity.
Of course, my whole theory of comedy is based in reality. The funniest stuff comes from real life.
It's fun to toy around with press stuff a little bit, because in many ways it's not a real world. — © Joshua Homme
It's fun to toy around with press stuff a little bit, because in many ways it's not a real world.
When stuff gets hard, and you're feeling real down about everything or in a cark space, a song can bring you out of it.
My life is good because I am not passive about it. I invest in what is real. Like real people, to do real things, for the real me.
I know what my sweet spot has been. It's personal stuff, dysfunction, fear of intimacy, family stuff, psychology stuff. I eviscerate myself onstage.
I had no real respect for good technique because I didn't know what it was. I was self-taught, so that stuff didn't matter to me.
I wanted to take my writing to another level. I wanted to write stuff that was personal for real. It's one thing to write a lyric that sounds nice in that line - that's not very tricky - but it's a different thing to write something that sounds nice and actually comes from someplace real.
A real foolproof way to do it is play your stuff by hook or by crook and build up a grass roots following
Anchoring four hours a day, solo, you have to know your stuff. But I do. I'm a real geek.
I am a hopeless romantic. A silly, ridiculous, foolish romantic. I live in a fantasy land. I need to get real. And now, for the first time, I want to get real. I want a real relationship with a real man in the real world–-with all the real problems, faults, and whatever comes with it.
My sister and I - she's a musician - we jam all the time. We always play around for giggles with stuff that seem unconventional or stuff that seems funny. A lot of the stuff sometimes is just a response from jam sessions in her room, so she'll be on the guitar or the keyboard, and we'll just start singing and doing stuff.
Play is always a fantasy, but once you get into the frame, it is quite real, and everything you do is real. You put acres and acres of real movement and real action and real belief in it.
Well, I think in trying to make life seem real enough that one is moved to do something about the more atrocious things. By going really far afield into a completely fake world, maybe there's a chance to make things resonant somehow - or in this case, truly terrifying. To make it as bad as the real stuff that's happening.
For sure, you don't believe the good stuff. I mean, the good stuff is just insane - wacky. If you don't take it too much to heart, it does help when the negative stuff hits. And you know the negative stuff is coming. It's got to! What comes up must come down.
I read fantasy books like the Harry Potter books, 'Twilight,' also biographies, and I like to read about people who have been through stuff like wars or lost their families - real life stuff, you know? I like to read about their experiences and how they coped with that.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
The story of 'Punyakoti' is real-intense. It has a lot of layers and is not as simple as the stuff I wrote when I was an amateur.
When I was making Heartless, I was going through a real tough stuff stage in my career and life.
I have to give props to my stunt double, who is the real deal and gets to do all the fun stuff and make me look good.
Always was Morocco. And recently the country's leadership seems to have embraced it in all its ill-reputed glory. The days of predatory poets in search of literary inspiration and young flesh are probably over for good. Hippies can just as easily get their bong riffs in Portland or Peoria. But the good stuff, the real good stuff, the sounds and smells and the look of Tangier -- what you see and hear when you lean out the window and take it all in -- that's here to stay.
A lot of the stuff I listen to is glitchy electronic stuff and stuff with beats.
Not comfortable doing song and dance stuff as no normal person does in his/her real life.
Not all the songs are real events, but I do write about stuff that is close to my heart and it comes out one way or another.
I suppose that's why we watch dramas: to see the stuff that in real life you'd end up in prison for.
Slash and I hadn't talked in 19 years, and when we did talk, I was like, 'You wrote a lot of stuff that didn't even happen. It's not real.'
If we show fictional characters doing cool stuff, then girls will want to be it in real life.
History, having destroyed the religion as the opium of the people, now requires that they be given a taste of the real stuff. — © Auberon Waugh
History, having destroyed the religion as the opium of the people, now requires that they be given a taste of the real stuff.
I was young, but to me that was underground music. I had never heard anything like Venom or any of that stuff growing up in Louisville. That was sort of the only weird records I could find. All that stuff would be in the import section. And sometimes there would be some sort of goth type of stuff. But that was the stuff I was attracted to.
I really like writing from real-life experiences. Audiences seem to prefer the stuff I couldn't have made up.
A real foolproof way to do it is play your stuff by hook or by crook and build up a grass roots following.
I have my dark side like anybody, you know, depression, anxiety... and I write about gritty, real-life stuff.
It's easy for me to write a horror movie about real stuff because my mind is always going there anyway.
A lot of the stuff I was on 'All Stars,' it wasn't new, it was all stuff out of my closet and stuff that I made myself.
Young girls aren't marketed science-y stuff, or techy stuff, or even musical stuff.
I love my husband very much. I knew it was real true love because I felt like I could be myself around that person. Your true, true innermost authentic self, the stuff you don't let anyone else see, if you can be that way with that person, I think that that's real love.
We [women] are the majority of the population, majority of the electorate, majority of the workforce... and yet we're still doing majority of family unpaid or low paid labor. And we live longer. Our stuff is not "special interest" stuff. Our stuff is the stuff of the future, of the whole.
The main stuff I like is from the late '60s to the early '90s. That's the stuff I love. It's the James Cameron's and the Paul Verhoven stuff. I guess when I was younger, 'Star Wars' had an influence.
The real world is the fantasy writer's scrapbook. Real history, real geography, real customs and religions are all invaluable sources of guidance and inspiration.
It's real difficult to pin down directions. I just want to do collaboration-tape stuff. — © Van Morrison
It's real difficult to pin down directions. I just want to do collaboration-tape stuff.
This had been real: real in its flaws and uncertainties, real in its small triumphs, real in its compromises and understanding.
The early Billy Joel stuff I fell in love with, like Glass Houses, is a real rock record.
My recommendation for SEO is very simple. It's Write Good Stuff. In my mind, Google is in the business of finding good stuff. It has thousands of the smartest people in the world, spending billions of dollars to find the good stuff. All you have to do is write the good stuff; you don't need to trick it.
Dumb & Dumber' is one of my and Glock's favorite movies. We do stuff in real life that's just like they do in that movie.
When you're starting off as a young writer, you look at all the stuff that's gone before and the stuff that's influenced you, and you reach the ladle of your imagination into this bubbling stew pot of all of this stuff, and you pour it out. And that's where you start from.
If I have my way, I want to go start making really interactive television. Stuff where you can sit and watch real actors do a real series and they can get into some kind of gun battle and all of a sudden your television prompts you to pick up your controller and all of a sudden, you're playing a first-person shooter.
I guess what I like is mostly country & western or else stuff that has a real blues feel to it.
Men, this stuff that some sources sling around about America wanting out of this war, not wanting to fight, is a crock of bullshit. Americans love to fight, traditionally. All real Americans love the sting and clash of battle. You are here today for three reasons. First, because you are here to defend your homes and your loved ones. Second, you are here for your own self respect, because you would not want to be anywhere else. Third, you are here because you are real men and all real men like to fight.
You have to always try to think about them like real people first, and not just heroes. They have to be real characters. As people do more and more superhero stuff, the characters are what distinguish it, just like in cop shows.
With WesTrac, you have real people doing real jobs with real problems and real opportunities, and you touch the metal, and it's like being grounded.
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