Top 1200 Real Time Quotes & Sayings - Page 2

Just as our view of work affects our real experience of it, so too does our view of leisure. If our mindset conceives of free time, hobby time, or family time as non-productive, then we will, in fact, make it a waste of time.

We all have our ambassador that we send forward into the world. We all have people we are varying degrees of real with. There's a public face we all wear. As I get older and more comfortable in my skin, I am trying to combine the two so the real me is there all the time.

I think, first of all, every time you want to play somebody who is real is always challenging and always scary, because you are given a responsibility of someone's real life.

To be a friend takes time, and time is what nobody has. Therefore, real friends are rare.

I am real, real picky with what I decided to do. I want to make sure it's new and at the same time that it's in the same color of what I have played before. Not to pigeon hole myself but I don't like to do fluff.

There are in life real evils enough, and it is folly to afflict ourselves with imaginary ones; it is time enough when the real ones arrive.

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Settings are obviously important - and as a writer, you have to respect what was real at the time of the story you're writing. But the real key to success lies in finding the right characters to carry that story.

Peace in its real sense can never be achieved by military measures or technical fixes... It is high time for us to focus our attention on the real problems which are threatening all of us - in fact, life on this planet.

People who are in politics to be right all the time would be better off taking up fly-fishing. It's less dangerous. Politics that is not applied in the real world and doesn't address the real challenges and paradoxes and agonies is a hobby.

Flea markets tend to be overwhelming. A lot of times, when I go with a first-time shopper, they don't buy anything. The rooms in my new book involved real people with real design dilemmas. They were paralyzed to make a decision.

Oh yeah, I'm literally walking through my house now looking down and there are maybe, like, 15 pairs on the floor. For real. Real talk. It's just simplicity. They're something I wear every day. Before I got a deal with them, I was wearing some type of Vans all the time. I would just order them by the box, like, 10 at a time.

No matter what the time of day, I always make time to be with my horses. They ground me and insist I keep it real.

I think my fans will follow me into our combined old age. Real musicians and real fans stay together for a long, long time.

The screen is a window through which one sees a virtual world. The challenge is to make that world look real, act real, sound real, feel real.

I look at a show like 'Roseanne.' That's super influential on me. It's very funny, very real, with real problems. That was a big influence, and I don't know if you see that all the time in the network world.

'The First Time' is a song that I wrote by myself on my front porch, in real-time, as that situation was happening to me.

Both in thought and in feeling, even though time be real, to realise the unimportance of time is the gate of wisdom.

Who said that time heals all wounds? It would be better to say that time heals everything - except wounds. With time, the hurt of separation loses its real limits. With time, the desired body will soon disappear, and if the desiring body has already ceased to exist for the other, then what remains is a wound, disembodied.

I, for one, am not nearly as engaged when I'm looking at something that's been completely drawn up on a computer that replaces anything that's in real time and real space. It just engages me all the less, rather than all the more.

Time is real, we can't rewind it... Out of everybody I met, who told the truth? Time did.

You have to record as many details as possible and achieve an order, without taking away the complexity of the real. To voice the real and at the same time to create an image that is a world in itself, with its own coherence, its autonomy and sovereignty; an image that thinks

No good book has ever been written that has in it symbols arrived at beforehand and stuck in. ... I tried to make a real old man, a real boy, a real sea and a real fish and real sharks. But if I made them good and true enough they would mean many things

I don't dislike any of my exes. If I took time to form a relationship, it's gonna hurt when we move on, but are you puttin' White-Out over all that beautiful time together? That was real time in your life. It's connected to where you are today.

I have to control my mouth - and that's hard enough - and then I have to manipulate the puppet and make it look real - like, make its interactions look real. And then I have to sing at the same time, and I have to have my facial expressions reacting to the puppet... So it's a lot going on, and I have to focus on every single thing at the same time.

A book no more contains reality than a clock contains time. A book may measure so-called reality as a clock measures so-called time; a book may create an illusion of reality as a clock creates an illusion of time; a book may be real, just as a clock is real (both more real, perhaps, than those ideas to which they allude); but let's not kid ourselves - all a clock contains is wheels and springs and all a book contains is sentences.

Real learning, attentive, real learning, deep learning, is playful and frustrating and joyful and discouraging and exciting and sociable and private all the time, which is what makes it great.

If you put a real leaf and a silk leaf side by side, you'll see something of the difference between Homer's poetry and anyone else's. There seem to be real leaves still alive in the 'Iliad,' real animals, real people, real light attending everything.

It is said that “there is a self,” but “non-self” too is taught. The buddhas also teach there is nothing which is “neither self nor non-self.” Everything is real, not real; both real and not real; neither not real nor real: this is the teaching of the Buddha.

You know how it always is, every new idea, it takes a generation or two until it becomes obvious that there's no real problem. It has not yet become obvious to me that there's no real problem. I cannot define the real problem, therefore I suspect there's no real problem, but I'm not sure there's no real problem.

You don't need to be right all the time. Your child wants a man for a father, not a formula. He wants real parents, real people, capable of making mistakes without moping about it.

All my records feel like a diary of the time and headspace they were made in and 'Black Sands' documents this in real time for me. A transition of falling in love with beatmaking again. An appreciation of a place and time and an anticipation for what was going to happen next.

Real luxury is having the time to read endless stories in bed with my children. And I get that all the time. I'm so blessed.

I long for the days of disorder. I want them back, the days when I was alive on the earth, rippling in the quick of my skin, heedless and real. I was dumb-muscled and angry and real. This is what I long for, the breach of peace, the days of disarray when I walked real streets and did things slap-bang and felt angry and ready all the time, a danger to others and a distant mystery to myself.

If you put a real leaf and a silk leaf side by side, youll see something of the difference between Homers poetry and anyone elses. There seem to be real leaves still alive in the Iliad, real animals, real people, real light attending everything.

If science can eliminate sleep, we will have more time to live and no time for the dreams. But living is superior to the dream because it is real!

My characters live inside my head for a long time before I actually start a book. They become so real to me, I talk about them at the dinner table as if they are real. Some people consider this weird. But my family understands.

The people on Wall Street broke this country, and they did it one lousy mortgage at a time. It happened more than three years ago, and there has been no real accountability, and there has been no real effort to fix it.

The Florida in my novels is not as seedy as the real Florida. It's hard to stay ahead of the curve. Every time I write a scene that I think is the sickest thing I have ever dreamed up, it is surpassed by something that happens in real life.

I feel like we can prove in real time the old trope that comedy is tragedy plus time.

The real issue is how to make appropriate choices about what to do at any point in time. The real issue is how we manage actions.

I have stared long enough at the glowing flat rectangles of computer screens. Let us give more time for doing things in the real world...plant a plant, walk the dogs, read a real book, go to the opera.

Real men always have time for their woman. No matter what, even if hes busy he'll find a way to make time for her.

There's always mixed feelings about the work that I do. When you're playing a real person, that's another kind of responsibility. I have to say that every time that I have played a real person, even though I gave it everything I could, I feel like I misinterpreted trying to represent them. All the time I feel like I screwed it up! But I don't know if that's because I can't separate myself from it enough.

I'm not like a real person. I love being artificial. I think there's a little magic in the fact that I'm so totally real, but look so artificial at the same time.

The dozens of people working on this at Digital Domain, they knew that you couldn't get away with almost photo real, because we had real real in the room. You have real real in the cut every four or five shots, so you have this constant yardstick built into the footage by virtue of there being no real robot there. So it became the standard of photo reality that the VFX team had to match.

For example, you now look at pictures from 1968, they are hugely misleading in terms of standing in as an absolute image of the time. Because maybe two percent of the people looked the way that we now associate with that time. I was also aware that what I was aiming for is an idealized, utopian version of how people could be together. I found photography to be a very powerful tool because as long as it looks real, it is perceived as real.

I like doing sequels. Basically, I think it's a fun thing to follow characters in time. In real time.

The old time strongmen used to lift huge weights just enough to clear a sheet of paperit is in this tradition that Sri Chinmoy's lifts should be seen. His real goal is to bring attention to the spiritual life , which is the real source of his power. For someone who is approaching 70 years of age, training every day with such ponderous weights to inspire humanity is the real world record.

I'm not a dancer, and it was very time-consuming. But I met great people, and it was flattering to be asked to be on. You don't understand how demanding that show is until you're on the inside. That is real work. Real work!

I think when you think of my films, I think hopefully you think of an extreme sort of real unfolding, real-time, performed, feeling semi-improvised, you know what I mean, all that.

I have a 6-year-old daughter, and we never look through magazines. But when we're on a plane, that's the one time we have screen-time and magazine-time sometimes. And I do not open a magazine with her without saying: 'Now remind me, are these real pictures?'

Imaginary time is a new dimension, at right angles to ordinary, real time.

We're a band's band. We have real songs, real players, real problems. Real ups, real downs.

I was in my early 30s, and I longed for real friendships and real relationships, and I started asking myself why I didn't have that. I had a couple of male friends, but every time I would hang out with them, it felt like there was something keeping us apart.

This had been real: real in its flaws and uncertainties, real in its small triumphs, real in its compromises and understanding.

There's something magical about spending a Sunday night watching real people at a deli, then watching fake people pretending to be real on TV, then engaging in (arguably) false interaction with (arguably) real people on the Internet. Never at any prior point in time has this been possible.

Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real." "Does it hurt?" asked the Rabbit. "Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt.

Jesus is apt to come, into the very midst of life at its most real and inescapable moments. Not in a blaze of unearthly light, not in the midst of a sermon, not in the throes of some kind of religious daydream, but...at supper time, or walking along a road...He never approached from on high, but always in the midst, in the midst of people, in the midst of real life and the questions that real life asks.

Real people had real agendas, real demands, real expectations about how other people should behave.