Top 1200 Real Work Quotes & Sayings

To me, the difference between mythology and real history is that the real history has to tell a kind of believable story of how things happened. The physics has to work.

What I do is to collaborate with each actor and work one-on-one to create a character. And that is a matter of huge complexity and is a combination of a great deal of discussion and a lot of practical work. It involves a lot of consideration for the real people out there, and all kinds of sources of real people. The result is the character. But I'm not supposed to talk about what it is we do, because it's nobody's business.

What went wrong is we had tremendous concentration in the sense we put a lot of our money to work against U.S. real estate. We got here by lending money, and putting money to work in the U.S. real estate market, in a size that was probably larger than what we ought to have done on a diversification basis.

So, I don't work in terms of real time. I don't work in a timely fashion.

I would fail if I had to work with stars. And I also can't afford to work that way. I can't afford to have special circumstances for rarified individuals. So, I work with actors who have given me a sign that they're willing to work in these more humble circumstances, in real-life locations.

Blessed is he who has found his work; let him ask no other blessedness. He has a work, a Life-purpose... Get your happiness out of your work or you will never know what real happiness is... Even in the meanest sorts of Labour, the whole soul of a man is composed into a kind of real harmony the instant he sets himself to work!

Real programmers don't work from 9 to 5. If any real programmers are around at 9am it's because they were up all night.

I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.

Ordinarily all desires exist in the second state of consciousness, the dreaming state. Desire is a dream and to work for a dream is doomed from the very beginning, because a dream can never become real. Even if sometimes you feel it has become almost real, it never becomes real - a dream by nature is empty. It has no substance in it.

What is your real work? Is it that which pays the bills or is it your art? I think your real work is healing. Whatever helps you become more loving in this lifetime. Whatever helps you forgive yourself, embrace yourself, meet yourself, and free yourself in this lifetime.

You can't really judge an actor's abilities by their career, because the business is going to pigeonhole people into whatever turns a profit, and no artist is less in charge of how their work is presented than an actor, the appeal of Vince was that within a great naturalism, he can convey fierce intelligence, complex emotion, and a real warmth married to a real edge, strength and vulnerability and danger and humor. There are essential contradictions at work that makes him fascinating to watch.

I found that the best way to go about [ Black men ] is to produce better men. And I think if we get them at a younger age, and start teaching these young brothers the principles of manhood: That real men go to work everyday; Real men honor God; Real men respect and adore women - that's what real men do.

There's a way of doing comedy that feels true to the person doing it, that doesn't feel like clown-work or silly faces and antics, but that feels real - like you're playing a real person who has real thoughts and feelings, and it's very grounded. I started to watch all comedy through that prism.

My life is good because I am not passive about it. I invest in what is real. Like real people, to do real things, for the real me.

I am a hopeless romantic. A silly, ridiculous, foolish romantic. I live in a fantasy land. I need to get real. And now, for the first time, I want to get real. I want a real relationship with a real man in the real world–-with all the real problems, faults, and whatever comes with it.

When an acting teacher tells a student 'that wasn't honest work' or 'that didn't seem real,' what does this mean? In life, we are rarely 'truthful' or 'honest' or 'real'. And characters in plays are almost never 'truthful' or 'honest' or 'real'. What exactly do teachers even mean by these words? A more useful question is: What is the story the actor was telling in their work? An actor is always telling a story. We all are telling stories, all the time. Story: that is what it is all about.

I know so many amazing actors who don't get work... and then there are a bunch of real duds that work all the time. The industry is just not fair in that way.

My habit is to get real competitive and make racing probably more work than it is enjoyable, and I put a lot of pressure on myself, and I feel like there's pressure from the outside - it's probably not real, but it's something I imagine.

This had been real: real in its flaws and uncertainties, real in its small triumphs, real in its compromises and understanding.

What I want from my lovers is real, unadulterated love, and from my genuine workers I expect real work done.

Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?

I try to use models at least for the main characters because of the nature of my art. I tend to focus on the humanity of my subjects, the details of expression that add a certain reality to the work. Real faces = real art. That's the goal anyway.

Real success and accomplishment, at whatever it is you are passionate about, requires real work. Real sacrifice. Real disappointment. Real failure. And it requires the ability to scrape your sorry ass up off the floor, stumble to your feet, wipe the rivulets of watery drool from your face, and do it again, like an obstinate toddler running against the wall with his head in a bucket.

And to get real work experience, you need a job, and most jobs will require you to have had either real work experience or a graduate degree.

The real work of this life is not what we do every day from 9-5...The real work is to be passionate, be holy, be wild, be irreverent, to laugh and cry until you awaken the sleeping spirits, until the ground of your being cleaves and the universe comes flooding in.

I'm not a starstuck dude. I've been in this game too long for that, but I do respect and acknowledge real work and real work ethic.

Work needs to be the single biggest requirements. No more waivers as this administration has done. There should be real work eligibility.

There's no real escape from the work, but in some ways, if you're as obsessive as I am, it's a sweet little thing we've figured out. You bring your work home and you work 24 hours a day, but it's good.

If this is a real work for God it is a real conflict with Satan.

I looked at basketball as something that I love and escape from the real world, and in order to continue to escape the real world, you got to work hard at it.

I like playing a character that admires real musicianship, and real talent and hard work. I think that's a good message for everyone.

In a story, you can turn to the front and begin again and everyone lives once more. That doesn't work in real life. And I love my real people the most.

My work is writing, but my real work is being.

Handouts are not going to end global poverty, but work - real work - just might.

My dad was an actor, and he always said that work was work; you can't turn your nose up at it. We didn't have much money when I was growing up, and he had this real work ethic, which I inherited.

The real world is the fantasy writer's scrapbook. Real history, real geography, real customs and religions are all invaluable sources of guidance and inspiration.

Play is always a fantasy, but once you get into the frame, it is quite real, and everything you do is real. You put acres and acres of real movement and real action and real belief in it.

I decided to work on hand animate because the animators work as authors in every little scene and it brings real soul for characters.

The real goal of a spiritual tradition should not be ascent, but openness, vulnerability, and this does not require great experiences but, on the contrary, very ordinary ones. Charisma is easy; presence, self-remembering, is terribly difficult, and where the real work lies.

The Romney candidacy is better than it was four years ago, but it's not clear that it's good. Mitt needs to get good real fast: A real speech, real plan, real responses, and real fire in the belly.

With WesTrac, you have real people doing real jobs with real problems and real opportunities, and you touch the metal, and it's like being grounded.

The dozens of people working on this at Digital Domain, they knew that you couldn't get away with almost photo real, because we had real real in the room. You have real real in the cut every four or five shots, so you have this constant yardstick built into the footage by virtue of there being no real robot there. So it became the standard of photo reality that the VFX team had to match.

As long as God gives me strength to work and try to make things real for my children, I'm going to work for it - even if it means making the ultimate sacrifice.

This work of connecting our light to the world does not need to be done through a mass movement, or by millions of people. . . .The real work is always done by a small number of individuals. What matters is the level of participation: whether we dare to make a real commitment to the work of the soul.

I'm not a dancer, and it was very time-consuming. But I met great people, and it was flattering to be asked to be on. You don't understand how demanding that show is until you're on the inside. That is real work. Real work!

Horror stories have always worked on film. It's where they work. That's where vampires and ghosts and UFOs are real. They're not particularly real in life, but they're real on the screen. It's the communal aspect of movie-watching.

I like kids' work more than work by real artists any day.

Genius is often a short way of spelling hard work. Poverty, obscurity, struggle and ambition formed the foundation for many careers of transcendent achievement. Few marks are made in the world's history by eight-hour-day men.... Sir Joshua Reynolds had but one maxim for success: Work, work, work. Is not rigid and continuous training necessary for the making of strong athletes? Hard work is not fatal to real success. Vouloir c'est pouvoir.

For the past 32 years, I've done nothing outside the entertainment business. I've had some real highs and some real lows, but I love the work so much that I never once thought of quitting.

I believed in making it look real. I was probably hard to work with because I wanted it to make real, and I knew how to wrestle.

If beef is your idea of 'real food for real people', you'd better live real close to a real good hospital.

My background is in VFX, and I know from experience that the best VFX are when you have something real in the frame that you can either extend or work off of. It was really important to get as much as possible in camera, for real.

Her work, I really think her work is finding what her real work is and doing it, her work, her own work, her being human, her being in the world.

Real confidence has no bluster or bombast. It's not rooted in a desire to seem better than everyone else and it's not driven by a fear of appearing weak. Real confidence settles in when you have a clear vision of exactly what you need to do. Real confidence blooms as you wield the skills and power you have built through your hard work and discipline.

If beef is your idea of 'real food for real people,' you'd better live real close to a real good hospital.

I perform in art time and in real time, and you can't tell the difference - no one knows how to separate a real act from an art act in my work. When I lived on the street for a year, people only knew that I was homeless. They didn't know that I was an artist doing a piece. I have to use real time in my work. I do, however, have to find a subtle way of documenting real time, in order for people to have a response. That means punching into a work clock every hour in the case of one piece.

What I want from my Lovers is real unadulterated love, and from my genuine workers I expect real work done.

The REAL American Dream is not about a garage full of new cars, winning the lottery, or retiring to a life of ease in Florida. It's about doing work that has meaning, work that makes a difference, and doing that work with people you care about.

The thing that really makes me happy is the real work and rehearsing and creating the character and the process of making the movie. Hollywood's not real.

I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.