Top 1200 Real Work Quotes & Sayings - Page 2

Hard work is the most important. Conviction also, but real hard work.

A good work ethic is not so much a concern for hard work but rather one for responsibility. There have been a great many men and women who have in fact used work or hustle or selfish ambition as an escape from real responsibility, an escape from purpose. In matters such as these, the hard worker is just as dysfunctional as the sloth.

Love and work are the only two real things in our lives. They belong together, otherwise it is off. Work is in itself a form of love.

I'm used to being the background. I'm used to having work that only lasts for a little while. I'm used to being - working in the real world, where real things are.

In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.

Sometimes one's very angry and preaches, but I know that to clinch a point is to close it. To leave the reader free to decide what your work means, that's the real art; it makes the work inexhaustible.

The praise for 'Cape Fear' will help me work more artfully - I can work with real artists, like Robert De Niro and the directors, and then go to artland, which is the best land to be in in this world.

You seem to have no real purpose in life and won't realize at the age of twenty-two that for a man life means work, and hard work if you mean to succeed.

I think from a driving perspective, the great thing of being in a simulator a lot is that you can constantly work on areas. Of course it's not like being in a real car, and you always have to remember that, but it means there are all these things that you can work on.

Most so-called women's work is not recognized as real activity. One reason for this attitude may be that such work is usually associated with helping others' development, rather than with self-enhancement or self-employment.

I was always interested in drawing and creating, but it never really occurred to me that I could pursue art as my profession until my mid twenties. From all I had heard from other people, art was just something you do as a hobby in between your real work and real jobs.

I loved work and I loved pouring myself into the work, you know. It was the real life that I had trouble with.

Being busy does not always mean real work. The object of all work is production or accomplishment and to either of these ends there must be forethought, system, planning, intelligence, and honest purpose, as well as perspiration. Seeming to do is not doing.

I have to be below 140 to really look good. I have to work my legs like crazy. Actually, do you want my real goal? My real goal's always too low. I love the way I look at, like, 128.

Real people had real agendas, real demands, real expectations about how other people should behave.

I don't care about vacations. I go away and I come back real quick because I like my work. I really like my work to consume me.

I have a real kind of fundamental philosophical belief that movies are better if everyone gets paid when they work, and if they don't work, the people who worked on them make a little bit of money, and the people who finance them, they lose, but they don't lose too much. I believe that that creates better work.

The best way to describe my work is comedy in a very, very real way. I'm not scared to look silly on camera. I take everyday situations we all go through and put a very real twist on it - things people can relate to.

Darren Hardy has written a new bible for the self-improvement space. If you are looking for the real deal-a real program, with real tools that can change your life and make your dreams a reality-The Compound Effect is it! I plan to use this book to go back and look at what I need to again work on in my own life! Buy ten copies, one for yourself and nine more for those you love, and pass them out now-those who get it will thank you!

If my artist life didn't work or if I needed to work in some capacity part-time in something, I knew I'd have a real life skill [become a therapist].

The real skill of being a writer is being able to take your inspired moments, and make them work as a whole, through the unromantic, daily hard work.

I've never been particularly good at explaining or even understanding what this sort of rage is that is so accessible to me. I'm not an out-of-control person, but I can access in my work very easily a feeling of real fury. Thank goodness I've channeled it into my work, I guess.

It is said that “there is a self,” but “non-self” too is taught. The buddhas also teach there is nothing which is “neither self nor non-self.” Everything is real, not real; both real and not real; neither not real nor real: this is the teaching of the Buddha.

I get to be a real adventurer with my fishing work. The acting work is free, I always say I get paid for the waiting around.

'Star Wars' is very black and white, and honestly, I like it that way. But fantastical settings like that work best when the characters within them feel real. Real people have conflicts and make mistakes and get it wrong sometimes.

It's not about how much movement you do, how much interaction there is, it just reeks of credibility if it's real. If it's contrived, it seems to work for a while for the people who can't filter out the real and unreal.

You know I think if the people who work for a business are proud of the business they work for, they'll work that much harder, and therefore, I think turning your business into a real force for good is good business sense as well.

My staged work looks so real that people actually take it for documentary. But, in fact, that is my intention, to disguise the manufacturedness of it. Half of my work, or probably more than that, is staged.

If you put a real leaf and a silk leaf side by side, you'll see something of the difference between Homer's poetry and anyone else's. There seem to be real leaves still alive in the 'Iliad,' real animals, real people, real light attending everything.

You tour and you work hard and you take care of your fans and very real things lead to other real things. There's never been some fantastic fluke or break in my career, it has all been very slow and steady.

I learned really early on that I had to treat it as if it were a real job. This might be my middle class background - the Irish work ethic, which isn't quite the same as the Protestant work ethic - but still, it's, 'Get a job and show up every day. Be there. And don't complain. Who do you think you are: you're nobody special; go to work.'

I've had a great love for Al Pacino's work since I first saw him on the stage doing 'The Indian Wants the Bronx' in the early '70s. His work is remarkable. He's the real thing.

The screen is a window through which one sees a virtual world. The challenge is to make that world look real, act real, sound real, feel real.

We're a band's band. We have real songs, real players, real problems. Real ups, real downs.

There is a sense of responsibility when you play a real-life character because there are people who will see your work, make comparisons, and judge you. They have all the rights to do that because they know the real person. They might have seen that person also.

Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.

Even if it happened in real life - and oftentimes, especially if it happened in real life - it might not work in fiction.

If, in any individual, university training produces a taste for refined idleness, a distaste for sustained effort, a barren intellectual arrogance, or a sense of superfluous aloofness from the world of real men who do the world's real work, then it has harmed that individual.

What empowerment is all about [is] finding something which infuses you with a sense of mission, with a passion for your life's work. I don't believe there is one path for women or one nature to fulfill. Real fulfillment, real empowerment is often different than we imagine and better than we plan.

Doing a little work around the house. I put fake brick wallpaper over a real brick wall, just so I'd be the only one who knew. People come over and I'm gonna say, "Go ahead, touch it... it feels real."

You know how it always is, every new idea, it takes a generation or two until it becomes obvious that there's no real problem. It has not yet become obvious to me that there's no real problem. I cannot define the real problem, therefore I suspect there's no real problem, but I'm not sure there's no real problem.

I believe international work is a heavy task, but that it is nevertheless indispensable to go through an apprenticeship in it, at the cost of many efforts and also of a real spirit of sacrifice: however imperfect it may be, the work of Geneva has a grandeur that deserves our support.

It may be that when we no longer know what to do, we have come to our real work, and that when we no longer know which way to go, we have begun our real journey.

No good book has ever been written that has in it symbols arrived at beforehand and stuck in. ... I tried to make a real old man, a real boy, a real sea and a real fish and real sharks. But if I made them good and true enough they would mean many things

I would have to say that first preseason game. Just to put the pads on as an NFL player for the first time. It's a humbling experience because you realize that you are here and now you have an opportunity to go to work and continue to better yourself as a player. It's what you work for as an athlete and you know once you get there the real work begins.

When shooting in real spaces, the work of a cinematographer begins where location meets production design meets time of day. No movie light will ever look as real as the sun, so scheduling becomes truly paramount to naturalistic lighting.

the real "work" of prayer is to become silent and listen to the voice that says good things about me. To gently push aside and silence the many voices that question my goodness and to trust that I will hear the voice of blessing-- that demands real effort.

My youngest son's pre-school class was recently asked what their dads do for work. The responses were things like, my dad sells money, and my dad figures stuff out. My son said, 'I've never seen my dad do work.' It's true. Skateboarding doesn't seem like real work, but I'm proud of what I do.

I hate it when people call themselves 'entrepreneurs' when what they're really trying to do is launch a startup and then sell of go public, so they can cash in and move on. They're unwilling to do the work it takes to build a real company, which is the hardest work in business.

A record is something that isn't real or true. It's like cinema. It's a construction of something hyper-real and surreal and unreal all at the same time. You make a space that doesn't really exist. One of the big joys of being in this line of work is building the recorded versions of the songs.

When times are tough and people are frustrated and angry and hurting and uncertain, the politics of constant conflict may be good. But what is good politics does not necessarily work in the real world. What works in the real world is cooperation.

The real gender inequality in marriage stems from the tendency to regard women as the default parent, the one who, in the absence of family-friendly work policies, is expected to adjust her paid work to shoulder the brunt of domestic responsibilities.

On Saturday afternoons when all the things are done in the house and there's no real work to be done, I play Bach and Chopin and turn it up real loudly and get a good bottle of chardonnay and sit out on my deck and look out at the garden.

If you put a real leaf and a silk leaf side by side, youll see something of the difference between Homers poetry and anyone elses. There seem to be real leaves still alive in the Iliad, real animals, real people, real light attending everything.

I think Douglas was a real one-off. He was so clever and so intelligent and so well read in real science that he could make science fiction work as well as it did. And just such fun to have around, he was just such a lovely man.

It's the same assignment on every part: you want to create a real world, and the tone of it is a little different on each movie. You have to find your tone and work within that to make it as real so the audience can really engage in the story you're telling.

The federal government has never created one job that is sustainable long term. It creates government project work but not creating real work where people are.

When times are tough and people are frustrated and angry and hurting and uncertain, the politics of constant conflict may be good, but what is good politics does not necessarily work in the real world. What works in the real world is cooperation.

It has long been my personal view that the separation of practical and theoretical work is artificial and injurious. Much of the practical work done in computing, both in software and in hardware design, is unsound and clumsy because the people who do it have not any clear understanding of the fundamental design principles of their work. Most of the abstract mathematical and theoretical work is sterile because it has no point of contact with real computing.

When I create characters, I create a world to inhabit and they begin to feel very real for me. I don't belong in a psych ward, I don't think, but they become very real, like my own family, and then I have to say goodbye, close the door, and work on other things.