Top 1200 Real Work Quotes & Sayings - Page 3

'Bruce Lee' didn't work, and there were apprehensions about what the fans might say. People might have commented that Charan could have waited for some time before selecting me again. But that's what makes it a real achievement to me. People want to work with me because of the comfort level; nobody would work with you again otherwise.

Marilyn Monroe wasn't even her real name, Charles Manson isn't his real name, and now, I'm taking that to be my real name. But what's real? You can't find the truth, you just pick the lie you like the best.

Theatre is real-time - you get that real-time audience reaction, which is fantastic. And with art pieces, people don't ever have to explain themselves. You can do something and really follow a research. With architecture, you have to be much more public. You have to build consensus. You have to work within the law. There are more complexities.

I'm all about real drama, real performance, and real people, so my twist on this is: I'm creating a family, a brotherhood here. I'm creating a very real chemistry and I have this incredible ensemble of actors led by Will Smith, who are basically playing dimensional characters with lives and souls.

...we do not simply get showered with Hollywood money because we happened to write a little story about wizards one day. It's not winning the lottery. It's a real job, which real people do, and they have the same real problems as other real people.

There are opposing forces in all living things. My work reflects this and stirs up a contrast of emotions in the viewer... perception versus annoyance. To the viewer who has reached that level of awareness, my work is no longer abstract, but very real.

The real work is in the practice.

I sense a real difference in my work from the time I was younger and single and more involved in the world of music and going out to bars and all that. There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.

Never mind. Point being that you don't have to get too worked up about us, dear educated minds. You don't have to think of us aas real girls, real flesh and blood, real pain, real injustice. That might be too upsetting. Just discard the sordid part. Consider us pure symbol. We're no more real than money.

Anything, everything, can be learned if you can just get yourself in a little patch of real ground, real nature, real wood, real anything ? and just sit still and watch.

In many ways, playing a real person is slightly easier because you have a road map. When you're playing someone fictitious, there's myriad ways in. With a real person, there's boundaries, and that sometimes makes the work easier.

There's not a lot of room anymore for what I call 'made-up' drama. The drama comes from real places now - marriage takes work and focus, the kid stuff takes patience and commitment. And if you don't grow as people and as a couple, within all of that, then you've got some real drama.

The technologists claim that if everything works [in a nuclear fission reactor] according to their blueprints, fission energy will be a safe and very attractive solution to the energy needs of the world. ... The real issue is whether their blueprints will work in the real world and not only in a "technological paradise."... Opponents of fission energy point out a number of differences between the real world and the "technological paradise." ... No acts of God can be permitted.

The real economic cleavage is not... between employers and employed, but between all who do constructive work, from scientist to laborer, on the one hand, and all whose main interest is the preservation of existing proprietary rights upon the other, irrespective of whether they contribute to constructive work or not.

Growing up, I was lucky that my dad was never out of work. I was very fortunate in one way: that I never experienced real hardship, because my dad is this real dynamo. He was always working, so I had a sense of the ups and downs and endless disappointments, but at the same time I was never worried that we couldn't eat or pay the bills.

I never came with a conscious plan to replace anyone else. Stallone does feel that way. He is a real tough guy in real life, and he gets to act that out. If you meet him and work with him, he is what he is. He is a guy that works out every day.

Being in that other world of media, TV, Hollywood, it's not a real world. For me going back to work, it was a pleasure to get back to the world I knew. That's the real world. That's normal for me.

The RNC has made a concerted effort to work with their allies with a real focus on what we can do to equip candidates with the resources to win in 2014 and beyond. There isn't a week that goes by that I don't see someone from the RNC at our weekly coalition meeting. Keep up the good work.

You want to have fun but you also want to work well. Sometimes I was quite happy at Ferrari, because we would have fun, but then they could not stop having fun and go back to the real work.

Although everyone does benefit from lower-priced goods and services, people also care greatly about the chance to be productively employed and the quality of their work. Declining employment opportunities feel real and immediate; the rise in real incomes brought by lower prices does not.

In Washington, D.C., they don't do real work.

I'd gotten the message in my home, starting with my grandfather, that real work, the kind that makes you sweat and gets your hands dirty, is a respectable, necessary thing. But I wanted to write - and writing didn't qualify. Whenever I told my parents I dreamed of becoming a writer, they said, 'Great, but what are you going to do for work?'

To me a real patriot is like a real friend. Who's your real friend? It's the person who tells you the truth. That's who my real friends are. So, you know, I think as far as our country goes, we need more people who will do that.

The people from where I grew up have no appreciation for Paleolithic rocks or menstrual calendars. I'm a retriever of lost iconographies. But I had real training and have deep discipline, and I believe in it. Too much of the work I see today is just cultural junk. It's very superficial and has no rigor. It doesn't address the dynamic and real politics of an aesthetic structure.

Real liberty can exist only where exploitation has been abolished, where there is no oppression of some by others, where there is no unemployment and poverty, where a man is not haunted by the fear of being tomorrow deprived of work, of home and of bread. Only in such a society is real, and not paper, personal and every other liberty possible.

I love being presented a character that boggles my mind. I have to do a lot of work and explore how I can make the guy absolutely real and absolutely believable to myself. And then, I go to work on doing that for other people.

I was a real work-horse.

Let's see... Rihanna! Work, work, work, work, work, work; OK, what? How much work does it take to move your behind, honey? I don't understand the job situation you're going through.

It must be a good thing to die conscious of having performed some real good, and to know that by this work one will live, at least in the memory of some, and will have left a good example to those that come after. A work that is good-it may not be eternal, but the thought expressed in it is, and the work itself will certainly remain in existence for a long, long time; and if afterwards others arise, they can do no better than follow in the footsteps of such predecessors and do their work in the same way.

I hope that if the people who read my work encounter people in the real world who are like the characters that I write about, that maybe that might make them feel empathy for those people. I know it sounds idealistic in a way, but I do hope that my work maybe changes some minds, and that my work makes readers see people as human that maybe before they read my work they might not have seen as humans, and those people include me and my family and my kids, people in my community.

There's no real downside to any sort of work that I do. I'm all so grateful for it, but I wouldn't say that animated work is just a walk in the park. It is easy, it's really fun, but I don't know why I really stress myself out every time I'm about to go in.

If you work hard in real life, people tend to get in your way - either from inertia or prejudice - and they stop you achieving things. It's the worst thing about real life compared with sports, where you generally get what you deserve: if you're the fastest guy, you win; there are no other games being played.

I grew up making music in my mum's basement, and I used to tell her I was going down there to work, and she'd say, 'That's not work. Go get a real job!' It took me signing a record deal to change her opinion!

Hard work isn't enough. And more work is never the real answer. The sort of grit you need to scale a business is less reliant on brute force. It's actually one part determination, one part ingenuity, and one part laziness.

When you're training as an actor, a lot of the big work you're learning is to treat fictional characters like real people. You don't have the problem of discovering a backstory with real people, but there's always a mystery which is common to both fictional and factual characters. They are never quite the person you think they are.

Harry Potter isn’t real? Oh no! Wait, wait, what do you mean by real? Is this video blog real? Am I real if you can see me and hear me, but only through the internet? Are you real if I can read your comment but I don’t know who you are or what your name is or where you’re from or what you look like or how old you are? I know all of those things about Harry Potter. Maybe Harry Potter’s real and you’re not.

When real actors are approaching their work, we could be on a little stage somewhere, doing community theater. It's all the same. They're just trying to make the scene work. They're just trying to do the best they can and figure it out.

We always have visions, before a thing is made real. When we realize that although the vision is real, it is not real in us, then is the time that Satan comes in with his temptations, and we are apt to say that it is no use to go on. Instead of the vision becoming real, there has come the valley of humiliation.

Be real with yourself in whatever area of your life and your game that you need improvement on. Once you figure that out, you just have to go out and work on it. For me, it's footwork. I constantly work on it, and it's a never-ending process.

I realize I have a lot of amazing opportunities, but I don't know how you can play a human being going through real human experiences without being able to walk down the street. If you can't live a real life, how do you play a real person? It always confuses me when actors work back-to-back-to-back with no break. If you live your life on a film set, how the hell can you relate to real people? You don't know what its like to not have people fussing over you all day, and that's not life - that's silly movies. I will always want to take breaks and I wouldn't be OK with losing that.

I kind of like the idea of taking a concept and going all the way with it, even if it's not completely plausible. It's something that I like about making movies. You have a concept that maybe would not work in real life, but you can make it work in the world you're creating.

I have two young sons that are very interested and work in real estate. I made it a policy they need to work five years in progressively responsible jobs outside of the company, preferably in New York, and then get a masters degree, so I am making it hard for them to join.

Be perfectly resigned, perfectly unconcerned; then alone can you do any true work. No eyes can see the real forces; we can only see the results. Put out self, forget it; just let God work, it is HIS business.

The time has come for writers to become inaccessible again. The reason is not some kind of 'mystique' that makes people curious (though it helps), but the fact that no real writers ever lay down anything real in public-they work in solitude, they think hard, and their thoughts are rarely nice or 'friendly.'

We have to understand that we want to pay the farmers the real price for the food that they produce. It won't ever be cheap to buy real food. But it can be affordable. It's really something that we need to understand. It's the kind of work that it takes to grow food. We don't understand that piece of it.

When real work happens and that's when real art happens.

You put on a face for the public. The face isn't false; it's just another side of you. If it were false, you couldn't last. People want something real and natural, and if they catch you acting, you're dead. It has to look real. In order to look real, it has to be real, and I've always thought of the characters I've played as real people.

Anarchism aims to strip labor of its deadening, dulling aspect, of its gloom and compulsion. It aims to make work an instrument of joy, of strength, of color, of real harmony, so that the poorest sort of a man should find in work both recreation and hope.

Communication is the real work of leadership.

Les Pauls work out real well for me because I'll beat the hell out of them and they'll still work. The only trouble with them is finding good ones.

I do all that TV stuff, and it's not real work.

I think Douglas [Douglas Adams] was a real one-off. He was so clever and so intelligent and so well read in real science that he could make science fiction work as well as it did. And just such fun to have around, he was just such a lovely man.

Sometimes films might not work, but you as an actor should keep working. Because no matter how much you panic about how your film didn't work, eventually, when you step out in the real world, there are people who value you as an artist.

Real success is finding your life work in the work that you love. That's it. Don't worry about making a living, don't worry about popularity or fame. Make what you do ... count more than what you own.

I believe in kindness and niceness and lots of spiritual things, but the real intellectual rigor and quest of logic is something that I'm afraid takes incredibly hard work and we live in an age in which hard work is if not actively deprecated or denigrated it is run away from or ignored.

The best ones - Hulk Hogan believes in Hulkamania. It's not a thing he's selling here. It's real. He knows it's real because he goes to the Mall Of America and everybody goes insane, right? Wrestling is real. Those characters are real.

We can teach a good, formal lesson on forgiveness as a Christian virtue and all the doctrines that are attached to it. But to be in a real-life situation, a work camp or a trip or some other activity with young people where real forgiveness needs to happen, that's a different situation altogether. And that is where the deepest learning will occur.

And my real enemy is not to hold the specimen sterile, but it's the lighting. The light is our real enemy. So we have to work with very very poor lighting. But we can increase the light with computers.

I think China knows that in the early stages of Covid, it didn't do what it needed to do, which was to, in real time, give access to international experts, in real time to share information, in real time to provide real transparency.

I start with actors that I know personally or I know their work, and there are things about their work or their presence or their own personality that make a character, that exaggerates some qualities and suppresses other qualities. It's always a real collaboration for me.