Top 1200 Real You Quotes & Sayings - Page 2

You know what matters? Touching people. Being a real person. Because when you're in front of real people, they gon' give you a real reaction.

What is John Arriaga's circle of competence? Is it real estate? No! Is it U.S. real estate? No! Is it California real estate? No! Northern California real estate? No! Only real estate around Stanford. His circle of competence is this small.

Teens wanted things that were real, that they connected with, it doesn't have to reflect reality directly. They love 'The Hunger Games' not because it's real in that it happens, but the emotions there are real, and it's very relatable.

I'm writing about real things. Real people. Real characters. You have to believe what I write about is true or you wouldn't pay any attention at all.

When I wrote my fictional novels, they always had a starting point of something real. Those images that are not real are exactly the same strength and power of the real ones, and the line between them is completely blurred.

Real peace comes only when you stop chasing it. When you relax your driving desire for comfort, real fulfillment arises. When you drop your hectic pursuit of gratification, the real beauty of life comes out. When you seek to know the reality without illusion, complete with all its pain and danger, that is when real freedfom and security are yours.

These problems are real, and you can't turn off real life. So I won't try. Instead, I'll give you a set of tools to help you deal with real life.

Horror stories have always worked on film. It's where they work. That's where vampires and ghosts and UFOs are real. They're not particularly real in life, but they're real on the screen. It's the communal aspect of movie-watching.

Well, I think first of all there was a failure to have real, clear information at our disposal. There was a real lack of situational awareness. We didn't have the capabilities on the ground to give us real-time, accurate assessments of the physical condition of the city.

The narrative oftentimes is that everything that comes out of the hood is 'real,' and so I thought, 'I'll base it on the absurd, the not real. I'll twist the idea of real on its head and see if I can get away with it. I'll make paintings that come not from a place but through an abstract gaze.'

For me, there's always a huge attraction in playing real people. But with it comes an incredible sense of responsibility because you're playing a real person in a real event.

When you go to jail, there's so much simple stuff missing. You just want some good toilet paper or a real toothbrush, a real blanket and a real bed to lay in.

I'm a real person. I have real feelings. I have real thoughts. It's a quality people like about me. They can reach out and touch me. I wouldn't give it up for anything.

When real nobleness accompanies that imaginary one of birth, the imaginary seems to mix with real, and becomes real too.

The real thing is not the goal, the real thing is the beauty of the movement. The real thing is not reaching, the real thing is the journey. Remember, the real thing is the journey, the very traveling. It is so beautiful, why bother about the goal? And if you are too bothered about the goal, you will miss the journey, and the journey is life - the goal can only be death.

Real men are real friends, showing their real commitment.

Words are what sticks to the real. We use them to push the real, to drag the real into the poem. They are what we hold on with, nothing else. They are as valuable in themselves as rope with nothing to be tied to.

As with real reading, the ability to comprehend subtlety and complexity comes only with time and a lot of experience. If you don't adequately acquire those skills, moving out into the real world of real people can actually become quite scary.

That was always what I felt was the beauty of Rock 'n' Roll, it was entertainment and showbiz yet it had the idea of the voice of the people, it had an essence to it which was socially motivated. Not that I want to change to world, you know? But it was sort of relevant to real life, it involved the real essence of poetry or the real essence of fine art. But it was also entertainment. That was the real vitality.

When I hear real faithful people - whether it's a real Christian, or a real Buddhist, or a real Muslim - I hear them use the language I use for a friend. So my metaphor for God is friend.

Yeah, you know, there's a difference between the textbook world that economists like to imagine, and the real world where real people have real feelings.

Imagining may be the first step in making it happen, but it takes the real time and real efforts of real people to learn things, make things, turn thoughts into deeds or visions into inventions.

It's a common part of the narrative of the history of Christianity that it was 'real' religion that involved real spirituality and real faith, and that's why it's completely superseded the more pagan polytheistic practices.

When donors visited the Black Panther Party, they came and saw our real programs, a real clinic, with real doctors and medics, giving service to people.

Real men know how to move as real men. Real men won't allow themselves to be disrespected. Real men aren't punks.

When I won I always was part of a real team with real men and a real coach.

My goal is to help women learn to walk out their lives with real faith in a real Jesus who changes real lives forever.

I'm never going to be the lead actor guy. I'm real quiet and real happy and real fortunate to keep working. It's what I do. It's like the circus. I ran away and joined it a long time ago.

... if [a photograph is] unbelievably real it becomes superreal or another kind of super real, better than real... [it] also can be, I think, so heartfelt that you almost can get a pang of compassion for the thing.

When you stay in your room and rage or sneer or shrug your shoulders, as I did for many years, the world and its problems are impossibly daunting. But when you go out and put yourself in real relation to real people, or even just real animals, there’s a very real danger that you might end up loving some of them. And who knows what might happen to you then?

You love me. Real or not real?" I tell him, "Real.

You can tell a book is real when your heart beats faster. Real books make you sweat. Cry, if no one is looking. Real books help you make sense of your crazy life. Real books tell it true, don't hold back and make you stronger. But most of all, real books give you hope. Because it's not always going to be like this and books-the good ones, the ones-show you how to make it better. Now.

You're still trying to protect me. Real or not real," he whispers. "Real," I answer. "Because that's what you and I do, protect each other.

Antonio Inoki majored in strong style. He showed real emotion with real technique in the ring. Hard shots that look like hard shots. But the important steps is the real technique from the real martial arts. It means detail is important.

The sad fact is that it would be fair to say that United is a generic, bureaucratic, tired company. A sort of DMV in the sky. No real culture. No real strategy. No real expectations for employees or customers. All of which is a shame.

I want everything, no matter what concept or genre, to feel real, because it is real. I want to keep making real music, I hope people remember me for that, that's a good thing to be remembered for.

Sometimes you have to think about what you're going to say, in real life, so when you see that thought process going on in a movie, it feels real and looks real.

I was feeling real good and real manly. Until a real cowboy walked by and told me I had my hat on backwards. So much for my career as a cowboy.

For me, film-making is combining images and sounds of real things in an order that makes them effective. What I disapprove of is photographing things that are not real. Sets and actors are not real.

There are millions of people who think that romance isn't real writing. But the only person who can make you real, make your books real, is you.

Real respects real, so if you can get Memphis to love you, you have to have something real there. Memphis doesn't just support anybody.

Real change comes from real individuals and real experiences.

I found that the best way to go about [ Black men ] is to produce better men. And I think if we get them at a younger age, and start teaching these young brothers the principles of manhood: That real men go to work everyday; Real men honor God; Real men respect and adore women - that's what real men do.

Painting, like water, takes any form. Paint is a film of pigment on a plane. It is not real in the way that gravity-bound sculpture is real. It is, however, real.

Be real, because a mask only fools people on the outside. Pretending to be someone you're not takes a toll on the real you, and the real you is more important than anyone else.

I'm of the opinion that the real is imagined and the imagined is quite real. The real is imagined, in the sense that we shape our stories, so anything that even happens on the news gets shaped in a certain way and gets a texture, and that the imagined can be real.

Even in comedy, you have to be real. It's all about being real. It's how real can you be? That's the challenge. How much are you willing to take on for your character?

Every kid will tell you that they want you to be real, but that's until you keep it real with them. Then they don't want it real.

The truth is that we have to, as American citizens, stop thinking that this life that we're living, the things that we're dealing with, is some reality TV show. This is real life, real children, real situations.

But your book is wrong, Mrs. Strunk, says George, when it tells you that Jim is the substitute I found for a real son, a real kid brother, a real husband, a real wife. Jim wasn't a substitute for anything. And there is no substitute for Jim, if you'll forgive my saying so, anywhere.

I have a split - of my real home-life side that's real-life, and then the creative side that is not necessarily real-life, but it intersects my real-life so much.

A lot of people question how talented I am. But I'm a real dude and I know real things and I've seen real people get their head blown off.

With some CGI, I think the brain slightly perceives that things aren't real. There's no gravity, the light's not quite real, the shadows aren't quite real.

The moment when a limit is reached, when there is nothing ahead but darkness: something comes in to help that is not real. Another way all this is like madness: a mad person not helped out of his trouble by anything real begins to trust what is not real because it helps him and he needs it because real things continue not to help him.

I think references, where they fit organically, are great. It's great to do a show that's real and relatable, and so much of what is real, is using real things and instances that are specific. Specificity is the best tool you can have, as a writer.

There's a need for a ritual and for real joy and real bliss. Real fun.

This is no honky-tonk parade. 1Q84 is the real world, where a cut draws real blood, where pain is real pain and fear is real fear. The moon in the sky is no paper moon.

I have a commitment to real worlds on screen. I like working in real communities. I like telling real stories.

Strong style is a philosophy for Japanese wrestling fans that was created by New Japan Pro Wrestling founder Antonio Inoki. He wanted you to show every motion and show real technique in the ring. It's important to use real techniques from real life and real martial arts. The detail is important.

One of the beautiful parts about Hamilton is it takes these figures that we've always revered as figures of antiquity and there's real blood flowing through their veins. There's real conflict. There's real life.