Top 1158 Realised Quotes & Sayings - Page 17

I remember when I became an actress and when people would come and ask me if they could take a picture with me, I would say no. Then my mom told me, 'Who do you think you are? You are what you are because of them. The day they will stop coming to you, you will be no one.' I realised I was wrong.

I was a very outgoing guy. I loved roaming around, hanging out with friends. From class 5th, I practised and learnt martial arts for about 7-8 years and have won medals at the national level. Then I trained in dancing on stage. In class 10th, I acted in my first play, and that's when I realised I wanted to become an actor.

The moment I realised that my history was an excuse for nothing, was the moment I was freed from my history. The great danger of history is that we use it as an excuse and remain trapped in it. I cannot blame my history for anything, and therefore I have to have high standards for myself.

My dad was in the Indian Army. He died in a terrorist attack in Kashmir in 1994. After that, my mum and I settled in Noida. I went to Delhi Public School in Noida and then to Shri Ram College of Commerce in Delhi University. It was in college that I realised I wanted to be on the stage and in front of the camera.

I woke up one morning to an email from my friend Alex that said she'd had her bag stolen. Ordinarily, I'm quite quick on the uptake, but - maybe because of the way it was worded - I immediately replied, 'What??????' As soon as I hit send, I realised I was being scammed. But then they replied, and I thought, 'Well, why not?'

From having no money and coming from a very proud working class family, it was tough. But then all of a sudden we had loads and loads of cash. I realised that this was a great opportunity to do what I love for a living. I was going to tournaments up and down the country and I was able to win anything from five to seven thousand pounds.

In my 20s, I got into giving people massages and realised I was able to encourage their bodies to heal by passing my hands over them. I'd never describe myself as a faith healer - it's just that if someone believes in this type of healing, I can help release whatever blockage it is that's preventing them healing themselves.

When I wrote 'Noughts and Crosses', I was halfway through it when I realised this was very like 'Romeo and Juliet'... as long as you make it your own, and put your own spin on it, I think it's brilliant to use other great work to find your own voice.

When I started doing advertisements, I really enjoyed the whole process of shooting, and I realised that I could do the little bit of acting required quite easily. My directors also told me that I have a flair for acting and that I should polish it and try for films. Then I thought I probably had it in me - why not give it a shot?

What may appear as truth to one person will often appear as untruth to another person. But that need not worry the seeker. When there is honest effort, it will be realised that what appears to be different truths are like apparently different countless leaves of the same tree.

I think I was a feminist before the word was invented. By the time I came across feminist books by American or European writers, I realised that there was an articulate way or a language to express all these feelings that I had had for years and years and so I became a raging feminist as a young woman.

There are no risk in Love, as you'll find out for yourself. People have been searching for and finding each other for thousands of years. Suddenly, he realised that the might be wrong. There was always a risk, a single risk: that one person might meet with more thatn one Soulmate in the same incarnation.

The weird thing is that 'Maestro' has somehow improved my DJing. When you've been in this music as long as I've been, you can sometimes become jaded. And when I got back from 'Maestro,' I realised the music is being kept in time for me - all I have to do is to wrap as much dynamic around it as I can. DJs don't realise how lucky we are.

The women's game has grown, but when I was playing at Arsenal, I don't think people realised how good we actually were. I think there's just a perception that we just play football, but we're not very good, and it was a challenge for us to try and prove those type of people wrong.

I have been brought up in a culture where capital punishment is indeed anathema. I have always thought of myself as a principled opponent to capital punishment. However, when thinking about how the topic is handled in other cultures, in particular the American, Russian and Chinese ones, I have realised that my own tack on the issue was utterly superficial.

When I realised that I had feelings for men as well as women, at first I was worried and frightened, and there was a certain amount of 'Who am I? Am I a criminal?' and so on. It took me a long time to come to terms with myself. Those were painful years - painful then and painful to look back on.

So when people used to call me 'chinki' I thought that okay maybe my mother is Chinese so they are calling me that. It was only in my 20s, when I travelled to the north-east that I realised that it was racist and that the north-easterners were called this and they were not considered Indians just because of the way they look.

I was told I could play at the top long before I realised I could. A few people told me that. I've always had a 'name,' and I don't know how I got it, but I was blessed with people in the right situations saying good things about me.

One day, my mum bought me this music production software for my computer, and I started making beats... I realised it was more like production than a video game, but it was a video game when I was playing it. That's how I got into music production.

I am excited by and impressed with Anthony Joshua, but Anthony has a long way to go. At first, I thought Anthony was similar to a Frank Bruno figure, but after a few fights, I realised he's nothing like Frank Bruno. He's very athletic.

I was listening to a lot of hip hop, music like Public Enemy that was about raising consciousness, and I realised I could feed that directly into my work, using images in a way that was a bit like sampling - taking images from diverse places, exploring the contradictions without trying to hide the seams.

Frankly speaking, during the making of 'Sonu Ke Titu Ki Sweety,' we never realised that the movie is going to be such a hit and that it will change our lives so much. There have been movies which have done really well at the box office, but rarely do we have movies where actors get so much love and adulation from their fans.

I realised how rarely women are involved in all aspects of the music making, how rarely I've worked with female engineers. That became something that I started looking at as well. How many women can I bring into the project across the board.

For me, Paul Scholes is on the same level as Ronaldo. The real Ronaldo, not Cristiano. I always thought he was a great player but after I played alongside him I realised he was Manchester United's greatest player of all time. He did his talking on the pitch which I respected most.

When I first started out in music, I was so negative. I was knee-deep in the streets. Then my friends started going to jail. They said, 'Boy, you better start taking this seriously; you got a chance to do something with your life.' That's when I realised I had to focus. The music led to the acting.

You get tough when you grow up unloved. People described me as a boyish girl - rather shy, but I didn't show it. I had an attitude. I was rather wild. I lied a lot because I knew the alternative was to be punished. As I got older I realised I didn't have to lie any more and it was a nice feeling. I could be myself.

I never thought about writing a novel until I was 13, and that happened by chance. I was on school holidays, and I was bored, and I thought I just wanted to do something to occupy myself instead of asking, 'What can I do, mum? Entertain me.' I started, and it really just took over, and I realised, 'Wow, this is an amazing experience.'

I realised that you can never legislate away from piracy. Laws can definitely help, but it doesn't take away the problem. The only way to solve the problem was to create a service that was better than piracy and at the same time compensates the music industry - that gave us Spotify.

I worked on live studio drama, which was one weird aberration in the 1980s. I worked on the 'Battle of Waterloo,' and my job was to reload the Brown Bess muskets - the only time the audience realised it was live was when somebody leant on a button and plunged the whole studio into blackout.

As I got older, I realised that people saw me as other things - sometimes Korean, sometimes Japanese, sometimes just Asian. When my family moved to a more affluent white neighbourhood, I started to see myself as 'other', this amorphous category. I didn't even know what 'not other' was, but I knew I wasn't it; I wasn't what was normal.

I feel very grateful for the way I was brought up. I did not realise it then, but as I grew older and started writing and realised the material that was there was very strong, I felt very grateful that my life was complicated and that my identity was never clear but put me in a position that was always questioned.

I remember going through school and doing art, which was the only thing that I actually found fulfilling, and I couldn't really figure out why. Then I got into college and started messing around with photography, and I realised that it was about getting the images that were in my head out in a way that didn't have to be spelt correctly.

My uncle used to play cricket. I got used to the game at home. As kids we used to all wonder seeing the bats lying around the house. As we grew older, we realised what the game was all about, and then our interest in the game grew.

Midway, when I was working full-fledged on TV, I realised I was loving it. I didn't have a manger, or anyone promoting me. I never went to ask for work, it came to me. I never asked for it, and it's not an ego thing. I thought if any director find me fit, he or she will offer it to me.

My eyesight had always been good but at school I went swimming one day and the chlorine affected me badly. I was almost blinded for two weeks and from there things deteriorated. Then at the World Championship in 2007 I realised I couldn't see the back of the pocket. It was one big blur. My first two seasons as a pro it was dreadful.

There is no satisfying the senses, not even with a shower of money. "The senses are of slight pleasure and really suffering." When a wise man has realised this, he takes no pleasure, as a disciple of the Buddhas, even in the pleasures of heaven. Instead he takes pleasure in the elimination of craving.

Time allows change to take place and the very evolution of the universe is what requires some conception of time. Mathematically can we write down a universe that doesn't have time? Sure. Do we think that would be realised in the larger reality that is out there? None of us take that possibility seriously.

Some people get into comedy because they love comedy. Then there are people who have a message and have realised that if they can be funny, maybe people will listen to it. And then there are people like me, who are just addicted to making people laugh.

We spent four days filming in a helicopter. I had never seen London from that viewpoint - you get a sense of how big it is and how easy it is to get lost. There was one day when we couldn't find Brick Lane: we spent 25 minutes looking and then realised it was directly below us.

When I took over as president, I studied the Constitution, and the more I studied it, the more I realised that it does not prevent the president of India from giving the nation a vision. So when I went and presented this vision in Parliament and in legislative assemblies; everyone welcomed it, irrespective of party affiliations.

I realised that I could either fight and get into trouble on the street or I could fight and get paid in the ring. I chose the ring.

My glasses are from Cutler & Gross. They're not prescription: I just love wearing them. I used to wear Ray-Ban a lot and then I realised that a lot of the things I've started going for are a little bit more refined. I liked the fact that I was supporting a British brand, somebody I could have a relationship with and people that I could talk to.

The character is everything that I felt really strongly against - she's superficial, materialistic, vain, amoral. She's all of these things, and I realised that I really hated her. How do you play someone that you hate? But I found it really interesting and it gave me a whole new insight into what my job, or my role as an actress, could be.

The extension of power offered by a pony, the ease and speed of movement, the tapping of unsuspected courage, the satisfaction of collaboration with another creature and of controlling it in order to improve the collaboration, the joy of fussing over it - of loving it - these, from the age of about eight to sixteen were the most completely realised delights of my life.

During therapy I have realised that my work ethic comes from my mum, Emma. She used to work two or three jobs at a time to keep food on the table in our council flat in Birmingham. She taught me to stay disciplined, to go to Sunday school, all those things.

I started writing sketches when I was 13. I liked Vic Reeves, Fry and Laurie, and Paul Merton, and I thought you could just send sketches to the BBC, and they'd go, 'Great. We'll put these on telly.' But I gradually realised that you either had to go to university and join a club, or do standup.

I was so tired, wasn't having fun any more, and wasn't sure if I wanted to do this any longer. So I turned my phone off and sorted my head out. It was the opposite of a breakdown really, it was a break-up - I got rid of all the idiots, realised my job was supposed to be fun, and got on with my life.

In my youth-team days, I was always a left-winger who would stay close to the byline and put crosses in the box, so I could never cut inside and shoot. It was only when I joined Real Madrid and started playing in a more central position, and then on the right wing, that I suddenly realised I had a really dangerous weapon.

I became an actress way into my 30s because I thought that I had to find my own way, and that's why I worked so much in modelling, until I realised that the differences between acting and modelling weren't that great. I always say that modelling is a little bit like being a silent actress.

One of the things I've realised is that I am very simple. My wife asked me once if I loved her. I said: 'Look love, I'm a simple man. I love you. End of story.' But I guess you gotta keep saying it with women. I guess she needed reassurance.

I always tell the story of 'Irreplaceable.' I initially wrote 'Irreplaceable' with myself in mind, with plans of it being my record. I love that record; however, what I realised about that record was that though given the circumstances of that situation - men and women are not that different - when you sing about it, it changes things, you know?

After my mother passed away, I felt as though I would never have a relationship as strong as the one that I had had with her. Then, after a lot of ups and downs, I started dating again - but I realised pretty quickly that I was never going to write cheesy love songs.

I only realised why I keep living in Shepperton when I returned to China. All the people who moved there had come from places just like Shepperton, and so they built and lived in houses exactly like these. I now know I was drawn here because, on an unconscious level, Shepperton reminds me of Shanghai.

We wanted to describe society from our Left point of view. Per had written political books, but they'd only sold 300 copies. We realised that people read crime and through the stories we could show the reader that under the official image of welfare-state Sweden there was another layer of poverty, criminality and brutality.

I was so young when my dad died that I didn't think it had affected me. I had such tiny memories of him, just little glimpses, I thought I had been unaffected. But then I realised, somewhere in my late 40s I think, that probably the defining thing in my whole life was losing my dad.

I never really thought comedy was a career option, just something I did for fun. Suddenly I realised I was getting paid which was a bonus. I studied for a diploma with the London College of Music, and teaching was something I thought I might do but comedy intervened.

My hope that the Church will emerge as a strong leader in society is just that a hope. What I described in The Catholic Moment is not a prophecy but the outline of a possibility. There are no guarantees that my hopes expressed in The Catholic Moment will ever be realised.

Our fans wanted us to be together way before we even realised that we had feelings for each other. Our fans helped us win a dance reality show, and so we decided to share our love with those who have made us who we are.

I realised I was living in my own universe with lots of assistants. I didn't have a cell phone; I didn't know how to use a computer. Everybody was doing everything for me. So I left and moved to New York. It was the end of an era, and I must say I found myself a bit lost. I wasn't in the protected Mugler universe any more.

Music is the way I understand how to communicate now, the way that I've learned how to communicate... but it will eventually have to go beyond that. You see, I've realised that music is not what keeps people involved - it's the attitude behind the music.