Top 1200 Realistic Quotes & Sayings - Page 18

All paintings start out of a mood, out of a relationship with things or people, out of a complete visual impression. To call this expression abstract seems to me often to confuse the issue. Abstract means literally to draw from or separate. In this sense every artist is abstract . . . a realistic or non-objective approach makes no difference. The result is what counts.

I never thought that I would become a staple in the Australian cultural diet. The equivalent of bread or milk, or a fine old Tasmanian Mauve Vein. I think it's because I talk about things that people dare not mention. I don't mean raunchy things or unsavoury things. I call a spade a spade - I discuss things in a realistic manner.

I trained as hard as I could, I ran as much as I could, I sparred hard, I did everything right. I did everything I could possibly do at the age when I could fight. You have to be realistic; you can't say, 'Oh, I am smarter now, older and I can punch harder.' You think you can, but you can't.

I remember when I was a kid, I loved Sherlock Holmes. I thought Arthur Conan Doyle was one of the greatest writers, because I felt I knew Sherlock Holmes. He existed to me. When I went to England the first thing I did was go to Baker Street to look for his house. I think you've got to try to make all of your characters as empathetic and realistic as possible.

The only person that can give up on you is yourself. People will always say no but you gotta keep trying. As long as you are above the ground there's opportunity. Utilize your time and be serious about your craft. Don't forget to PRACTICE! Be serious about your goals. Understand you have to be talented. Don't seek the impossible be realistic!

I would say that most of my books are contemporary realistic fiction... a couple, maybe three, fall into the 'historic fiction' category. Science fiction is not a favorite genre of mine, though I have greatly enjoyed some of the work of Ursula LeGuin. I haven't read much science fiction so I don't know other sci-fi authors.

I've known gay people - men and women - since I was a young person. To me it's just naturalistic and realistic to portray gay characters in a humanistic light. As a young man, I knew enough gay people as people not to fear them. On the other side of the coin, I like to irritate conservatives and homophobes.

Counting the numbers of troops is not going to define our success here.There is no military success, ultimately, to Afghanistan. The Afghans themselves are going to define what happens here. And we have to convince ourselves that we have a strategy in place that empowers them to do that and that is realistic in what our expectations are from them and on what schedule.

I never have a realistic sense of self. I either think everything I do is terrible and I'm the worst guy on the planet, or from time to time I'll think I'm the greatest gift to music and the coolest guy who ever lived, but that happens maybe an hour out of the week. Some days I'm more concerned with how my hair looks than what my guitar sounds like.

Story is the oldest, commonest, most beloved, and most effective form of communication because our life is essentially a story. That's why the Bible is the most realistic of religious books. We can easily ignore or argue away abstractions, but we bump up against concretely real people, things, and events in story, as in life.

I think filmmakers in general are, as the tools become more and more advanced, you're able to tell stories in a way that I think is more realistic. The technology just wasn't there up until pretty recently, and it takes a bit of time for the normal artistic way of approaching something to become a mainstream thing.

The only ‘realistic’ prospect is to ground a new political universality by opting for the impossible, fully assuming the place of the exception, with no taboos, no a priori norms (‘human rights,’ ‘democracy’), respect for which would prevent us from ‘resignifying’ terror, the ruthless exercise of power, the spirit of sacrifice … if this radical choice is decried by some bleeding-heart liberals as Linksfaschismus, so be it!

I wanted to keep the same general attitude we created for the show in that there are some similarities to 'The X-Files,' so some of the realistic atmosphere that we created on 'The X-Files' is the same that we've created for 'Millennium.' It's an atmosphere that helps the audience invest themselves in the characters and believe what they're doing.

I’m loving doing Outlander. We’ve got a great cast and we’re up in the Scottish Highlands. […] It’s big budget, they’re spending a lot of money on it. They’re going for a very gritty and realistic portrayal of the Highlands and I play Dougal MacKenzie, the War Chieftain of Clan MacKenzie. As that implies, he’s quite the serious character. There’s lots of political intrigue, there’s romance, there’s adventure and action and there’s time-travel.

My idea of a perfect surrealist painting is one in which every detail is perfectly realistic, yet filled with a surrealistic, dreamlike mood. And the viewer himself can't understand why that mood exists, because there are no dripping watches or grotesque shapes as reference points. That is what I'm after: that mood which is apart from everyday life, the type of mood that one experiences at very special moments.

I'm allergic to over-promising. I'm allergic to exaggeration, because I've been in schools for a large part of my life, and I still go to schools. What I want is realistic, evidence-based kinds of things that know the history of efforts to individualize instruction and why they flop before, so you can have a much smarter approach to reforming schools, to improve what goes on in classrooms.

So we down-to-earth, gutsy, tough, realistic, and practical types have just been squandering billions of dollars and unimaginable amounts of energy, nerve-work, and materials in whizzing off to the moon to discover, as astronomers knew before, that it was just a dreary slag heap. This is the true, original and scientifically etymological meaning of being lunatics. Crying for the moon.

Boris Nemtsov and I began to argue after Putin's return to the presidency in 2012. In my opinion, there was no longer a realistic chance to achieve regime change through peaceful political means, or real elections. Boris, on the other hand, never lost this hope. He felt that my assessment was premature and said: "You have to live a long time to see changes in Russia." He was deprived of that opportunity.

I find it interesting that people often seem to believe that authors of realistic fiction are directly translating their personal experiences into their work. The fact is that telling a story is a transformative experience. There is rarely a one-to-one translation onto the page unless you're writing memoir, and even then, memory is unreliable. I think that the best books feel emotionally true, and that truth has to be rooted in real-world experience.

Money is a tool – it’s the means, not the end. Inspiration is the metric that dictates whether or not a project is a success. It’s more realistic than trying to aim for radio play, or trying to satisfy an AR, or the other gatekeepers on these platforms. I don’t even know how to create with those things in mind. But if you tell me the goal is to inspire? That makes my job a lot easier.

I'm starting to play lots more naturalistic, realistic people than when I first started. Maybe because I was doing character comedy shows, and I was doing slightly weird, oddball characters with weird accents, those were the characters that I got cast to play - which made perfect sense.

There's a lot of guys that made big money in wrestling because they just projected such a realistic character. And they weren't necessarily great athletes. Junkyard Dog played football, Junkyard Dog the wrestler, mechanically in the ring he was just not that good. His gift was, unbelievable work on the mic. He had charisma coming out of his ears.

What I think is key is everybody has to approach a relationship from a realistic standpoint. Everybody has stuff in the back of a trunk. The key is what kind of stuff can you deal with. There are some women who can deal with a relationship that I can't.

The way we make sense of a realistic text is through the same broad ideological frame as the way we make sense of our social experience or rather, the way we are made sense of by the discourses of our culture.

The artists catch what's in the air. It's not because the artist "felt like it" or is a guru who channels the truth of the universe in some opaque, abstract way, or even in a realistic painting. The comics artist is someone who has the humility to set himself up in public culture and to communicate with the reader. If your image doesn't make sense, it's your problem, and I shouldn't publish it.

The perspective that many today are beginning to see as fully realistic is that democracy in our country, and in our part of the world, will suffer the same fate as the Swedish monarchy did before. The democracy is beeing emptied of all power political content at the same time as the forms remain, treated with reverence and preservasion.

Each one is different. Each project is different. Some are silly, some are not. Some are more realistic, some are not. Some are overly dramatic, some are not. You've just got to try and find the thing that's most engaging and entertaining in whatever way, shape or form, and it's different every time.

People normally view my work as fantasy, which on some level is true, but I do think that my work is more magical realist than fantasy. I believe in the fantasies within each of our realities, i.e., I portray very relatable human issues in a very realistic tone, yet in a magical setting.

Some people will like it. Some people will hate it. Some people are indifferent. And you have to live with that as an artist. You wanna be appreciated, you wanna be liked, but you know, it's just not realistic for everyone.

We must earn the peace we seek just as we earned victory in the war, not by wishful thinking but by realistic effort. At no time in our history has unity among our people been so vital as it is at the present time. Unity of purpose, unity of effort, and unity of spirit are essential to accomplish the task before us.

A true gentleman is at a disadvantage in dealing with women. Women are realists, and their tactics are realistic, so no man should be a gentleman where women are concerned unless the women are very, very old or very, very young. Women admire gentlemen, and sleep with cads.

When you're kissing a woman and you want it to look realistic, you're thinking, 'Am I taking advantage of her? Is her boyfriend going to think I'm over-stepping the mark? Whereas when you are kissing a man, those thoughts don't cross your mind. I'm more scared of it looking false, so I went for it fully to make it look real and hopefully I've achieved that.

One side of me is very busy paying attention to the details of life, the humanity of people, catching the street voices, the middle-class, upper-middle-class secret lives of Turks. The other side is interested in history and class and gender, trying to get all of society in a very realistic way.

'Funny People' is my favorite performance of myself to date. Even though it's a comedy and there are serious moments, I really felt like Leo felt like a real person. It didn't feel like I was playing myself. Whether it's a comedy or drama, I just try to make it as realistic as possible.

Society must fight against this belief in God as it fought against idol worship and other narrow conceptions of religion. In this way man will try to stand on his feet. Being realistic, he will have to throw his faith aside and face all adversaries with courage and valour. That is exactly my state of mind.

I didn't think that and I didn't verbalize that to myself or within meetings that we ever had, but we wanted to make a hard-nosed, gritty, realistic spy thriller. Roger talked about using lenses. He shot hi-def, but using anamorphic lenses that he'd found from this warehouse. He was so thrilled with that. Him and Romain [Lacourbas] were just like kids in a toy store with their lenses.

I think it's quite common and realistic. There are many stories like this [in Waitress]. [Jenna, my character] marriage looks really horrible up on the screen but I think there are a lot of people in bad relationships who wake up and think to themselves: "Wow, how did I end up here? Why am I still here and so unhappy and not satisfied with my life?"

Cognitive therapy is based on the idea that when you change the way you think, you can change the way you feel and behave. In other words, if we can learn to think about other people in a more positive and realistic way, it will be far easier to resolve conflicts and develop rewarding personal and professional relationships.

The loss of the religious understanding of the human condition—that Man is a fallen creature for whom virtue is necessary but never fully attainable—is a loss, not a gain, in true sophistication. The secular substitute—the belief in the perfection of life on earth by the endless extension of a choice of pleasures—is not merely callow by comparison but much less realistic in its understanding of human nature.

The manager-leader of the future should combine in one personality the robust, realistic quality of the man of action with the insight of the artist, the religious leader, the poet, who explains man to himself. The man of action alone or the man of contemplation alone will not be enough; these two qualities together are required.

Some people argue against both optimism and pessimism in favor of so-called realistic thinking. They distrust optimism on the grounds that it causes us to sugercoat problems, discount risks, and exaggerate the upside. Pessimism, on the other hand, is criticized as too downbeat, de-energizing, and generally damaging in its impact. This crown prefers realism as the neutral and objective middle ground.

I'm definitely a big believer in the notion that a heightened style can get you closer to an authentic human experience than so-called realism on film. There are films I love that have kind of a muted or realistic style, but for me on any given day I have more moments during the course of a day that feel like a Fellini movie than I do a Cassavettes movie.

My position is that it is high time for a calm debate on more fundamental questions. Does human spaceflight continue to serve a compelling cultural purpose and/or our national interest? Or does human spaceflight simply have a life of its own, without a realistic objective that is remotely commensurate with its costs? Or, indeed, is human spaceflight now obsolete?

Buddhism doesn't promise to fulfill our desires. Instead it says, 'You feel unfulfilled? That's okay. That's normal. Everybody feels unfulfilled. You will always feel unfulfilled. There is no problem with feeling unfulfilled. In fact, if you learn to see it the right way, that very lack of fulfillment is the greatest thing you can ever experience.' This is the realistic outlook.

Let's be realistic, every terrorist came to Syria, he came through Turkey with the support of [Recep Tayyip] Erdogan. So, fighting those terrorists is like fighting the army of Erdogan, not the Turkish army, the army of Erdogan.

I very much believe in things unseen, both of positive and destructive energy, and I have never seen The Exorcist through from start to finish. I find it too realistic, frankly, and too disturbing for me. I absolutely believe in spiritual warfare and have experienced it in my life. So I respect Mr. Friedkin's extraordinary success with that, but it's not a picture I'll ever see.

People who want to know how stocks fared on any given day ask, "Where did the Dow close?" I'm more interested in how many stocks went up versus how many went down. These so-called advance/decline numbers paint a more realistic picture.

I like to do realistic films as well as sensible humourous subjects, just because I think these films are only capable to attract people to the theatres. Though I agree that serious movies are also good and I like to watch them, it is a fact that majority of the people are hesitant to go to theatres for those films.

For many people, the only reason to do anything is that it's best for them individually. And I think that's why planners have to be more realistic about devising policies so the stakeholders will say, "I see what you mean - that'll help me." I think expecting people to do the right thing for the right reason leads to a lot of failure in public policy.

We feasted on love; every mode of it, solemn and merry, romantic and realistic, sometimes as dramatic as a thunderstorm, sometimes comfortable and unemphatic as putting on your soft slippers. She was my pupil and my teacher, my subject and my sovereign, my trusty comrade, friends, shipmate, fellow-soldier. My mistress, but at the same time all that any man friend has ever been to me.

I'm actually reading 'World War Z' again! It's incredibly realistic and it's written as an oral history through interviews with different characters. Max Brooks wrote this book in so many different voices. There are about forty or so. It's incredible. When I finish 'World War Z' I'm going to go back and start again on the 'Game of Thrones' series.

The Anarchists' uncompromising rejection of the State, the subject of Marxian sneers for its "absolutist" and "Utopian" character, makes much better sense in the present era than the Marxist relativist and historical approach. The pacifists also seem to be more realistic than the Marxist both in their understanding of modern war and also in their attempts to do something about it.

Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud's terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things. Fantasy is nearer to poetry, to mysticism, and to insanity than naturalistic fiction is. It is a wilderness, and those who go there should not feel too safe.

In Dardenne brothers' films is a really small kind of humanity. It's not like the titanic "humanity" of humanism, it's much more gritty and realistic. But again, humanity is what unites all the people I'm talking about, and in such different ways. The humanity is in that moment you glimpse someone and have a completely intimate moment with them, and that intimacy is connected to an extreme pathetic aspect.

Sure, I would have loved it, if we'd gotten 2,000 screens, but I never had that delusion. I was very realistic. I think it's a success, in that it turned out funny, I got everyone I wanted to be in it, and it will get seen. The hope is that it gets a little cult following. I think people will be surprised about who's in it and how funny it is. That's my hope.

I wasn't trying to make a following. I was just trying to make interesting music. That's not being modest, that's just being realistic.

You have to remember that no matter how big your goals or how many you have, there are going to be times when you miss by a little bit. You have to be realistic and flexible. One reason I have so many smaller goals is that even if my big goals don't happen, I've still achieved so much along the way, I don't feel the loss.

Mohan Lal is my favorite actor, so if I am saying that Salman has performed better, you can believe how much he has done. Salman is better looking, so that's his plus point. Lal is the more realistic actor, but Salman is a better dancer. So there are things you can't compare. Both are good in their own way.

Audrey didn't necessarily feel that she had accomplished anything. But she was serene, because Audrey was very realistic about death. She had a great faith in nature, and she felt that if her time had come, then she should accept it graciously.

Often we can change things, and a realistic attitude - including envisioning worse case scenarios - actually helps to accomplish that change. But if you truly cannot do anything about something, then why on earth would you want to make things even worse for you by falling into despair? It seems like adding a self-inflicting injury to the already existing one.