Top 1200 Reality Bites Quotes & Sayings - Page 16

I am not interested in representing reality. Actually, I am interested in representing reality, but that doesn't mean a naturalistic approach, which I think is kind of impossible.

Reality is a projection of consciousness, so if you believe - more than just think - but believe, subliminally, that something is true, it will become true because you will make micro-decisions based on the reality that you have faith in.

By making pictures, you learn the many different properties of photography. I use those properties differently than, say, an advertising agency would, but we're both operating in the same reality. A face painted by Picasso occupies the same reality as a portrait by Stieglitz.

To us ... the only acceptable point of view appears to be the one that recognizes both sides of reality-the quantitative and the qualitative, the physical and the psychical-as compatible with each other, and can embrace them simultaneously ... It would be most satisfactory of all if physis and psyche (i.e., matter and mind) could be seen as complementary aspects of the same reality.

The illusion that mechanical progress means human improvement ... alienates us from our own being and our own reality. It is precisely because we are convinced that our life, as such, is better if we have a better car, a better TV set, better toothpaste, etc., that we condemn and destroy our own reality and the reality of our natural resources. Technology was made for man, not man for technology. In losing touch with being and thus with God, we have fallen into a senseless idolatry of production and consumption for their own sakes.

There are times when the mind is dealt such a blow it hides itself in insanity. While this may not seem beneficial, it is. There are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind.

A man today has to live with the reality of today. He can no longer live with the reality of 100 years ago. The world's changing so fast. Unless you are prepared to adapt every day, then you have a problem, because the world's not stopping.

I think there has to be an interesting transformative process between your perception of reality and making the paintings. If you are just trying to render what you see you are not entering into a transformative process. And that's what makes a good painting: the process of transforming and the willingness to leave reality behind.

An odd contradiction, if the layman were correct in his unconscious assumption that an artist begins with reality and ends with art: the converse is true - to the degree that this dichotomy has any truth - the artist begins with art, and through it arrives at reality.

It comforts me to think that if we are created beings, the thing that created us would have to be greater than us, so much greater, in fact, that we would not be able to understand it. It would have to be greater than the facts of our reality, and so it would seem to us, looking out from within our reality that it would contradict reason. But reason itself would suggest it would have to be greater than reality, or it would not be reasonable.

I was hurt when someone on television said that we film people live in an imaginary world and the sportsmen live in reality. I would like to tell them that we live very much in reality and the amount of hard work we do, I doubt anyone in this country can or in the world can do.

Our legal system, including the police, is anti-Dalit and anti-poor. The death penalty laws' wrathful majesty, in blood-shot equality, deals the fatal blow on the poor not the rich, the pariah not the brahmin, the black not the white, the underdog not the top dog, the dissenter not the conformist. . . The law barks at all but bites only the poor, the powerless, the illiterate, the ignorant.

Photographic data... is still and ESSENTIALLY THE SAFEST POETIC MEDIUM and the most agile process for catching the most delicate osmoses which exist between reality and surreality. The mere fact of photographic transposition means a total invention: the capture of a secret reality.

Socializing on the internet is to socializing what reality TV is to reality.

We seem to prefer a comfortable lie to the uncomfortable truth. We punish those who point out reality, and reward those who provide us with the comfort of illusion. Reality is fearsome .. but experience tells us that more fearsome yet is evading it.

For the rational, psychologically healthy man, the desire for pleasure is the desire to celebrate his control over reality. For the neurotic, the desire for pleasure is the desire to escape from reality.

…the doctrinal differences between Hinduism and Buddhism and Taoism are not anywhere near as important as doctrinal differences among Christianity and Islam and Judaism. Holy wars are not fought over them because verbalized statements about reality are never presumed to be reality itself.

The culture of chefs is a melting pot, and I always say this - if we could put all the heads of state around a table, each representing their food culture, and then each take one bite of the other's and pass it to the right, and then explain the ideals and culture around those bites, our world problems would be easier to solve.

Electronic aids, particularly domestic computers, will help the inner migration, the opting out of reality. Reality is no longer going to be the stuff out there, but the stuff inside your head. It's going to be commercial and nasty at the same time.

People live their lives bound by what they accept as correct and true. That’s how they define Reality. But what does it mean to be “correct” or “true”? Merely vague concepts… Their Reality may all be a mirage. Can we consider them to simply be living in their own world, shaped by their beliefs?

By means of the iconic, artists express their view of reality and show their understanding of the structure of reality. They see what they know and bring this into their paintings. ... They always give us more than the facts, more than the eye can see.

All the analysis of infinite reality which the finite human mind can conduct rests on the tacit assumption that only a finite portion of this reality constitutes the object of scientific investigation, and that only it is 'important' in the sense of being 'worthy of being known.

Every writer making a secondary world wishes in some measure to be a real maker, or hopes that he is drawing on reality: hopes that the peculiar quality of this secondary world (if not all the details) are derived from Reality, or are flowing into it.

There is no objective reality. But there is only an illusion of consciousness, there is only an objectivication of reality, which was created by the spirit. The origin of life is creativity, freedom; and the personality, subject, and spirit are the representatives of that origin, but not the nature, not the object.

We live within this reality we create, and we're quite unaware of how we create the reality. So the work is often a general koan into how we go about forming this world in which we live, in particular with seeing.

lf you’re going to deal with reality, you’re going to have to make one big discovery: Reality is something that belongs to you as an individual. If you wanna grow up, which most people don’t, the thing to do is take responsibility for your own reality and deal with it on your own terms. Don’t expect that because you pay some money to somebody else or take a pledge or join a club or run down the street or wear a special bunch of clothes or play a certain sport or even drink Perrier water, it’s going to take care of everything for you.

Shamanism is a path of knowledge, not of faith, and that knowledge cannot come from me or anyone else in this reality. To acquire that knowledge, including the knowledge of the reality of the spirits, it is necessary to step through the shaman's doorway and acquire empirical evidence.

We should teach our children about the reality of failure. Instead of buying them iPhones and iPads, we should teach them values and reality.

Keep an open mind and be ready to change and adapt to the situation. Don't ask reality to conform to your blueprint, but transform your blueprint to adapt to reality.

In life and in love, there is only that moment, the NOW. The only reality we know is what we experience this very second. Reality is not what has passed or what has yet to come into being. Grabbing hold of this simple idea makes life magical because it brings love alive.

Too many politicians are shifting the critical themes of our national conversations from a 'big ideas' American Brand Platform to narrowly focused, polarizing sound bites that put party philosophy before what used to be heralded as the common good. These ideas, more often than not, divide us rather than serve to bind us.

It's a little like casting out hundreds of fishing lines into the audience. You start getting little bites, then more, then you hook a few, then more. Then you can start reeling them in and that's a loveliest feeling - the whole audience laughing with you.

We [comics] create our own reality on the show. I'm in a cocoon of the character's creation. Even within that reality, he's in a cocoon. While I'm an improviser and enjoy discovery, the show follows a script. I have a pretty good idea what's going to happen. It's a very ­crafted, controlled environment.

Even a song on the radio that completely lacks substance is there for a reason. Sometimes, people need a break from cold reality; the song that you really don't have to put that much thought power into can be just as entertaining as something that might take you on a three- or four-minute cruise through the depth of reality.

No waving of enchanted wands but heightened perception. No magic objects, but a transformed and enhanced reality. No spells or chants, but the raw power of the human will to enact supernatural change upon the universal fabric. This is the kind of "magic" that fills Lords of Rainbow - elemental, organic, humanistic - an extension of reality.

Science is a matter of adjusting language to explain material reality. Art is a matter of adjusting material reality to create a sense of life.

The plastic artist may or may not be concerned with presenting a superficial appearance of reality, but he is always concerned with the presentation - if not the representation - of the plastic values of reality.

Watt's concern, deep as it appeared, was not after all what the figure was, in reality, but with what the figure appeared to be, in reality.

What I love about Indiana Jones is he always bites off slightly more than he can chew. The guy he's fighting is always slightly tougher than he is, but he just refuses to give up. And that's what makes Indiana Jones a hero: not his superpowers, but his refusal to be beaten.

Every country has its own reality and its own leaders, and the leaders act in accordance with their reality.

You can ignore reality, but you can't ignore the consequences of ignoring reality.

Art has no other object than to set aside the symbols of practical utility, the generalities that are conventionally and socially accepted, everything in fact which masks reality from us, in order to set us face to face with reality itself.

All artistic discoveries are discoveries not of likenesses but of equivalencies which enable us to see reality in terms of an image and an image in terms of reality.

If there's any kind of morality, for me, it's about reality; what is reality? I have a hard time distinguishing what is valuable when it comes to the real world and the fantasy world. Like, should I invest my time in the ordinary world or the imaginary world?

We are evolving from five-sensory humans into multisensory humans.... The perceptions of the multi-sensory human extend beyond physical reality to the larger dynamical systems of which our physical reality is a part.

In Modernism, reality used to validate media. In Postmodernism, the media validate reality. If you don't believe this, just think how many times you've described some real event as being 'just like a movie.'

That is an incredible period I think when you have a near-death experience. You are really understanding that there is a greater self than the physical body, and the cosmic anatomy as I call it is suspended and physical, is almost attached to it but not quite, and you're living in that in-between sphere of apparent reality around you and then the real reality of the infiniteness of it all.

O scaly, slippery, wet, swift, staring wights, What is 't ye do? what life lead? eh, dull goggles? How do ye vary your vile days and nights? How pass your Sundays? Are ye still but joggles In ceaseless wash? Still nought but gapes and bites, And drinks, and stares, diversified with boggles.

I was taught to lie at a young age. . . . I think that [A PARK IN OUR HOUSE] describes what people make out of their reality in a totalitarian system like Castro's. They take flight and move into the imagination in order to transcend their immediate reality. I had to write this play. It helped me understand my own loss of innocence.

Diversity is not an abnormality but the very reality of our planet. The human world manifests the same reality and will not seek our permission to celebrate itself in the magnificence of its endless varieties. Civility is a sensible attribute in this kind of world we have; narrowness of heart and mind is not.

It is wrong if nearly every time we hear a black or Asian actor portraying their lives they are actually speaking the words of someone who has never experienced their reality. And to effectively silence disabled people from telling their own truth on film or TV is close to criminal and will not help wider society understand their reality.

Winners bring reality up to their vision. Losers bring their vision down to reality.

Clouseau: Does yer dewg bite? Inn Keeper: No Clouseau: Nice Doggy (bends down to pet a dachshund - it snarls and bites him) I thought you said yer dewg did not bite! Inn Keeper: Zat . . . iz not my dog!

I think that the idea of boundaries is being challenged everywhere. And I think our fascination with sci-fi is that it is a boundary-less world where we can kind of create the reality that we believe to be as opposed to the reality that is. It is about the beyond and the unknown in a different way than pretty much any type of storytelling is.

When you don't understand, you depend on reality. When you do understand, reality depends on you.

I'm absolutely convinced that this is a world of appearances, not reality. There's one reality and that's Light and Love. When some say, we create our own reality, I always demur and say, "Please, would you mind adjusting that a little bit? We create our own appearances." We become master of appearances and as we change our thought, we will see the appearances around us change. That gives us this huge sense of dominion and power and control over our world.

Images in the 20th century had a unique power where image became divorced from reality, and often more important than reality. Buildings were judged more by the way they looked in magazines than by the satisfaction people felt when using them.

And entertainment has nothing to do with reality. Entertainment is antithetical to reality.

Experience is the only real teacher and if you keep a diary you get three bites at educating yourself - when it happens, when you write it down, and when you reread it and realise you were wrong. Making mistakes is part of life. The only things I would feel ashamed of would be if I had said things I hadn't believed in order to get on. Some politicians do do that.

Every human being relies on and is bounded by his knowledge and experience to live. This is what we call “reality”. However, knowledge and experience are ambiguous, thus reality can become illusion. Is it not possible to think that, all human beings are living in their assumptions?