Top 1200 Really Creepy Quotes & Sayings - Page 10

I don't really pursue acting. I jokingly say that I retired right at the same time people stopped hiring me, but I really don't think I'm very good at it, and I'm not really interested in it anymore as an adult.

I've been really lucky to work with a lot of really great actors, so watching the films back, it's really important to admire the people that you were working with and see their full performance.

Being in New York, and meeting really amazing, talented, eccentric, and bold people, and just feeling really excited about life, got me really revved up and I just felt like everything was at my fingertips - that I could try anything. I really felt invincible. It was such a shift.

I'd never gotten to do an accent for anything that I've done, so that was really appealing because I love doing accents. Ever since I was a kid, I made it my business to try to mimic foreign accents, so it was really fun to be able to do that. I was really working on the accent to try to make it really good.

I spend so much time like living in the past or the future. I mean, I think most people do, really. And the moments when you're really present in your life can be pretty rare, really.

I'm in love with artists that are really difficult to cover or to copy. You can only try to copy them, but you will never succeed because it's intertwined with really personal references and really personal ways to exist on stage. They are really strong individuals, and are writing their own songs and know where they want to go.

When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.

I was always the tallest girl in my class, and it made me have really bad posture because I wanted to seem shorter than I really was. It really reflected how I felt about myself. I spent most of my youth in school feeling really insecure about the way I looked because I was different.

London has become really boring. I mean, years ago, London was really happening - there was swinging London and then punk. It was really different from other cities, and so I'd always wanted to go there and see what was actually going on. After that, hip-hop was the next thing happening, so to get the records or the proper clothing, you really had to actually go to New York. But now you don't really need to go.

There's something really happening and really moving, and it's exciting and it makes me very optimistic because it is going to be the engine for how we really combat climate change. Which is strong communities.

We are still behaving as if a worker really doesn't have a family because the work pattern really was meant for men who really were the financial support but weren't looking after their families. We need to change this, and we can easily do that.

Historically, I've done movies, but I've got a family already. I've been doing this for many years, and the idea of working consistently on something that I really, really love, and the steadiness of it, was really appealing.

You know, when I am working, I take really, really good care of myself. I eat really well, and I exercise, and again, I have this team of people pulling me together every day.

I want to go places where there are really well-meaning people doing work that is interesting and seems to really matter and where everybody looks like at least once a day they have a really good laugh.

I've also learned to only write songs and melodies that really work for my voice and that I won't have issues doing live. Because you can get really, really comfortable in the comping process: out of five takes, maybe one of those high notes that you struggled to do, nailed it, and then live you're having that challenge of really having to recreate that.

To make films, you have to have boundless energy; you have to work and play with others really, really well, and I'm really a more contemplative kind of person. I like to sit at home and think, a lot.

I'm nervous about moving away from my family. That's one thing that I'm really scared of, but I feel like it'll be good for me to live on my own for a bit and really knuckle down on what I really love and study.

I would like to do some serious drama. I really connect with emotional characters who have struggles and a lot of emotion and colors. I don't really want to do anything smiley and cheesy; it's not really my personality when I'm working.

I couldn't have asked for anything better than 'Dangal' because we got to prove ourselves there in every way. The character has really changed my life, so it's really important to start off with a really good debut.

Female-wise, one person that I really, really, really would like to share the ring with is Gail Kim. I say that because I believe her to be one of the best women's wrestlers in the world!

I really enjoy traveling to... I went to Spain. That was really cool. Japan was really cool. France was really cool.

Stand-up is a real art form in itself and one that I really think to be good at you have to devote your entire life to. It's the really, really good ones that end up getting to do the things that I like to do: movies, TV shows, and stuff like that. It's a really hard gig and it just never called to me.

I'm really proud of an independent movie called 'Angel's Perch' that you can get now on demand. It's a labor of love. People worked really, really hard, and it's a beautiful film.

It's a very smart and heartfelt movie and that's why, I think, we're all drawn to it. We really showed up for this with this collective idea that it was really ambitious, but we felt we all really had something to gain from it.

I would really like to take on something that really surprises people and shows that I want to be taken seriously as an actress. Also, creatively speaking, that sounds really fun.

And my daughter really likes Justin Bieber, so I think she'll have fun watching him. But I think Rihanna is the perfect match for the Victoria's Secret show because she's really beautiful, she's really sexy, and she's really talented.

The key for me is really just to stay in a child-like state in the rehearsal studio. I'm really goofy and really silly and crazy. If I get too serious, I start hitting a wall.

I really love to drive. It’s really hard for me to be a passenger, even though I get to look around a little bit more, but I’ve gotten really good at driving and looking.

I really love to drive. It's really hard for me to be a passenger, even though I get to look around a little bit more, but I've gotten really good at driving and looking.

I generally get challenged; I haven't been typecast, which is really, really, nice. It's not something that every actor gets, really. It's luxury. Most actors are capable of it, but they aren't afforded the opportunity to express their variety.

I really fancy Harrison Ford. I've got to say I think he's really divine. He's, like, an older man, I guess, although he's not really that old, obviously. I don't want to offend him

We all have brains and we're all really smart people, but the underlying reality is that we're really just animals and sometimes animal instinct takes over your capability to really think things through.

There's something really wonderful about a party where you help yourself. Of course, first you get what you really want. But 'family style' service also really encourages people to connect with one another.

I've met Michael Keaton, John Favreau, Marisa Tomei - they're all really amazing people and really, really professional. I've learned so much from just watching them operate on set.

The people we helped in the field, they know what the legacy is. The 40% or so of Americans that really can't stand the name of Blackwater, that's fine, I'll never really win them over anyway. And I really don't care.

What I do is I really enjoy and appreciate the challenge of songwriting and singing and performing and just being really, really grateful at all times. Also, I have no fear or problems with saying no and setting boundaries, you know, with the label, with my management.

I imagine that in a closed, hermetic society like the mob, where everybody knows each other, it must be really, really unpleasant to have to kill people. It's the sort of thing you really want to avoid.

I live in a market town in a mill house with the river running both sides and Somerfield's car park only a loose nine iron away, and I really, really, really love it.

The relationship between art and a job is not quite linear, but I really love any and all manifestations of art, really respect any kind of artistic impulse, whether it's paintings and sculptures or really good filmmaking or music. I really see the relationships between these different mediums as very fluid.

How do you make your company a good place to work in general? That's a really really really large and complex set of skills. A lot of it is on the job training, combined with excellent mentorship.

It was a little company that released [Bad Influence], it was really ahead of its time... I'm really proud of it. And it's Curtis Hanson. He'd directed a small movie before that, but it was his first directorial work that really worked.

I think the B-52's were a huge influence on Sleater-Kinney. The way that there'd be a really interesting guitar line that'd be really melodic and kind of simplistic, I really related to that. The sense of melody is really intense and fun. It's not just traditional song structures, but it's very melodic and draws you in, in kind of an immediate way.

One of the things I've really realized over the past number of years is that you can't plan - you really don't know what's going to happen. All the plans I made for myself all turned out really differently in the end, so I just go with it.

The key to me, in religion, is just to treat it like it doesn't really matter. We have a Pope, we don't really believe him, we don't really listen to what he says, we don't really take him seriously. That's what has to happen with religion. It has to be marginalized and in the Islamic world, it's not marginalized, it's taken literally.

If I could wave a magic wand and be anything, I'd be a really respected, really successful author. That's a hard combination to get, though. I really enjoy acting, and it's easier, frankly.

My interest in theater really began in the '70s when American realism wasn't really in favor. I really dreaded going into a play that had a toaster that worked. I just didn't want to see that.

That first match there in Dallas for the G1 was the first time they'd really seen me work as a singles competitor in a really long time. This was kind of a coming-out party. I took it as an opportunity to really kind of reinvent myself. And really start the journey that is The Murderhawk Monster.

How do you make your company a good place to work in general? That's a really, really, really large and complex set of skills. A lot of it is on-the-job training, combined with excellent mentorship.

I've always been really athletic, which really helped, because when I first started doing the training for Bulletproof Monk, it required so much strength that if I didn't have a base I don't really know what I would have done.

I've made my mind up that I will only do a film that I really, really love. I'm determined to lie low until a role comes along that really makes me want to work.

I truly don't know why the boys are getting all the votes - it could be because they are really amazing, and that's all there is to it. They're really, really good and every single boy deserves to be in the competition right now, and so do the two girls.

There is a magic factor that is sometimes on a movie set, that is a really, really beautiful thing that cannot be compared to anything else, if you are somebody that is really passionate about acting or directing or the world of movies.

A language like Ruby is a toolbox with some really neat little tools that do their job really nicely. JavaScript is a leather sheath with a really really sharp knife inside. That knife can cut anything, and with it you can do anything. You can kill a bear. You can catch fish. You can whittle a piece of wood into a pony. It's even a toothpick.

You know when actors are very shy and self-effacing? Well, I really love it when people like my work, but I'm also really embarrassed about it. It's strange. And a bit pathetic really.

I always thought it would be really, really cool to play Edgar Allan Poe, because when I was a kid, he was one of the authors who really blew my mind open to all sorts of weird dark and twisted places.

When you come across something, and its quality is just outrageous, that's probably something of value. It's been that way for hundreds and hundreds of years - the really, really expensive stuff is also really, really high quality.

At the time - but we've since made amends - James Franco and I really didn't get along. When we were on 'Freaks and Geeks,' we were 19, and we really, really disliked each other. He shoved me to the ground once; it was really brutal. We're friends now, and we really like each other now as adults - but as kids, we did not get along.

I rode my bike to school, I was the head girl, I played the violin, was really nerdy. I was really underweight, so I was really skinny and under-confident. But I had Doc Marten boots! So I was a bit of an outsider. And clever as well.

I really fancy Harrison Ford. I've got to say I think he's really divine. He's, like, an older man, I guess, although he's not really that old, obviously. I don't want to offend him.

Sean Taylor, great player has a history of really really bad judgment, really really bad judgment.