Top 1200 Really Creepy Quotes & Sayings - Page 20

I didn't want to be part of that tradition of French cinema that wasn't really watched by the people of my age. I didn't really care to be in the last André Téchiné or Claude Chabrol movie, even though some of them are really interesting. For me, it was much more important to work with Mathieu Kassovitz or Gaspar Noé. It was for me a question of identity.

Being in South Africa, that messed up my body a little bit. I broke out in spots, and I got really dehydrated, and the water was really different. It was really strange, because you're on the other side of the planet, and you think, 'Oh, water is the same everywhere,' and it is, but it still felt strange.

I'm actually a big fan of Kathy Griffin because I think she's really funny. I think she's really self-deprecating, which is something I like to see in a comedian. I think those are really the best comedians: people who can make fun of themselves.

I'm really curious how the private listening - iPods, people listening on their phones - how that might eventual effect music. There'll be a whole genre of music that really works on a kind of one to one headphone or earbud level but doesn't really work when you play it in a room.

When I first got sick, they told me I had a year to live, and I was writing my memoir really fast. There were really weird things happening with my nervous system and my heart and stuff, and it didn't look like I was gonna make it, so I was writing really fast, and then I couldn't write anymore.

Whenever I organize or participate in public protest I get really worried that it will just suck, be really small, embarrassing, and the media will laugh at me. Oftentimes, it is really small and most of the time the media laughs at us.

There's times when I'm really shy, so these roles that I get to play, they're how I would love to really be. And that's why I love doing stand-up, because it gives me the freedom to say what I really want to say. I think that's why it's my favorite thing to do.

Two weeks ago at the U.S. Amateur, my mom caddied, and that is kind of a different feeling, because she's your mom and you have to listen to her. It was really comfortable having my mom there, but it's also really relieving and comfortable to have someone that knows the course off their hat, really.

We live in a culture where everyone is perfectly willing to do this [to make a lot of money], and they're just looking for the opportunity. Obviously, a person who is really dumb is not gonna make a zillion dollars. But for a person who is really smart, really smart, it's a boring pursuit. It's not endlessly fascinating.

I have struggled with perfectionism and I think it's a really damaging thing in my own life. When we put that perfectionism on someone else, it just hurts relationships whereas grace and trusting someone else's heart is a really, really incredible and important part of any relationship.

You know something?" He lifted his head, and when he turned to me, he had this strange look in his eyes. Almost as if he was really seeing me for the first time. "I don't think I ever really lived until this. I've never done anything that mattered before, but now I'm fighting to save my life, and yours. And I know it sounds really cheesy and lame, but I don't think I ever really felt alive. Not until I met you.

And to not blink against the greatest player in the world, I think she's going - she said it really nicely. She [Serena Williams] said now, I can call myself a grand slam champion, and that sounds really, really nice. So I'm very happy for her.

The stereotypes of feminists as ugly, or man-haters, or hairy, or whatever it is - that's really strategic. That's a really smart way to keep young women away from feminism, is to kind of put out this idea that all feminists hate men, or all feminists are ugly; and that they really come from a place of fear.

The worthwhile problems are the ones you can really solve or help solve, the ones you can really contribute something to... No problem is too small or too trivial if we can really do something about it.

It's really hard to be an artist and put out records and put your heart out there. It's such a gamble, and you're often spending so much time fighting for something that you really believe in and feeling like it's not really getting anywhere. It definitely can try your patience.

When I'm writing, I really want to satisfy myself. I've got a story that I am working on and struggling with, and I want to tell it the most effective way I can. That's really what I struggle with. And the thought of who may be reading it may be there somewhere in the back of my mind - I'll never say it's not there because I don't know - but it's not really what I'm thinking about.

That's really what I want in a leader; I want somebody who's really, really smart.

Before he died, Harry said that his wife knew everything about every trick that he did, and that she knew how they all worked. It was interesting to play with that idea, and to find the places where she really was afraid for his safety and where she was playing along. I had to find that line between what's a performance and what's real, and that's so much of what magic is, as well. It was really, really fun. They were really partners, in every sense of the word.

I think the downloadable scene in general is really, really interesting for developers because it's low-risk. It doesn't require as much money as a triple-A title. And it's a great proving ground for new IPs, new concepts, new ideas - things that I think I, as a developer, find really attractive.

I wasn't a frustrated writer who really wanted to act or a frustrated writer who really wanted to direct. I was really happy writing screenplays, and there's a lot of people who just do that - they're screenwriters.

You know, when you look at it, a lot of the time you have guys that have one or two good years - you know, really, really special years - but then they don't do anything after that. But, like, to be at the top of the game year in and year out consistently has really always been the goal.

We have really good parents, and even though they broke up when we were little, we were still raised by two people who had really good ethics. They were never going to let us turn into Paris Hilton. I think that it wasn't really an option to become spoiled brats.

Fight sequence to me isn't just about the athleticism. It so often is about what the emotion that is behind it and how willing you are to really, really challenge that emotion or really take that emotion to that place so you're feeling a certain intensity for the whole time when you're shooting the actual physical scenes.

I was really lucky because I went to an all-girl school, and that single-sex education really helped me because I really learned to bond with women and to not compete with or compare myself as much because we were all allowed to be ourselves and be unique and kind of have our unique strengths.

I was really lucky because I went to an all-girl school and that single sex education really helped me because I really learned to bond with women and to not compete with or compare myself as much because we were all allowed to be ourselves and be unique and kind of have our unique strengths.

Ethan Hawke is not a horror movie fan, but he's a really good friend of mine, and I finally cajoled him into doing 'Sinister.' Later, he said one of the reasons he was really resistant to doing a horror movie is he thought it'd be really scary on set.

I liked Augustus Waters. I really, really really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially-fraught free throws.

Casting is really weird. Honestly, when Alan Ruck's name came up - and I've worked with Alan before - I went, "Yes, he's perfect." He came in and read for us, which was really sweet of him because he didn't have to, and he nailed it in seconds. We knew exactly who we had. That stuff is really good and fun.

I really struggled with what I was going to do with fantasy suites, but I didn't really want to think too much about it until we got there. I had a lot of other things on my mind at that point... but really that was just a personal decision between me and whoever I decided to go into the fantasy suite with or decided not to.

There's this weird game called 'Blueberry Garden.' For that game an artist recorded some piano music, but evidently he only had a really terrible microphone on top of the piano, and I really liked it and wanted to experiment with that. So, I made piano recording and really mangled it, and kept experimenting with the technique.

Once I got over the fear of writing female characters, it actually came quite easily and I was really happy with it. I just thought about girls I knew really, really well and I'd just have conversations with them and tried to relay how they talk about certain things.

We've never really been susceptible to pressure from anyone from the outside. We've been really good at negating any outside influences. We're really hard on ourselves. The filter that we put upon things qualifying to end up on a Tool record is pretty extreme, so we figure we've got that part of it under control.

I really love fan art, which I get sent a lot of. I really, really get a lot of. I get a kick out of it.

I'm formally trained, I don't know what classically trained really means. I've worked with Sanford Meisner. And I've worked at Circle Rep with Marshall W. Mason and Lanford Wilson and some really good people. I was lucky. I had a lot of really good influences.

I really enjoy singing and I really enjoy acting, but singing I've been doing since I was really young.

I don't know if I could ever really be cast in a heartthrob role apart from 'Twilight,' which I didn't really know was a heartthrob role. I really don't feel I am one.

[Computer science] is not really about computers and it's not about computers in the same sense that physics is not really about particle accelerators, and biology is not about microscopes and Petri dishes... and geometry isn't really about using surveying instruments.

I never really felt aware of my gender, being a woman, and whether that was in my favor or not. Because there's nothing I can do about that. I'm also really grateful to my parents for having brought me up to feel that equality is just something you take for granted. I hope that our generation will really change that. I think there's a long way to go.

I was sitting on top of people and it was just really uncomfortable. There was no place to move. And, I don't like auditioning, anyways. With auditions, you can get so nervous, or other things get into your head and throw you off, and it doesn't really reflect what you can do, as an actor. The whole thing was just really nerve-wracking, but I ended up getting it.

I don't think I ever really felt comfortable with photography as my sole medium. But it wasn't really until I became a mother - I really credit that to opening me up artistically, I think because it was such an empowering birth for me - it gave me the confidence to explore different modes of expression.

An athlete and actor are really two different temperaments, night and day. As an athlete you really keep things out and as an actor you really bring things in.

In the late-'80s, there was a big push to make American football big in Scotland. The Super Bowl was on TV, but it didn't really catch on. When I was a kid, though, I became a big Miami Dolphins fan. I don't really know why - I just liked the logo, I guess. I didn't really know what was going on.

I don't know if I could ever really be cast in a heartthrob role apart from 'Twilight', which I didn't really know was a heartthrob role. I really don't feel I am one.

He [Kenneth Branagh] is the nicest guy. He is absolutely fantastic. Hes really down to earth, really friendly, and he has a great sense of humor. I really liked working with him. Hes a fantastic actor as well. Theres such a presence about him.

People do things on Instagram and put on a front and try to live a life that they may not really want to live, or don't truly believe in. And that's the life that they portray. That's not the real them. We all have to be more aware of what is that's really happening inside. Are we really standing for what we believe in?

I think 'Lost' was really a pioneer in the use of the kind of connection between a television show and the Internet, and the Internet really gave fans an opportunity to create a community around the show. That was something that wasn't really planned; it just sort of grew up in the wake of the show.

Shows are really great because you kind of become a family if it goes on for seasons. I started off doing more TV stuff and I really, really liked that. Then I got more into movies. They're both great, and I love doing them.

I don't really agree that most academics frown when they hear Wikipedia. Most academics I find quite passionate about the concept of Wikipedia and like it quite a bit. The number of academics who really really don't like Wikipedia is really quite small and we find that they get reported on in the media far out of proportion to the amount they actually exist.

It is really rare to find someone you really, really love and that you want to spend your life with and all that stuff that goes along with being married. I am one of those lucky people. And I think she feels that way too. So the romantic stuff is easy because you want them to be happy.

Every time you have a new tax, or every time you have to pay really an inordinate amount for a regulation, it's really stifling this country and really stifling American business.

My friend Chloe Bartoli is a really cool stylist. I've talked about fashion with her a lot over the years. And I love Rihanna - she's rad. Through modeling, I've gotten to know a lot of designers that are really cool. Stefano and Domenico of Dolce & Gabbana have been really sweet.

I want[ed] to make a show of really big pictures, because you see male artists doing it all the time. It just seemed like such a big egotistical thing. I thought, 'I don't know that many women that really do that.... Damn it, I'm gonna do that-make this really big picture.'

So I don't really have much rivalry, or if there is any, I don't really know anything about it. Because, you know, I'm not around girls like that. The friends I have in the business, I'm always really happy for them. I think we're always happy for each other. That sounds crap, but it's true.

I'm definitely not a laptop/midi/abelton guy. But there is a lot of music I like. I really like Bach organ music. I really like Chopin piano music. I really like Wendy Carlo's electronic music. I really like Miles Davis and John Mclaughlin jazz style. So I'm not only an old-school rocker, but I have to admit that I'm going to be listening to The Doors, Rolling Stones, Iggy Pop, David Bowie and Bob Dylan many times a week.

I'll tell you something: my dad was a nuclear engineer and he was really bright, and I've always said that because of negotiating at such a young age with my dad, it was really such a gift because I could then negotiate with very difficult personalities - and not end up being the scapegoat. I learned to really pick and choose my battles.

What was really wonderful about the 'Doubtfire' shoot is that we had this really long rehearsal period in the beginning. That was a great time to get to know each other. We got to know each other and to create the family vibe. So we really didn't have to force it.

There are self-awareness groups, to help you discover who you really are ... encounter groups, to help you deal with who you really are ... assertiveness training groups to help you stand up for who you really are ... Suddenly, the only way to become an individual is to join a group.

A lot of painters listen to music, I think, while they paint. But I hate to do that. It's a horror. I can't really listen to the music. I'm not really concentrating on it, and I'm not really concentrating on the painting.

I really believe in albums, even though some people believe the year of the album has passed. I love singular pop songs or tracks, but what really affects me most deeply is if there's an hour of music or 45 minutes of music that flows really well and tells a story.

I really like and singing, and songwriting and producing. It depends on the song and the mood and who I'm working with, what the song is about and where it came from, any number of things affect the levels of creativity. I try not to do too much delineating with my art. Really, it's art, so for me I don't have a most, I just really enjoy my entire process.