Top 1200 Really Depressing Quotes & Sayings - Page 15

It's an awful feeling to write something that you feel is really important... and to feel that you're being published by people who really don't get it and/or don't really care.

If you, through poor judgment, were to cover your shoes with mud, would you leave them that way? Of course not. You would cleanse and restore them. Would you then gather the residue of mud and place it in an envelope to show others the mistake that you made? No. Neither should you continue to relive forgiven sin. Every time such thoughts come into your mind, turn your heart in gratitude to the Savior, who gave His life that we, through faith in Him and obedience to His teachings, can overcome transgression and conquer its depressing influence in our lives.

I generally get challenged; I haven't been typecast, which is really, really, nice. It's not something that every actor gets, really. It's luxury. Most actors are capable of it, but they aren't afforded the opportunity to express their variety.

The Chinese five-spice works really well in the quantity that I used. It makes it almost imperceptibly just a little bit sweeter without making it really sweet or really even that Asian flavored.

I think the B-52's were a huge influence on Sleater-Kinney. The way that there'd be a really interesting guitar line that'd be really melodic and kind of simplistic, I really related to that. The sense of melody is really intense and fun. It's not just traditional song structures, but it's very melodic and draws you in, in kind of an immediate way.

I'm nervous about moving away from my family. That's one thing that I'm really scared of, but I feel like it'll be good for me to live on my own for a bit and really knuckle down on what I really love and study.

I honestly really, really love Topshop. I've bought a lot of booties from there. I think they have a great selection of really funky booties at Topshop. My splurge would be a pair of leather Christian Louboutin over-the-knee boots. They're sick! I would do a really stretchy skinny jean under a black turtleneck and call it a day!

I truly don't know why the boys are getting all the votes - it could be because they are really amazing, and that's all there is to it. They're really, really good and every single boy deserves to be in the competition right now, and so do the two girls.

Everybody is designing magic iPhone apps that do things that are really, really beautiful, but a really important thing about magic is that the gimmick has to be ugly.

But there are times, as an actor, where you are like, 'Although I am really sad that I did not get this, I am really, really excited to watch it and just be a spectator.'

I'm not really a big Springsteen guy. I'll listen to the music, but ... I didn't really get attached to it as much as, like, country artists. That's really who I listen to.

I always thought it would be really, really cool to play Edgar Allan Poe, because when I was a kid, he was one of the authors who really blew my mind open to all sorts of weird dark and twisted places.

My father really, really pushed me to excel in a way that I resented for years and then realized had really worked for me.

What I really search for is something that I really love hearing, something that's my own private game: If I find a song I really like, I try to do a definitive version.

A. J. Allmendinger is really hard to pass. He races really, really hard for every position. And you know, that's his right. But it's very frustrating at times.

I rode my bike to school, I was the head girl, I played the violin, was really nerdy. I was really underweight, so I was really skinny and under-confident. But I had Doc Marten boots! So I was a bit of an outsider. And clever as well.

I try to be vegan... I really, really try. I don't eat any red meat, and the whole animal thing really upsets me, so I've tried.

We have a really incredible fan base... they're... the ones that are rooting for us and buying the music and streaming it. They're just really, really amazing... and we're just so thankful for them.

Putting on weight for me is really, really hard. If I stop lifting, or if I stop eating, I get skinny really quick.

What I do is I really enjoy and appreciate the challenge of songwriting and singing and performing and just being really, really grateful at all times. Also, I have no fear or problems with saying no and setting boundaries, you know, with the label, with my management.

Do you know what people really want? Everyone, I mean. Everybody in the world is thinking: I wish there was just one other person I could really talk to, who could really understand me, who'd be kind to me. That's what people really want, if they're telling the truth.

I'm really drawn to chameleons; I'm really drawn to people who can play a wide range of roles, who are really versatile, but are so in a way that's with ease.

I've always been really athletic, which really helped, because when I first started doing the training for Bulletproof Monk, it required so much strength that if I didn't have a base I don't really know what I would have done.

Sean Taylor, great player has a history of really really bad judgment, really really bad judgment.

The relationship between art and a job is not quite linear, but I really love any and all manifestations of art, really respect any kind of artistic impulse, whether it's paintings and sculptures or really good filmmaking or music. I really see the relationships between these different mediums as very fluid.

I imagine that in a closed, hermetic society like the mob, where everybody knows each other, it must be really, really unpleasant to have to kill people. It's the sort of thing you really want to avoid.

Snowboarding is like driving a car. When things are all right, you're on it. But when things go wrong, it goes really, really bad really fast.

It was a little company that released [Bad Influence], it was really ahead of its time... I'm really proud of it. And it's Curtis Hanson. He'd directed a small movie before that, but it was his first directorial work that really worked.

I couldn't have asked for anything better than 'Dangal' because we got to prove ourselves there in every way. The character has really changed my life, so it's really important to start off with a really good debut.

It's impossible to write and produce a record when your parents are dying. I really tried, I really, really tried, but it just wouldn't come.

Stand-up is a real art form in itself and one that I really think to be good at you have to devote your entire life to. It's the really, really good ones that end up getting to do the things that I like to do: movies, TV shows, and stuff like that. It's a really hard gig and it just never called to me.

If you're always waiting for a producer to hire you... your chances are really, really small. I've been knocking on doors and asking for a job for many years, and my career really changed when I decided to create my own material.

I majored in Chinese. I was never really good at Chinese but I really, really benefited from having been exposed to Asian philosophy early in my life.

I think probably the only thing that is around in these songs is that I was really lonely when I wrote a lot of them. But it was really by my own choosing because I was devoting myself to songwriting and dancing and I wasn't really going out and seeing people.

I think being able to really fall in love with someone is the craziest thing that could ever happen. You know, allowing yourself to really go there and really feel those things is extremely scary.

When I'm not working, I'm really, really low key. I don't wear makeup unless I have to; I don't get my hair done unless I really need to.

When you're shooting a film, you really don't get to be a dad, and you don't really get to be a husband. You don't really exist at all. But I do drag my family with me on location whenever I can.

The fact remains that we have an obligation to discover what we really, really, really want to do (which is probably what we do best) and then do it even better... much better.

When I watch the show [Westworld], it leaves me looking at the world around me in a new way. It really stays with you. And it's one of those things that you have to figure out. You're going to get little clues along the way, and every time you think you know what's up, we're going to flip it around. It's going to take you for a really awesome, crazy ride, but it's a really, really revolutionary character for women. There's a lot of really fun stuff to look forward to.

I love roles that don't really have a template or a paradigm and force me to create using my own imagination... that really, really turns me on.

I love to work. I really enjoy getting up really early and driving downtown. I just really love the process of acting and being on a series.

I usually like to make really dramatic songs that are dynamic from part to part - a lot of jumping from really quiet to really loud.

You really notice how you're growing when you go on tour. To be able to tour around the world, and do bigger venues every year, is really, really cool.

London has become really boring. I mean, years ago, London was really happening - there was swinging London and then punk. It was really different from other cities, and so I'd always wanted to go there and see what was actually going on. After that, hip-hop was the next thing happening, so to get the records or the proper clothing, you really had to actually go to New York. But now you don't really need to go.

I've also learned to only write songs and melodies that really work for my voice and that I won't have issues doing live. Because you can get really, really comfortable in the comping process: out of five takes, maybe one of those high notes that you struggled to do, nailed it, and then live you're having that challenge of really having to recreate that.

I feel like people have more in common than the news reports. People getting along doesn't sell very well in the news. I find that to be deeply depressing. I don't even talk about it on stage, because it would take too long to explain. I'd have to spend an hour on it to get people to understand what I'm saying because it's so instantly polarizing. Because cable news has kind of set up a construct where you're for or against something immediately. So if I said something about it, people would be for or against me immediately. And I don't want that.

I really was interested in doing something for a premium channel like Showtime or HBO, just because you get to really let loose. I think they let their storylines go wherever they want, and it's really a special place to work.

Mostly I work really unconsciously, and I think if the scenes are really well written, which they are, and if I just throw myself into it, I don't really think about it.

I think what really people want is just a few things done really, really well. And if you think about ever day of your life, the things you really appreciate aren't the complicated things. They're the simple things that work just the way you expect them to.

I want to go places where there are really well-meaning people doing work that is interesting and seems to really matter and where everybody looks like at least once a day they have a really good laugh.

I was never really that aware of commercial things. The stuff that was really influential to me were bands like the Misfits or the Birthday Party, or things like that. If someone said, "Do you love Judas Priest?" - I never really even had a Judas Priest record. That's not what I grew up with. That wasn't really my scene, you know? That's why White Zombie never really fit. I still don't fit.

Music really makes you keep your feet on the ground. People can really see if you're honest. That is the truth, they really can see through you.

I never... it's a hard thing: when I think about projects, I don't come off something and go, 'I really want to make a sci-fi film next,' or 'I really want to do a political thriller next.' It's really coming across - I'm really fascinated, partly by world building, but also about the character and what the journey is.

I signed up for 'Brothers & Sisters' because I think it's a really great show. I like my character, and I'm really interested in what he has to do every day - and this cast is so spectacular. I really wanted to work with this particular group of people.

The craft Emmys are kind of the kids table at Thanksgiving. You're not really invited to the big dance. It's still really, really exciting, and the statue still counts.

How do you make your company a good place to work in general? That's a really, really, really large and complex set of skills. A lot of it is on-the-job training, combined with excellent mentorship.

One of the things I've really realized over the past number of years is that you can't plan - you really don't know what's going to happen. All the plans I made for myself all turned out really differently in the end, so I just go with it.

The craft Emmys are kind of the kids' table at Thanksgiving. You're not really invited to the big dance. It's still really, really exciting, and the statue still counts.

I saw the most frightening, most depressing sight I had ever seen - a row of stores with Stars of David and the word 'Jude' painted on them, and inside, behind half-empty counters, people in a daze, cringing like they didn't know what hit them and didn't know where the next blow would come from. Hitler had been in power only six months, and his boycott was already in full effect. I hadn't been so wholly conscious of being a Jew since my bar mitzvahs, and it was the first time since I'd had the measles that I was too sick to eat.

I was very excited, but I didn't really think I could get the work in 'Peanuts.' Still, I really, really wanted it, because I knew I could do it. And I got it.