Top 1200 Really Depressing Quotes & Sayings - Page 17

I think when I'm in love, I really am very good with calling, little faxes, and visiting and I really put a lot of effort into it. I'm really not the one that's not available because of work and I'm very sad when I actually leave.

Really good acting is not about dialogue. It's really just about small moments that really make the whole entire scene and the intention completely different than even maybe what the characters are saying. Two characters could be saying, "I hate you, and I don't want to be with you anymore!" But yet somehow, their toes are just inching more, you know, closer to each other. So a really big thing about acting is really just with your body.

It's funny, we all really, really got along. I don't know how it was in years past but this year, I was really with a good group of people. No one tried to sabotage each other or steal the other ones moments.

Being a teen can be tough. Just try to surround yourself with really good friends that really have your back, and also be a really good friend to those who really care about you. If you're not sure about certain things, talk to your friends that you trust and your family.

The end result of my personal story is that I became a really good drummer, and I know myself well enough to know that I wouldn't have without this really tough conductor and this really cutthroat hostile environment I was in.

The movie I'm really excited about that I had really fun doing is 'Feed the Dog.' It's with Nat Wolff and Selena Gomez. It's really fun. It's raunchy, like 'Superbad' meets 'Risky Business,' kind of. I got to be a really fun character, an out-there Mrs. Robinson-type character. I get to seduce Nat.

Are we the first hominids? I really, really, really doubt it.

I don't know if people really know, when you shoot a TV show like you're really family and it really works, it's because it seems real to everybody, even to us. We were all so very close.

Whether it's space tourism or really interesting missions to the moon or Mars, you really need a healthy capital ecosystem to make that happen. Nation states and governments have the control, but unless the financing is sustainable, it's hard to really keep them on that.

I'm really rubbish with technology; I'm super backward! I think I got a mobile phone last out of all my friends. I really worried about people being able to get hold of me at any time - I really hated that idea.

People in this room must have back problems, I'm sure some of us do, and it is really, really one of the worst pains and debilitating parts of your body that you can actually have because you really can't do anything in your life when you have it.

I don't know if I'm different from everybody else, but there's really only two things to me that are really, really important - recruiting good players in the program and developing those players once they get here.

Patricia [Rozema] is really special, and she really worked hard to make the environment and the landscapes' natural beauty come alive. She was not forceful with anything, but enabled it to really have this poetic nature.

You're going to be waiting a long time before you start seeing money from it. Just really sit with yourself and think "Why do I want to be a singer?" like really think it out and if you realize that you really need to stick with then then be really focused and have good intentions on why you're doing it and it will work out.

For such a long time, when you're a writer, you really are just writing for yourself, and maybe a few friends. So it's really amazing when your book gets out there and more people are reading and responding to it. It really makes the world of the books feel real.

Chicago is my absolute favorite city. It's clean, the food is amazing, and everyone is so warm and welcoming. We've gotten really, really used to it and really excited about our second home in Chicago.

Dos Santos just has really good movement. He's really quick with his hands. He throws good combinations, and he has a lot of power. Combining all of that, it makes it really tough for somebody to fight with him.

My metaphor for translation has always been that translation is really a performance art. You take the original and try to perform it, really, in a different medium. Part of that is about interpretation and what you think the author's voice really is.

If my choice is to, I don’t know, be with a lot of men, or if I enjoy a really physical relationship, I don’t think that’s necessarily being anti-feminist. For me the argument of feminism never really should have come into the picture. Because I don’t know too much about the history of feminism, and so I’m not really a relevant person to bring into the conversation. Everything I was writing was so autobiographical, it could really only be a personal analysis.

I really do feel very lucky. I've had my kids and my relationships. I've set my life down - I'm in my house, and I'm alone with my children - and I'm at peace, and that's a really nice feeling. All I really want in my life is to maintain that.

I really don't care about plot. I really, really don't.

Garry Shandling in particular - really had the concept. He really knew it, and it was done so lovingly. He would go beyond the joke, and sort of go into the character. His "funny" was very different, and I really appreciated it.

When I watch movies or TV, I am like, 'Wow that guy is really cute, I really like him,' but I don't really have one person that I would die to go to something with. There are so many hot guys.

Honestly, it's really hard improvising and it's really stressful and humiliating at times. You're taking really big swings that potentially are eating up a lot of people's time and resources at set in your attempt to discover something funny.

In the end, the thing that really stays with you is not that you were clever enough to connect a sketch to another sketch, but what really sticks with you is when you just have an incredible moment happen, or execute a really funny idea.

Some people are really good at playing the movie star - they are really good at cultivating that mystique - but I'm not really into that.

I really, really, really love writing comics.

The Washed Out thing happened really quickly, and I wasn't really actively promoting the songs. I didn't think of them as any more than demos, really, and it sort of became a thing on its own.

Television in America is so elaborate. There are so many remote cranes, and they have all the toys to play with. The directors are really good. They really work with you. So, I'm not really on set thinking, "Oh, my God, this is television. It's very different."

When you start a new job or a particular journey, you really don't know what to expect. I mean, you hear about your name being on the bestsellers list, but it doesn't really mean anything. Like, really, what does that translate to?

There's not many models in the U.S. that have my depth - like, really dark skin - that are also plus size. Skin color has been one of those things we haven't really, really addressed on a large, widespread scale.

I'm really not one to brag, but I think my job is one of the most important things someone can do with their life. I mean, it really gives people a chance to live outside their means through someone else's vision. And I think that's something really great that I can give back to the community. Sure I could be a doctor or a lawyer, but do they really help anyone? Sure you can save someone's life, but can you really change it for the better? I'm not saying their jobs aren't important, just not as important as mine.

I would feel really dishonest writing a song that was really sassy, or really confident, because I'm not a supremely confident being. I think that's what people find interesting about what I do; it's very different lyrically.

Coming at the acting business as a technician, I really enjoy the process of working. I really enjoy being in a rehearsal room, starting a theatre piece for the first time. I really enjoy shooting in front of the crew, and I really love going on location. I think all that is just so exciting. So I've never really been drawn into the fame of being an actor, which in L.A., is part and parcel of the deal. I think for a lot of people, especially kids, it's hard to not get wrapped up in the world of the perks that the job brings.

This is going to sound really corny, but it's the way I feel: Musicians have been around for a really long time. It's a really, really old job. When you look at the way that a small band toured back in the '50s, it's similar to the way that a small band tours now. It's been this long tradition, and when you meet somebody who has been doing this for a really long time, you have to have tremendous respect for them.

I'm just going to say I'm not gay. I really, really like women. That's all I can really say about that.

I'm often asked, 'Who has you worked with who you really thought was great?' and I think Eleanor Parker was the first and one of the only who was a really accomplished actress, a really caring actress, who was most unselfish, and I was secretly in love with her.

If you don't have a sense of adventure in this job, then you're not going to do very well. You have to be prepared for the unexpected, and that's one of the reasons why you really, really, really have to trust the people you're going to work with because you don't know what's on the other end.

I think that as actresses - and I've definitely gone through this in a really bizarre way, because I worked so much and was really lucky with the roles that I got when I was younger - I remember hearing the older actors saying, "It gets tough," and thinking, "Really? I can't imagine."

When it comes to MMA, there is a big chip on my shoulder. There is a way that I look at myself. I think it's really, really important, and it's something I'm not really apologetic for it. As I get older, and I win more, I start to embrace it even more.

I don't know what I'm really good at. I'm really good at sittin' by the pool. I have to work at that. I'm really bad at auditioning.

I didn't really start doing stuff until I was 8 or so, but I was an extra in a bunch of different movies, and I just really took to it and really enjoyed it. I kind of bugged my parents to give L.A. a shot, and they were just super-supportive.

I think films are a really small target. They're really hard to make, and they're a really tiny target.

Donald Trump is an especially depressing phenomena because he is so debased and debasing and millions and millions of people want him to be president. We're seeing how at least whole swathes of white America are becoming your worst nightmare of eternal Zombie High School. Something like a perfect mix of Groundhog Day and The Moronic Inferno. How can it be that a guy who looks like a bloated cadaver pulled from the Gowanus canal, with some rouge on his cheeks and a sticky Something About Mary wig, is actually applauded by his followers for making fun of how other people look?

To me, it feels like every time I'm watching some trans story, it's about their grief around their gender. And there's not really a lot of opportunity for them to explore stories outside of that. It's just really frustrating. It's really one dimensional.

It's never really fun to have to cry in a scene, or anything like that. I just try to put myself in the characters position, and that helps. It's never really fun, but at the same time, if you're having a really bad day, it's a great way to get out all of your frustration by doing a really angry or sad scene. That's always a good release.

I'm a Marvel fan, and I think this particular world that 'Doctor Strange' goes into is really, really, really exciting. I'm really interested as both an actor and a fan to see what's done in this particular world. It's all about creativity. It's not about everything exploding at the end. It's about something very different.

What passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human [...] is probably to be unavoidably sentimental and naïve and goo-prone and generally pathetic.

Like anyone who records music or writes a song, I thought, 'Wouldn't that be cool if someday I were able to do this for a living?' But it was such a fluke, and it really all took me by surprise and I just held on for dear life. I really wasn't prepared. I really went into it naively with no experience.

I was working in a gaming company, but I really wanted to make animation. I didn't really have anything special, no special tools at my disposal, so I used what I had on hand like Photoshop, and that's really how I started.

Hugh Jackman really inspired me as a kid. He's a cool Aussie guy who works very hard, and he's a fantastic actor. Obviously, he keeps really fit. He seems like he's happy acting. Who knows if he really is, but he gives you that impression.

I auditioned for 'The Voice' because I really wanted to try and figure out a way to get myself out there. I really couldn't imagine doing anything else - music was the only thing that I really clung to.

I don't really want to be compared to Bruce Lee or Jackie Chan, but I really feel honored and really proud that people actually see me as them or similar to them, and because they are my inspiration for what I have become today. I am really honored that people compare me to those people.

Luckily, my limited attention span is well suited to the velocity of the news cycles. There's an assault of stories coming at you on even a slow-ish news day, but certain things just tend to stick out. Certain stories just seem to have an odd sort of electricity. It does get tricky when you're pitching an image that won't hit the newsstands for another week. Not only can other, bigger stories break in the mean time, but other daily cartoonists, can also come up with the same idea - this is the most depressing thing - and put it out there so yours looks old by the time it's published.

I love people like Renée Zellweger who aren't afraid to look unattractive and really put themselves into a character role and to really be an actress instead of just thinking "Am I on-screen pouting and looking beautiful?" because that's not really what it's about.

I still really love acting. I find it really challenging. And I really love film; it's a lot of fun.

When you ask a guy, 'Are you gonna take a fight if your opponent doesn't make weight?' Is it really asking? Does he really have a choice? When you back them into a corner like that, is there really a choice to be made?

Because you know how you say I've got to really get down and really do some training and then of course, you never do or you do it for a couple of weeks and slough it back off again but I'm being forced to do something that I really want to do and I loved it.

One Missed Call,' it was regarded as a mainstream film for my career because it was big budget and filmed in Japan and it really opened wide in Japan, it did really well commercially. So I was really surprised.

And if citizens of New Orleans who are really contemplating coming back heard that we're really intent upon making the place secure again - regardless of whether the levees held or not - then I think a rebuilding process would really take shape.