Top 1200 Really Depressing Quotes & Sayings - Page 19

You really have to do your job as a writer and push people to be as creative as possible. What's nice about the TV medium is you have such a connection to the characters that when somebody dies, the audience cries. They really feel it. You really don't cry when someone dies in a horror movie.

A lot of people think technology is a solution, but it's really just a canvas for your work. It can make good things amazing and bad things terrible. Facebook allows you to have access to mass audience really quickly if you do creative really well.

I think the fact that we don't really... that the world really doesn't acknowledge how bad and how detrimental colonialism was; that people don't really try to explore it, you know, in popular media and news articles; that... that it's just kind of glossed over as this thing.

I'm not a huge social media kind of guy, so I don't really know, I don't really ever get... at least in real life, I really don't get recognized. I think people seem to find it very difficult to connect me to characters I've played.

I really focus on the ball, I really focus on the work, and I really focus on creating all the growth opportunities for anyone in the organisation that's willing to do it.

The truth is that filmmaking is not really an actor's medium; it's really a director's medium, so all I can really control is the character that I'm playing. So I try to look for characters that are interesting and engaging and different than what I've done before and hopefully it becomes a good movie.

Everyone thinks that because my dad was really well known for his body that I would have that pressure too, but the truth is that I don't look at those pictures of him being really muscley and say, "yep that's really what I want to look like!"

I really believe that a lawyer - no matter how good - if he or she is really worth their weight in salt, they will lose some cases because, after all, it is not really one of those secretive things that not everything is decided by who your lawyer is.

I watched this documentary on Madonna. I remember I grew up hearing she wanted to rule the world. Actually, she worked really hard - really, really hard.

I knew the big following 'Stranger Things' had, and I really liked the show, but even if I hadn't known what the show was, I still really related to the character, and I really liked the material.

I feel really blessed that I found what I love doing and was able to make it a living from such a young age. I realize that I'm really fortunate. I didn't train; I kind of got lucky. And I remember that every day. I think I have to remind myself of that to really, fully appreciate life now.

The right really dominates radio, and it's amazing how much energy the right spends telling us that the press is slanted to the left when it really isn't. They want to shut other people up. They really don't understand the First Amendment.

So I think there's a lot of people who are really interested to see how good I really am, because they know I'm good, but they're not really sure how good. They want to see that, and there's definitely interest in that, but because of some other people's shortsightedness, maybe it never really happens.

When someone is beautiful, that gives people an excuse to go out of their way to be mean, as if someone who's beautiful isn't really deep, doesn't really hurt and isn't really a human being.

It really bothers me that Stephen Cannell has died. I had lunch with him about eight months before he died, and... I really liked him. I really did.

I mean, part of the justification for art is art history, the fact that you're part of this tradition. You can't really operate outside of it. So looking for what this work is really about, if I look at Velázquez, if I look at Las Meninas or The Tapestry Weavers [1657] or something and really study it and try to figure out what that painting is really about, then I find relationships between what I'm trying to do and what he was doing.

I've found that I really don't like - as most people don't about school that there are subjects which are necessary to learn but you don't really want to learn on top of those ones that you do want to learn. So to take a class for me, a class or two on subjects that I'm really, really interested in and curious about would be awesome.

The thing for me, and I can only really judge this by what I respond to myself as an audience member, I really only respond to a movie if I'm interested in the people who are in it. It's really that simple. If I'm not, then it's all noise.

Garry Shandling was an actor's actor. He really cares about the performance. It was really interesting to watch him talk about motives and motivation and stuff. He really knows the craft.

Curtis Blaydes' ground and pound is really scary. Like, really, really scary.

I think there's something really freeing about improv, that it's a collective, creative, in-the-moment piece. That's really exciting and really frustrating, because it's there and gone. There's an amazing interaction with the audience that happens because they are very much another scene partner.

There are people that really live by doing the right thing, but I don't know what that is, I'm really curious about that. I'm really curious about what people think they're doing when they're doing something evil, casually. I think it's really interesting, that we benefit from suffering so much, and we excuse ourselves from it.

I really like doing television shows, and I anticipated doing a comedy, because that's the place I feel the most comfortable - those are the risks I want to take. But it was always really hard for me to find a script that I really liked.

Technology businesses in general are susceptible to hacking. That's why you have to work really, really, really hard with law enforcement, with security experts, internal and external groups, to make sure you're paying attention and addressing security concerns.

Really good writing, from my perspective, runs a lot like a visual on the screen. You need to create that kind of detail and have credibility with the reader, so the reader knows that you were really there, that you really experienced it, that you know the details. That comes out of seeing.

Most of my career is spent in a meeting... dressed sharply, looking really great; negotiating over a table, strategizing or coming up with new marketing plans or new ideas. And that makes me really, really happy.

I see the first 'Bourne' movie as really kind of a fulcrum in changing the modern action film, where things are really gritty and really character-driven. Think about how the entire Bond franchise was completely radicalized by Bourne.

I'm on record saying that HBO is the best television company in the world, and I believe they are. I think they absolutely understand how to make television that is really, really vital and interesting and visceral, and all the things that television really should be.

Playing live is much more natural for me. The instant reaction and the feedback from the audience is great for me. I really relish it. And if you play blues-based music, it's not really academic music or recital music. It really needs a bit of atmosphere and a bit of interplay and a bit of roughness, and you really get that with an audience.

My review of 2001, the year, is the same as my review of 2001: A Space Odyssey. It went on too long, it was hard to follow, and you could only enjoy it if you were really, really, *really* stoned.

Marriage is a really scary thing. I'm excited about it. I know it's not a mistake, it's the absolute right thing to do. I'm really happy about it. I really, really love my fiancee. We're good friends and I think it's going to work. But that's just the point - it's going to take work. It does make me feel vulnerable to be like, wow, I'm committed to this person for the rest of my life.

I really, specifically, love acting, and I think it's a really cool thing to be really indulgent and follow that. I have a lot of ambitions in life, but for the next few years, I just want to be an actor. That's a lucky opportunity, and that drives me to want to be good at that.

That's the shock: All cliches are true. The years really do speed by. Life really is as short as they tell you it is. And there really is a God - so do I buy that one? If all the other cliches are true... Hell, don't pose me that one.

First of all, I would shoot myself if I ever had to play straight-forward characters that really don't have much of a past. Maybe it's just that I'm not a good enough actor to have to embellish, but I like having these really, really rich roles to play.

With 'Submarin', Richard [Ayoade] gave us a lot of freedom and he really helped us. He's so amazing. It really changed things for me and brought my love for filming and working with people to a completely different level. It really was a wonderful experience.

The notion of overnight stardom is really dangerous. For almost every person who has success in this business, there are years and years of hard work to get there. To have longevity, you really have to train, and you really have to work.

I loved Married With Children. That was the job that against all odds - you know, when I first read the script, I thought, "No one will ever watch this, but I think this is so fun." So I was really happy to be involved in it. And we laughed every single day. It was the funniest 11 years. We really, really enjoyed it.

I have been given something really, really special and really unique, and it is not just in and of itself having learned from my father, who is the greatest exponent of this musical style. But it is an oral tradition that is only generally passed on in that manner, and so without the people who continue to... learn it and perform it, it dies.

Tom Petty and the Heartbreakers were really great. I saw them live in the '90s; they were really, really good. The music is great, and the musicians are amazing.

Nietzsche, who you don't spend too much time with after the age of seventeen, did have that one great line about "he who stares into the abyss must know that the abyss also stares into him" and I never really understood that until my friend got killed and you really get your head around the idea of what horror means. It's a truly awful thing, to really, kind of have that understanding of things and when you really peer into that.

I think my parents - my parents were very hands-off, quite liberal in terms of their - they really - they did encourage me, but they never really pushed me into anything, really.

MusiCares was really good to me. I can't say enough how MusiCares helps other people. They really, really helped me. They have the greatest groups and support for musicians in recovery.

I would never, ever change the formula of what we would do, but what I want to do is go down somewhere really conceptual. Really artistic. Really theme-oriented. But I don't want to push anything.

For 'Brow Struck', I really wanted it to be able to create natural-looking brows. So we found this really innovative formula that has a very specific type of shimmer that has a reflectiveness to it. Eyebrows are not naturally matte, so the point of this formula is to really mirror that.

People don't really care about lyrics anymore. It's kinda really sad, like they'll listen to something musically and has a really cool beat down or something, that's great, that's good enough; but the message is the most important thing.

I always had really, really bad nightmares, like night terrors or whatever they're called. I used to wake up in the middle of the night and not be able to move... I'd hallucinate and have really scary visions and dreams, so I wouldn't want to sleep.

The media circus got a bit twisted when I was in London. It became a bit of a joke, really. In Paris, they're so serious, I can take myself really seriously, too. I can get really morbid without people telling me to cheer up.

The Clintons are political invertebrates. They really don't have any kind of spine. They're infinitely flexible, because really, it's all about power for them. They're not really rooted in any kind of ideology.

Presents don't really mean much to me. I don't want to sound mawkish, but - it was the realization that I have a great many people in my life who really love me, and who I really love.

You can't really control what people think. You can't really worry about what they think, and attitude is really the one to have.

If we have a great idea, we'll go, 'Oh, this could be a cool movie.' Or really for us, it's more like, 'Oh, this is a really bad idea. Let's do this. This seems really stupid.'

Every song that I record, I love, it's like my new favorite. But one that really stands out to me is a song I debuted on tour with Trey Songz called "Angel". It's a really acoustic sounding and it's a really big song.

I really feel like I came out of the water when I graduated from college, because I wasn't really aware of what was going on. If certain people tried to take advantage of me or whatever, I never really realized it until I got out of school.

The drummer is definitely the hidden hero of a band they really hold the music together. It's actually a really difficult job, and as I said before they're very much hidden, they're not the celebrity, they're not the front man so they get the best of both worlds really

As I am a lyrical singer, I really have to work hard. I'm still really training on a daily basis on my vocals. Because of the lyrical training, it never really ends.

Paul McCartney chit-chats with you, he makes eye contact with you, he seems really interested in what you're saying. He really puts everyone else at ease and makes them feel good so they're not nervous, which I think is really cool.

That was a really interesting series [Threshold ] that I think would've been really great had it continued. I know Brannon Braga, who was running the show at the time, had a lot of really interesting ideas for what was going to happen the second, third, fourth, and fifth seasons, and they had it really planned out what was going to go on. But CBS just decided to pull the plug on it.

It's time to start really writing some stuff, and I really wanted to write some stuff in the vein of the original Misfits, and this was really the first step in that direction.

I still audition a lot and work really hard to get work. So I don't really walk around feeling like I've made it. My short term goals are really just to be creatively stimulated and to be excited about material I might be working on.

It's really fun and just to be with a friend while you're working really hard. It can sometimes be really stressful. Also it's just fun to have someone to laugh with and have a good time with.