Top 1200 Really Romantic Quotes & Sayings - Page 5

G-Dragonhe is very romantic. I’m his roommate so I see everything. He’s seriously romantic. If he dates someone he makes a song for them. One time he asked me how the song was. And I said oh my god if this was released in Korea there’d be a huge deal and it would make so much money. But… since it’s for the woman he loves it’s only for her and gives up that money/fame from that song.

I sang everything - R&B slow jams, Spanish slow jams, romantic reggaeton - and I really didn't care which I got signed for.

The phrase 'off with the crack of the bat', while romantic, is really meaningless, since the outfielder should be in motion long before he hears the sound of the ball meeting the bat.

I would love to do a really cool romantic comedy, perhaps with Hugh Grant. I think he is brilliant. That's the kind of film I love to go to see. I love 'girls' films.

I'd done light comedy. In some quarters, About Last Night... is a romantic comedy. So it wasn't like I'd been doing Sophie's Choice my entire career. But for whatever reason, nobody had really given me the room or the ability to be out and out funny. And Lorne [Michaels] and Mike [Myers] and Chris [Farley] and Dana [Carvey], that crop really helped me do that.

I really loved Kelsey [Grammer]. It wasn't a romantic love, but there was something about him. It's very difficult to see someone you care about having a hard time.

At the risk of sounding hopelessly romantic, love is the key element. I really love to play with different musicians who come from different cultural backgrounds.

Revolution is a bitter thing, mixed with filth and blood, not as lovely or perfect as the poets think. It is eminently down to earth, involving many humble, tiresome tasks, not so romantic as the poets think... . So it is easy for all who have romantic dreams about revolution to become disillusioned on closer acquaintance, when a revolution is actually carried out.

I think that sometimes, romantic comedies have to be really broad, and that the plot of people falling in and out of love or whatever is not enough. 'Enough Said' had that stuff, but I wanted it to be fun and funny while also grounded in reality.

I am totally, absolutely romantic. When I broke up with a girl I would listen to the most heart-breaking music and make it worse. That's what girls do. I think I am a girl really.

Romance: That's one of the things that makes Spider-Man really unique, in terms of the comic books. There is a tender, romantic quality to it. And certainly, that's something that's always fascinated me about the cinema: good romance.

When I start to write, words have become physical presence. It was to see if I could bring that private world to life that found its first expression through reading. I really dislike the romantic notion of the artist.

The most romantic thing is to look someone straight in the eyes and say and mean, “I love you”, that's a lot. It's a really hard thing because you can never be certain of yourself, but at that particular moment, you feel like that. Its magic

It seemed like so much of romantic relationships today have to do when the people are not in the same room. Whether it's texting or emailing or Facebooking, there's a kind of distance between the participants. I think it's sort of shifted the energy of that first romantic meeting, where it's quicker, perhaps more desperate, more energetic, in a whole different way, and it's resulted in a situation where people seem to be sometimes more comfortable having a sexual relationship than an emotional one.

I'm looking forward to playing the meatier roles you get in your 30s. The early 20s can be a hard time for an actress - it's always bombshell or romantic lead. The good stuff you can really sink your teeth into comes later.

I will always try to be happy. I don’t think people really understand the value of happiness until they know what it’s like to be in that very, very dark place. It’s not romantic. Not even a little.

I had written many things as a journalist, but I had no idea if I could write something scary or romantic or touching that wasn't me writing about someone else's life story. It was really exciting to try.

It seems to me that romantic comedies used to be about falling in love, but in recent years they've really become just comedies where the love story is only there as a spine to hang the jokes on.

I think that there is not really a difference between a 'Peanuts' and a beautiful Renaissance painting. There is something very romantic in the 'Peanuts' - it's at the same level of a novel or a Jane Austen story or a beautiful embroidered rose fabric. It is a piece of romanticism.

But other vampire stories? Well, no, I really haven't read too many, and I can't say I'm crazy about romantic vampires anyway - to me the vampire is simply an evil monster.

Book love is something like romantic love. When we are reading a really great book, burdens feel lighter, cares seem smaller.

'The Piano' is a romantic drama that really made me want to see New Zealand. When I finally did it was every bit as jaw dropping as it looked in the film. It's so virgin and green, it's like God said 'lets try again' and he got it right this time!

To write a novel is to embark on a quest that is very romantic. People have visions, and the next step is to execute them. That's a very romantic project. Like Edvard Munch's strange dreamlike canvases where people are stylized, like 'The Scream.' Munch must have had that vision in a dream, he never saw it.

I am neither romantic nor a visionary, and that is my weakness and perhaps my power; at any rate it is one difference. In less romantic and visionary terms, I am a Jew, (with powers of introspection and eclecticism attendant, perhaps.) But I am alien to your natural grace, to the spirit which you would know as a participator in America.

Varun, he is so huge. He just wraps himself around me and gets me through the crowd. That really feels special and romantic to me.

The musician lifestyle is not easy for most people to understand. This is something I'm struggling with. When you're on tour, people think you're just having the time of your life and it's really romantic.

The romantic element is what the story Essential Maps for the Lost, sort of sits on, but all the stuff below the surface is really about family. It's about the baggage we bring, both the good and the hard stuff in that baggage. It's more about the other relationships. It's about mothers and fathers and sisters and dogs, all of the pieces. It's really more about - yes, love, in its widest usage.

He was already looking at their relationship through the lens of the past tense. It puzzled her, the ability of romantic love to mutate, how quickly a loved one could become a stranger. Where did the love go? Perhaps real love was familial, somehow, linked to blood, since love for children did not die as romantic love did.

Salieri was a pupil of Gluck. He was born in Italy in 1750 and died in Vienna in 1825. He left Italy when he was 16 and spent most of his life in Vienna. He's the key composer between classic music and romantic music. Beethoven was the beginning of romantic music, and he was the teacher of Beethoven and Schubert.

I do also think it eludes genre a bit - not in any groundbreaking way but you can't quite call it a comedy and you can't quite call it a romantic anything. It's not quite a drama either really. But it has elements of all those things.

I don't know if I'd want to be a Secret Service agent. In the movies, it's exciting and romantic and all that. Really, most of their job is standing in a hallway for 12 hours making sure somebody doesn't come through a doorway off of a stairwell.

I think it would be frustrating to be a match maker. "What do you do?" "I'm a match maker" "Aw, that's really romantic" "No, umm... I actually... never mind"

I know this might sound absurd, but since I've been famous, I believe I've only been on two dates that would be considered a 'first date.' It's not the way I've ever really engaged in terms of romantic relationships.

I live in that studio. I make music when they party. I make music when they go on romantic trips and on vacations. I'm working. That's what I do. This really has all my attention all the time.

I am so romantic about Gypsies. They're not allowed to do anything until they get married. So they all get married really young, at sixteen.

I do feel like guys feel pressure to be funny with me, which is kind of annoying. It's a turn-off if someone's trying hard to be funny because it feels like they're auditioning for a comedy job or something. It doesn't feel romantic to me. I get so much comedy from my life that, from a guy, I'm more looking for something sweet or romantic.

It's really interesting - I wanted to become an actress when I was young because I wanted to do romantic comedy. And I did a lot of comedies very early on, but then my career took kind of a left turn with Joss Whedon, and I discovered that doing genre work is actually more interesting as an actor, because the given circumstances are more extreme. And it really is creatively more challenging.

Classic means standard as opposed to Romantic: form before meaning as opposed to meaning before form. It grows from inside out, while Romantic grows from outside in.

I really wanted to die at certain periods in my life. Death was like love, a romantic escape. I took pills because I didn't want to throw myself off my balcony and know people would photograph me lying dead below

I am not considering shifting my image from action to comedy or romantic comedy. I have done or am doing films which are action-oriented: comedy roles and romantic-comedy roles.

She was a lovely lady, with a romantic mind and such a sweet mocking mouth. Her romantic mind was like the tiny boxes, one within the other, that come from the puzzling East, however many you discover there is always one more; and her sweet mocking mouth had one kiss on it that Wendy could never get, though there it was, perfectly conspicuous in the right-hand corner.

I thought art was a sort of romantic life, or I don't know what I thought art was like. But I learned practically everything I know from Ohio State. And I'm really glad I went.

I think opera has gained a kind of glamorous appeal. It's a live performance that aligns all of the arts, and when it is represented in the media, in film in particular, it is presented as something that is really a special event, whether it's a great date or something that's just hugely romantic.

Ressentiment is always to some degree a determinant of the romantic type of mind. At least this is so when the romantic nostalgia for some past era (Hellas, the Middle Ages, etc.) is not primarily based on the values of that period, but on the wish to escape from the present. Then all praise of the “past” has the implied purpose of downgrading present-day reality.

On one level, this was the biggest challenge out there - to make a film of this scope, in this amount of time, and to go into a different genre, essentially. Yes, I've done a vampire film, but 'Eclipse' is a very different kind of thing. This is a romantic story, which swings from a darker, more abject feeling to very pure romantic scenes.

I am a hopeless romantic. A silly, ridiculous, foolish romantic. I live in a fantasy land. I need to get real. And now, for the first time, I want to get real. I want a real relationship with a real man in the real world–-with all the real problems, faults, and whatever comes with it.

If, therefore, nonsense is really to be the literature of the future, it must have its own version of the Cosmos to offer; the world must not only be tragic, romantic, and religious, it must be nonsensical also.

In romantic comedies there's a certain ceiling and a floor that you can't necessarily love as hard, or hate as hard, or have as much pain, because you sink the shop of the romantic comedy. But in a certain drama, like some of the ones I've been doing, the ceiling and the floor was my own. And in many ways, that was a higher ceiling and a lower floor, so that was more of a band-with for those emotions.

When young people are too rigidly sequestered from [the world], their lively and romantic imaginations paint it to them as a paradise of which they have been beguiled; but when they are shown it properly, and in due time, they see it such as it really is, equally shared by pain and pleasure, hope and disappointment.

I am a hopeless romantic. And I won't stop till I get it right. I don't think I'm unlike a lot of people. I am just someone who is trying to find that mate, and I think it's a really hard thing to do. And I'm not willing to stay somewhere where I am really not happy. And I am not willing to pretend I am for the kid's sake or so that I don't have to go through another public humiliation.

I was a waitress at a really rundown Italian restaurant in Dublin, for about a week, at 16. I thought it was going to be romantic - overhearing affairs and watching first-time couples all loved up. But instead I was just running about constantly.

There's love and there's romantic love. The Greeks had different words for different kinds of love. And we just got "love." I don't know what you would call the other kinds - maybe brotherly love, Christian love, the love of Saint Francis, love of everyone and everything. Then there's romantic love, which, by and large, is a pain in the ass, a kind of trauma.

I would love to do a really cool romantic comedy, perhaps with Hugh Grant. I think he is brilliant. That's the kind of film I love to go to see. I love 'girls' films'.

I'm a really huge fan of the old romantic comedies from the '30s and '40s... Huge fan. I love all that stuff.

I'm really not a TV junkie... OK, I kind of am a TV junkie, but I'm much more of a movie junkie - my junk food is romantic comedies I've seen a million times.

I don't think of myself as a romantic person; I'm kind of more rough and tumble, I think. The things I'm drawn to are outdoorsy, I only get dressed up when I have to. I'm drawn to women who are into the same type of thing. If you're going to call it romantic, I'm very spontaneous. That's probably the best thing I have going for me.

I've been really lucky to have had a variety of roles, and I don't think I'm in danger of being typecast as the romantic lead. I think there's honour in working as constantly as you can. That isn't easy. And I'm no matinee idol.

I'm a romantic and will only marry for love where there's respect and compatibility. I'd like to be with someone if the right person came along. I really like male company. I like the male mind.

The scientist keeps the romantic honest, and the romantic keeps the scientist human.

I think that sometimes, romantic comedies have to be really broad, and that the plot of people falling in and out of love or whatever is not enough. Enough Said had that stuff, but I wanted it to be fun and funny while also grounded in reality.