Top 1200 Really Romantic Quotes & Sayings - Page 6

People who know me, they know I have a sense of humor, I'm a bit of a joker, a bit of a clown really, and I would love someone to exploit that side of me and send me a romantic comedy.

As far as the leading man/romantic lead, I'll tell you what, I really enjoyed my experience more than I thought or imagined I would on 'Catch and Release.' God bless them if they want to give me another shot at that. I would love to have that as something I can go to on occasion.

I'm not trying to be romantic. I think you can tell when people are trying to be sexy onstage. When I was doing 'All the Way,' I was really thinking about my wife. People don't know my personal experience, but they can tell it's an honest interpretation.

'Bonnie and Clyde,' while one of the best movies ever made, was far more interested in portraying Clyde Barrow and Bonnie Parker as romantic anti-establishment Robin Hoods than what they really were: white-trash spree killers.

When I was younger, I did self-mutilate. I'd be upset, so I'd do it, & it would calm me down. It's a horrible way to feel better. But there are two parts of your brain - one that really wants to destroy the other. & sometimes the idea of self-destruction is very romantic. I got over that.

When I was home, traditionally since I was young, I'd write in cafés. That was the romantic notion in 1963. Café atmospheres back then were different. The café life really stemmed from the Parisians' idea of it, with poets struggling over their poems and drinking coffee. No music, no sounds, maybe a little jazz, or soul, but mostly nothing. Now you go into a café and the music is really loud, people are having business meetings, they are on their cellphones. It changes from generation to generation.

As an actor, I've grown considerably. For example, it's taken me years to get comfortable doing a romantic scene and dancing on stage in front of a live audience. I do it a lot better than I ever did. I've really opened up a lot. And I'm glad I have because I'm being appreciated for it.

Sure, I do wish I sometimes got to play more heroes, but hey, I can't beat the fact that I am working constantly. Anyway, look at me. I'm six-four, three feet wide, have a really deep voice, and this face; I'm not precisely the romantic comedy stereotype, right?

Are you kidding? I'm a terrible cook, but John is a really great one. Literally, I never cook. The whole time we were dating, I prepared two officially romantic meals. Both of them were such disasters that he begs me never to go into the kitchen again.

I confess I am a romantic. I love romance, and I think it's really fun and delicious and some of my favorite films are love stories. I think that you just get a chance to fall in love with the characters so much and you get to explore their lives so deeply.

Honestly, Think Like a Man was the first romantic comedy that I liked. I'd kind of avoided them for awhile because I never felt that any of them were really smart enough. But when I read this script, I genuinely fell in love with the characters, especially my own. So, I just wanted to be a part of it.

You've got to understand that. We all look out for Morrissey. It's a very brotherly feeling. When we first rehearsed, I'd have done anything for him. And as a person Morrissey is really capable of a truly loving relationship. Every day he's so open, so romantic and sensitive to other people's emotions.

I have been doing a lot of romantic movies, so such roles don't excite me much now. I would like to play an out-and-out, really cruel villain once. My character in 'Da Thadiya' had such a streak, but I want a full length villainous role. It is a different kind of excitement.

Also, my humor is really dry-witted, Canadian humor, so some people get it and some people don't. I'd be great on "The Office." I would like to be on that show. And, I could see me doing romantic comedy films, and stuff like that.

When I was a teenager I felt like we were always being stereotyped as being really intense and dramatic and passionate and hopelessly romantic and excitable, now in retrospect I think I need to let you know those things are amazing. I hope you never lose those things.

I wouldn't mind living with someone forever. I don't really want to get married. I don't see any reason for it. And yet I'm so romantic that every time I think I meet someone I want to live with them forever and ever.

With female-oriented movies, unless it's something like 'Bridesmaids' or a romantic comedy, you've got to really worry about your opening weekend. And I'm always telling stories about women, not younger women, and it's just a much tougher audience to get to the movie theater.

It seems to me that the real clue to your sexual orientation lies in your romantic feelings rather than your sexual feelings. If you are really gay, you are able to fall in love with a man, not just enjoy sex with him.

I wouldn't treat a romantic scene any differently than any other scene. I would really say the biggest preparation was chewing gum and breath mints! For a kissing scene, it's all about the breath mints!

Vinyl is the real deal. I've always felt like, until you buy the vinyl record, you don't really own the album. And it's not just me or a little pet thing or some kind of retro romantic thing from the past. It is still alive.

As the most romantic day of the year approaches, and as a brand that is uniquely male, we wanted to find out how men really feel about Valentines Day, and how they want to celebrate it. The Johnnie Walker Blue Label Luxury Survey tells us what gifts men really want versus what gifts women think men want for Valentine's Day - and the reality is that we're not as far apart as we like to think.

I think I fall into the category of the hopeless romantic, and I think youdo too, because you're here...The tricky thing about us, the hopeless romantic, is when we fall in love with someone, when we say hello—and it’s magical—we never imagine that hello can turn into a goodbye. And when we kiss someone—and it’s magical—we never ever imagine that it can turn into a last kiss.

I'm opening up my heart to the idea of dating. It's funny - my friends would always come to me for romantic advice. I know nothing, and things have changed since I was dating in high school! I'm really trying hard to spend this time working on myself.

I don't like the piano player music of the movies, the Michael Nyman, and sometimes that piano music makes me puke. It's not really romantic. It's just trying to get your Pavlovian juices flowing because it's a technique now.

When I was younger, I wasn't really sure what I wanted to do, but I told a lot of lies in school. I told my friends once that I was playing John Travolta's daughter in a movie. I also told people that I had this romantic affair with Jonathan Taylor Thomas over a summer.

Hiro is a talented drifter. This is the kind of lifestyle that sounded romantic to him as recently as five years ago. But in the bleak light of full adulthood, which is to one's early twenties as Sunday morning is to Saturday night, he can clearly see what it really amounts to: He's broke and unemployed.

Some people are still very romantic! I mean, those funny vampire films are super romantic, and I don't think that's bad. It means there are a lot of people who still believe in love in a weird way. Okay, it's a cheesy way, and I guess if you think about it, you're like, "Wait, you can love them as long as they're dead?" Maybe that's the point. Maybe it's more twisted than I thought. You can love but you can't age.

There is this cliche of, "Oh, your professional life is fine, but your romantic life isn't." But, that's also really true of me and all my friends. You don't want to not do something that's relatable simply because you're worried that it might be cliche.

The thought of filming in London was a big draw because I could stay in my house. I read it, and I was really taken with it because it felt at once very unapologetic for what it was, which is a romantic comedy. But at the same time, a little spiky and a little truthful.

Something like 'Without a Paddle' does really well at the box office and I'm like, 'Oh, here we go.' In 'Without a Paddle' I'm the romantic lead - great! A comedy and that's what America wants. Then it did nothing for me and I went into kind-of a work abyss. I just didn't get another shot.

I see love, like art, as an obsession. Maybe that's an overly romantic view of human existence, but I'm an overly romantic human being. If love, like rock and roll, doesn't consume me 24-7, it's not love. It can be respect, appreciation, admiration, wonderment, it can be a world of glory and a lifetime of peace, but I can't call it love. Love burns me and confuses me. Love's a light that can't be extinguished.

People think you have this exciting and romantic life, because you project this exciting, romantic life on screen. But in reality you're just doing the same thing as everyone else - you know, sitting around watching TV with your gut hanging out, playing with your kid, or even sitting on the toilet. You know what's weird? Even I'm not that interested in my personal life any more.

I don't think I'm romantic at all. I have a lot of faith in the right thing happening. I don't really hope for a lot of particulars, I just have faith that the right thing will happen most of the time.

I loved it. I just thought I wanted to stay in college forever. I came to New York all by myself; I didn't have any friends there. But it was fine. I felt comfortable. I started thinking, 'Maybe graduate school?' I was really cool with people who were smart, who knew stuff. It's very romantic and stimulating.

The romantic view of the natural world as a blissful Eden is only held by people who have no actual experience of nature. People who live in nature are not romantic about it at all. They may hold spiritual beliefs about the world around them, they may have a sense of the unity of nature or the aliveness of all things, but they still kill the animals and uproot the plants in order to eat, to live. If they don't, they will die.

I wouldn’t treat a romantic scene any differently than any other scene. I would really say the biggest preparation was chewing gum and breath mints! For a kissing scene, it’s all about the breath mints!

People who know me , they know I have a sense of humor, I'm a bit of a joker, a bit of a clown really, and I would love someone to exploit that side of me and send me a romantic comedy.

We're a much more touchy-feely, hands-on generation than our fathers but juggling work, family and social life and trying to be romantic and keep yourself fit is really hard. I want to be the perfect dad but you can't be the perfect dad unless you compromise elsewhere.

I have a romantic comedy I'd love to make, but I can't get the money for it. It's hard to get people to give you money for an arty romantic comedy when you've done a horror movie. So I can just sit there and keep complaining about that, or I can go make another horror movie this year. People will get behind me on that, because I'm relatively bankable. As long as I can do my own thing with it, I'll keep doing it.

Ren frowned as he surveyed the madness they were knee-deep in. “Why are you under such heavy fire?” Nick gave him a droll stare. “Oh, I don’t know. But we’re really enjoying it. Fear has such a wonderfully romantic scent to it that they ought to turn it into cologne and deodorant. Eau de Ew. Let’s all just take a minute, and bask in it.

There are a lot of explorations on TV of romantic relationships, and some are good and some are bad. I think there are very few explorations of male friendship that' s not just a wingman type friendship and not just an opportunity for humor, but that really explores two friends and their relationship.

I'm really interested in trying to tell stories about women that don't involve romantic components. That's so much a part of the way we feel about female characters and their needs that it feels like it's built in - but I'd like to find a way that it's not. There are so many more stories than that.

What I think is sad about the rom-com genre is that it has adopted this pejorative title. I think the reason why there haven't been as many great ones is because we are fighting against the genre itself. If it is a romantic comedy then snuggle up to the fact that it can be a really earnest, refreshing feeling to feel good after a movie.

I really love writing comedy. Writing romantic comedy is even nicer because you get to write about how insane we all act when we're falling in love.

I won't have a traditional marriage; I don't find the value in that anymore. But I am such a hopeless romantic and I really want love and I want a committed relationship, so I am going to reinvent marriage for myself.

Woody Allen is really the ultimate. I love that he believed in himself enough to do what he did. And I have that same feeling - that there's nobody that looks like me in movies, nobody would cast me as a romantic lead, but I want to do it and I feel confident that I can.

Bonnie and Clyde, while one of the best movies ever made, was far more interested in portraying Clyde Barrow and Bonnie Parker as romantic anti-establishment Robin Hoods than what they really were: white-trash spree killers.

But I didn't know about the other story." "What other story?” "About how you and Adrian Ivashkov are—" "No, whatever you heard it’s not true." "But it was really romantic" "Then it’s definitely not true.

I was a member of the band when it was just, like, a conversation at a bar. Then we constantly practiced, we played shows, we tooled around in the studio. And then, when I moved and kind of bailed on that, is when... So, yeah, for the first, 'Mass Romantic,' I was heavily involved. Then, for a couple records after that, I was not really involved at all.

The thing you can't let go of is gravity. The reality of gravity in writing. If someone says something really mean in a sitcom, and the next wave isn't a reaction to the reality of that, you start losing relatability. In a lot of romantic comedies, they throw out the rules of life.

They are just really stupid people in Hollywood. You write them a script, and they say they love it, they absolutely love it. Then they say, 'But doesn't it need a small dog, and an Eskimo, and shouldn't it be set in New Guinea?' And you say, 'But it is a sophisticated romantic comedy set in Paris.'

The enlightened world will be one in which everyone is in love with everyone all the time. We will see each other as God created us: as the perfect, loving, and lovable people we really are. The purpose of romantic love is to jump-start our enlightenment.

Westerns. A period gone by, the pioneer, the loner operating by himself, without benefit of society. It usually has something to do with some sort of vengeance; he takes care of the vengeance himself, doesn't call the police. Like Robin Hood. It's the last masculine frontier. Romantic myth. I guess, though it's hard to think about anything romantic today. In a Western you can think, Jesus, there was a time when man was alone, on horseback, out there where man hasn't spoiled the land yet.

I'm very, very lucky in that I have a partner who is willing to do it with me in a really collaborative way. Fortunately, even though we couldn't stay in a romantic relationship, our values are very much around the importance of family and the importance of those relationships.

I'm really kind of a little bit romantic for the lost era. There's a lot of us that are - kind like James Murphy, same thing - we feel like it's this magic era that happened before us. And it wasn't even necessarily disco.

I'm excited to see a new age of rom-coms, and especially teen romantic comedies, because when I was younger, I was watching 'Harry Potter' and 'Hunger Games' and stuff like that. I loved those movies, but they are a little bit heavy. We didn't really get to have the lighthearted love stories.

A lot of times, in our culture and our society, we put romantic love somehow on a higher plane than self-love and friendship love. You can't do that. You have to honor and really fully invest in all these different loving relationships.

The state of New Jersey is really two places - terrible cities and wonderful suburbs. I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves. It's very romantic in that way, but a bit naive. I like to play with that in my work.

It was a long time ago. I was talking to a friend about astrology, and he mentioned the Seth books. I'd never heard of them, but I intuitively knew they were important to me. It sounds very romantic, but it really was like that. I took an interest in them right away for no reason.

My books do have a sort of romantic community at the end - people coming together. But on a more basic level, I always see them as being about power, in the same way that Harry Potter books are pitched to a population of young people who really have no power.