Top 1200 Really Weird Quotes & Sayings - Page 16

Do I ever think Gossip will be really massive in America? No, I don't think it'll happen - and that's fine. It's kind of nice because I get to experience everything at once. I get to come home and it not be weird, like in Paris or something. It is nice to be completely anonymous.

We have to understand how the extremists got the way they are. Without that kind of understanding, we'd never really get to know them. I put in nothing about their childhoods. But what I have put in is stuff about the weird symbiotic relationship between us and them.

I remember my agent calling and saying 'this may be really weird, but would you have any interest in WWE?' I was like, 'isn't that wrestling? And the last time I saw a WWE match was in my women's studies class at the University of Michigan, and they picked it apart. But she implored me to watch, and instantly I was interested.

I like to be able to come and go as I please, and I don't really like having my face and name plastered around. I think it's a bit weird to have your name plastered on every page in a magazine, where in each case you're using a different piece of equipment.

All of my favourite actors are American and I grew up watching American movies. It's weird, but I used to do a New Jersey accent in every audition in the States just because I liked to do it, really. It's completely bizarre. Everybody would ask: 'Where are you from?' And I would say, 'Oh, I'm from London.'

I was an immigrant when I came, and one of my biggest things was I really wanted to fit in. I didn't want to be, 'Oh, look at that guy;' I wanted to be part of the crowd. Which is a weird thing, because the more successful I got, the more out of the crowd I became.

Cinema really lends itself well to big, archetypal stories, you know, classic old stories and you need kind of a weird, big terrain like the Japanese plains for Samurai movies or the West. You need that for these giants to walk around.

Back then, it's weird, because I wasn't consciously thinking about it and I think that's why the doors opened and I had the opportunity. It was a big shift and I realized that you can plan and think your life is going somewhere, but you also have to surrender to what opportunities present themselves and really go for those as well.

Maybe it should be weird, simulating sex with your husband in front of people. But it's really not. When its a love scene with someone you actually love it's no 'Can I touch him here, can I touch him there' You know what your boundaries are, or aren't I suppose.

If there's a God, I want to see Him. It's pointless to believe in something without proof, and Krishna consciousness and meditation are methods where you can actually obtain God perception. In that way you can see, hear and play with God. Perhaps this may sound weird, but God is really there next to you.

It's a really weird mindset to kind of try to take my mentality on the basketball court and bring it here on to the golf course. I don't want to have too high of expectations on, like, each hole, just try to enjoy the process, but hopefully get out to a good start tomorrow and be in the conversation and see what happens.

I had really not been out of the United States much, except for Mexico. I thought, "Jesus Christ, this [Russia] is like a whole new world." Instead of writing Michael Jackson one-glove jokes, all I had to do was go to these weird places and keep my eyes and ears open.

I don't have to try to be perfect because I know that my fans like me for who I am. They like me because I am weird and kind of funky, but still really calm.

It's a weird profession, as I don't really consider myself an actor. I did at one point, and I went and started doing auditions, and I was so useless at them and so demoralised by doing audition after audition and not getting them and also not being able to take it in my stride at all. I just felt crushed and worthless.

Anybody else think that was weird?” Shane asked as they got into the car. Eve sent him an exasperated glance; the three of them were, of course, in the backseat. Amelie had the front, with Michael. “Ya think? In general, or in particular?” “Weird that we got through the entire thing, and I didn’t have to hit anybody.” There was a moment of silence. Michael said, as he started the car, “You’re right, Shane. That is strange.

When I was young, I really wanted to be a part of the end-of-year awards shows, but now that I'm actually there, it feels weird. I used to go to church and ended the year with a prayer, but now I spend it with people I'm not very familiar with at an award show, and I wonder if it's something I should be doing.

I didn't really know how to write jokes, so I just told weird, long stories about being tall and beautiful and wealthy in New York. I'd tell them very seriously, but I kind of looked like a drag queen at the time with big wigs and crazy 12-inch platform heels.

For artists of my caliber, we're not played on the radio, so we don't really get a chance to get involved in that debate at all. We don't get a chance, because this weird kind of ageism exists in pop music. If you're past a certain age, you're not relevant. That's the kind of cliched term.

When people ask me what qualifies me to be a writer for children, I say I was once a child. But I was not only a child, I was, better still, a weird little kid, and though I would never choose to give my own children this particular preparation for life, there are few things, apparently, more helpful to a writer than having once been a weird little kid.

I don't think meeting people that I've done pictures of spoils it at all because I like the really human sides of people. To meet them and see that they're complicated and weird or shy or any of those things sort of makes it even better - to know that they can rise above that and make something great.

The weird thing is that, with actors, filmmakers and directors, it doesn't really matter if it's Robert Downey Jr., who's one of the biggest stars in the world, when you start to work, he's a hardworking actor. At the end of the day, it doesn't matter who's a big star and who's an unknown actor from wherever. It's all about the work you do.

It's weird being an author because it's different than writing songs. You put so much more of yourself out there to be judged because it's a memoir. So when the reviews come in, they all feel really personal. Some people are just going to hate you no matter what. Personally, I never believe good reviews.

Culturally, it's really funny to me that people respect the weird guy as an artist. There can be a curmudgeon in the corner with spiders building nests in his hair, and he hasn't bathed for three weeks, but for whatever reason, he's more creative than the guy sitting next to him that's showered and is talking to everybody.

K-pop is a weird term because K-pop has everything - rap records - it's very pop-sounding; there are really boy-band-sounding records.

I think the Control has really opened up the music to a whole new audience. I've met kids recently, kids of people I know who are 14 and 17 who love Joy Division and have been a fan before the movie, which is really weird. How does that happen? I have no idea. But, the music that's out there today is heavily influenced by these bands from the 70s and 80s like Joy Division. I want them to take away a little bit of what Ian Curtis was and, at such a young age, he had so much going on.

I like to be physical and work out and dance, because it makes me feel good. It really does. I grew up doing it - it is obviously something that is so natural for me that when I'm not doing that, I actually feel kind of off and weird.

Morvern Callar's' a really weird film, in a sense, where I was trying to experiment with taking things in a different direction, and it kind of half works and it half doesn't. And I kind of felt with that film that perhaps I should have pushed it more into the realms of black comedy slightly.

I think everyone's journey through this crazy, weird, wild, wonderful area of work named acting is really their own. And if you're going for something that isn't yours, you're wasting time. You could be focused on your own work instead of thinking about somebody else.

You feel kind of weird cheering for chaos. There is that sense that the crazier it gets, the better off we are. Before, when I was part of the American public, I was hoping for a reasonable and quick solution to the impeachment process. Now, I'm hoping for partisan bedlam and chaos. It's really what serves me best.

If I look at my own recordings, I think generally there is a focal point within the song and often it's the instrumental bridge or a guitar solo where we try to do something unexpected, something beautiful or weird, or beautiful because it is weird. And of course I fail half the time, but yes that is the goal, to create even a few seconds of bliss, or sadness. The electric guitar is a great instrument for doing this because it is capable of surprising you. There are so many different sounds available.

I was one of the only people of color at my grade school and also my high school. It's weird recollecting on my childhood, I think, because my brothers are all white. We all share the same father but different mothers. I guess I kind of associated white, but I was occasionally reminded in a really negative way that I wasn't.

I wrote some weird magical realism stories that are probably on some hard drive somewhere, and if I ever uncover that hard drive, I'll burn it. I tried to do a little bit of writing while I was in Iraq, but it wasn't the really greatest space for creative production.

I have friends in New York that won't leave New York, and they're really talented people, but they'd rather take an acting class in New York than do a play in Florida or Boston. That's just weird to me, but they get into that I've-got-to-be-in-the-center-of-the-universe mentality. I'm not that way.

It's weird because I grew up in this town, so the things I really dug, I was constantly around them. Like Alyssa Milano - I had the biggest crush on her from TV, but I also saw her around town at parties. It's just funny.

I grew up with my grandfather [Elia Kazan] being famous in a way that's not like Beyoncé, but famous in a relative way. It made me feel weird about the way that we treat people that are famous, and it made me feel weird about fame in general.

Then we started looking at story and what was making sense and what wasn't making sense, emotionally and thematically the intention that we had a year earlier when they were working on the script, did all that come across? It's all kind of generic things, but it's fascinating and it's weird - I haven't made that many films, but it's weird that every time you think you learn from your mistakes on your last film you have a slew of new mistakes and things that you learn.

You don't really see sleepwalking in films that often. It's weird; I feel like in popular culture we have the perception of sitcom, arms-in-front-of-your-body sleepwalking, and then maybe Olive Oil and Popeye when she sleepwalks through the construction site. But it's all very cartoonish, in some cases literally.

A friend of mine had died, and I went for an audition. It was weird and cathartic: the producer was very excited about the piece, but my brain wasn't working, and it all seemed really pointless and fickle. I told them I didn't want to be there any more, and left. It was the most terrifying and empowering audition experience I've had.

I grew up outside of Seattle, and have lived here my whole life, and I think that there is a culture of questioning, and guilt. Almost an "anti-ambition." Like, an awareness, and then a subsequent guilt. But sometimes that progressive, liberal guilt is really obnoxious, too - in some ways, I think it's better to just own it. It's weird, that actually, the acknowledgement of privilege or the enactment of guilt can be as obnoxious as anything else. It's a never-ending rabbit hole. We're really in a rabbit hole right now, with this conversation. We're just spiraling down into the void.

I really have created a family. I work with the people I love, I travel with them, I make films with them, and I'm in an office with them. So in a weird way - I know I haven't birthed a child - I feel that I'm a part of creating a family. It's a tribe. I love that word.

I love fame. I love being written about. I don't really mind if people think I'm a bad writer, if they don't understand my weird Instagram performance art or they find my long captions annoying. That's part of the package of being in the public eye, and honestly I find it exhilarating.

You know, I keep having this really weird feeling that you’re going to take me someplace later and tie me up so that your friends can come laugh at me. (Channon) Does that happen to you often? (Sebastian) No, never, but this night has the makings for a Twilight Zone episode. (Channon)

I was really, really, really feminine and really into cheerleading and really into figure skating and really into gymnastics. Really into everything that other boys weren't.

Sometimes, literally within a few minutes, you'd be off this amazing roaring scene and back at your hotel room, staring at the patten of the wallpaper. It's very surreal. You're back in your room, and it's dead quiet and really weird.

Basically, I'm in a kilt and a white shirt every day. So, you know, I don't have a lot of scope, and I'm really picky about what I wear. Even if it's weird, it's very particular to me. And you can't make a business out of what I would wear. We'd be out of business.

I really liked punk music and experimental music that my brother was taking me to go see in the city, when I was probably, like, 13 years old. I was seeing a lot of teenagers making 'weird' music, and I think that was probably a big part of the reason that I actually started to play myself.

I don't like anything that looks gelatinous - really weirds me out. But when I was a kid, I used to get very, very upset if anything had a kind of chalky texture; like, certain kinds of cottage cheese I know have a weird chalkiness.

Obviously I've been reading Kafka for a long long time, since I was really young, and even before I ever read him I knew who he was. I had this weird sense that he was some kind of family. Like Uncle Kafka. Now I really think of him that way, the way we think about an uncle who opened up some path for being in a family that otherwise wouldn't have existed. I think of him that way as a writer and a familial figure.

A recording of a moment in time, where I was physically there, and it's now in a song for all eternity, in a way. It's really weird. I had written the song, but I'm also physically there in a way I'm physically inside the song, because I've recorded something that's in there.

I did take guitar lessons as a teenager, though, and I started to teach myself how to play everything I could play on the guitar on piano, so I had a really weird, non-traditional route to proficiency. I think it probably helped me come at things from a new angle.

It's weird, because everywhere I go, people yell, 'Grasshopper!' or 'Bill!' but down there in Mexico or Colombia or anywhere in South America or most of Europe, people will yell, 'Serpent's Egg!' And I'll go, 'Wow, man, these people are really hip.'

People always think I get really good reviews, but I don't. That's why I don't go on the Internet much - because you can go down a dark hole looking at stuff. Once, I clicked on my name and freaked out. It's too bizarre, it's too weird, it's too unsettling.

I don't feel like a dream girl, but I think it's really nice. I guess a part of me wishes I got that sort of attention in my real life. Because in my real life, I'm this weird, dorky girl who just hangs out with her dog.

It's different, it's weird to say, 'She's a white rapper or she can't do this because she's this color - this color does this thing. These are the boxes we have, this is what it is, don't try to change it.' And it's crazy to me because I'm just not from that world, so I can't really rock with it all the way.

I'm five feet tall - I'm very petite - so for me, if I'm wearing a skirt or dress, it needs to be short, or else it makes me look frumpy. I need to wear either something really short or a maxi dress; anything in between just looks weird.

I went through puberty really early, when I was 11. It makes you feel weird - you know, like your uncle is now hugging you a little bit longer than he used to. I think we all go through wanting to go back - you're not sure you're ready for that body.

When I was growing up, I had a G.I. Joe doll, and now, to see a recreation of my character as an action figure ... it's strange. Because Worf doesn't really look like Michael Dorn without makeup, it's easier to separate myself from these recreations, but it's still strange, flattering, and weird all at the same time.

When I was in first grade, everyone made fun of my name, of course. I think it's kind of a big name to hold up when you're nine years old. It seemed goofy. I used to tell people I wanted to change the world and they used to think, 'This kid's really weird'.

First paying gig, I got 20 bucks. I played at some really weird venue. I don't remember the venue; I just remember it was the last stop on the A train. It was, like, the Far Rockaways, Queens, and it was an audience of, like, three people.

I've made the film 'The Good, the Bad, the Weird,' which was an Eastern Western film. Obviously, the Western film is American and American only; there's really no Western genre over in Asia.