Top 1200 Record Companies Quotes & Sayings - Page 18

We have full disclosure in transparency of our audited, our financial audits. It's on our Web site. It is, I think 16 or 20- something pages, which most public companies or private companies and most ministries don't disclose. So we have always operated with financial integrity and full transparency.

Well, we were originally called Huey Lewis and the American Express. But on the eve of the release of our first record, our record label, Chrysalis Records was afraid that we'd be sued by American Express.

Sometimes, I want to make a record that's so schizophrenic and so all over the place, and then other times, I want to make a record that's very coherent and very short and together.

I think there's a curiosity that can make you feel anxious as to what the world's going to make of what you're doing. It's not necessarily what you're going to get back in terms of record reviews or how people talk about your record, it's getting on the road and playing the new songs live.

I love TV. I love being behind the scenes on a TV show but there's something about, I don't know there's something very special when you've signed an artist and that first record comes in and it's a good record. It is an indescribable feeling.

I record stuff all the time, like little vocal things. I write random things down... Sometimes I just get things stuck in my head and I record them, and that actually becomes a song quite a lot of the time.

I think my function working in China is to bring my experience and what we've gone through in the Hong Kong industry to China. I hope there'll be more and more new Chinese companies with vision, that understand producing and film financing. My plan for the future is to work with as many new companies as possible, to pass on my experience as to what is commercial film.

You have to separate the humanitarian impulse from the record of aid itself. We all want to help. Many people would say that it's the moral impulse of the rich to help the poor, but the record of aid has been terrible.

I know I hold the contest record for downing the most hot dogs, and the record for most Nathan's Famous Hot Dog Contest championships, but it was really cool to be a part of a Guinness World Records official attempt.

It's really important to be free and be open and honest about the things you want to do. Just 'cause you want to make a solo record or another record with another band, it doesn't have to be an insult or a slight to the band you've been with for a long time.

Because of the way the record business has kind of stumbled and disintegrated, in a way, you're as likely to sell records at your merch table at your gigs as you are to sell them in a regular record outlet or even online.

When e-commerce companies build scale, cost comes down. Companies that can handle scale and reduce costs over time will win. Margins will come from reducing costs over time and not by increasing prices. Technology is the answer at large scale.

I'm a huge fan of Canadian rock-and-roll. When I was growing up, Rush came out with a record called Hemispheres, and I must have listened to that record for two years straight. Even when I was asleep I had it on. So, yeah, whenever I hear a Rush tune, the first thing I think of is Toronto.

Similar to many multinational technology companies, Zoom has operations and employees in China. And like many multinational technology companies, our offices in China are operated by subsidiaries of the U.S. parent company. Our engineers are employed through these subsidiaries. We don't hide this.

While I used to make my living principally as a record producer, as time went on, I had to depend more and more on my live performances because of the evolution of the record industry, which has de-emphasized what made it possible to make a living.

The Republican party is not perfect, but if you put this party's record of achievements on one side of a balance scale and the Democrat's record on the other, the Republican side would slam the table.

The public doesn't get to see everything. I worked with X a couple times since then. Me and X have a close relationship. We actually did a record they were going to put on the Training Day soundtrack but he ending up buying the record from me and putting it on Great Depression as a bonus track.

It was a very lucky set of incidents that led to Wham! getting a record contract - although we weren't Wham! when we got the record contract. We were nothing; we were just two friends who had written a few songs.

Every single day I wrote a song, I was hoping somebody like Luke Bryan, Jason Aldean or whoever would record the song. It's tough to do because there are so many great songwriters in Nashville, and I was lucky enough to get some songs recorded before I got my record deal.

The 'Manipulator' record was really fun to do. It was far less heavy and draining, in an emotional way. It was just like making a rock record. It was just really fun.

People believe that companies have always had strategies, dating back at least to likes of Henry Ford or Andrew Carnegie, maybe to the contractors who built the Pyramids. As it turns out, it was only in the 1960s and 1970s that a new breed of "business intellectuals" began to develop the intellectual framework that allowed companies to look at the three "C's" of any good strategy - namely their costs, customers, and competitors - in an integrated way.

James Cotton is a real blues guy, and he played with Muddy Waters, and it surprised me that they would want me to make a record with them, that he called me to do this record. I'd never done anything like that before. But I love blues, so I was very happy.

I was an artist, I was executive producer on my first album, so I've always had to manage both. I couldn't get a record deal. It wasn't by choice - I couldn't get a record deal, so I had to figure it out.

Veterans have had a long record of leaning towards the Republican Party. I think that's changing. I think that President Obama has the strongest record with veterans among any president in my lifetime.

In my own professional career, I've tried to establish my own identity and my own track record so that if I were to entertain a run for office, there would be my own track record for voters to look at.

Andres Segovia, the great name for guitar, he put classical guitar on the map. He was the proponent of it, the best in the world. So I was listening to a record that he had made, and a little bauble happened in the middle of the record. A finger slipped, and I said, 'Wait a minute. He's not allowed to make mistakes,' - my mind.

Our community of drivers has 30 percent women in a driving industry that's typically 1 percent. We better understand each other because we better reflect our community than maybe other tech companies or other companies in general. It's something we're very happy with and proud of.

I'm a numbers guy, and I think numbers sometimes tell stories and sometimes they don't. When you look at the NBA, when teams shoot 45% or better from the floor, what is their record? And if they shoot under that what is their record?

Jazz radio is not very friendly to pop singers who decide to make a jazz record. But a lot of people have been. A lot of the people I've talked to like the record.

Your life is like a book. The title page is your name, the preface your introductions to the world. The pages are a daily record of your efforts, trials, pleasures, discouragements, and achievements. Day by day your thoughts and acts are being inscribed in your book of life. Hour by hour, the record is being made that must stand for all time. Once the word 'finish' must be written, let it then be said of your book that it is a record of noble purpose, generous service, and work well-done.

Typical pay increases are not enough to motivate employees, but they are enough to irritate them. … Even when companies create seemingly significant pay differentiation between low and high performers, the actual cash increase is insufficient to sustain performance – or it drives the wrong behaviors. … Effective management is a system, not a pay plan. The mistake is that companies try to solve all their problems with pay.

I think something that is never really spoken about is the learning process of making records - I made my first record at twenty one and learned so much about record making from that before making 'Bomb In A Birdcage' a couple of years later.

One thing that did get me into a lot of different types of music was when I was very young, the local record store went out of business and they were selling off all the vinyl. I remember going in - I was probably 16 or 17 and I'd just gotten a record player as a present. It was like hitting the jackpot: all these records for $3 apiece.

With all the negativity going on in the world right now, people need an escape. When you give them a hit record or a great record, it allows them to escape for at least three to four minutes. They're not thinking bills or economy or immigration or war when you create that kind of ambiance.

I just want to keep living on and enjoying food! Even though I'm gaining weight, I want to record if the Lord wants me to still record, and I just want to do my work on the road as long as I got those fans out there.

Through the history of my records, from when I started controlling the visual, I always used lower case letters for everything, I can't even explain why that is. The character is actually me, and I think once you see the film for the record, or see the video or really get in to the record, that will all sort of reveal itself to you.

Cause I can make more money going in and doing my recordings and selling them through my entities that I have, rather than going to a record co. and them release a record and pay me 5 percent of what they make off it.

'Cause I can make more money going in and doing my recordings and selling them through my entities that I have, rather than going to a record co. and them release a record and pay me 5 percent of what they make off it.

Each quarter, Indian IT firms publish their results, and these are broadcast on CNBC. From the comfort of their boardrooms, executives say how many new employees have been added, how many more Fortune 500 companies have been signed up as clients, how many million-dollar companies were added, and so on.

I grew up listening to The Beatles, Led Zeppelin, and every record those bands put out was very unique in its own right. I have that mentality. too: if a song sounds like something I've already done, then I'll throw it out, because I want each record to be a progression.

When Josh and I are recording a record, we're very mindful of how the music will manifest itself live. That's where we have to live every day. When we tour for the next record, I imagine there will be a new story to tell, and we'll introduce new characters.

The great thing about a record is it frees your imagination; it gives your eyes a rest and lets your mind wander. There's the special thing that each record can mean a different thing to every person listening to it.

In this business, things go in waves, and I might make a record every three years. That's enough for me; that satisfies me. And it satisfies the so-called public, because they don't really need a record every year. They don't even want one.

On every Bright Eyes record, there's some kind of sound collage that begins it. Some of them have dialogue, some don't. I like it because it can kind of slow down the attention span a bit. It's a way to draw you in to the rest of the record.

Well, I was making a record, and I had to choose a name, because they said, you know, you can't make a record under the name of Reg Dwight, because it's never going to - you know, it's not attractive enough.

I had a good start. I did a record with Beyonce. I did a record with Lenny Kravitz. I put out my second collection of music and then my second collection of clothes.

It was a lot easier to write songs before I had a record deal, because the record labels and the industry doesn't mean to put pressure on you, but they do. They don't realize that they are, but you end up having a pressure there that you feel. At times I feel myself wanting to say, 'Just let me do what I do.'

Nine Inch Nails was born out of Cleveland, Ohio, with me and a friend in a studio working on demos at night. Got a record deal with a small, little label, went on tour in a van, and a couple years later found that somehow we touched a nerve, and that first record resonated with a bunch of people.

My father was in record promotion in Los Angeles. He worked for Mercury Records, Capitol Records, and RCA Records. My parents divorced when I was about 9. In 1978, my dad moved to Nashville and opened an independent record promotion company, Mike Borchetta Promotions.

I was only halfway to the record and it seemed like it took me a long time. I feel like that one will never be broken. That record will never be touched.

Whoever makes big records is a winner to me. Not the person with the mumbo jumbo, or the biggest diss record, or whatever the case may be. In the end of the day, whoever is most successful, whoever puts out a big record, wins the battle.

Kickstarter is such an amazing platform, it really is. It's something great for independent artists of all kinds because every musician and every artist needs help to produce the record, make the record. It's like the modern day patronage. It's turning to your direct fan. It's a good motivator too.

Companies will need to pursue a more diversified business model, but I think those companies that have what I call a focused diversified business model will be more successful.

We worked very hard on that untitled record to do something different and that we were proud of and to try a bunch of different ideas. It was like this gigantic musical laboratory that we were going to every day. I love that record, I think that's one of the high watermarks of us as a band.

We live in a time of record breaking crisis but it's also a time of record breaking vision

It's not my concern to make a commercial pop record. I want to make a record of music that I would listen to, that is lyrically rich and has songs that people can relate to - more along the Jakob Dylan route: people who create for the art of it and not necessarily the monetary rewards of it.

More than half of all the hip hop record sales are white people, and I think that might be a result of my record helping people to accept hip hop.

I'm not going to do the Ben Harper house record or the Ben Harper drum 'n' bass record.

I made a record in 1996 called 'Animal Rights' that was a very difficult, very dark punk-rock record. Of all the records I've made, it's my favorite one. It's also the one that got the worst reviews and sold the worst.

The new artist is meeting the general public before they meet the record company. They're able to put the material on YouTube and have a million views before they even meet an executive at a record company, and get the deal based on that.