Top 1200 Record Labels Quotes & Sayings - Page 20

Trevisan is one of the few Paso Robles producers to recognize the potential of the region's old-vine Zinfandel, which he blends with Syrah and Mourvedre and labels with fanciful names such as Problem Child, the Outsider and Cherry Red.

I think my science career had an arc to it that peaked in, let's say 2003/2004. I was in hog heaven, working in a corporation, getting paid pretty good money and doing really exciting research. And we had just done the Cool To Be You record, and I said well, we'll put this record out, but I can't tour it because I just want to do science. That's my gig, my future.

[Jack Johnson] became a superstar and started his own record label, and then he made and produced my first record, he co-wrote the songs on there, and then he let me open up for him for two years all around the world. And that was like the best start I could've had, the best way I could've started in the music scene.

You don't just wake up one day and decide who you are. I hope that people see that it's okay not to have labels nor label anyone else. Step back. We're all just trying to figure it out.

I'm trying to figure out how to record at home because I have a tiny house and a seven-year-old and my wife also works at home. So I can't work in the house because she's trying to write, so I pitched a tent in the backyard. I'm literally trying to record in the tent.

Given how dangerous it is for someone to consume something they are allergic to, you would think that companies would just make sure they print labels which have the allergy information on.

Eviction comes with a record. Just like a criminal record can hurt you in the jobs market, eviction can hurt you in the housing market. A lot of landlords turn folks away who have an eviction, and a lot of public housing authorities do the same.

I get hit everyday with people everyday saying I remember this record from that, this changed my life or this record was playing when this happened so I'm thankful for that. On the other side I look at it like I got to do so many things in life I never thought I'd be able to do so who am I to complain about what position I'm in or not in. I gotta be thankful for everything that occurred in my career. That's how I look at it.

I hate labels because it should be just music. I don't see anything wrong with disco. Call it anything. It's music.

You learn new song until you're comfortable with it to where you can record it blindfolded, but then when it comes out on the record, you forget about those little nuances and those little things that you changed during the recording process. It's those spur-of-the-moment things you do that makes it an entirely new beast that you then again have to relearn.

I don't really go into labels or an in-depth discussion of different value systems because for me, it's sort of the truth of the situation in D.C. Certainly, in my fictional depiction of it, there are decent, shameless people on both sides at every level.

President Bush went out touting his economic record in Ohio last week. Now this is a state that lost 225,000 jobs since Bush took office. You know, if Bush wants to tout his record, he should do it somewhere where the Bush economy has actually created jobs, like India, or Thailand, or China.

The Paris Agreement is an agreement that has really such a huge, huge level of credibility and strength. Not only was it signed by more than 190 countries in record time, it has also been ratified in record time, and it has also, really, also a lot of support form the people, the public in general.

I think people think that labels can get you features more than you can get your own. I just doesn't work like that.

The best advice is to avoid foods with health claims on the label, or better yet avoid foods with labels in the first place.

I can do a whole project with Madlib and turn around and do a record with Gucci Mane. Gucci Mane, E-40, and Black Thought on the same record. I like all those rappers, so why can't I work with them in some type of capacity? It just speaks to my versatility. I don't just listen to one type of rap. I listen to all of it so I can make all of it.

In the '70s, anybody who was a connoisseur of collecting vinyl had the velvet brush. Remember the velvet brush? It would clean the record, and you would only grab the record from the sides and you would carefully slide it into the jacket. I never had a velvet brush.

When you look at my record at 10-0 as a professional and look at Jon Jones' record when he was 10-0, who was his toughest guy? Stephan Bonnar, and he did not finish him. I have fought higher-caliber opponents at this stage in my career than Jon did in his at 9-1; His tenth fight was Matt Hammil.

You can think whatever you want, you can create all the labels you choose, but the universe just is. You can come to terms with it or not. If you don't come to terms with it, we say you live in illusion.

Writing more and more to the sound of music, writing more and more like music. Sitting in my studio tonight, playing record after record, writing, music a stimulant of the highest order, far more potent than wine.

I fight myself. I don't fight to break Ali's record or Sugar Ray Robinson's record. I fight to please myself. I know in my heart where I'm rated. I didn't fight in Ali's era. This is my era.

It used to be that labels would spend two or three or four albums developing a new artist before they threw in the towel and moved on, which kind of gave the artist an opportunity to grow.

Springsteen on that record started writing less about having your wind in your hair and turning the radio up and more about being dragged down by adult things. Regular people trying to get ahead. A little less mythical and romantic, and more real. It's a really spectacular record for that reason.

We thought the hardest thing in the world was to get a record deal, then the hardest was to get a No. 1 record, and then the hardest thing is to stay at the top. It's a lot of work.

My mom had early rap records, like Jimmy Spicer. In the middle of the records was a turntable and a receiver - I used to scratch records on it - and on top was a reel-to-reel. In front of that wall were more stacks of records. It was either Mom's record or Pop's record, and they had their names on each and every one.

It's a new era in fashion - there are no rules. It's all about the individual and personal style, wearing high-end, low-end, classic labels, and up-and-coming designers all together.

I'm drawn to the stuff that's maybe a little bit on the fringe. Part of that is just practical sometimes. We can't compete with the major labels for some acts, so you figure, "Okay, what could I introduce to people, or what do I like that is within my means?"

I know a lot of bands that will make their first record and get to a certain level, and then when the second record comes out, they can start where they left off as a headlining act playing in front of a certain number of people, or they can go back out and make a lot less money and open for people.

I love good momentum. It makes everybody happy and in this time that we're living in, especially musically speaking, if you can make a record that has more than 4 or 5 songs deep and it has a good variety of songs. You don't frontload it with those first couple of songs. You continue the record taking the listener on a journey, musically speaking. I think you've really got something there.

Those rare individuals society labels geniuses are almost always freaks of nature and are naturally gifted rather than being diligent students who became geniuses because of their education.

My first record was almost not my first record.

The Antarctic ice sheet has reached record levels in the midst of so-called climate change and global warming. It's the same thing at the North Pole. Arctic ice sheet levels are at record levels. The North Pole is supposed to have been melted by now, according to Algore.

I have friends that are reps and run labels, but I don't like to get into that world. I just like to pick what I like with my ears and play it for no other reason, not because of the label or the rep.

We really were poised to make 'Rumours 2,' and that could've been the beginning of kind of painting yourself into a corner in terms of living up to the labels that were being placed on you as a band.

I have a record as governor. I have a record of cutting spending. And I talked yesterday not only about we ought to cut spending, I talked about how we've cut spending in Mississippi and how if you did the same things in the federal government, you would save tens of billions of dollars a year.

Mitt Romney, who is on record saying that he would not waste money going after bin Laden, and on record saying he would not violate Pakistan's border to get bin Laden, this week said, 'Of course I would have gotten bin Laden.' Even his Etch-A-Sketch went, seriously?

I had gotten to a place where I truly believed everything I was called: 'not sexy,' 'not funny,' 'too intense,' desperate.' All those labels they gave me, I took them because there wasn't a trace of my true self left.

You're not going to hit it every single time, and that's why, when I record an album, I do probably close to 50 songs. Each song I record has to get better. If it's not better than the last song that I made, it'll usually linger for a couple of months, and then it'll be put on the backburner, and then there'll be another song that I do, and then it often doesn't make it on the album.

Sometimes America is so great because it brings all of us together, but sometimes it can be so limiting because it puts labels on things.

My feeling is that labels are for canned food... I am what I am - and I know what I am.

Music didn't really occur to me. Michael Jordan and Batman were my favorite two entities then. Michael Jackson was there, but I didn't really get into Bob Dylan, for instance, until I was in my 20s. The record I heard of his that got me interested in singing was Knocked Out Loaded, which is what many people consider to be his worst record.

When you don't cover up the world with words and labels, a sense of the miraculous returns to your life that was lost a long time ago when humanity, instead of using thought, became possessed by thought.

I used to play my records aloud until one night my mother was like, "This is too loud. I'm not having it," and so I put on headphones. But the headphones didn't stretch all the way to my bed from the record player, so I had to sleep on the floor in order to hear the records. I slept on the floor right next to the record player until I was probably 19 years old.

I think that music and art and film, at their best, can connect with something that is eternal in human beings, that might not have so many labels on it, something that's ultimately universal and that may just be a feeling.

I'm a kid who grew up in an all African-American neighborhood and got into schools and aspired to just be me, and didn't worry about labels or anything. Just wanted to be a success at what I did.

We saw what Thom Tillis did in Raleigh. He went to Washington and in 2017 again voted for a tax bill that provided massive giveaways to corporate interests and the wealthiest, really capitulating to those corporate interests and his special interest backers. A consistent record in Raleigh, a consistent record in Washington.

While America will always, I think, feel foreign to me, New York City is my home. This is where I can construct my own identity freely and reject labels imposed on me.

If it wasn't for this person's privacy, I'd be able to talk pretty freely about this subject on a personal level. The record's about not her. It's about my struggles through years of dealing with the aftermath of lost love and longing and just mediocrity and just bad news, like life stuff. And in the [record], where the title comes from, the lyrics are actually a conversation between me and another girl, not this Emma character.

I think teenagers just don't have the persistence to pretend to like something they don't anymore. I used to do that - make myself like stuff that didn't immediately appeal to me. When you're 17 and checking out John Cage records from the library. It's not like it's got the hooks of a Ramones record, or a Beach Boys record. But at the same time, you're like, I know there's something in here that I'm supposed to understand. And then eventually you find it.

I like picking up accessories as and when I see something I like - whether its from my travels on the streets of a foreign country or more mainstream labels like Accessorize.

Being a woman is an option, being trans is an option, and they're options that appeal to me. We need to listen to people - not labels, not semantics.

I couldn't afford to go to the record store to buy new tapes, so I'd tape everything off the radio. Just hit record when my song came on. I used to take my mom's tapes and tape over them. I had a nice little collection. Had my own Stephen Jackson mixtapes off the radio!

When I was on the big labels, I never calculated what would make me sell more records. I just did what I did -no different than when I wrote songs for myself in high-school.

I help with everything. My wife and I are a team. I pack my son's lunches, and she takes him to baseball practice when I gotta go train. It's hand-in-hand. There are no labels on our chores.

The States are more accommodating to fat people - there are more plus-sized clothing labels, and people talk openly about it.

I'm constantly being courted by labels and their backing. Obviously the market is there when you talk about the economics and the numbers, but it's hard to give up the freedom of being able to do whatever you want.

I would like a better record here in Australia but I would like a better record in every country.

You know how it is with drawers and labels in the music business. They don't want anything to be complicated. They just want it simple, as simple as possible.

In Mudcrutch we all wrote songs, and when it got to the focus on Tom and the Heartbreakers, I kept writing songs, but it wasn't anything that was up the Heartbreakers tree, I didn't think - and I don't think they did, either. So I kept writing songs for the hell of it, but I didn't want to make a record just for the sake of making a record.

As an adult and a parent, when I'm not acting, I'm not acting. I'm being a parent, and I'm on the school run, and I'm sewing labels onto socks. That's what I'm doing.