Top 1200 Record Labels Quotes & Sayings - Page 4

Phoenix was a tougher record, a little more commercially accessible record.

I struggled with the pressure of having the successful record after the first record. Second album syndrome. I'm living proof; it's very real. It was like a psychological battle to be creative. I used to never feel pressure to be creative; it's always just been a fun thing. And then suddenly it's my job, and people are asking, 'Where's the record?'

I love the Bach Prelude No. 2 in C Minor and had that stuck in my head: why don't I put this on Imaginaryland? So I brought it to my friend Tom Grimley who recorded That Dog's first record. I played him all my a cappella pieces, and he said, "P, you should really make a record, it would be great! You can record it at my studio and I'll put it out!"

Not only does he have the NFC East record for touchdowns, but also the team record.

You can expect a record that I put together for you to make you feel good, a record that I put together to make you think, a record to transport you into whatever mood you want to be in. I hope that people associate my name with the brand, and I hope that people associate that brand with excellence. So, you can expect an excellent record.

Al Gore wanted to tell people what they could listen to and what they couldn't, what they could record. It was basically coming down to the idea that he wouldn't let anybody record any music that he didn't think you should be doing. There was going to be an organization that would tell you what you could and couldn't record.

I think when you've been in office for a long time, you have a record, and that record is fair game.

The decision to change the name meant we were getting serious, because we couldn't make a record if some other band had the same name as us. I told the boys I was in a record store, thumbing though 45s, and I'd seen a record with the name the Warlocks on it. I've often wondered whether I hallucinated it, because I never saw the record again and I never heard a word about any band called the Warlocks.

I didn't sign a record deal; I didn't do any of that. I made my record independently, and I went out and hit the road in a van.

I did not know about awards. I just wanted to break the world record and the Olympic record.

I'm consistently on record and will continue to be on record as opposing concealed carry.

I'd never record digitally. It's not because its' a horrible way to record, it's just not the best way to record my music, because my music is rawer, darker and a little more nostalgic.

Traditionally, tours were a means of promoting a record. Today, the record promotes the tour.

My first vinyl was a Kiss record and a Walt Disney record. I liked the energy of rock and roll.

That's the strange thing about making a record. You can be in one mood for an hour, put it on a record, and you're remembered that way.

Well, I never made a record to be in the Christian market. So when I made my record it was to exist in all of the markets. I grew up not really listening to tons of Christian music and if I did it was in the context of all the other music I listened to. So when I made the record I definitely had plans and visions and dreams.

Congratulstions on breaking my record. I always thought the record would stand until it was broken.

ThinThread was not the program of record of my predecessor, Ken Minihan, OK. I did not make ThinThread the program of record while I was director. After I left in 2005, Keith Alexander also chose not to make ThinThread the program of record.

That memory of making the record is a huge part of the record itself.

Our record number of teenagers must become our record number of high school and college graduates and our record number of teachers, scientists, doctors, lawyers, and skilled professionals.

The record company stay out of my way. Whenever the record is finished, they take it.

Judge Roberts' civil rights record and views remained the most controversial and unexplained part of his record when the Judiciary Committee hearing concluded, just as his civil rights record and views had been the most controversial part of his record when the hearing began.

I always tell the story of 'Irreplaceable.' I initially wrote 'Irreplaceable' with myself in mind, with plans of it being my record. I love that record; however, what I realised about that record was that though given the circumstances of that situation - men and women are not that different - when you sing about it, it changes things, you know?

Whenever you have consolidation, you do that for more economies of scale and leverage in making deals. But when you start losing control, like with the web, you lose some of the benefits. You can't hold films or records back anymore because the internet has made everything available as soon as it's available. Record labels have to learn to make money, and that's moved from a control model to a collaborative world. When I talk about hobbyists, those are consumers wanting to be creators. But maybe one or two of them could become the next superstar, but I can't wait for that.

I waited, and I’m sure Elvis did too, for each Ricky Nelson record like we would a Chuck Berry record or a Fats Domino record, to see what was going on. I used to say to some of the guys that Ricky Nelson learned to sing on million selling records.

I have a proven record, a record of accomplishment, a record of cutting taxes, of shrinking the government, of reforming education, of challenging the status quo, eliminating career civil service protections, shrinking the government workforce by 11 percent, but leading the nation in job growth.

When you start out without a record nobody knows you, but if you have a record it's a lot easier.

This was early '90s and in New York hip-hop was coming on really strong; that was the sort of urban folk music that was almost threatening to eclipse rock music and indie rock music in terms of popularity, which it has certainly gone on to do. But you know, this is the end of the 1980s, beginning of the '90s. The whole independent label thing has really evolved to this incredible point from the early '80s when we started, and there wasn't one record label at all, until a couple people started forming these small labels.

This record for the first time - feels like a record that really represents my whole entire life and instead of just a period of my life. And it is really kind of eye opening and it makes me feel really good to hear this record and hear all the years.

The fossil record is incredible when it preserves things, but it's not a complete record.

People want to be the first with the record, they want to be the first to know which songs are on the record, all that kind of stuff. So I like to just stall them a bit. Personally, I love the idea of an album that's completely new, that no one's heard any free downloads, any pre-record releases, all that kind of stuff, and nothing's been played on the radio. Totally virgin, you know, a sealed record. That's my ideal, but it's very hard to get anybody else to agree to do that.

Eviction comes with a record, too, and just as a criminal record can bar you from receiving certain benefits or getting a foothold in the labor market, the record of eviction comes with consequences as well. It can bar you from getting good housing in a good neighborhood.

We put everything we had into this record, just like we do with every other record that we make.

It makes sense that that's part of the story and everything, but that's part of any story of any record - where was it record and how long and what were the people doing. I think people want to know where these events are made. That's why I like the word "record."

In the beginning, somebody told me there was a record in the cruiserweight division where Evander Holyfield became the champion. I thought about that, and I told my team, 'Let's make our own history, our own record, to beat Holyfield's record.'

The Radiohead record, The Bends is my all-time favorite record on the planet.

When my record comes on, you know that's a DJ Khaled record. That's my formula, and the people love it.

You can get so many sounds out of one record. Every record can be used in some way.

I'm a pretty big P.J. Harvey record fan and you can really hear New York in his record

I'm 23, and if I wanted to release a record when I was 17, I could have released a record, but I'm really glad I didn't.

I used to work in a record store. I'm kind of a record nerd.

The Radiohead record, 'The Bends' is my all-time favorite record on the planet.

I wanted to make a jazz record. I didn't want it to be a standards record.

I went to so many record labels - name any one - and they all turned me down. For some reason I just got the thumbs down for years and years. It sounds like I'm making that up, but it's true. I'm too serious about music and my creations to take just any kind of deal. There were a couple of companies that wanted to put me with a producer, and I said, "Well, I just produced my last album," and I wasn't about to go backwards.

My record label, which is a huge record label who represents massive, massive stars - they've never done anything like this before, and they were so excited about this idea of an animated character which is singing legitimate music. It's not a comedy record, it's a legitimate record. And they really jumped on board. So, we've got our Facebook page up, we'll be jumping on Twitter very soon, and sort of be creating Haley outside of American Dad.

My hope has always been that each record could have its own audience. Of course, it's awesome to have a cumulative audience for more than one record, but I like the idea that there could be a record that an individual might like.

I wanted out of my record deal with EMI. They wanted me to record one type of album; I wanted to record the type of music I wanted to make.

Originally, after 'Tambourine' came out, another record was supposed to come out, but I had issues with my record label at the time, which was Interscope. We couldn't agree on a record, so that took some time. I had to leave them and find a new label.

I've always wanted to record a jazz record. I did one in the '70s with Barbara Carroll. It's been a journey.

When the first record came out, I'd go down to radio stations pretty much every day to get the record played, and I would walk in and they'd tell us how much they loved the record, but they weren't sure how much they could play it because they were already playing a girl.

No one was more surprised that that first Boston record took off than the record company itself.

I have no problem going on record with this and probably have gone on record with this before, there aren't that many people who I respect. There just aren't.

It's pretty amazing to me that my first hit record was an Elvis Presley record.

The government now requisitions the publics' telephone records and sifts through its emails. It labels whistle-blowers such as Edward Snowden as traitors, even though they have exposed the corruption, lawlessness and host of antidemocratic practices engaged in by established governments. Police can take DNA samples of all people arrested of a crime, whether they are proven guilty or not. The United States is incarcerating people in record numbers, imprisoning over 2.3 million inmates while 6 million people at any one time [are] under carceral supervision - more than were in Stalin's Gulag.

I still find time to record during the season. Offseason, I record every day until 7 A.M. - all night.

I'll be honest with you, one of the things that frustrated me the most out the record leak thing, it had nothing to do with record sales - I mean, that's a joke. Has anybody looked at how many records anybody sells anymore? If you're not Jay-Z, a record leaking isn't going to affect you. It was just really personal.

Commercial success still hasn't come to an artist that isn't signed to a record label. There are very few artists that can succeed without the help of a record label. The role of the record label is still required, it's still necessary.

I'm a pretty big P.J. Harvey record fan and you can really hear New York in his record.

You sometimes get the feeling that people think getting back together after a hiatus to write and record a record is work, you know, arduous and unpleasant. Being able to write and record - that's a privilege. I don't forget the long days I spent working in a restaurant, when I wanted to be done so I could go home and work on a song.

I know if I don't tour people will forget the record and you run a high risk of the record failing.