Top 1200 Record Players Quotes & Sayings

I think there are some good players coming up. I think we are at a point where people can swallow a guitar solo in a pop rock record again.

I've played lacrosse players, football players, basketball players. I think that's just because of how I'm built. I look young, and I'm also a big person.

Athletes are going to tease each other. Football players want to be baseball players. Baseball players want to be football players. Basketball players want to be baseball players, and vice versa.

When I was growing up, my mother would always say, 'It will go on your permanent record.' There was no 'permanent record.' If there were a 'permanent record,' I'd never be able to be a lawyer. I was such a bum, in elementary school and high school... There is a permanent record today and it's called the Internet.

I really have to make sure that I'm staying true to who I am, and that I know my responsibilities to current N.B.A. players, to future N.B.A. players, to our past and retired N.B.A. Players.

Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.

Both Cristiano Ronaldo and Messi never ever stop playing for the team. If I were young today, they are players on which I would mirror myself. Players of this level, play for the team. Players that are the best because they prepared themselves to bet You don't see these players going out, on social media, skipping training to be in parties.

Spend a day around my players, around my African-American players, my Hispanic players, my Polynesian players, and you'll see the true beauty of who they are.

What I say on a record and what I say off a record is two different things. And that's always been the case. There's a difference between confidence on a record and arrogance.

Chinese players are not as naturally skilled like South American or European players, like players who learned football when they were kids. They're not good.

I just like making music. Record, record, record.

You have to figure out that balance between younger players and veteran players, star players, and All-Star players, really a team effort. And then you have to be lucky.

PSG signed me for my CV, for what I've achieved in the Europa League, how I've grown as a manager, and how I've made players grow. I'm essentially here because I have a winning record.

Our first record as the Veronicas was a big mainstream success. Maybe if we'd had the indie record first, then the breakout record, it would have been supported by Triple J.

When you work, you know you can have some problem with the players. This is normal because the manager wants the players to work hard, play well, and the players should understand this.

I started playing with this band, the Polyester Players. It was my introduction into funk. So I went and got a James Brown record. 'Black Caesar' is a film score, but it's so dope.

There have been times when I've feared for my own well-being in the great scheme of things because, historically, the track record has not been kind to the guitar players in this band.

Some players aren't able to show their ability in Europe, but some players can - I think the most important quality in the successful players is that they are mentally strong.

Best players I played with? Striker wise, well, I had a great record with Emile Heskey - he would be one of my favourite partnerships because we were so different and worked together so well.

I had lots of posters on my bedroom wall of players like Zico, many Brazilian and Italian players, not many players in particular but I loved football so much and I especially loved skilful players.

'Record Without A Cover' was about allowing the medium to come through, making a record that was not a document of a performance but a record that could change with time, and would be different from one copy to the next.

I have to know the characteristics of the players. I have to adapt myself to the characteristics of the championship and the players. Now I study my players.

I set the record at Real Madrid in the Champions League, but Ronaldo is one of the best players in the world.

If I want to do an orchestral record, if I want to do an acoustic record, if I want to do a death-metal record, if I want to do a jazz record - I can move in whichever direction I want, and no one is going to get upset about that. Except maybe my manager and my record company.

It's always nice to have your name associated with other great players and a record.

Steve Jobs has a saying that A players hire A players; B players hire C players; and C players hire D players. It doesn't take long to get to Z players. This trickle-down effect causes bozo explosions in companies.

Record Without A Cover' was about allowing the medium to come through, making a record that was not a document of a performance but a record that could change with time, and would be different from one copy to the next.

It was a really empowering thing playing with Golden State, because they let the players play and they let the players communicate and they let the players decide things.

Soccer's not a game that you can restrict players, especially creative players and players who have proven themselves at that level.

There are times when new players replace injured players in the national squad. Since the new players don't have enough experience and match practice at the international level, they seldom play under a lot of pressure.

With a Grammy, if you're releasing your record with a major label, you have a chance with any record. You also have a very long shot with every record.

The dollar that's being paid the players has hurt the game. The players take advantage of coaches. The players' attitude is, "I make more than you, so don't tell me what to do."

I spend a lot of time copying saxophone players and trumpet players. Not to say that it is not important to listen to guitar players, but there's so much music out there and so many possibilities. I like anyone who plays any instrument.

The players, when we get in the locker room, we talk about what's going on. And the players always see how the management or how ownership treat other players, treat other players around.

The first record was basically a quick, fast record. The second record, we were going for more of a poppier sound - like a heavy pop sound. For 'Rocket to Russia,' we'd sort of reached our pinnacle. We'd gotten really good at what we were doing, so that's like my favorite record - that's a really good record. It's just great from beginning to end.

Ultimately, if we can develop enough players, the balance of foreign players isn't great, but that's because we're not producing enough players.

I'm going to actively fight for players' rights. Not while I'm in college. I'm always going to keep a consistent track record of what I believe in. But I don't have the clout or the means.

I've never had a relationship with a record executive. I always went to the record company by someone that liked my playing. Then they would get fired, and I'd be left with the record company. And then - because they got fired - the record company wouldn't do anything for me.

Yes, the national team is all one team. We are not Real Madrid players, Barcelona players, Celta Vigo players... all of us are a group.

It's true that players can take time to settle at a new club. I remember people telling me it took Patrice Evra and Nemanja Vidic a while - players who became great players for United.

English players are as easy to coach. The problem is that the Premier League has the best players in the world, and statistically not all of them can be born in England. But we don't have enough English players: we are working very hard on it.

Arsenal do not have money to spend, so they are gambling on young players. Arsenal are obliged to sell their best players and bet on youth - but what counts is having a team, great players, and a solid squad to win titles.

Every season, players come in and players go, but I think it is good news if top players come in.

Attacking players are the ones who are best suited to break a record.

My father gave me one of those small, box-sized travel players when I was a kid and just a handful of records that he had. 'Zeppelin IV' was one. 'The Beatles at the Hollywood Bowl,' which is just about the worst record ever - you can't hear anything, just screaming in the background. I think there was maybe, like, an Animals record.

I met Arcade Fire on their first record, 'Funeral.' I loved that record, and it was a record I was listening to while I wrote 'Where the Wild Things Are.' Those songs - especially 'Wake Up' and 'Neighbourhood' - there's a lot of that record that's about childhood.

When I was growing up, my mother would always say, 'It will go on your permanent record.' There was no 'permanent record.' If there were a 'permanent record,' I'd never be able to be a lawyer. I was such a bum in elementary school and high school... There is a permanent record today, and it's called the Internet.

The players wanted more money, higher salary caps and they didn't have that family relationship we felt with the players. Mentally, the players were more businesslike.

Writing the record for me - every record is almost a surprise. When people ask me, what are the themes you want to grapple with on this one? I have no idea until the record's finished.

Good people hire people better than themselves. So A players hire A+ players. But others hire below their skills to make themselves look good. So B players hire C players. C players hire D players, etc.

The thing that makes the great players great, and that separates players from different players is, when you going out there whether being prepared or not, you have to react. And if you're thinking, you're already a step behind.

My first record I ever got was 'Full Moon Fever.' My dad gave me a copy when I was maybe nine years old or something. And I listened to the heck out of that record. I loved that record.

Technical players make the game easy. They have a view of the pitch different from other players. They put the last pass for the strikers. They are the players that lose two or three balls in a year.

I don't think that much anymore in terms of 'write a record, record a record, tour a record,' because in my own mind, things have changed, in that I'm just an ongoing artist. I'm not quite sure what the next project needs to be until it presents himself, and then I know. I just follow dutifully while I'm being led.

I've managed 25 years, and I can probably count on one hand players that I didn't really care for, and that's probably thousands of players that I've managed. I think that's pretty good. I love the players and I always will.

It's just fun to go out and compete. It doesn't matter what your record is or what the other team's record is. You're playing in an NFL game, and you are out there competing with great players.

You definitely need the right balance. You need players who are technically strong, but also tactically aware players, fighters, creative players. You need big players as well as agile ones.

I'd love to do a live record, I'd love to do an acoustic record, I'm already thinking about what I may want to do with the next studio record.

We were a musical family, and we had record players. It would be a family thing to listen to music together.

The players are benefiting a lot from the PSL. You saw the young players in the PSL who are now in the senior team. They are learning from the international players who play with them in the league.