Top 1200 Record Store Quotes & Sayings - Page 15

What Grandfather Burton did for me was to write a sacred family record, the small plates of Burton, or, if you will, an inspirational family record. Much of what we now regard as scripture was not anything more or less than men writing of their own spiritual experiences for the benefit of their posterity. These scriptures are family records. Therefore, as a people we ought to write of our own lives and our own experiences to form a sacred record for our descendants. We must provide for them the same uplifting, faith-promoting strength that the ancient scriptures now give us.

My whole thing is, haters are gonna hate, but haters are also going to click on your YouTube video just to watch it, so I don't really care. You helped me break the record. Even if you were watching just to hate on me, and now I hold the record, so I win.

If I have a problem, it is this: there is a store where everything costs a dollar.

It's a pretty great thing to have a record that at the end of the day you're not totally sick of and you're actually proud of. We're pretty lucky, because a lot of bands come out with their first record on a label and they're forced to make decisions they might not stand behind because someone's telling them it's a good idea. We didn't have to do that. I think that's one of the things I'm most thankful for.

When you love what you do, you just really fall in love with it. Sometimes you record a lot more songs than the album will even hold. You record like 300 songs and only 12 songs go on the album. It takes time. But if you love what you do, it works out.

Island Records was the first record label to... acknowledge me. After that, quickly, Republic Records, and then Atlantic Records, Sony Records and Warner Bros. It was all the labels at once. It was absolutely insane, like, knowing that this many record labels were interested in me.

I most definitely wanted to make a record out of it. Due to the fact of the negativity and things that transitioned over the years, I just wanted to give [Chris Rivers] his space. I had this record "Danger" which Free Smith produced the beat. It was one of the first beats I got when I started recording again and one of the first I sang to.

I love Hot Topic, it's like my No. 1 store.

What smells good in the store may stink in the stewpot.

It was at the department store where people got away from provincialism.

The study of history is the best medicine for a sick mind; for in history you have a record of the infinite variety of human experience plainly set out for all to see; and in that record you can find yourself and your country both examples and warnings; fine things to take as models, base things rotten through and through, to avoid.

Our hunting areas are the grocery store.

I always make a point to make my records different. Let's say I have a record that's influenced by hip-hop in an abstract way; for the next record, I'd try not to do that. They are all connected in a personal way but it's important not to repeat myself, because then I can always learn something about myself through my work.

I haven't been in a store to buy anything for five years.

Like a one eyed cat peepin' in a seafood store.

I'm an American except when I'm in the supermarket or at the candy store.

I think record cover sleeves really led towards, but at the same time the album as we know it didn't come into being until mainly after the Second World War because record labels realized they'd be able to make a lot more money putting all the singles of an artist onto one album and selling the whole album as a kind of a concept.

Store windows are like landing pages on the website.

Whether I'm at the gas station or I be at the store, I be there by myself. I be regular.

I'm on a shoppin spree to get whatever is in store

When I put out a record I don't really like to do covers as much, but I don't mind playing them. I do them mostly for my friends. When a friend's like, 'Man I really like that song,' I go 'hahaha' and I go home and I record it.

The function of a great library is to store obscure books.

I've always been a thrift store kid.

I find myself dancing in the grocery store.

I think there is something bigger in store for me.

When our people were fed out of the common store, and laboured jointly together, glad was he could slip from his labour, or slumber over his taske he cared not how, nay, the most honest among them would hardly take so much true paines in a weeke, as now for themselves they will doe in a day: neither cared they for the increase, presuming that howsoever the harvest prospered, the generall store must maintaine them, so that wee reaped not so much Corne from the labours of thirtie, as now three or foure doe provide for themselves.

The political terms 'will' and 'popular will' have a long track record in Western history going back to Rousseau. That record is profoundly anti-democratic, essentially inviting elites to interpret what the common people believe and want. In litigious modern America, that would be a judicial elite telling us how we meant to vote or should have voted.

The wise man sayth, store is no sore.

The best gifts come from the heart, not the store.

Nothing exists if a store doesn't buy it and you're not able to get it.

I was turning 20 during my first record. Those decade birthdays always kind of cause me, it seems, to reflect, look back, and then look forward. I just was closing this period of my life where I was living in a car and scrambling my whole life to then signing a six-record deal with Atlantic.

I've been using Steinberg's Cubase exclusively to record and mix my music since the very beginning of my career. It's no exaggeration to say that Cubase has been my partner in bringing my music and message to the world, and, now, they are helping to bring my story to the world as well, as I record the audiobook of my novel.

We play everybody's Christmas records at our house, and sometimes you think, 'I'm not gonna play my own record; I'd be embarrassed.' But I'm gonna play our record this Christmas, because I love the songs!

'Something/Anything?' was kind of a different record, since I'm playing everything myself. A lot of the songs on there have a particular kind of instrumentation that is much like a guitar quartet, and in some ways, it's an exceptional song on that record because so much of the writing on 'Something/Anything?' is piano-oriented.

For me, what was important was to record everything I saw around me, and to do this as methodically as possible. In these circumstances a good photograph is a picture that comes as close as possible to reality. But the camera never manages to record what your eyes see, or what you feel at the moment. The camera always creates a new reality.

In the U.S. and Canada, we have one store for every 12,000 people.

I wanted to make a record with a twist. I wanted to prove that you could make a record that concentrated on song craft but that was still fun, something you could listen to and love and even dance to, but not hate yourself in the morning. I think I did that. Most of my lyrics come from my own personal journals that I have kept over the years.

When it all started, record companies - and there were many of them, and this was a good thing - were run by people who loved records, people like Ahmet Ertegun, who ran Atlantic Records, who were record collectors. They got in it because they loved music.

I worked at the cosmetic counter at a fine department store.

I think there are things that need changing obviously. I think there are things that I think we overdid on the first record, I think there are things we didn't do enough of on the first record. And as a writer and directing this project, I know when to pull off now.

Maybe Christmas, the Grinch thought, doesn't come from a store.

Vulgarity is setting store by the things which are seen.

My mother used 'Cinderella' as the antidote of what was in store for me.

You can't go to the store and buy 'the Engagement Platform.'

I worked at a school supply store as a cashier.

I love the produce section at the grocery store.

I would model well-being by presenting myself as a high-energy person who loves what I am doing and who is thrilled to be able to offer books, tapes, and products designed to make people feel good. I would explain that they are in a store filled with this kind of energy and that creating such a space is exactly why I got into the business in the first place. If you want to feel good, then my store is the place you should visit on a regular basis. I would stay very informed about what's out there and make sure I carry many things with very high energy.

We'll burn your store right down to a crisp.

Intelligence is not the ability to store information, but to know where to find it.

I get homesick driving to the grocery store.

I worked at the cosmetic counter at a fine department store

The human rights record within China seems to rise and fall over time, but it's very clear that in the run up to the 2008 Beijing Olympics and since then, there's been a greater intolerance of dissent and the human rights record of China has been going in the wrong direction.

We'd lie on the floor, turn the lights out, put two speakers on either side of our ears, and try to blow our minds with music. I know that I want to make a record that does that yet a record that, if it was played on the radio at twelve in the afternoon, the guy making the wall - the guy cleaning the motorway - he's got a melody to hang on.

President Bush, yes, spent money like a drunken sailor, and left the nation with a record $400-billion deficit. President Obama, however, is spending far more money than Bush, with a record $1.8 trillion deficit projected for his first year.

The safest place to be during an earthquake would be in a stationary store.

From meeting Robert Plant, John Bonham, and John Paul Jones, teaming up, rehearsing, playing selected gigs outside of Britain, coming back into Olympic Studios to record the first album, and then going to America, which we crack open like a nut with the debut record - all that happened, literally, within months.

Always store beer in a dark place.

Some things look better inside of the store.

Red House Painters were doing cover songs before our first record deal. I remember live shows where we did an AC/DC song; I think we did 'Send In The Clowns' by Judy Collins. We did 'The Star Spangled Banner,' which came out on our third record.

You can't go to the store and buy a good ear and rhythm.