Top 1200 Record Store Quotes & Sayings - Page 16

I painted billboards above every candy store in Brooklyn.

Andrew [Ridgeley] and I had demoed a couple of our songs very cheaply, and we weren't expecting any kind of record deal. We just walked around with our demo tape, trying to find someone to give us the money to demo properly. Instead of that, we got a record contract. It was just an incredibly lucky break.

I felt like the last record was a real step forward for us. I was very pleased to see some people saying the same things - that it was a real departure, that it was much more individual, that it sort of a power of its own. I really did feel those things very strongly, it's our most realized record.

We've always been inspired by England; my father's first store was here.

Slim Thug and Z-Ro can make a record together, and even Flip and T.I. can make a record together, but there's a difference between that and Flip and T.I. holding hands and being friends. When people say they want these records, they mean that they want us all to be friends.

The first thing you see when you walk into a store is color.

When I was a kid, if I liked something from merchandising, I'd have to go to the toy store.

I went to a general store. They wouldn't let me buy anything specifically.

I love the grocery store. I would never have my groceries delivered.

Financially I'm comfortable. But life has a lot more in store for me.

I don't like meat from the grocery store, it makes me nervous

When a customer enters my store, forget me. He is king.

...A long struggle lies in store for me in this field of color.

The mindset of chasing that next #1 record doesn't exist for me anymore. It's more about being a well-rounded entertainer than being a pop artist. Obviously, it would be wonderful to have a hit record but I don't base my happiness on that anymore. It's about the accomplishment of a project that satisfies me. I just want to enjoy the ride.

It is not happiness until you capture it and store it out of the reach of time.

When I have seen by Time's fell hand defaced The rich proud cost of outworn buried age; When sometime lofty towers I see down-razed And brass eternal slave to mortal rage; When I have seen the hungry ocean gain Advantage on the kingdom of the shore, And the firm soil win of the watery main, Increasing store with loss and loss with store; When I have seen such interchange of state, Or state itself confounded to decay; Ruin hath taught me thus to ruminate, That Time will come and take my love away. This thought is as a death which cannot choose But weep to have that which it fears to lose.

Bargain... anything a customer thinks a store is losing money on.

I choose to open my arms to all the good that life has in store for me.

Maybe I'm biased because I'm from there. It's close enough to New York but it's not swallowed up by New York's hustle and bustle. Philly's busy enough. There are tons of record stores and record-head friends and plenty of D.I.Y. shows. It's a place where people pass through and bands don't usually skip on tour. There are lots of music resources but it's not too over the top.

Blackheart Records being 25 years old represents staying power and the fact that we weren't able to get a record out through conventional means, so we had to create this record company to put out our records if we wanted to be a band that had records to give out to their fans.

I wanted to buy a candle holder, but the store didn't have one. So I got a cake.

'Circuital' was just so much about us as a band. We captured every song live, including the main vocal. That is probably my favorite My Morning Jacket record because it's really the essence of us being us. The solo record is just a completely different essence of just me trying to figure out stuff.

Don't be afraid. There are exquisite things in store for you. This is merely the beginning.

Most shoppers don't buy everything they need at one store.

As great a store Have we of books as bees of herbs or more.

Love spends his all, and still hath store.

If something's a high-margin product, I understand its importance to the store.

A lot of the gear came out of some of the old studios here in New York City. We picked up a lot of old microphones, reverb tanks, tape machines, so yeah, we try to record the old way, which takes more time and energy, but it certainly feels better when you're getting to the end of the process of making a record.

I'm like the opposite of one of those comedians who's funny on stage and depressed behind closed doors . On record, I can get pretty dark, but in real life I'm very carefree. But when I'm happy, I ain't writing songs, I'm out having a laugh, being in love. I wouldn't have the time. If I ever get married, it'll be 'Darling, I need a divorce, it's been three years, I've got a record to write!'

When we're putting a record out I never ever consider how people are going to respond to anything. I only ever think about how I feel about it really, and as long as I feel I'm making the best record I possibly can where my head is at that time, then that's all that really matters.

I ask myself all the time, 'Why keep doing this?' If I wasn't exploring or finding something to write about that was personal or meant something, there'd be no reason. If I was ever making a record just to make a record, or ever just like, 'Just put something out there that someone will buy,' I would quit.

In the USA, it's harder for a black man with no criminal record to find a job than a white man with a criminal record, which is to say that race is actually a bigger factor than ex-felon status. But if you're both, it's almost impossible to find a job.

I don't think I know better than what the cosmos has in store for me.

Hence the Bible has no record of his years of preparation; the record is very abrupt. Something about his childhood is said, very fragmentary. And only once is he mentioned: when he was twelve years of age and he started arguing with the priests in the temple - that's all. Then there is a gap of eighteen years... nothing is mentioned.

It's a template record for the intersection between pop and noise, starting out with 'Sunday Morning' - a real beautiful, almost innocent sunny day song. You have a lot of different types of things on one record. It can be really pretty, or it can be really awful inside, depending on where your head's at at the moment. I got it in ninth grade and I think I've listened to it every month since then.

You know, punk bands now sell with one record - their first or second record - sell 10 times the amount of records than the Ramones did throughout their career with 20-something records. That's why I go over to Johnny Ramone's house and do yard work three times a week, just to absolve some of the guilt.

I've learned to duplicate my beauty regimen from drug store products.

We'll turn down crappy games that are submitted to the Epic Store.

Always farm fresh eggs, never store bought.

Galleries are easier to steal from than the Apple Store, maybe.

Well, I don't let anyone record with me that is not a fan of mine or believe in my music. Everybody that records for me, from Bob Dylan on down to George Jones, everybody loves me and my music, and I knew they would do their best that they could do, and they did. I didn't doubt them a bit. There's some country people that I wouldn't want, which didn't record with me.

But now, with the last two years of touring and being on the road, I've learned that a live show should never sound like a record; a record should sound like a live show.

When I write, it's intimate. I write in the car, and I don't even hear, like, ambulances driving past me because I'm in my car, listening to the music, writing. I record in an attic with no booth. It's not like I'm in the dark with candles, but it's like a house, a home, and I record like that. I think that plays into the music.

Close the playand keep the store open nights.

I went to a general store but they wouldn't let me buy anything specific.

In the factory we make cosmetics. In the store we sell hope.

I would give anything if it went back to analog age. I mean, music was so real, and you had to sing everything on a record; you had to play everything on a record. There was no cut-and-paste - you couldn't get the chorus right one time and then paste it every other time; you really had to be good at what you did.

When it comes to store-bought sauces, it takes a lot to impress me.

I firmly believe in destiny, so let's see what my luck has in store for me.

If you have good songs and a real desire to make music, the next thing to do, instead of approach record companies, is to get yourself a really good manager because then it allows you to focus on your profession of being a musician. Then they can focus on the darker art of the record label and the music industry.

A piano store looks like a funeral parlor for music.

My mother did literally hitchhike barefoot to the country store.

The thing about wisdom is you store the past in your head.

Phil Ramone and Quincy Jones were very close. Phil Ramone was one of the greatest record producers of all time. I don't know if they talk about him enough in the film, but he produced [Frank] Sinatra, Barbra Streisand, all of Billy Joel, Paul McCartney - Phil Ramone was one of the major record engineers and producers.

If I didn't believe in what I'm doing, I'd rather go to work in a dime store.

The library is like a candy store where everything is free.

When I hear a great new record, especially when it's by someone that I respect and admire, then a part of me is like, Why didn't I think of that? Why didn't I write that record? It makes you sick, but in a way it can be a great thing. It makes you want to go back to the lab and start writing again. Maybe it will inspire you to try a little harder.

I shop at a computer store called 'Your Crap's Already Obsolete'.

In the very beginning, I kind of had this hip-hop, cut-and-paste approach to music. The first record, especially, was from looking at people like DJ Shadow and A Tribe Called Quest, and I think a phase that a lot of people go through when they start sampling is to go out and stamp on twigs and try to record that kind of stuff.

In my store, I don't do anything political. There are no signs up, and I'm not pushing anyone.