Top 1200 Record Store Quotes & Sayings - Page 3

From the store windows, the store touch-points, the website, social media, or a magazine, it has to be one pure customer experience, not just to gain market share but to gain mind share.

When I produce someone's record I have to remember it's their record..no matter what I bring to it..er, sometimes that's not too easy:) It is a responsibility made less easy by people I work with encouraging me to play guitar on their record...A soon as I start playing guitar on someone's record it inevitably starts to sound like me...not always a good thing.

My father's whole life was work. He had a retail store in Ossining, New York, and I mean, he was down there at 6:15 every morning. The store didn't open until 9, but he hadda be down there. That's all he knew.

Portland has influenced me in that it is very much where I feel most "at home" in the world. I grew up there. My family is there, my closest friends are there; my favorite bookstore, record store and coffee joint are there. Portland changed a lot during the eight years I lived in Bellingham but, every time I went back, it always felt like home.

People don't understand the kind of fight it takes to record what you want to record the way you want to record it.

What I say on a record and what I say off a record is two different things. And that's always been the case. There's a difference between confidence on a record and arrogance.

I feel like I have to avoid certain thrift store-isms, having been known for the thrift store paintings. It's like I have to not paint that way.

There's only so much we can do from the home office to merchandise a store well. If you live in that community and work in that store, you know more about what you should be featuring and the actionality on an end cap than someone from Bentonville, Arkansas does.

Well, really the way worked was that I had probably built fifty robots before Mystery Science Theater, and I had sold them in a store in Minneapolis in a store called Props, which was kind of a high end gift shop.

I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way. That is what is fun for me.

I've played death metal, punk rock, hardcore, funk... I've done it all. And all there really is music and at the end of the day, anybody who has a record and puts out a record that's basically the same song 13 times over on one record; to me they're just cheating the fans.

Our first record as the Veronicas was a big mainstream success. Maybe if we'd had the indie record first, then the breakout record, it would have been supported by Triple J.

I'm always gonna do my own thing. I wanna be something - whether I'm 19 years old working at a pet store, or I'm 19 years old with a No. 1 record - I wanna be the biggest I can be to my crowd, no matter what my crowd is.

And then after a while he got me a job at the video store next door. I used to lock up the store and go next door and hang out all the time and watch movies and stuff.

The Independent Record Store is the reason why i STILL do music...It seems like they're the only ones that Really care about the real music lovers...we need them...they're our balance to all of the music we are FORCED to listen to...they're the only ones that may still suggest something NEW and FRESH instead of just what's popular.

I think having worked in a department store setting, if my life had not taken a drastically different turn when I became an actor, there's a very high probability I would have continued to work at the department store.

Chadron had a water tower, grain elevators, a tanning salon, a video rental store, a small liberal arts college, a Hardee's, a stoplight, and a curling yellow sign in the pet store window that read, 'Hamsters and Tarantulas Featured Today.'

I feel like the live record thing is something that I've been getting used to as the years go by and with this being my second one, I'm continuing to learn what works and what doesn't work. A live record is an example of that authenticity and that realness that you find in imperfection and you can hear that in this record.

When I was growing up, you would put on a KISS record or a UFO or Aerosmith record and listen to it from the first song through the last song. It's been so long since a band has put out a record like that.

I went to the store to buy a race car for my son's birthday, and the next thing I know I was working part time for the holidays. Then in February 2002, I started working on a plan to purchase the store.

You have to pretend that you're not bothered by your record leaked early. So that's the tack that I'm taking. It's like if you're working in a store and people come and openly shoplift from you, and you're not allowed to say anything about it. Instead, you're supposed to smile and go, "Hope you enjoy that!" I'm not going to complain about it, I don't get to make the rules. It's just really funny how that works.

George Bush, Dick Cheney, every one of the speakers praised John Kerry's war record. No one said he was unfit. They said he has terrible judgment, and that's his record as a senator. Nobody questioned his military record.

I'd love to do a live record, I'd love to do an acoustic record, I'm already thinking about what I may want to do with the next studio record.

Writing the record for me - every record is almost a surprise. When people ask me, what are the themes you want to grapple with on this one? I have no idea until the record's finished.

Most of us cannot afford to store a year's supply of luxury items, but find it more practical to store staples that might keep us from starving in case of emergency.

You don't necessarily know you're consuming sugar when you're using store-bought salad dressing, or store-bought tomato sauce, or healthy granola bars. It's added to all these foods.

I'd like to put together a think tank of people - economists, futurists, city planners, a few department-store people - to discuss reinventing the department store.

I remember when I was a kid and I would go to the comic-book store, I would have no idea what was going on in that month's issues. Sometimes I wouldn't even know what comics were coming out until I walked into the store.

Coconut oil is a must for everything. It is fresh from the earth, so it naturally works to moisturize my scalp, skin, hair and even helps to remove eye makeup. It also smells delicious. You can buy it at a beauty store or the grocery store.

My eating habits are the only behaviour of mine that are still manic. I can't walk by a restaurant, a bakery, an ice-cream store or a candy store without making a purchase; the amount of calories I take in today are at least five times as many as I took before starting on all of this medication.

I'm usually going to make a record, finish a record, start a record or start a tour or between tours.

I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.

When we start a new store, we make sure that we transfer enough starter culture from other stores that are already Whole Fooders, who've already incorporated our values and our culture within themselves into the... into the store.

I'm super happy to see the record doing its thing and for people to like it, but for me, I had a great victory just as a person. I overstepped countless obstacles by creating that record. And the record's a metaphor for the personal steps I [took] throughout the past year.

When you're making a record - and I've never said this to anybody, but it's true - when you're making a record, and you go, 'Man, this might win a Grammy!' you feel that level of confidence when you're making a record.

Look at Macklemore! Perfect comparison, we're two artists from the same city who both had meteoric rises at different periods. I probably sold more albums, because in that era you couldn't steal them; you had to go to a record store to buy them. But Macklemore had more power.

I think when you go to a store and you go to the Justin Timberlake page and stream it from there, that's great, but that means you went to the store. iTunes Radio lets you discover it without you having to think about it.

If I go to the department store, I get no excitement: I can buy the entire department store instead of one bag. So I lost excitement of shopping.

As for my store, most artists' sites send you to a third-party storefront like iTunes, whereas we're disseminating it ourselves. I was always uncomfortable with the thought of sending somebody who came to my site to buy something to some other store. It just occurred to me, "Why can't we do this?"

Someone gives jewelry, and there's a bit of romance. If you buy it from a store, the store is trying to romance you. Even when I'm making the jewelry, I have to be romanced.

I wrote half the record in 2002, which basically concluded with us releasing "Baby's Got A Temper," the last single. I think after the disappointment of that record for myself with the lack of energy and the way the record came out, I would say that was probably the low point of The Prodigy.

I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.

Up until recently, I've always been a vintage store guy. I get a lot of my clothes second hand. I really enjoy being able to look through different styles you can find and how eclectic the vintage store vibe is.

When I was younger, I felt like I could say anything and it was funny. I've started to realize that what I say and do does affect everybody around us. I'm not just talking about what you put on a record - even just walking into a store and how you interact with the person behind the checkout counter.

The idea of 'Freedom's Goblin,' to me, leads to a wild conversation. I would hope that father and son, driving home from the record store, could have a conversation about what that title means. Because to me, it's the duality of being free: the evil and the good, and how it's a constant paradox.

Even last minute, you can find a great makeup artist at your local MAC store or department store makeup counter, and a lot of times they'll hook you up for free.

I discovered lots of music; electronic synth bands from the mid-'80s like Depeche Mode, Soft Cell and Cabaret Voltaire. My friends and I used to take two-hour trips to the record store in Newcastle and we started buying copies of The Face and i-D. And then I went to art school and as time progressed, I ended up where I am now.

People don't go to the record store anymore. It's crazy. The culture used to be so much stronger. People would go and support you, and go pick up the album. Not just for the music, but for the liner notes, for the artwork, just for the whole thing and to have it, and be able to say, 'I have this album.'

That Rubio is an open-borders, Chamber-of-Commerce Republican is undeniable from his record, and when conservatives compare any candidate's campaign promises to his voting record, they believe the record, not the promises.

It's like the iPod playlist has killed the way we think of the normal album, so let's think of this as just saying you go into your record store and all those categories and all those different ways of segregating music have been thrown out the window, so the difference between myself in real life in that is that I'm the opposite.

A record is a commodity, but so is a hamburger. Just because I work at McDonald's doesn't mean I reap the benefits of that commodity. That's the reality with most artists in the record industry: They're getting paid a subsistence wage so they can keep producing a commodity for the record label.

I like those blow-up beds. "This becomes a full size bed in three minutes!" Well, a mattress kicks your ass. Zero seconds. "Yeah, but you can store this thing." You can store a bed, too - in the bedroom.

I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way.

That's my favorite subject because it really levels the playing field for artists these days. You don't have to sell out to the record company. You don't have to get a five hundred thousand dollars, or whatever, and pay them back for the rest of your life to record a record.

I found this really fantastic used record store in Japan, and I bought all these different records and different 45s, and one of the 45s was just, it had the theme, "Green Leaves of Summer," the theme to "The Alamo" on one side, and then on the flip side was a theme to, the theme to "The Magnificent Seven."

Whether they run a record company or a grocery store, every boss will tell you you're in big trouble if you're borrowing more than you can ever afford to pay back. Delaying the pain for future generations is suicidal. We've got to start getting the deficit down right now, not next year.

Every father and mother are the family's store keepers. They should store whatever their family would like to have in case of an emergency...(and) God will sustain us through our trials.

When we lessen lectin consumption, the gut wall reseals and the stimulus to store fat is removed. Lectins no longer bind to insulin receptors, and we no longer store fat aggressively. Weight loss invariably follows.

One of my friend's dad owned a grocery store, and one of the kids who worked at the grocery store was a wrestler. We got tickets to one of the shows, and then we stayed after, and they asked us if we wanted to get in there and train a little bit.

In some markets, we don't have a lot of room to expand. We've done studies of store density and essentially found our more dense markets have more than one store per 15,000 people.