Top 1200 Record Stores Quotes & Sayings - Page 4

Some people I've talked to have had really an interpretation of this record as being nostalgic. But in some ways, when we were writing Stay Positive, I was really obsessed with age. I kept saying it was a record about trying to age gracefully. This record, I think actually was us aging gracefully.

The fossil record is incredible when it preserves things, but it's not a complete record.

That's the strange thing about making a record. You can be in one mood for an hour, put it on a record, and you're remembered that way.

Judge Roberts' civil rights record and views remained the most controversial and unexplained part of his record when the Judiciary Committee hearing concluded, just as his civil rights record and views had been the most controversial part of his record when the hearing began.

I didn't sign a record deal; I didn't do any of that. I made my record independently, and I went out and hit the road in a van.

We put everything we had into this record, just like we do with every other record that we make.

I've always been in bands writing songs with friends in order to play shows or record a future record.

ThinThread was not the program of record of my predecessor, Ken Minihan, OK. I did not make ThinThread the program of record while I was director. After I left in 2005, Keith Alexander also chose not to make ThinThread the program of record.

I bring a record home, and it connects with me like nothing else. In my ideal situation, somebody will do that with my record.

I think basically lables were more interested in a Richard Page record than a Mr. Mister record.

My wife says, and I agree with her, that what would be really great for Maine would be to legalize dope completely and set up dope stores the way that there are state-run liquor stores. You could get your Acapulco gold or your whatever it happened to be - your Augusta gold or your Bangor gold. And people would come from all the other states to buy it, and there could be a state tax on it. Then everybody in Maine could have a Cadillac.

Originally, after 'Tambourine' came out, another record was supposed to come out, but I had issues with my record label at the time, which was Interscope. We couldn't agree on a record, so that took some time. I had to leave them and find a new label.

When I was up in New York, the first record my parents bought me was the Terror Squad record with 'Lean Back.'

That last record I did, I think I played every guitar on the entire record. I want to do something more fun and exciting.

For the record, we’re not friends. (Stryker) For the record, I don’t care. (Savitar)

No one was more surprised that that first Boston record took off than the record company itself.

The record companies don't give you a chance, like in the old days when they went, 'Here's a pile of money. Go make a good record!'

I always said, if I got a record deal, I'd want to record the best songs I could, whether I wrote them or not.

In 1940 I came across a record by Jimmy Yancey. I can't say how important that record is. From then on, all I wanted to do was play the blues.

I'm a pretty big P.J. Harvey record fan and you can really hear New York in his record

I like to record something pretty much as soon as I have an idea for a song, but I'm on so many buses, I have to record on my mobile.

Voice of the Spirit' was a project I'd been talking about for a long time. It began as an Appalachian record. But it's a record of all pure Southern gospel.

You can get so many sounds out of one record. Every record can be used in some way.

Traditionally, tours were a means of promoting a record. Today, the record promotes the tour.

I have no problem going on record with this and probably have gone on record with this before, there aren't that many people who I respect. There just aren't.

I'm consistently on record and will continue to be on record as opposing concealed carry.

We never threw a record together. Each record was done really seriously, as if our life depended on it.

I know if I don't tour people will forget the record and you run a high risk of the record failing.

I still find time to record during the season. Offseason, I record every day until 7 A.M. - all night.

When I look at the record of President Obama concerning the major issue security I think it's a highly satisfactory record from Israeli point of view.

My first vinyl was a Kiss record and a Walt Disney record. I liked the energy of rock and roll.

The Radiohead record, 'The Bends' is my all-time favorite record on the planet.

I just wanted to make a record that wasn't escapism. Like, I didn't want to write another record that was devoid of meaningful content.

I used to work in a record store. I'm kind of a record nerd.

I wanted to make a jazz record. I didn't want it to be a standards record.

Looking back on the production of 'Nevermind,' I'm embarrassed by it now. It's closer to a Motley Crue record than it is a punk rock record.

The live thing is separate from the record for me. I have to figure out a way to make the songs work live. It's always going to be different than it is on a record, because every record I've made, there are people playing parts on there that are not going to be coming on tour with me. As much as still feeling connected to it, it's more like rediscovering.

I was the youngest producer to have a No. 1 record when Kris Kross first came out, and that was a record I held for I don't know how long.

Music was so important to the culture when I was growing up in the Sixties and Seventies. We just expected that Bob Dylan was going to make a great record, and it was normal. It was like, 'Okay, here's another great record by Bob Dylan; here's another great record by Led Zeppelin.'

Riding a horse and using a phone camera is tricky but if you don't take pictures or record the moment, you lose it. You want to have a record of it.

Everybody tells me I have a good record. Sometimes I have to think that I have to keep building my record after going five sets.

I remember at a very early age ringing up record labels I found in the Yellow Pages, and asking them for a record deal.

When I heard Charlie Parker the first time on a record, it had seemed like an old, scratchy kind of record and I didn't get it.

Congratulstions on breaking my record. I always thought the record would stand until it was broken.

I'm 23, and if I wanted to release a record when I was 17, I could have released a record, but I'm really glad I didn't.

Record labels today are much less patient: Artists have a bad record, and they're gone.

The Radiohead record, The Bends is my all-time favorite record on the planet.

Hillary Clinton cannot run away from her own record of incompetence or from the Obama record of abject betrayal.

The story of our band is that we were this relentless touring band in those early years. We were leaving day jobs and going off on the road and having fun and seeing the country for the first time. We were playing Chinese restaurants and basements and record stores and houses. We were crashing on floors and it was all new and exciting. It was like a vacation. It didn't feel like work. I couldn't wait to go on tour back then. I would be sitting at my day job or my apartment, just itching to go. There were so many adventures that were about to happen.

I did not know about awards. I just wanted to break the world record and the Olympic record.

My favorite record, growing up, was 'Songs of the Haunted House,' a Disney record that was just wackiness. It's still one of my favorites, actually.

I put a song on Soundcloud, and Annie Mac made it record of the week, and a month later, I signed my record deal.

Things like 'Lucky Man' were never written to even be a record, let alone a hit record.

That memory of making the record is a huge part of the record itself.

When I work on someone else's record, I'm happy to alter the way I approach it, if I happen to like who they are and I'm interested in their music. But I know it's their record.

When my record comes on, you know that's a DJ Khaled record. That's my formula, and the people love it.

I've always wanted to record a jazz record. I did one in the '70s with Barbara Carroll. It's been a journey.

Looking back on the production of 'Nevermind,' I'm embarrassed by it now.' It's closer to a Motley Crue record than it is a punk rock record.

I'm a pretty big P.J. Harvey record fan and you can really hear New York in his record.

I try to make music with emotion and integrity. And authenticity. You can feel when something's authentic, and you can feel when it's not: you know when someone's trying to make the club record, or trying to make the girl record, or trying to make the thug record. It's none of that. It's just my emotions.