Top 1200 Record Stores Quotes & Sayings - Page 5

It seemed like whatever I touched, I was breaking record after record. I just knew I was on. I completely destroyed all existing shooting records there - an omen of things to come.

I never thought of breaking a record. The only ambition I had was to become the fastest century maker for India, which I did when I broke Azharuddin's record.

I think it would be wrong to consider 'Ashes and Fire' a love album. The record is obsessed with time. I believe that there is a kinder view of the self on this record.

We recorded the record on a Saturday afternoon March 30th and I heard the record for the first time on April 6th. I was driving to school, literally seven days later.

Actually, I have another record I made with them in 1976, but I've had such a bad experience with record companies, because I keep my head so much in music and not in business.

I think when you're 17 and you're angry, you're angry about very short-term things. And there's nothing wrong about writing that record. It's a very real record to write; it's the realest record I could write when I was 17. The problem is, when you're 28, it's not the same thing; it can be a put-on.

I'm not anti single. I'm not one of them niggas that say "Aww record sales ain't everything." No. I wanna sell good. I would love a platinum record on radio and charts.

There's really not much conscious thought involved when I record. I just kind of record what feels good. I'm not trying to make it sound like anything.

Like the vast majority of my constituents, I continue to be concerned about record profits reported by petroleum companies at a time when consumers are paying record high prices for gasoline.

I wanted 'Imitations' to be a fully realized record from start to finish, with a cohesive sound and a sequence that took you from one song to the other, just like I would with a record of original stuff.

Stores can be indifferent to something new.

The type of mixing that was out then was blending from one record to the next or waiting for the record to go off and wait for the jock to put the needle back on.

No two of our stores are the same.

I don't mind bad stories when it's true, but we have an administration where the Democrats are making it very difficult. I think we're setting a record or close to a record in the time of approval of a cabinet. The numbers are crazy when I'm looking.

In the first study, Grant and his colleagues analyzed data from one of the five biggest pizza chains in the United States. They discovered that the weekly profits of the stores managed by extroverts were 16 percent higher than the profits of those led by introverts—but only when the employees were passive types who tended to do their job without exercising initiative. Introverted leaders had the exact opposite results. When they worked with employees who actively tried to improve work procedures, their stores outperformed those led by extroverts by more than 14 percent.

I like consignment stores.

'It Still Moves' is really the only record in our catalog that I've always felt I wanted to remix. Part of the fun of that record was that we recorded it all to tape, and it was all super-duper organic.

The opportunity to record the song came when Phil Collins' record label, Atlantic, was doing a tribute album to him and they asked all these different artists to do renditions of his songs.

We can't nominate such a weak candidate. I'd love to be able to get one-on-one with Gov. Romney and expose the record that would be the weakest record we could possibly put up against Barack Obama.

If you don't have a record deal, you've got to be a record company.

As I look back, I understand what [the record company] was getting at. They were trying to market a record and make it as commercially acceptable as possible. It hurt me and my credibility with critics.

In reality, there's a limit to putting a record out yourself. When it comes to working with major record companies in the context of them owning anything, though, that will never happen. Ever. In my life.

When I was 13 I'd record myself on my karaoke machine and if I didn't like it I'd record it again. I'd do that for hours, making sure each line sounded just right.

There's such a magnitude of record taking. It's so exhaustive. Bandwidth and hard drive space are able to accommodate limitless capacities to take a record of anything and everything.

Well the way I ended up with my own record is that I did this concert at Wesleyan University. It was just one night and we had no thought of making a record.

It's always interesting to me to see people projecting things, like people would say, "This record is much more mature than your other record" and I would think, "Well, this record has more songs from when I was 18 on it than the other one."

The consistency - either the theme from record to record, or the band, the different musicians - it really varies. So if I get criticism, I don't worry about that, because I'm still being creative.

All I know is record, record, record, record.

I made this record without a record label.

Obviously, what happened from the 'Immortalized' record was we achieved a level of success that, to be perfectly honest, was unpredecented in our career. Every track released from that record ended up going No. 1 at radio.

In theory, when you're working with a record label, you're just borrowing their money. And that's basically how the record industry works, right? It's like, you borrow $100,000 from a record label, so you don't make any money until you make back that money for them. In theory, they have you held hostage, so you've got to do every little stupid thing that they want you to do.

Even Disney - off the record, but on the record - knows that I have the power. They love me because of that. I don't act like it. I'm not walking around all cocky, but the tables have turned.

I don't make records for pleasure. I did when I was a younger artist, but I don't today. I record so that I can feed people what they need, what they feel. Hopefully, I record so that I can help someone overcome a bad time

I won't necessarily make new music because when you make a record there are these great expectations on the side of the record company who are going to produce your record, promoters that are going to do your shows. They want you to do interviews, they want you to play shows. I mean, they want it to be a campaign.

I'll put my conservative record up against anybody's record. I have a 10-year career in public service, and I'm proud of the things I've been able to accomplish.

'Far Beyond Driven' was a record that was probably ahead of its time, and to this day, it still sounds as fresh as just about any other band that's out there. It was a record that was pushed to another level.

Look at my track record for showing up to fights. Look at my track record of finishing fights. Look at my track record of getting fight night bonuses. Ask yourself if you think that if the UFC decided to truly put marketing dollars behind me that they couldn't sell me or my fights.

Vintage stores are great for jeans.

Pet stores just sell their animals.

I despise shopping and department stores.

Far Behind' is a single from Candlebox's self-titled record from 1993. The record came out on Madonna's Maverick imprint and went quadruple platinum, regardless of how much it sucked.

I was 19. 'The One And Only' was my first record. It went to No. 1 and I was this big star. I thought that was what happened when you released records. Of course that is not normal. It's a great record and I'm still really proud of it but I think it was a bit of a fluke.

The CD, it should be noted, was born out of greed. It was devised to prop up record sales on the expectation of people replenishing their record collections with CDs of albums they had already purchased.

If you ignore somebody's record and only focus on something that happened 25 years ago when all they were doing even then was trying to stand up for a minority group that felt excluded and discriminated against, then I don't - I think that is a distortion of a person's record. I mean, a person's record is full, not just the parts that you want to use against them.

When radio stations started playing music the record companies started suing radio stations. They thought now that people could listen to music for free, who would want to buy a record in a record shop? But I think we all agree that radio stations are good stuff.

We made 'Wretched and Divine,' and as much as I love it, it's a pretty sparkly record - it's a record that could be done as a play because it's very theatrical with no grit.

The first record we made in three days. We literally stayed up for three days making the first album. It was crazy, crazy, crazy for us to do that. We couldn't believe anyone would give us a record deal. I look back on that record fondly but with just the slightest bit of a cringe.

The crowd loves a record, and if they're gonna be standing out there in crazy, blistering heat on the 4th of July, I mean, if they're doing it, I may as well try and give them a record.

I love going to second-hand stores.

The most important record is the wins record that I have.

I hate shopping at stores, online, anywhere.

You can't separate the clothes from the stores, from the environment.

In the past, like for the last Rilo Kiley record, 'Under the Blacklight,' I wore exclusively hot pants because the themes in that record were the underbelly of Los Angeles.

'Love Tattoo' I recorded without a record company. I'd gotten turned down by the record companies - they said they didn't get me, which is fine, I suppose.

Should alcoholics go to liquor stores?

I struggled with the pressure of having the successful record after the first record. Second album syndrome. I'm living proof; it's very real.

R.E.M.'s 'Automatic for the People' - that's probably one of my favourite records - Michael Jackson's 'Thriller' - that's some record - Crowded House's 'Together Alone' - that's brilliant, fantastic record.

I find it disturbing that no member of the Senate Armed Services Committee is willing to acknowledge that record of failure and to ask our next secretary of defense what he proposes to do to amend that sorry record.

The quicker we get rid of the lobby system the better for all of us. I don't think in this day and age it is tenable to have these nods and winks, and on-the-record and off-the-record briefings.

Remember...this year has already seen more billion-dollar weather-related disasters than any year in US history. Last year was the warmest ever recorded on planet Earth. Arctic sea ice is near all-time record lows. Record floods from Pakistan to Queensland to the Mississippi basin; record drought from the steppes of Russia to the plains of Texas...This is what climate change looks like in its early stages.