Top 1200 Record Stores Quotes & Sayings - Page 9

I've created over a million jobs since I have been president. The country is booming, the stock market is setting record, we have the highest employment numbers we've ever had in the history of our country. We are doing record business.

I try to visit stores because it's important to meet the teams and to hear the comments of the salespeople.

I've numerous times heard mothers in stores tell their children not to go near me.

By the summer of 2012, the majority of the televisions you see in stores will have Google TV embedded.

Shopping in the right kind of stores and looking for healthier foods can be a wonderful adventure to health.

With the second record (2012's Anxiety), I was quite jaded, and exhausted, and tired. With this third record, I feel that I've come full circle. I had gotten to the absolute pinnacle of how bad someone could feel.

L.A.'s large convenience stores are so big they can accommodate up to twenty armed robbers at one time.

I think it's stripped down as far as electronics go, but we just wanted to write a record that we felt better represented how we sound live with more of a rock feel, which is the direction we've been heading. It's just an evolution of the band throughout the years. We worked on this record longer than any other record, so I don't know if "stripped down" is how I would put it; I think it is a little bit more raw sounding.

Obviously it's difficult not to compare one record success-wise, or sales-wise, or whatever, but I think you're always going to have moments - whatever record you've got - of insecurity.

Kaputt was just a record that did really well for us, and therefore our record label and our booking agent said that we should go out and take our message to the world.

I worked very hard on me and David's record and I'm extremely proud of the record, as most people are who were involved with it. And, it's been wonderfully received by people who like our kind of music, they think it's something special, and so do I.

You could have a zillion Facebook followers. Those people don't buy records. It's about a hundred to one...Record companies, they don't have any money so they see social media as the free marketing...So,...'Billy, light yourself on fire and stand upside down, and that'll market the record'. I've spent a lot of time thinking about this. I don't think people by records because of anything that happens on Facebook. They buy records cause they're friends say 'I bought this record and I love it'.

Beyoncé can handle any record you put in front of her. Any record that pushes her in that direction, it would have been good to be on the project.

The only thing they really get to pick is the single. But I get to pick the producer, the songs on the record, the final masters, the artwork. Basically, I hand them a record.

Our managers hadn't had that kind of success - the record company hadn't, we hadn't - and the feeling was that the next record had to be even bigger, and if it wasn't it would be some kind of failure.

If women dressed for men, the stores wouldn't sell much - just an occasional sun visor.

You know, the European record labels always say, 'We want 12 songs and then we want bonus songs,' and you're going, 'What for? Why?' That's not a record.

I did a record with a producer, and the good producers eat up the budget, so I didn't have any budget left to produce this record. I had to produce it myself.

Every time I bought a Rock and Roll record, I bought a classical record at the same time. I like each as well as the other.

I'm Australian, so I love the stores near Crowne Plaza Melbourne, on the banks of the Yarra River.

They went into stores to get food to stay alive. Looting isn't the right word. I call it survival.

Any time you have any type of record in any record book, especially with the Lakers, it is pretty special.

At 13 years old, I realized I could start my own band. I could write my own song, I could record my own record. I could start my own label. I could release my own record. I could book my own shows. I could write and publish my own fanzine. I could silk-screen my own T-shirt. I could do this all myself.

When you get a record attendance for What Culture Pro Wrestling - or just recently with Matt Cross, we did a record attendance for Next Gen in Tennessee. These are various brands. They're not rinky-dink. They're small - they're not WWE - but their soul is there.

Normally what I do is I'll record something that I really like which will be part of a song or an idea. I kind of just record things and then I'm done with them. It takes discipline to actually carve out a song.

I can't relate to the process of just disappearing and writing a record, all at the same time, followed by the sort of drudgery of going out on tour and trying to recreate the record, playing the same 12 songs every night.

As I view it, in every family a record should be kept...that record should be the first stone, if you choose, in the family altar. It should be a book known and used in the family circle; and when the child reaches maturity and goes out to make another household, one of the first things that the young couple should take along should be the records of their families, to be extended by them as life goes on...each one of us carries, individually, the responsibility of record keeping, and we should assume it.

Sports Direct is on course to become the 'Selfridges of sport' by migrating to a new generation of stores.

Of course I always like going to bookstores, but at stores, you're mostly meeting kids who are already into reading.

You can think of a number of bands where the first record is by far their biggest record. And that must be hard for people to recapture. Hard for people to live with.

What person could keep 59 stores open - beside God? It's impossible, it can't be done.

I sell a lot of ebooks from my website and encourage authors to set up their own stores.

We have record high temperatures and record high energy prices across the country, and we've seen the dangerous effects caused by extreme temperatures in the past.

We cannot take one step in geology without drawing upon the fathomless stores of by-gone time.

I really like looking at what's new in my favourite designers' stores, even if I don't buy anything.

The world record will come to me when I run the world record race. I'm just trying to perfect my race. I'm looking for perfection.

We had such a small budget making our first record, and the only way we could make it work was that the record company would find studio time in the middle of the night - literally, that was so cheap that we could afford to do it.

If you take 'Nothin' But a G Thang' by Dr Dre, that could also be an R&B record. 'Bonita Applebum' by A Tribe Called Quest could even be a jazz record. 'Bring Da Ruckus,' you gotta call it hip-hop.

I can never look at anything I do subjectively - whether it's a Stone Sour record or a Slipknot record, I can never really have my own opinion of it, 'cos in my opinion it's all crap.

I am very proud of The Saints and I'm very glad that I've been associated with them all these years, but the next record is the best record... has to be the philosophy for any band that remains even halfway decent or vibrant, and that is kind of where my head's at.

We have a secret project at Third Man where we want to have the first vinyl record played in outer space. We want to launch a balloon that carries a vinyl record player.

Brazilian music has been a part of almost every record I've done, and I'd eventually like to record an entire album of Brazilian music.

Its very sort of spontaneous and organic, not a preconceived sort of jamming. Now we record everything, cause sometimes you'll forget, you know, 'what was that thing again?' So we record everything.

The situation is not good with the record companies. It's just not working out, so I don't plan to record until it's straightened out. In the meantime I'm happy doing my movies and writing the music for the theme songs, whether I sing them or not.

I think I got an Instamatic camera when I was 8 years old, and ever since then, I've liked to record things. I don't know why. Maybe it's just to kind of try to leave some kind of record behind.

If you repeat what you did in the last tour, the likelihood is it's not gonna be successful twice. People are nostalgic about a particular record, because it's about the time when they were listening to that record. But if you do it again, they're like, I'm not that guy anymore.

My company is an extension of me, so when I designed my stores I wanted people to feel that they were in my home.

If I decide to run for office again, it will be based on what I believe, and it will be based on my record. And that record was one of solving problems completely from a conservative prospective.

I am not immune to the lure of a signed record, flier or set list. The fact that your music heroes potentially had, in their own hands, the record you now have in yours is kind of cool. When the musician has departed, it can give the thing a unique power.

I remember when I was like 9, 10, 11 going into stores and saying, 'Wow! I wish I had this.'

Only a certain number of people go to a store over the period of a year. When a person sees my record on the shelf, it eliminates someone else's record from being sold. It's about continuing to try to find new ways to sell records.

There are three things we need to do for a band. We need to make a great record; we need to get the record played; and we need to find an audience for the live shows.

The orbs have probably sold better through catalogs because they can be categorized unlike at most stores.

I'm advocating that American citizens interested in democracy should stay out of chain stores.

For me, when I go in to write a profile, and no ground rules are laid down, and I'm there to write an on-the-record profile and cover readings while in the room, then that means it's on the record.

Whenever I release a record, it's my record. It's not a selfish thought. I may work all year 'round for other people. So, finally, when I come out with my own album, it should be me with the creative help of other musicians.

Alternative cartoonists have to rely on comic book stores to get their stuff in the hands of readers.

You can't ask someone who is not making that kind of money to go to the record store and buy an album when someone down the street has the same record with same sound quality for $5.

But I'm not crazy about the designers like Prada and Gucci. I hate going into designer stores.

Sometime when I'm on the road, if I hear an idea, a melody in my head on the iPhone we got the voice memos. So I just record the melody or sound or the whole idea for a record.