Top 1200 Record Quotes & Sayings - Page 2

That memory of making the record is a huge part of the record itself.

I'm a pretty big P.J. Harvey record fan and you can really hear New York in his record.

Traditionally, tours were a means of promoting a record. Today, the record promotes the tour.

I didn't sign a record deal; I didn't do any of that. I made my record independently, and I went out and hit the road in a van.

ThinThread was not the program of record of my predecessor, Ken Minihan, OK. I did not make ThinThread the program of record while I was director. After I left in 2005, Keith Alexander also chose not to make ThinThread the program of record.

I wanted out of my record deal with EMI. They wanted me to record one type of album; I wanted to record the type of music I wanted to make.

I did not know about awards. I just wanted to break the world record and the Olympic record.

When my record comes on, you know that's a DJ Khaled record. That's my formula, and the people love it.

When I was up in New York, the first record my parents bought me was the Terror Squad record with 'Lean Back.'

I think basically lables were more interested in a Richard Page record than a Mr. Mister record.

The fossil record is incredible when it preserves things, but it's not a complete record.

Phoenix was a tougher record, a little more commercially accessible record.

Things like 'Lucky Man' were never written to even be a record, let alone a hit record.

Hillary Clinton cannot run away from her own record of incompetence or from the Obama record of abject betrayal.

I just wanted to make a record that wasn't escapism. Like, I didn't want to write another record that was devoid of meaningful content.

We put everything we had into this record, just like we do with every other record that we make.

I like to record something pretty much as soon as I have an idea for a song, but I'm on so many buses, I have to record on my mobile.

The live thing is separate from the record for me. I have to figure out a way to make the songs work live. It's always going to be different than it is on a record, because every record I've made, there are people playing parts on there that are not going to be coming on tour with me. As much as still feeling connected to it, it's more like rediscovering.

In 1940 I came across a record by Jimmy Yancey. I can't say how important that record is. From then on, all I wanted to do was play the blues.

Congratulstions on breaking my record. I always thought the record would stand until it was broken.

The Radiohead record, The Bends is my all-time favorite record on the planet.

That last record I did, I think I played every guitar on the entire record. I want to do something more fun and exciting.

I'm consistently on record and will continue to be on record as opposing concealed carry.

I think when you've been in office for a long time, you have a record, and that record is fair game.

The record company stay out of my way. Whenever the record is finished, they take it.

It makes sense that that's part of the story and everything, but that's part of any story of any record - where was it record and how long and what were the people doing. I think people want to know where these events are made. That's why I like the word "record."

The Radiohead record, 'The Bends' is my all-time favorite record on the planet.

I have no problem going on record with this and probably have gone on record with this before, there aren't that many people who I respect. There just aren't.

Record labels today are much less patient: Artists have a bad record, and they're gone.

When I heard Charlie Parker the first time on a record, it had seemed like an old, scratchy kind of record and I didn't get it.

Originally, after 'Tambourine' came out, another record was supposed to come out, but I had issues with my record label at the time, which was Interscope. We couldn't agree on a record, so that took some time. I had to leave them and find a new label.

I've always wanted to record a jazz record. I did one in the '70s with Barbara Carroll. It's been a journey.

We never threw a record together. Each record was done really seriously, as if our life depended on it.

I'm a pretty big P.J. Harvey record fan and you can really hear New York in his record

I still find time to record during the season. Offseason, I record every day until 7 A.M. - all night.

Music was so important to the culture when I was growing up in the Sixties and Seventies. We just expected that Bob Dylan was going to make a great record, and it was normal. It was like, 'Okay, here's another great record by Bob Dylan; here's another great record by Led Zeppelin.'

I wanted to make a jazz record. I didn't want it to be a standards record.

I used to work in a record store. I'm kind of a record nerd.

I always said, if I got a record deal, I'd want to record the best songs I could, whether I wrote them or not.

Judge Roberts' civil rights record and views remained the most controversial and unexplained part of his record when the Judiciary Committee hearing concluded, just as his civil rights record and views had been the most controversial part of his record when the hearing began.

For the record, we’re not friends. (Stryker) For the record, I don’t care. (Savitar)

When I work on someone else's record, I'm happy to alter the way I approach it, if I happen to like who they are and I'm interested in their music. But I know it's their record.

I try to make music with emotion and integrity. And authenticity. You can feel when something's authentic, and you can feel when it's not: you know when someone's trying to make the club record, or trying to make the girl record, or trying to make the thug record. It's none of that. It's just my emotions.

Not only does he have the NFC East record for touchdowns, but also the team record.

It's pretty amazing to me that my first hit record was an Elvis Presley record.

When you start out without a record nobody knows you, but if you have a record it's a lot easier.

No one was more surprised that that first Boston record took off than the record company itself.

Some people I've talked to have had really an interpretation of this record as being nostalgic. But in some ways, when we were writing Stay Positive, I was really obsessed with age. I kept saying it was a record about trying to age gracefully. This record, I think actually was us aging gracefully.

The record companies don't give you a chance, like in the old days when they went, 'Here's a pile of money. Go make a good record!'

I'm 23, and if I wanted to release a record when I was 17, I could have released a record, but I'm really glad I didn't.

I put a song on Soundcloud, and Annie Mac made it record of the week, and a month later, I signed my record deal.

I've always been in bands writing songs with friends in order to play shows or record a future record.

I know if I don't tour people will forget the record and you run a high risk of the record failing.

My first vinyl was a Kiss record and a Walt Disney record. I liked the energy of rock and roll.

Riding a horse and using a phone camera is tricky but if you don't take pictures or record the moment, you lose it. You want to have a record of it.

In the beginning, somebody told me there was a record in the cruiserweight division where Evander Holyfield became the champion. I thought about that, and I told my team, 'Let's make our own history, our own record, to beat Holyfield's record.'

You can get so many sounds out of one record. Every record can be used in some way.

I bring a record home, and it connects with me like nothing else. In my ideal situation, somebody will do that with my record.

That's the strange thing about making a record. You can be in one mood for an hour, put it on a record, and you're remembered that way.

I was the youngest producer to have a No. 1 record when Kris Kross first came out, and that was a record I held for I don't know how long.